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  • 1
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401024129
    Language: English
    Pages: Online-Ressource (144p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Aesthetics
    Abstract: I. The Condition-Governed Model -- Unity in Music: A Test Case -- Refutations and Rejoinders -- Monothematic Structure and the Condition-Governed Model -- Recapitulation -- II. Two Concepts of Taste -- Taste and Non-Taste -- An Ability to Notice or See or Tell -- De Gustibus -- Recapitulation -- III. Are Aesthetic Terms Ungovernable -- Aesthetic and Nonaesthetic -- Aesthetic Terms and Aesthetic Discourse -- Aesthetic Terms and Novel Objects -- Aesthetic Terms and Taste -- Recapitulation -- IV. Are Things Always What They Seem? -- Further Reflections on the Behavior of Aesthetic Terms -- The Doctrine of Aesthetic Vision -- Animadversions on the “Doctrine” -- Recapitulation -- V. Duck-Rabbit and Other Perplexities -- Aspects or Qualities -- Aspect-Perceiving and Aesthetic Perceiving -- The Logic of Aspect-Ascribing -- Recapitulation -- VI. Art and Objectivity -- Two Footnotes to Plato -- Aesthetic Terms and Aesthetic Qualities -- Aesthetic Terms and Aesthetic Disagreements -- Conclusion.
    Abstract: As the title of this book was meant to suggest, its subject is the way we talk about (and write about) works of art: or, rather, one of the ways, namely, the way we describe works of art for critical purposes. Be­ cause I wished to restrict my subject matter in this way, I have made a sharp, and no doubt largely artificial distinction between describing and evaluating. And I must, at the outset, guard against a misreading of this distinction to which I have left myself open. In distinguishing between evaluative and descriptive aesthetic judgments, I am not saying that when I assert "X is p," where p is a "descriptive" term like "unified," or "delicate," or "garish," I may not at the same time be evaluating X too; and I am not saying that when I make the obviously "evaluative" assertion "X is good," I may not be describing X. Clearly, if I say "X is unified" I am evaluating X in that unity is a good-making feature of works of art; and as it is correct in English at least to call an evaluation a description, I do not want to suggest that if an assertion is evaluative, it cannot be de­ scriptive (although there have been many philosophers who have thought this indeed to be the case).
    Description / Table of Contents: I. The Condition-Governed ModelUnity in Music: A Test Case -- Refutations and Rejoinders -- Monothematic Structure and the Condition-Governed Model -- Recapitulation -- II. Two Concepts of Taste -- Taste and Non-Taste -- An Ability to Notice or See or Tell -- De Gustibus -- Recapitulation -- III. Are Aesthetic Terms Ungovernable -- Aesthetic and Nonaesthetic -- Aesthetic Terms and Aesthetic Discourse -- Aesthetic Terms and Novel Objects -- Aesthetic Terms and Taste -- Recapitulation -- IV. Are Things Always What They Seem? -- Further Reflections on the Behavior of Aesthetic Terms -- The Doctrine of Aesthetic Vision -- Animadversions on the “Doctrine” -- Recapitulation -- V. Duck-Rabbit and Other Perplexities -- Aspects or Qualities -- Aspect-Perceiving and Aesthetic Perceiving -- The Logic of Aspect-Ascribing -- Recapitulation -- VI. Art and Objectivity -- Two Footnotes to Plato -- Aesthetic Terms and Aesthetic Qualities -- Aesthetic Terms and Aesthetic Disagreements -- Conclusion.
    URL: Volltext  (lizenzpflichtig)
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