ISBN:
0511063199
,
9780511063190
,
0511071655
,
9780511071652
Sprache:
Englisch
Seiten:
x, 237 p
,
24 cm
Ausgabe:
Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
Serie:
Cambridge studies in modern theatre
Serie:
EBSCOhost eBook Collection
Paralleltitel:
Erscheint auch als Aston, Elaine Feminist views on the English stage
Schlagwort(e):
Feminist drama, English History and criticism.
;
Feminism and literature History 20th century.
;
Women and literature History 20th century.
;
English drama Women authors
;
History and criticism.
;
English drama History and criticism. 20th century
;
Feminist drama, English History and criticism
;
Feminism and literature History
;
20th century
;
Great Britain
;
Women and literature History
;
20th century
;
Great Britain
;
English drama Women authors
;
History and criticism
;
English drama History and criticism
;
20th century
;
Grande-Bretagne
;
Great Britain
;
Feminism and literature History 20th century
;
Women and literature History 20th century
;
English drama Women authors
;
History and criticism
;
English drama History and criticism 20th century
;
Feminist drama, English History and criticism
;
Feminist drama, English History and criticism.
;
Feminism and literature History 20th century.
;
Women and literature History 20th century.
;
English drama Women authors
;
History and criticism.
;
English drama History and criticism. 20th century
;
DRAMA ; English, Irish, Scottish, Welsh
;
English drama
;
English drama ; Women authors
;
Feminism and literature
;
Feminist drama, English
;
Women and literature
;
Théâtre anglais
;
Théâtre féministe
;
Féminisme
;
Femme
;
Littérature
;
Écrivaine
;
20e siècle
;
Criticism, interpretation, etc
;
History
;
Dramatikerin
;
Englisch
;
Feminismus
;
Frauendrama
;
Grande-Bretagne
;
Great Britain
;
Großbritannien
;
Electronic books.
;
Electronic books.
;
Electronic books Criticism, interpretation, etc
;
History
;
Englisch
;
Frauendrama
;
Großbritannien
;
Dramatikerin
;
Feminismus
;
Geschichte 1990-2000
;
Englisch
;
Frauendrama
;
Großbritannien
;
Dramatikerin
;
Feminismus
;
Geschichte 1990-2000
Kurzfassung:
A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
Kurzfassung:
This is a study of contemporary drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores new writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.--Publisher description; 1900 - 1999
Beschreibung / Inhaltsverzeichnis:
A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
Anmerkung:
Includes bibliographical references (p. 215-228) and index
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2004
URL:
Volltext
(Deutschlandweit zugänglich)
URL:
Volltext
(Deutschlandweit zugänglich)
Permalink
