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  • 2015-2019  (23)
  • Zeitschriften zur Ethnologie
  • Frankreich
  • Musicology  (23)
Material
Language
Year
Keywords
  • 1
    Journal/Serial
    Journal/Serial
    Paris : [Verlag nicht ermittelbar] ; N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    ISSN: 0035-1601
    Language: French
    Dates of Publication: N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    Additional Information: 21=Année [24.]1942 Société française de musicologie Société Française de Musicologie Paris : Fischbacher, 1942
    Parallel Title: Erscheint auch als Revue de musicologie
    Former Title: Vorg. Société française de musicologie Bulletin de la Société Française de Musicologie
    Former Title: Rapports et communications / Série speciale
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Frankreich ; Musik ; Geschichte ; Geschichte
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Index 1967/81 in: 67.1981
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  • 2
    ISBN: 9783839446324
    Language: German
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: Theater v.119
    DDC: 306
    RVK:
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    Keywords: Musiktheater ; Kulturpolitik ; Kulturmanagement ; Deutschland ; Frankreich
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781315761619 , 9781317645719
    Language: English
    Pages: 1 Online-Ressource (xxiv, 271 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640944
    RVK:
    Keywords: Popmusik ; Frankreich ; Aufsatzsammlung ; Frankreich ; Popmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9781138793040
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    DDC: 781.640944
    RVK:
    RVK:
    Keywords: Popmusik ; Frankreich ; Popular music / France / History and criticism ; Popular music / Social aspects / France / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Popmusik
    Abstract: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
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  • 5
    ISBN: 9782503581187 , 2503581188
    Language: French
    Pages: 676 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Histoire générale et anthropologie des musiques populires en France vol. 1
    Series Statement: Collection Épitome musical
    Series Statement: Histoire générale et anthropologie des musiques populires en France
    RVK:
    Keywords: Sozialgeschichte ; Musikleben ; Unterhaltungsmusik ; Musikethnologie ; Streicherensemble ; Zigeuner ; Kulturaustausch ; Europa ; Frankreich ; Europa ; Frankreich ; Zigeuner ; Streicherensemble ; Unterhaltungsmusik ; Musikleben ; Kulturaustausch ; Musikethnologie ; Sozialgeschichte
    Abstract: Histoire et anthropologie des ensembles populaires de violons en Europe.00Les fortes ressemblances entre anciens ensembles ménétriers de violons et actuelles bandes de violons ? tsiganes ? d?Europe centrale, autorisent l?hypothèse des transferts culturels.00Les Tsiganes étant présents en Europe depuis le xve siècle, les processus de mise en contact entre eux et les populations locales (Gadjé) sont multiples : circulations humaines de toutes sortes, cadre répressif et carcéral associé au vagabondage, fréquentation, par les Tsiganes, des nobles, des cours, de l?espace économique et performatif de la foire, des milieux du théâtre itinérant. Par ailleurs, au xviie siècle, les bandes de violons ? surtout françaises ? ont essaimé dans toute l?Europe, notamment centrale.
    Abstract: De ce fait, les actuelles bandes de violons européennes, témoignant de l?histoire migratoire tsigane, des échanges entre Tsiganes et Gadjé et entre Européens eux-mêmes, constituent une mémoire interculturelle de l?Europe.00Si l?itinérance, l?oralité, la périphérie sociale et culturelle, la dilution du ?Bohémien? dans le ?vagabond? complexifient le traitement d?une telle recherche en raison de la raréfaction des sources directes, l?un des objectifs de cet ouvrage est de révéler le dynamisme et le mouvement des sociétés européennes anciennes, l?extrême complexité de leur fonctionnement musical, l?enchevêtrement de leurs réalités sociales, économiques, politiques, culturelles.
    Abstract: Cette histoire des bandes de violons en Europe doit, certes, être appréhendée dans le cadre des cours, mais aussi d?une culture ménétrière urbaine, rurale, parfois foraine et marginale, itinérante et nomade.0L?autre ambition de cet ouvrage est de proposer une nouvelle approche de la technique et du jeu violonistiques des anciens ménétriers violonistes, à partir de l?étude des consorts populaires actuels de violons de certaines régions d?Europe occidentale (Italie), centrale et balkanique.0
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  • 6
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
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  • 7
    ISBN: 9782343149189
    Language: French
    Pages: 272 Seiten , Illustrationen, Diagramme
    Series Statement: Musiques et champ social
    Dissertation note: Masterarbeit Université d'Avignon 2018
    DDC: 781.646
    RVK:
    Keywords: Reggae ; Soziale Bewegung ; Rock-Festival ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Reggae ; Rock-Festival ; Soziale Bewegung
    Note: Bibliographie et webliographie pages 251-257, filmographie page 257
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  • 8
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 9
    ISBN: 9783961380343 , 3961380341
    Language: French , German
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 640 g
    Dissertation note: Dissertation Universität Tübingen 2017
    DDC: 900
    RVK:
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    Keywords: Krieg ; Chanson ; Kriegslied ; Deutschland ; Frankreich ; Fachhochschul-/Hochschulausbildung ; Deutsch-französischer Krieg ; Erster Weltkrieg ; Klischee ; Kriegslieder ; Nationale Gesänge ; Zeitgeist ; Zweiter Weltkrieg ; antideutsche Chansons ; antifranzösische Lieder ; militaristisches Liedgut ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Frankreich ; Kriegslied ; Chanson ; Krieg
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  • 10
    ISBN: 2907891928 , 9782907891929
    Language: French
    Pages: X, 166 Seiten , Illustrationen , 22 cm
    Series Statement: Jazz en France
    DDC: 781.65094409
    RVK:
    RVK:
    Keywords: Panassié, Hugues ; Geschichte 1912-1974 ; Jazz ; Rezeption ; Musikzeitschrift ; Musikjournalist ; Frankreich
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  • 11
    ISBN: 2343123896 , 9782343123899
    Language: French
    Pages: 168 Seiten , 22 cm
    Series Statement: Sociologie des arts
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Musiksoziologie ; Digitale Revolution ; Jugend ; Frankreich
    Note: Includes bibliographical references
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  • 12
    Language: French
    Pages: 254 Seiten , 30 cm
    Edition: 8ème édition
    RVK:
    Keywords: Bibliografie ; Rockmusik ; Bibliografie ; Frankreich ; Rockmusik ; Bibliografie
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  • 13
    ISBN: 9781409461852 , 9781138248564
    Language: English
    Pages: xviii 225 Seiten
    Series Statement: An Ashgate book
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
    RVK:
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    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 14
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9782070197705 , 2070197700
    Language: French
    Pages: 390 Seiten , zahlreiche Illustrationen , 29 cm
    DDC: 791
    RVK:
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    Keywords: Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Versailles ; Höfisches Fest ; Spiel ; Theater ; Höfische Kultur ; Unterhaltung ; Geschichte 1640-1800 ; Frankreich ; Adel ; Fest ; Kunst ; Geschichte 1640-1800
    Note: Rückseite Titelblatt: "Cet ouvrage est publié à l'occasion de l'exposition "Fêtes et divertissements à la cour" présentée au château de Versailles du 29 novembre 2016 au 26 mars 2017." , Literaturverzeichnis: Seite 376-385
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  • 17
    ISBN: 9781138777996
    Language: English
    Pages: xii, 222 Seiten , Illustrationen
    Edition: First published
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
    RVK:
    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Ägyptische Expedition ; Reisebericht ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 978-0-19-937706-0 , 0-19-937706-5
    Language: English
    Pages: XI, 226 S. , Ill. , 25 cm
    RVK:
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
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  • 19
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199377091
    Language: English
    Pages: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9781409441731
    Language: English
    Pages: 201 Seiten
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421640944
    RVK:
    Keywords: Brel, Jacques Criticism and interpretation ; Brassens, Georges Criticism and interpretation ; Ferré, Léo Criticism and interpretation ; Geschichte 1960-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism ; Chanson ; Schlager ; Frankreich ; Italien ; Frankreich ; Italien ; Chanson ; Schlager ; Geschichte 1960-1980
    Note: Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 1138777994 , 9781315772295 , 1315772299 , 9781322156781
    Language: English
    Pages: 1 online resource (xii, 222 pages) , illustrations
    Series Statement: Routledge studies in ethnomusicology 5
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
    RVK:
    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Reisebericht ; Ägyptische Expedition ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
    RVK:
    RVK:
    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9780199377091
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
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