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  • 1
    Online Resource
    Online Resource
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 0674981626 , 9780674981621
    Language: English
    Pages: 1 Online-Ressource (164 pages)
    Parallel Title: Erscheint auch als Kindley, Evan Poet-Critics and the Administration of Culture
    DDC: 306.4/209730904
    Keywords: Critics History ; Modernism (Literature) ; Litterateurs History ; Authors and patrons History ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; SOCIAL SCIENCE ; Popular Culture ; Authors and patrons ; Critics ; Intellectual life ; Litterateurs ; Modernism (Literature) ; History ; United States Intellectual life 20th century ; United States
    Abstract: Introduction: Village explainers -- Imperfect poet-critics -- Picking and choosing -- Student bodies -- Interrupting the muse -- The foundations of criticism -- Conclusion: With the program.
    Abstract: The period between 1920 and 1950 saw an epochal shift in the American cultural economy, from a literary modernism largely sustained by elite patronage to one supported by bureaucratic institutions oriented (at least in theory) toward the public good. The economic and political shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and those writers who had relied on the largesse of wealthy benefactors were forced to find new protectors from the depredations of the free market. In Poet-Critics and the Administration of Culture, Evan Kindley argues that modernist poet-critics played a unique role in the shift from aristocratic patronage to technocratic administration. The book takes up a series of exemplary Anglo-American poet-critics -- including T.S. Eliot, Marianne Moore, W.H. Auden, Ezra Pound, Archibald MacLeish, Sterling A. Brown, and R.P. Blackmur -- in order to trace the evolution of the relationship between modernist literature and institutions like universities, philanthropic foundations, and the federal government. Poet-critics were "village explainers" (as Gertrude Stein once described Ezra Pound), but the kinds of audiences and entities to which they offered their explanations changed radically during this period, and the shift has important consequences for how we understand poetry and its place in our culture today.--
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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