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  • Birmingham, AL, USA : EBSCO Industries, Inc.
  • USA  (8)
  • Musicology  (8)
Datasource
Material
Language
Years
  • 1
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780252094200 , 0252094204 , 9780252036323 , 0252036328
    Language: English
    Pages: 1 Online-Ressource (xi, 280 pages)
    Series Statement: Music in American life
    DDC: 782.421642092
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    Keywords: Robbins, Marty ; Geschichte 1925-1981 ; Country-Musiker ; Rennfahrer ; USA ; Biographie
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Editions Rodopi | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9789042032101 , 9042032103 , 904203209X , 9789042032095
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Series Statement: Nature, culture and literature 07
    DDC: 781
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    Keywords: Geschichte 1960-2010 ; Popmusik ; USA
    Abstract: Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox.
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    Berkeley, Calif. : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520941427 , 052094142X , 1423752651 , 9781423752653
    Language: English
    Pages: 1 Online-Ressource (xviii, 264 pages)
    DDC: 781.65/092
    RVK:
    Keywords: Silver, Horace ; Geschichte 1928-2001 ; Jazzmusiker ; Pianist ; USA ; Autobiographie
    Abstract: Horace Silver is one of the giants from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950s. This autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York.
    Note: Includes discography, bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    Cambridge, Mass. : Harvard University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780674045125 , 0674045122
    Language: English
    Pages: 1 Online-Ressource (260 pages) , Illustrations
    DDC: 810.9/0054
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    Keywords: Literatur ; Beatgeneration ; Jazz ; Kulturwandel ; USA
    Note: Includes bibliographical references (pages 203-250) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New Haven : Yale University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780300127478 , 0300127472 , 1281740918 , 9781281740915
    Language: English
    Pages: 1 Online-Ressource (xiv, 242 pages) , Illustrations
    DDC: 781.65/092/2
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    Keywords: Armstrong, Louis ; Whiteman, Paul ; Jazz ; USA
    Abstract: Joshua Berrett offers a revision of the history of early jazz focusing on two legendary performers. Through this dual biography he explores the influence that issues of race & commercialism have had on our perceptions of early jazz history & how these have distorted what was a collective experience.
    Note: Includes bibliographical references and indexes
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  • 6
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198031918 , 0198031912 , 9780195139433 , 0195139437 , 0195183908 , 9780195183900
    Language: English
    Pages: 1 Online-Ressource (xiv, 226 pages) , Illustrations
    Series Statement: Pivotal moments in American history
    DDC: 781.66/0973
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    Keywords: Rockmusik ; Sozialgeschichte ; USA
    Abstract: "The birth of rock 'n roll ignited a firestorm of controversy--one critic called it 'musical riots put to a switchblade beat'--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's 'switchblade beat' opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought 'race music' into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties."--Publisher description.
    Note: Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
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    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 8
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
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    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
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