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    ISBN: 9789004531253
    Language: English
    Pages: XXXI, 553 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Edition: [New edition]
    Series Statement: Handbook of Oriental studies. Section one, The Near and Middle East volume 177
    Series Statement: Handbook of Oriental studies. Section one, The Near and Middle East
    Parallel Title: Erscheint auch als
    Former Title: Vorangegangen ist Feldman, Walter Zev Music of the Ottoman court
    RVK:
    RVK:
    Keywords: Geschichte 1600-1750 ; Maqām ; Instrumentalmusik ; Musiktheorie ; Hofmusik ; Musikpflege ; Hof ; Komposition ; Notenschrift ; Osmanisches Reich ; Instrumental music / Turkey / 17th century / History and criticism ; Instrumental music / Turkey / 18th century / History and criticism ; Peşrevs / Turkey / 17th century / History and criticism ; Peşrevs / Turkey / 18th century / History and criticism ; Maqām / Turkey / 17th century / History and criticism ; Maqām / Turkey / 18th century / History and criticism ; Dimitrie Cantemir / Voivode of Moldavia / 1673-1723 / Kitabu 'ilmi'l-musiki 'ala vechi'l-hurufat ; Ali Ufkî / 1610-1675 / Mecmûa-i sâz ü söz / Selections ; Instrumental music ; Maqām ; Turkey ; 1600-1799 ; Criticism, interpretation, etc ; Osmanisches Reich ; Hofmusik ; Instrumentalmusik ; Geschichte 1600-1750 ; Osmanisches Reich ; Hof ; Instrumentalmusik ; Komposition ; Maqām ; Musikpflege ; Musiktheorie ; Notenschrift ; Geschichte 1600-1750
    Abstract: "Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir's seminal "Book of the Science of Music" from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski-from fifty years earlier-together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures"--
    Note: Aus dem Preface: "This is a revised version of the original publication from 1996"
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