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  • HU Berlin  (4,568)
  • Musicology  (4,568)
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Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 2
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Associated volumes
    ISSN: 0037-9174 , 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Digital. Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
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    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 3
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Online-Ausg. Ethnomusicology
    Former Title: newsletter
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 4
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Associated volumes
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Journal/Serial
    Journal/Serial
    Darmstadt : WBG | Stuttgart : Theiss ; 1984,1; 1985 - 1988; 5.1989 -
    ISSN: 0176-8522
    Language: German
    Pages: 28 cm
    Dates of Publication: 1984,1; 1985 - 1988; 5.1989 -
    Additional Information: Supplement Archäologie in Deutschland. Sonderheft
    Additional Information: 2007 - 2011 Beil. Archäologie in Deutschland / Sonderheft Plus
    Parallel Title: Erscheint auch als Archäologie in Deutschland
    Former Title: das Magazin
    DDC: 936.3
    RVK:
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    Keywords: Archäologie ; Zeitschrift ; Deutschland ; Archäologie
    Note: Bis 17.2001 ohne Zusatz , Zählung nur auf d. Index; ersch. 6x jährl.
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  • 6
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusik ; Volksmusikinstrument ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 8
    ISBN: 9783658219437
    Language: German
    Pages: 1 Online-Ressource
    Edition: Living reference work, continuously updated edition
    Series Statement: Springer reference
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
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    Keywords: Media Research ; Media Sociology ; Music ; Music ; Medien ; Musik ; Filmmusik ; Musikformate ; Musikjournalismus ; Musikmedien ; Musikproduktion ; Rahmenbedingungen der Produktion von Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Medien
    Note: Erscheint auch als statische Ausgabe
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9781032412566
    Language: English
    Pages: xii, 768 Seiten , Illustrationen
    Edition: Third edition
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Social aspects ; Hip-hop
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  • 10
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
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    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 11
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Language: English
    Pages: xi, 354 Seiten , Illustrationen
    Edition: Revised edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Abstract: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Description / Table of Contents: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 12
    ISBN: 9783832556389
    Language: German
    Pages: x, 332 Seiten
    Series Statement: Musikkulturen im Fokus Band 4
    Series Statement: Musikkulturen im Fokus
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2021
    DDC: 792.09596
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 13
    ISBN: 9783406803000
    Language: German
    Pages: 335 Seiten
    Uniform Title: 1964: Eyes of the storm
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    Keywords: McCartney, Paul ; The Beatles ; Geschichte 1963-1964 ; Schwarzweißfotografie ; Porträtfotografie ; Bildband ; Bildband ; Bildband ; McCartney, Paul 1942- ; Porträtfotografie ; Schwarzweißfotografie ; The Beatles ; Geschichte 1963-1964
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 14
    ISBN: 9781789387315
    Language: English
    Pages: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Series Statement: Global punk
    Parallel Title: Erscheint auch als
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    Keywords: Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Note: das r in search ist im Haupttitel spiegelverkehrt dargestellt
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  • 15
    ISBN: 9780367546311 , 9780367546328
    Language: English
    Pages: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 16
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501381867
    Language: English
    Pages: 208 Seiten
    Series Statement: Genre : a 33 1/3 series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1979- ; Dance-Punk ; Dance-Punk ; Geschichte 1979-
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  • 17
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
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    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 18
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 19
    ISBN: 9781478025047 , 9781478020080
    Language: English
    Pages: XVI, 304 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Queer studies ; Electronic dance music / Social aspects ; Electronic dance music / Social aspects / Germany / Berlin ; Electronic dance music / Social aspects / Illinois / Chicago ; Electronic dance music / Social aspects / France / Paris ; Music and dance / Social aspects ; Dance / Social aspects ; Sound effects music ; Affect (Psychology) ; Intimacy (Psychology) ; Nightlife ; House music / Social aspects ; Ethnomusicology ; MUSIC / Ethnomusicology ; SOCIAL SCIENCE / LGBTQ Studies / General ; Affect (Psychology) ; Dance / Social aspects ; Ethnomusicology ; Intimacy (Psychology) ; Nightlife ; Sound effects music ; France / Paris ; Germany / Berlin ; Illinois / Chicago ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Abstract: "Together, Somehow is Luis-Manuel Garcia Mispireta's exploration of "minimal" house and techno parties in Chicago, Paris, and Berlin during the early 2000s. In particular, Garcia Mispireta is interested in the utopic vision of the inclusive dancefloor, and the way that is produced through what he calls stranger-intimacy--the kind of warmth, sharing, and vulnerability between strangers that happens surprisingly often at popular electronic dance music parties. Drawing on fieldwork conducted in these cities, Together, Somehow rethinks intimacy and belonging through dancing crowds and throbbing dancefloors"--
    Description / Table of Contents: Touch and Intimacy on the Dancefloor -- Sonic Tactility -- Liquidarity -- Thickening Something -- The Sweetness of Coming Undone -- Bouncers, Door Policies, and Embedded Diversity
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  • 20
    ISBN: 9783957324764 , 3957324769
    Language: German
    Pages: 462 Seiten , Illustrationen , 17 cm x 12 cm
    Edition: Erste Auflage
    DDC: 781.640943109048
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    Keywords: Geschichte 1979-1990 ; Popmusik ; Musikleben ; Underground ; Deutschland ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview
    URL: Cover
    URL: Cover
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  • 21
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108837125 , 9781108927680
    Language: English
    Pages: xiii, 308 Seiten , Illustrationen, Karte , 25,2 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2022 ; Countrymusic ; Nordamerika ; Country music / History and criticism ; Country music / Social aspects ; Country music ; Country music / Social aspects ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--
    Description / Table of Contents: "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
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  • 22
    ISBN: 9783968219288
    Language: German
    Pages: 281 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.4 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik Band 1
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 782.42164
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Popmusik ; Musikwissenschaft ; Schlager ; Geschlecht ; Image ; Musikvideo ; Pop ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild ; Deutschland ; Schlager ; Social Media ; Frauenbild
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 23
    Book
    Book
    Würzburg :Königshausen & Neumann,
    ISBN: 3-8260-7382-7 , 978-3-8260-7382-3
    Language: German
    Pages: 351 Seiten : , Illustrationen.
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    Keywords: Akusmatik. ; Akusmatik ; Akusmatik als Labor ; Kultur ; Kunst ; Medien ; Konferenzschrift ; Konferenzschrift 2019 ; Akusmatik
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  • 24
    ISBN: 978-3-8376-6487-4
    Language: German
    Pages: 154 Seiten : , Diagramme, Notenbeispiele ; , 22.5 cm x 14.8 cm, 243 g.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikerziehung. ; Erwachsenenbildung. ; Jazz. ; Unterhaltungsmusik. ; Komposition ; Improvisation. ; Musik ; Erwachsenenbildung ; Musikpädagogik ; Jazz ; Popularmusik ; Improvisation ; Didaktik ; Komposition ; Action Research ; Musikschule ; Bildung ; Popmusik ; Kulturelle Bildung ; Musikwissenschaft ; Kunstpädagogik ; Music ; Adult Education ; Music Education ; Popular Music ; Didactics ; Composition ; Music School ; Education ; Pop Music ; Cultural Education ; Musicology ; Art Education ; Musikerziehung ; Erwachsenenbildung ; Jazz ; Unterhaltungsmusik ; Komposition ; Improvisation
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  • 25
    ISBN: 3-412-52609-6 , 978-3-412-52609-2
    Language: German
    Pages: 196 Seiten : , Illustrationen, Diagramm, Karte, Notenbeispiele.
    Series Statement: Musik - Kultur - Gender Band 20
    Series Statement: Musik - Kultur - Gender
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Geschichte 1600-2023 ; Musiker. ; Mobilität. ; Geschlechterforschung. ; Musikleben. ; Geschlechterrolle. ; Macht. ; Biografie ; Epistemologie ; Gender ; Geschichtswissenschaft ; Kulturwissenschaft ; Migration ; Mobilität ; Musiker ; Musikwissenschaft ; Aufsatzsammlung ; Konferenzschrift 2017 ; Musiker ; Mobilität ; Geschlechterforschung ; Geschichte ; Musikleben ; Geschlechterrolle ; Mobilität ; Macht ; Geschichte 1600-2023
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  • 26
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 27
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Language: English
    Pages: 176 Seiten , 17 cm
    Series Statement: 33 1/3 173
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
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  • 28
    ISBN: 978-3-8309-4722-6 , 3-8309-4722-4
    Language: German
    Pages: 388 Seiten : , Diagramme ; , 24 cm x 17 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Musiklehrer. ; Berufswahl. ; Ausbildung. ; Musische Erziehung. ; Lehrplanentwicklung. ; Musikpädagogik ; Lehrer:innenbildung ; Curriculumentwicklung ; Musikunterricht ; Musikpädagogische Forschung ; Lehramtsstudium ; Musik ; Grundschule ; Gymnasium ; Studiengang ; Eignungsprüfung ; Berufswahl ; Studienmotivation, künstlerische Praxis ; Kompetenz ; Erwachsenenbildung ; Konferenzschrift 2012 ; Musiklehrer ; Berufswahl ; Ausbildung ; Musische Erziehung ; Lehrplanentwicklung
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  • 29
    Book
    Book
    Bodenburg : Verlag Edition AV
    ISBN: 9783868412918 , 3868412913
    Language: German
    Pages: 170 Seiten , Illustrationen, Notenbeispiele , 21 cm x 13.5 cm
    Edition: 1. Auflage
    DDC: 782.421599
    RVK:
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    Keywords: Bella ciao ; Geschichte 1943- ; Partisan ; Politisches Lied ; Italien ; Bella ciao ; Partisanenlied ; Musik ; Bella ciao ; Geschichte 1943- ; Italien ; Partisan ; Politisches Lied ; Geschichte 1943-
    URL: Cover
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  • 30
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 31
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
    RVK:
    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 32
    ISBN: 978-3-8309-4713-4
    Language: German
    Pages: 303 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    Parallel Title: Erscheint auch als
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    Keywords: Hörmann, Stefan ; Geschichte 1918-2018 ; Musikerziehung. ; Schule. ; Hochschule. ; Wissenschaftliche Musikpädagogik ; Gustav Schilling ; agogos ; Gedankenexperiment ; Musikdidaktische Formate ; Verstehensumgebung ; Historische Musikpädagogik ; Abel-Struth ; Wissenschaftstheorie ; Fachstruktur ; Wissenschaftsgeschichte ; Festschrift ; Musikerziehung ; Schule ; Hochschule ; Geschichte 1918-2018 ; 1963- Hörmann, Stefan
    Library Location Call Number Volume/Issue/Year Availability
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  • 33
    Book
    Book
    New York ; London :Routledge, Taylor & Francis Group,
    ISBN: 978-1-03-206827-5 , 978-1-032-06828-2
    Language: English
    Pages: xvii, 267 Seiten : , Illustrationen, Notenbeispiele.
    Parallel Title: Erscheint auch als
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    Keywords: Music theory / Instruction and study ; Music by black composers / Analysis, appreciation ; Culturally relevant pedagogy ; MUSIC / General ; MUSIC / Ethnic ; MUSIC / Instruction & Study / General ; Schule. ; Musikerziehung. ; Komponist. ; Person of Color. ; Lehrplanentwicklung. ; USA. ; Aufsatzsammlung ; Schule ; Musikerziehung ; Komponist ; Person of Color ; Lehrplanentwicklung
    Abstract: "Directly addressing the underrepresentation of Black composers in core music curricula, Expanding the Canon: Black Composers in the Music Theory Classroom aims to both demonstrate why diversification is badly needed and help faculty expand their teaching with practical, classroom-oriented lesson plans that focus on teaching music theory with music by Black composers. This collection of 21 chapters is loosely arranged to resemble a typical music theory curriculum, with topics progressing from basic to advanced and moving from fundamentals, diatonic harmony, and chromatic harmony to form, popular music, and music of the twentieth and twenty-first centuries. Some chapters focus on segments of the traditional music theory sequence, while others consider a single style or composer. Contributors address both methods to incorporate the music of Black composers into familiar topics, and ways to rethink and expand the purview of the music theory curriculum. A foreword by Philip Ewell and an introductory narrative by Teresa L. Reed describing her experiences as an African American student of music set the volume in wider context. Incorporating a wide range of examples by composers across classical, jazz, and popular genres, this book helps bring the rich and varied body of music by Black composers into the core of music theory pedagogy and offers a vital resource for all faculty teaching music theory and analysis."
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  • 34
    ISBN: 9783955931377 , 3955931374
    Language: German
    Pages: 224 Seiten , Illustrationen , 21.5 cm x 14.4 cm, 350 g
    Edition: Erstausgabe
    DDC: 780
    RVK:
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    Keywords: Hipp, Jutta ; Jazzpianistin ; Hipp, Jutta ; Pianistin ; Biografie ; Biografie ; Biografie ; Biografie ; Hipp, Jutta 1925-2003
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 35
    Book
    Book
    Würzburg :Königshausen & Neumann,
    ISBN: 978-3-8260-7194-2
    Language: German
    Pages: 393 Seiten : , Illustrationen ; , 23.5 cm x 15.5 cm.
    Series Statement: Klangfiguren Band 6
    Series Statement: Klangfiguren
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2020
    RVK:
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    Keywords: Geschichte ; Dirigent. ; Dirigieren. ; Konzert ; Film. ; Dirigent ; 19. Jahrhundert ; Herbert von Karajan ; Gustavo Dudamel ; Sergiu Celibdache ; Arturo Toscanini ; Hochschulschrift ; Dirigent ; Dirigieren ; Konzert ; Film ; Geschichte
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  • 36
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 37
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 38
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Language: English
    Pages: XX, 323 Seiten , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
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    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship."
    Note: Includes index
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  • 39
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Language: English
    Pages: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hip-Hop ; Archivierung ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 40
    Book
    Book
    Weinheim : Beltz Juventa
    ISBN: 9783779967767
    Language: German
    Pages: 364 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Sozialarbeit ; Hip-Hop ; Rap ; Jugendarbeit ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Rap ; Jugendarbeit ; Sozialarbeit
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  • 41
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Language: English
    Pages: XIX, 696 Seiten , 26,2 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423
    RVK:
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    Keywords: Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Note: Description based upon print version of record
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  • 42
    ISBN: 9783967077179
    Language: German
    Pages: 448 Seiten
    Series Statement: neue musik wissenschaft
    DDC: 782.421660922
    RVK:
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    Keywords: Komponisten und Songwriter ; Musikgeschichte ; Musikwissenschaft und Musiktheorie ; Elektronische Musik ; Elektropop ; Florian Schneider ; Klangperformance ; Klangästhetik ; Kling-Klang-Studio ; Kraftwerk ; Mensch-Maschine ; Multimedia-Projekt ; Ralf Hütter ; Trans Europa Express ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Einführung ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Elektronische Musik ; Computermusik
    Abstract: "Ich kann mir gar nicht vorstellen, dass Kraftwerk gar nicht wussten, wie wichtig sie für die schwarzen Massen '77 waren, als ihr 'Trans Europa Express' rauskam. Ich dachte sofort: Das ist eine der irrsinnigsten und besten Platten, die ich je gehört habe. [...] Was Computer und das Zeugs alles können!"Diese Worte des US-amerikanischen DJ-Urgesteins Afrika Bambaataa reihen sich beispielhaft ein in den gegenwärtigen musikjournalistischen und -wissenschaftlichen Diskurs, welcher der Düsseldorfer Gruppe KRAFTWERK große historische Leistungen auf dem Feld der populären elektronischen Musik zuschreibt. Unbestritten dienen KRAFTWERK durch ihren musikalisch-technologischen Innovationsgeist bis heute unzähligen Musikschaffenden als Inspirationsquelle. Die bis dato allenfalls am Rande behandelte Frage, was das Besondere der Musik der Gruppe in kompositorischer und/oder klangästhetischer Hinsicht eigentlich ausmacht, ist Thema des Buches - wobei analog zum Mensch-Maschine-Konzept KRAFTWERKs die Wechselwirkung zwischen Komposition und Instrumentarium permanenter Gegenstand der chronologisch angelegten musikalischen Analyse ist.Die bis heute andauernde Karriere der Gruppe umfasst einen Zeitraum von nunmehr über 50 Jahren. Das Buch ist dadurch nicht nur eine Abhandlung über KRAFTWERK, sondern ebenso ein umfassendes Dokument sowohl der Entwicklung der Studiotechnik als auch der Entwicklung der populären elektronischen Musik überhaupt
    Description / Table of Contents: 1 Einleitung1.1 Aufgabenstellung1.2 Quellensituation1.3 Zur Problematik der musikalischen Analyse in der Popularmusik1.4 Terminologische Unschärfe innerhalb der Popularmusik2 Voraussetzungen2.1 Krautrock - zur Situation der Rockmusik Ende der 1960er Jahre in der Bundesrepublik Deutschland2.2 Exkurs: Der Einfluss der Studiotechnik auf den Wandel des Stellenwerts des Parameters Sound2.2.1 Die Entwicklung der Studiotechnik2.2.2 Der spannungsgesteuerte Synthesizer und Switched-On Bach2.3 Die Pioniere des Krautrocks2.3.1 AMON DÜÜL2.3.2 Die Kosmische Musik und das Ohr-Label von Rolf-Ulrich Kaiser2.3.2.1 POPOL VUH2.3.2.2 TANGERINE DREAM2.4 Die Avantgarde vom Rhein - CAN und ORGANISATION2.4.1 CAN - Krautrock Stockhausen'scher Prägung?2.4.2 ORGANISATION - die musikalische Findungsphase von Ralf Hütter und Florian Schneider2.4.3 Tone Float - Entstehung, Textur und Positionierung innerhalb der Musikgeschichte2.4.4 Tone Float - musikalische Analyse3 Experimentelle Phase - von Kraftwerk bis Ralf und Florian3.1 Vorbemerkung3.2 Voraussetzungen: Studiotechnik - Produzent3.2.1 Studiotechnik als Klangfetisch - die Wertigkeit des Produzenten3.2.2 Phil Spector - Erfinder des Wall of Sound3.2.3 George Martin - Musiker und Produzent3.2.4 Brian Wilson - Prototyp einer neuen Generation von Musikschaffenden3.2.5 Joe Meek - Pionier des Homerecordings3.2.6 Die deutsche Studiolandschaft in den 1960er Jahren - ein Kampf der Kulturen3.2.7 Dieter Dierks - klangliches Aushängeschild deutscher Rockmusik3.2.8 Conny Plank - Produzent und Mentor3.3 Kraftwerk3.3.1 Entstehungsprozess und musikalische Analyse3.3.2 Blaupause des Industrials? - Einordnung im Kontext des Krautrocks und Vergleich mit THROBBING GRISTLE, FAUST und KLUSTER3.4 Personelle Umbesetzung - KRAFTWERK und NEU!3.5 Kraftwerk 23.5.1 Musikalische Analyse3.5.2 Bedeutung und Wirkung3.6 Exkurs: Stagnation und Bombast - der Beginn der 1970er Jahre in der populären Musik3.6.1 Stilistische Entwicklungen in der Rock- und Popmusik in der ersten Hälfte der 1970er Jahre3.6.2 Der Synthesizer im popmusikalischen Mainstream - Nischendasein als klangliches Additiv3.6.2.1 Paul Beaver und Bernhard Krause - die Studioszene ab Ende der 1960er Jahre an der Westküste der USA3.6.2.2 Keith Emerson - Instrumentalist und Klanggestalter in Personalunion3.6.3 Der Synthesizer in der experimentellen Popularmusik - musikalisches Diktat durch neue Technologien?3.6.3.1 WHITE NOISE - Vorgriff auf Sampling3.6.3.2 TANGERINE DREAM und MOTHER MALLARD - Sequencing als kompositionsstiftendes Element3.6.4 "Popcorn" - der Synthesizer erobert die Charts3.7 Ralf und Florian3.7.1 Übergang zu Synthesizer-Musik und Maschinengesang3.7.2 Musikalische Analyse - neues Instrumentarium, neue Klänge4 Elektronische Popmusik - von Autobahn bis Techno Pop/Electric Café4.1 Autobahn4.1.1 Einleitung4.1.2 Text und Gesang4.1.3 Musikalische Analyse - Produktion und Sound4.1.4 Exkurs: Isao Tomita - Überfigur der subtraktiven Synthese4.2 Radio-Aktivität4.2.1 Einleitung und konzeptioneller Überbau4.2.2 Musikalische Analyse - Komposition, Sound und synthetische Sprache4.3 Trans Europa Express4.3.1 Einleitung und konzeptioneller Überbau4.3.2 Musikalische Analyse - der Sequenzer als Steuerungs- und Kompositionswerkzeug4.4 Exkurs: Der Sequenzer erobert die Tanzfläche - Giorgio Moroder und der Disco-Sound4.5 Die Mensch-Maschine4.5.1 Konzept, produktionstechnische Voraussetzungen und neue Klänge4.5.2 Musikalische Analyse im Vergleich: Moroder und KRAFTWERK - Technik als komposit
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 43
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Language: English
    Pages: xvii, 210 Seiten , Notenbeispiele
    Parallel Title: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
    RVK:
    Keywords: Music History and criticism ; Music Social aspects ; Music African influences
    Abstract: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Description / Table of Contents: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 45
    ISBN: 9783837669411 , 3837669416
    Language: German
    Pages: 657 Seiten , Illustrationen, Karten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Friedrich-Schiller-Universität Jena 2023
    DDC: 781.66
    RVK:
    Keywords: Sozialgeschichte 1977-1995 ; Geschichte 1977-1995 ; Jugendkultur ; Subkultur ; Wandel ; Heavy Metal ; Sozialer Wandel ; Heavy Metal ; Extreme Metal ; Musik ; Wandel ; Sozialgeschichte ; Strukturwandel ; 1980er Jahre ; Zeitgeschichte ; Kulturgeschichte ; Popkultur ; Popmusik ; Musikwissenschaft ; Music ; Change ; Social History ; Structural Change ; 1980s ; Contemporary History ; Cultural History ; Popular Culture ; Pop Music ; Musicology ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Sozialgeschichte 1977-1995 ; Heavy Metal ; Subkultur ; Sozialer Wandel ; Geschichte 1977-1995
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 46
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367406837
    Language: English
    Pages: 44 Seiten , 22 cm
    Series Statement: Routledge advances in theatre & performance studies
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Beyoncé ; Geschichte 2013-2016 ; Afroamerikanische Musik ; Feminismus ; Karriere ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / History and criticism ; African American women in popular culture ; Feminism and music ; Beyoncé / 1981- ; African American women in popular culture ; Feminism and music ; Popular music ; Criticism, interpretation, etc ; Beyoncé 1981- ; Afroamerikanische Musik ; Feminismus ; Karriere ; Geschichte 2013-2016
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  • 47
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
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    Keywords: Afroamerikanische Musik ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Afroamerikanische Musik
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  • 48
    ISBN: 9783830946816 , 3830946813
    Language: German
    Pages: 237 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 36
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Black, Roy ; Bach, Kristina ; Fischer, Helene ; Musikmarkt ; Popkultur ; Musik ; Schlager ; Musikwirtschaftsforschung ; Phonomusikologie ; Populäre Musik ; Schlager ; Schlagerforschung ; Translationswissenschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2020 ; Aufsatzsammlung ; Musik ; Popkultur ; Schlager ; Musikmarkt ; Fischer, Helene 1984- ; Bach, Kristina 1962- ; Black, Roy 1943-1991 ; Schlager
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 49
    ISBN: 9783779976202
    Language: German
    Pages: 302 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
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    Keywords: Rassismus ; Jugendkultur ; Musikvideo ; Rassismus ; Rap ; Social Media ; Deutschland ; Jugendkultur ; Rap ; Rassismus ; Deutschland ; Rap ; Rassismus ; Musikvideo ; Social Media
    URL: Inhaltstext  (lizenzpflichtig)
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  • 50
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Uniform Title: Eiszeit. Der 'Kälte-Einbruch' in der deutschen Pop-Musik seit dem Ende der 1970er Jahre
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
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    Keywords: European history ; Europäische Geschichte ; HISTORY / Europe / Germany ; MUSIC / Genres & Styles / General ; Music: styles & genres ; Musik: Stile und Gattungen ; Deutschland ; Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023 ; Deutschland ; Popmusik ; Kälte ; Geschichte 1977-2019
    Abstract: Am Ende der 1970er Jahre entstand ein ästhetisch-subjektkulturelles Konzept in der deutschsprachigen Pop-Musik, das alles ‚Kalte‘ affirmierte: ‚Kälte-Pop‘. Bands wie Kraftwerk, DAF und Einstürzende Neubauten entwickelten als Gegenentwurf zum pop- wie gegenkulturell hegemonialen Wärme-Kult ein System von Motiven und Strategien, das all jene Zeichen und Prozesse der (Post-)Moderne ästhetisierte und glorifizierte, die in der bundesdeutschen Gesellschaft und vor allem im linksalternativen Milieu als negative Aspekte einer vermeintlich kalten Welt interpretiert wurden: Gefühlslosigkeit und Dehumanisierung, Industrie und Großstadt, Künstlichkeit und Entfremdung, Disziplin und körperliche Funktionalität, Schnee und Eis, Beton und Stahl sowie Computer, Maschinen und Roboter. Dabei schlugen die ‚Kälte‘-Akteur:innen eine Brücke zu den Historischen Avantgarden der 1920er Jahre und inszenierten sich stereotypisch als ‚kalte Deutsche‘. Die Arbeit analysiert unter Einbeziehung der transnationalen Verknüpfungen die ‚Kälte-Welle‘ (1978-1983) in der deutschen Pop-Musik, ihre Bildwelten und Codes, historischen Bezüge und Rezeption, das historische Umfeld ihrer Entstehung sowie nachfolgende Erscheinungsformen ‚kalter‘ Musik, die sich bis heute in der internationalen Pop-Musik und bei Acts wie Rammstein zeigen.
    Note: Literatur- und Quellenverzeichnis: Seite 593-651 , Enthält ein Personen- und Bandregister
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 51
    ISBN: 9783170426481 , 3170426486
    Language: German
    Pages: 187 Seiten , Illustrationen , 20.3 cm x 14 cm, 232 g
    Edition: 1. Auflage
    Series Statement: Metalbook Vol. 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Heavy Metal ; Musik ; Musiksoziologie ; Soziologie
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 52
    ISBN: 978-3-8309-4508-6
    Language: German
    Pages: 210 Seiten ; , 24 cm x 17 cm.
    Series Statement: Grazer Schriften zur Instrumental- und Gesangspädagogik Band 3
    Series Statement: Grazer Schriften zur Instrumental- und Gesangspädagogik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation mdw - Universität für Musik und darstellende Kunst Wien 2020
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    Keywords: Behinderter Mensch. ; Instrumentalunterricht. ; Gesangunterricht. ; Musikschule. ; Inklusive Pädagogik. ; Inklusiver Unterricht. ; Musikerziehung. ; Österreich. ; Inklusion ; Behinderung ; Musikschule ; Instrumentalunterricht ; Instrumentalpädagogik ; Gesangspädagogik ; Österreich ; Lehrkräfte ; IGP ; Teilhabe ; Sonderpädagogik ; Hochschulschrift ; Behinderter Mensch ; Instrumentalunterricht ; Gesangunterricht ; Musikschule ; Inklusive Pädagogik ; Inklusiver Unterricht ; Musikerziehung
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  • 53
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 54
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
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    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 55
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
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    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 56
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
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    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 57
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
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    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
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  • 58
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 59
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 60
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9781793607546
    Language: English
    Pages: xiii, 183 Seiten , Illustrationen
    Series Statement: Critical perspectives on music and society
    DDC: 781.648
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  • 62
    ISBN: 9783955751685 , 3955751686
    Language: German
    Pages: 267 Seiten , 14 cm x 19.5 cm
    Edition: 1. Auflage
    DDC: 780
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk ; Deutschland ; Punk ; Geschichte
    Abstract: Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschied­liche Szene jeweils mit ganz eigenen Protago­nist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "negativ-dekadent" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem diktatorisch regierten Teil Deutschlands für zumindest etwas Farbe und viel Verwirrung sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Henning und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging.
    URL: Cover
    URL: Cover
    URL: Cover
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  • 63
    Book
    Book
    New Brunswick, Camden ; Newark, New Jersey ; London : Rutgers University Press
    ISBN: 9781978826694 , 9781978826687
    Language: English
    Pages: v, 175 Seiten , Illustrationen
    Series Statement: Global media and race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Monáe, Janelle ; Biography: general ; Popular culture ; Ethnic studies ; Gay studies (Gay men) ; Media studies ; Afrofuturismus ; Monáe, Janelle 1985- ; Afrofuturismus
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  • 64
    ISBN: 9783837660555 , 3837660559
    Language: German
    Pages: 375 Seiten , 22.5 cm x 14.8 cm, 618 g
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
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    Keywords: Gangsta-Rap ; Popkultur ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Popkultur ; Gangsta-Rap ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 65
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 66
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 67
    ISBN: 9783030978839
    Language: English
    Pages: XXIII, 401 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
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  • 68
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 69
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 70
    ISBN: 9783952544426 , 3952544426
    Language: English
    Pages: 354 Seiten , Illustrationen, Diagramme , 23.5 cm x 16.5 cm, 633 g
    Edition: 1st edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 2000- ; Experimentelle Musik ; Elektronische Musik ; Strategie ; Musikproduktion ; Politisches Denken ; Sampling ; Ableton ; Intention ; Musikproduktion ; Deconstructed Club ; Electronica ; Kreativität ; Digital Audio Workstation ; Musical Borrowing ; Sampling ; Elektronische Musik ; Experimentelle Musik ; Sampling ; Musikproduktion ; Strategie ; Politisches Denken ; Geschichte 2000-
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  • 71
    ISBN: 9783658365158 , 3658365153
    Language: German
    Pages: VII, 543 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.2350943
    RVK:
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    Keywords: Geschichte 2000- ; Hip-Hop ; Deutschland ; Deutscher Rap/HipHop ; Empowerment/ Jugendkultur ; Gender/Geschlechtlichkeit ; Pädagogik/Musikpädagogik ; Migration/Postmigration ; HipHop Studies ; Hip-Hop pedagogy ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 72
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Language: English
    Pages: x, 268 Seiten , Illustrationen, Fotografien
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 781.642
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    Keywords: Countrymusic ; Queer-Theorie
    Note: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 73
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
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    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 74
    ISBN: 9780231205931 , 9780231205924
    Language: English
    Pages: 192 Seiten
    Series Statement: The Columbia oral history series
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Abstract: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Description / Table of Contents: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 75
    ISBN: 9783703065439 , 3703065435
    Language: German
    Pages: 465 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 8
    Series Statement: Schriften zur musikalischen Ethnologie
    RVK:
    Keywords: Mehrstimmigkeit ; Jodeln ; Gesang ; Alpen ; europäische Mehrstimmigkeit ; mehrstimmiges Singen ; Ideologie ; Circle Singing ; Jodelpraxis ; Naturjodel ; Trallalero ; Jodler ; Swiss Amish ; Kuhreihen ; Alpsegen ; Alphorn ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Alpen ; Jodeln ; Gesang ; Mehrstimmigkeit ; Alpen ; Jodeln ; Mehrstimmigkeit
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  • 76
    ISBN: 9783030987046
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 77
    ISBN: 9781913172336
    Language: English
    Pages: xiii, 514 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Abstract: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Note: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 78
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 79
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 80
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
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    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 81
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Derwischorden ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Derwischorden ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 82
    ISBN: 9783828847460
    Language: German
    Pages: XIII, 371 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
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  • 83
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781032011813 , 9781032011783
    Language: English
    Pages: xxviii, 145 Seiten
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als Buscatto, Marie Women in jazz
    Parallel Title: Erscheint auch als Buscatto, Marie Women in jazz
    Parallel Title: Erscheint auch als Buscatto, Marie Women in jazz
    DDC: 782.42165092/2
    RVK:
    Keywords: Women jazz musicians ; Women jazz singers ; Jazz Social aspects ; Sex role in music
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
    Note: Includes bibliographical references and index
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  • 84
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 85
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501374715 , 9781501374753
    Language: English
    Pages: vii, 290 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Fela ; Afrobeat ; Fela / 1938-1997 / Criticism and interpretation ; Fela / 1938-1997 / Philosophy ; Fela / 1938-1997 / Political and social views ; Afrobeat / Social aspects / Nigeria ; Afrobeat / Political aspects / Nigeria ; Nigeria / Politics and government / 20th century ; Afrobeat / Aspect social / Nigeria ; Afrobeat / Aspect politique / Nigeria ; Nigeria / Politique et gouvernement / 20e siècle ; Fela / 1938-1997 ; Philosophy ; Political and social views ; Politics and government ; Nigeria ; 1900-1999 ; Criticism, interpretation, etc ; Fela 1938-1997 ; Afrobeat
    Abstract: "Reappraises the life, musical dynamics, and philosophy of Afrobeat legend Fela Anikulapo Kuti, and positions his music within the context of Africa's search for freedom"--
    Description / Table of Contents: Introduction. Fela Anikulapo-Kuti and Fela Studies ; Fela in Perspectives -- Part A. History and Culture. Natal Tales : Fela and His Family ; The Performative Rhythm : From Highlife to Afrobeat ; The "Woman Question" : Fela and His Wives -- Part B. Fela, Art and Politics. Fela and the Postcolonial Political Economy of Nigeria ; The Politics of Fela's Music ; Fela's Use of Language ; Postcoloniality and Art in Fela and His Afrobeat -- Part C. Fela and Felasophy. Cultural Imperatives in Fela's Music ; Fela's Thoughts on African Indigenous Knowledge Systems ; Fela and Pan-Africanism ; Blackism : Fela's Political Philosophy ; Freedom and Excesses : Fela and His Social Eccentricities -- Part D. Fela in the Future. Post-Fela : Afrobeats as Memorialization ; Fela as a Legacy
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  • 86
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Language: English
    Pages: viii, 186 Seiten , Illustration
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 87
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Language: English
    Pages: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music/culture
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    RVK:
    Keywords: Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Abstract: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Description / Table of Contents: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
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  • 88
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501365379 , 9781501365386
    Language: English
    Pages: xx, 239 Seiten
    Series Statement: Ex:centrics
    Parallel Title: Online version
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bowie, David ; Geschichte 2013-2016 ; Bowie, David 1947-2016 ; Geschichte 2013-2016
    Abstract: "In the final year of his life David Bowie achieved his long-time ambition to write and stage a musical. At the same time, he produced his final record, the multi-Grammy award winning Blackstar. In Lazarus, Bowie's protagonist is an alien outsider, stuck on earth and unable to die; he must find within himself the reason, and heroism, to finally be free. 2013's The Next Day, tells stories from the perspectives of a diverse cast of obscure literary characters who are experiencing death in some way. In contrast, Blackstar elegantly invites us to consider what happens when a star dies. In our universe dying stars do not disappear, they transform into new stellar objects, remnants and gravitational forces. When a pop star dies their body of work may live on; with enough critical mass, a remnant legacy may transform an individual into something bigger than what they were: supermassive, god-sized. This book analyzes the words, images, music and sounds of Bowie's final works, critically appraising it as death art that leverages its power from the artist's demise. With Lazarus and Blackstar Bowie assembles an existentialist framework for immortality that echoes David Bowman's journey through the Star Gate in 2001: A Space Odyssey (1968). In Bowie's version, the transformation comes through death's gateway; ascension to a new state of universal being"--
    Description / Table of Contents: Part 1: Last act -- Lateness -- Remystification -- The next day -- Assemblage -- Part 2: Per ardua ad astra -- Icarus takes his pratfall -- Lazarus -- The next bardo -- Part 3: [Star symbol] -- Black holes, black music, black arts, black hearts, and button eyes -- Chaos and chemistry -- Prodigal sons -- Blackstar theory -- Epilogue: Legacies and voids
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  • 89
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 90
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345326 , 9781501389917
    Language: English
    Pages: xiv, 409 Seiten
    Series Statement: Bloomsbury handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikpolitik ; Popmusik ; Musikwirtschaft ; Popular music / Law and legislation ; Popular music / Political aspects ; Cultural policy ; Music trade ; Music and state ; Cultural policy ; Music and state ; Music trade ; Popular music / Political aspects ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Abstract: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Description / Table of Contents: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 91
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072055
    Language: English
    Pages: 197 Seiten , Illustrationen, Karten, Notenbeispiele
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazz ; Globalisation ; Communities ; Pop-Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
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  • 92
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252086441 , 9780252044373
    Language: English
    Pages: X, 293 Seiten , Illustrationen, Karten (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 306.484229423
    RVK:
    Keywords: Klang ; Musikethnologie ; Musiksoziologie ; Volksmusik ; Mongolei ; Music / Social aspects / Mongolia ; Music / Social aspects / China / Inner Mongolia ; Music / Mongolia / History and criticism ; Music / China / Inner Mongolia / History and criticism ; Mongols / Music / History and criticism ; Mongols / Music ; Music ; Music / Social aspects ; China / Inner Mongolia ; Mongolia ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mongolei ; Klang ; Volksmusik ; Mongolei ; Musiksoziologie ; Musikethnologie
    Abstract: "Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
    Description / Table of Contents: Introduction. Mongolian Sound Worlds : Opening Snapshots / Sunmin Yoon -- PART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe / Oktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds / Jennifer C. Post -- PART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond / Tamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia / Charlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu / Sunmin Yoon ; Gendered Musicality in the Altai Mountains / Rebekah Plueckhahn -- PART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition / Bayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History / Peter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces / Otgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia / Jennifer C. Post -- PART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview / Andrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present / Johanni Curtet ; Mongolian Music, Globalization, and Nomadism / Andrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music / Peter K. Marsh
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  • 93
    Book
    Book
    Berlin : Browse Gallery
    ISBN: 9783000717796 , 300071779X
    Language: German
    Pages: 287 Seiten , 30 cm x 25.3 cm, 1600 g
    RVK:
    Keywords: Ton Steine Scherben ; Geschichte 1960-1990 ; Umkreis ; Fotografie ; Politische Kultur ; Deutschland ; Nachkriegszeit ; West-Berlin ; Ton Steine Scherben ; Deutsche Rockmusik ; Kreuzberg ; Ausstellung ; Revolte ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ton Steine Scherben ; Umkreis ; Deutschland ; Politische Kultur ; Fotografie ; Geschichte 1960-1990
    Note: Rückseite Titelblatt: Katalog zur Ausstellung "Wenn die Nacht am tiefsten - Ton Steine Scherben in ihrer Zeit", produziert und kuratiert von Browse Gallery, zuerst präsentiert vom 10. Juni bis 4. Juli 2021, Kunstquartier Bethanien, Berlin-Kreuzberg , Zusätzliches Online-Angebot unter QR-Code abrufbar
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  • 94
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357848 , 9781501357831
    Language: English
    Pages: ix, 146 Seiten , Illustrationen
    Series Statement: 33 1/3 Europe
    Parallel Title: Online version Elliott, Richard, 1971 June 28- DJs do guetto
    RVK:
    RVK:
    Keywords: Geschichte 2006 ; Weltmusik ; Album ; Portugal ; DJs do guetto (2006) ; Electronic dance music / Portugal / Lisbon / History and criticism ; Popular music / Portugal / Lisbon / 2001-2010 / History and criticism ; Black people / Portugal / Lisbon / Music / History and criticism ; Blacks ; Electronic dance music ; Popular music ; Portugal / Lisbon ; 2001-2010 ; Criticism, interpretation, etc ; Portugal ; Weltmusik ; Album ; Geschichte 2006
    Abstract: "Uses the 2006 compilation DJs do Guetto as a central document of Afro-diasporic music in 21st-century Lisbon and as a case study of postcolonial encounters in global popular music"--
    Description / Table of Contents: Pr001 -- Uprooted Beats -- Close Encounters -- Quinta do Mocho -- Looped Encounters -- The Making and Unmaking of a DJ Crew -- Nobility -- Strange Futurity -- Translation -- An Ending
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  • 95
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
    RVK:
    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 96
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526152237
    Language: English
    Pages: ix, 192 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.6609415090
    RVK:
    RVK:
    Keywords: Geschichte 1975-1985 ; Punk ; Punk Rock ; Belfast ; Punk rock music / Northern Ireland / Belfast / History and criticism ; Punk rock music / Northern Ireland / Belfast / Interviews ; Northern Ireland / History / 1968-1998 ; Northern Ireland / History / 1968-1998 / Interviews ; Belfast ; Punk Rock ; Punk ; Geschichte 1975-1985
    Abstract: Belfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.
    Note: Literaturverzeichnis: Seite 179-190
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  • 97
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 98
    ISBN: 9781032149011 , 9781032149028
    Language: English
    Pages: xvii, 124 Seiten
    Parallel Title: Äquivalent
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1920- ; Generationskonflikt ; Sozialer Wandel ; Popmusik ; Korea ; Korea ; Popmusik ; Generationskonflikt ; Sozialer Wandel ; Geschichte 1920-
    Abstract: You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history
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  • 99
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
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  • 100
    Book
    Book
    London ; New York ; Sydney ; Toronto ; New Delhi : Simon & Schuster
    ISBN: 9781398519411 , 9781451648706
    Language: English
    Pages: 339 Seiten , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Simon & Schuster hardcover edition
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    Keywords: Geschichte 1924-2004 ; Song ; Interpretation ; Popular music / Writing and publishing ; Popular music / Writing and publishing ; Essays ; Song ; Interpretation ; Geschichte 1924-2004
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