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  • 2000-2004  (13)
  • Berkeley : University of California Press  (13)
  • Musicology  (13)
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Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Berkeley : University of California Press
    Language: English
    Pages: xii, 281 p. S. , 24 cm
    Edition: 1st paperback printing
    Edition: Electronic text and image data Mode of access: Intranet Ann Arbor, Mich. University of Michigan, Scholarly Publishing Office. Includes both TIFF files and keyword searchable text
    Series Statement: Music of the African diaspora
    Series Statement: ACLS Humanities E-Book
    Series Statement: ([ACLS Humanities E-Book])
    RVK:
    Note: Includes bibliographical references (p. 245-258) and index
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  • 2
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520238745 , 0520238311
    Language: English
    Pages: vii, 322 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89
    RVK:
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    Keywords: Ethnomusicology ; World music Instruction and study ; Folk music groups ; Weltmusik ; Volksmusikgruppe ; Ensemble ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Ensemble ; Volksmusikgruppe
    Note: Includes bibliographical references (p. 289-302) and index
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520930490
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Edition: 1st ed.
    DDC: 781.24095982
    RVK:
    Keywords: Gamelan ; Zentraljava
    Abstract: The gamelan music of Central Java is one of the world's great orchestral traditions. Its rich sonic texture is not based on Western-style harmony or counterpoint, but revolves around a single melody. The nature of that melody, however, is puzzling. In this book, Marc Perlman uses this puzzle as a key to both the art of the gamelan and the nature of musical knowledge in general. Some Javanese musicians have suggested that the gamelan's central melody is inaudible, an implicit or "inner" melody. Yet even musicians who agree on its existence may disagree about its shape. Drawing on the insights of Java's most respected musicians, Perlman shows how irregularities in the relationships between the melodic parts have suggested the existence of "unplayed melodies." To clarify the differences between these implicit-melody concepts, Unplayed Melodies tells the stories behind their formulation, identifying each as the creative contribution of an individual musician in a postcolonial context (sometimes in response to Western ethnomusicological theories). But these stories also contain evidence of the general cognitive processes through which musicians find new ways to conceptualize their music. Perlman's inquiry into these processes illuminates not only the gamelan's polyphonic art, but also the very sources of creative thinking about music.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520937178
    Language: English
    Pages: 1 Online-Ressource (259 pages)
    Edition: 1st ed.
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Weltmusik ; Ensemble ; Volksmusikgruppe ; Musikerziehung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance-historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."-R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky,...
    Abstract: Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben.
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520938437 , 9780520938434
    Language: English
    Pages: 1 online resource (297 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64/089/96073
    RVK:
    Keywords: Geschichte ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / General ; African Americans in popular culture ; African Americans / Music ; Popular music / Social aspects ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music Social aspects ; African Americans in popular culture ; Musik ; Schwarze ; USA ; USA ; USA ; Musik ; Schwarze ; Geschichte
    Description / Table of Contents: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music
    Note: Print version record
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  • 6
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520936531 , 1417508094 , 9780520936539 , 9781417508099
    Language: English
    Pages: Online-Ressource (xiv, 332 p) , ill
    Edition: Online-Ausg.]
    Parallel Title: Print version China's new voices
    DDC: 306.4/84
    RVK:
    RVK:
    RVK:
    Keywords: Popular music Social aspects ; Popular music Political aspects ; China Civilization 1976-
    Note: Includes bibliographical references (p. 291-309) and index
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  • 7
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520938434 , 0520938437
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    DDC: 781.6408996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik
    Abstract: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
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  • 8
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520227174 , 0520227182
    Language: English
    Pages: vii, 245 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/924
    RVK:
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    Keywords: Juden ; Musik ; Klezmer music Congresses ; Jews Music ; Congresses ; Klezmer ; Geschichte ; USA ; Konferenzschrift ; USA ; Klezmer ; Geschichte
    Note: Includes bibliographical references (p. 221-232) and index
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  • 9
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
    RVK:
    RVK:
    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 10
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520935655
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 781.62924
    RVK:
    Keywords: Klezmer ; Middletown 〈Conn., 1996〉 ; USA ; Kongress ; Kongress ; Konferenzschrift 1996
    Abstract: Klezmer, the Yiddish word for a folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States with the late-nineteenth-century Jewish immigrants from Eastern Europe. Although it had declined in popularity by the middle of the twentieth century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad in the world music and accompany Jewish celebrations. The outstanding essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors to American Klezmer include every kind of authority on the subject--from academics to leading musicians--and they offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life. The first half of this volume concentrates on the early history of klezmer, using folkloric sources, records of early musicians unions, and interviews with the last of the immigrant musicians. The second part of the collection examines the klezmer "revival" that began in the 1970s. Several of these essays were written by the leaders of this movement, or draw on interviews with them, and give firsthand accounts of how klezmer is transmitted and how its practitioners maintain a balance between preservation and innovation.
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520218094 , 0520232240
    Language: English
    Pages: xvii, 259 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66/149
    RVK:
    RVK:
    Keywords: Rock music History and criticism ; Sound recordings Production and direction ; Sound Recording and reproducing ; Rockmusik ; Tonstudiotechnik ; Tonträgerproduktion ; Rockmusik ; Tonträgerproduktion ; Rockmusik ; Tonstudiotechnik
    Note: Includes bibliographical references (p. 241-246) and index
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  • 12
    ISBN: 0520225414 , 9780520225411
    Language: English
    Pages: xv, 260 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Edition: First California paperback
    Parallel Title: Erscheint auch als Brackett, David, 1958 - Interpreting popular music
    DDC: 782.42163146
    RVK:
    Keywords: Popular music History and criticism ; Popular music Analysis, appreciation ; Popular music History and criticism ; Popular music History and criticism ; Popular music Analysis, appreciation ; Unterhaltungsmusik
    Note: Discography: Seiten 249-250 , Literaturverzeichnis: Seiten 237-248 , Originally published: Cambridge University Press, 1995
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  • 13
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
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