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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG
    ISBN: 9783031190001
    Language: English
    Pages: 1 online resource (469 pages)
    Parallel Title: Erscheint auch als
    DDC: 782.42
    Keywords: Popular music ; Popular music-History and criticism ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- List of Figures -- 1 The Intro -- 1.1 Defining the Hook -- 1.2 The Hook as Discussed by Music Journalists and Critics -- 1.3 The Hook as Discussed by Producers and Musicians -- 1.4 The Hook as Discussed in Songwriting Texts -- 1.5 The Hook as Discussed by Songwriters -- 1.6 Hooks and Pop Music -- 1.7 Conclusions -- References -- 2 Can't Get You Out of My Head: Hooks and Psychology -- 2.1 Hooks as Implicitly Psychological -- 2.2 The Psychology of Standing Out -- 2.3 The Psychology of Memorability -- 2.4 Hooks in Relation to Earworms -- 2.5 Attention, Memory, and Emotion in Music -- 2.6 Conclusions -- References -- 3 Thank U, Next: Hooks in Popular Music Studies -- 3.1 Burns (1987) -- 3.2 Musicology Wrestles with Pop -- 3.3 Hooks in Popular Music Studies -- 3.3.1 Studies About Hooks -- 3.3.2 Studies that Refer to Hooks -- 3.3.3 Modern Studies of Hooks -- 3.4 Conclusion -- References -- 4 This Is How We Do It: An Approach to Hooks -- 4.1 Our Conceptualisation of Hooks -- 4.2 Our Taxonomy of Hooks -- 4.2.1 Toplines and Backing Tracks -- 4.2.2 Hooks in Structure -- 4.2.3 Compound Hooks: Hook Stacks and Multi-Hooks -- 4.3 Conclusion -- References -- 5 Sing It Back: Melody and Topline Hooks -- 5.1 Topline Pitch Hooks -- 5.1.1 Shapes, Steps, Skips, and Leaps -- 5.1.1.1 Steps and Skips -- 5.1.1.2 Leaps -- 5.1.1.3 Ascending and Descending -- 5.1.2 One-Note Melodies -- 5.2 Topline Rhythm Hooks -- 5.2.1 Note Length in Toplines -- 5.2.2 Phrase Length in Toplines -- 5.2.3 Syncopation in Toplines -- 5.2.4 Rhythms That Evoke Prosodic Cues -- 5.2.5 Rhythms That Evoke Sounds from Everyday Life -- 5.3 Topline Performance Hooks -- 5.3.1 Sonic Signatures in Vocalists -- 5.3.2 Vocalists Using Modulations in Performance -- 5.3.3 Performance Hooks Based Around Different Singers -- 5.4 Topline Production Hooks.
    Note: Description based on publisher supplied metadata and other sources
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