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  • Durham : Duke University Press  (9)
  • Birmingham, AL, USA : EBSCO Industries, Inc.
  • USA  (9)
  • Art History  (9)
Material
Language
  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 3
    ISBN: 9781478001874 , 9781478003007
    Language: English
    Pages: xvi, 534 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chicano and Chicana art
    Parallel Title: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Keywords: Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780872731837
    Language: English
    Pages: 318 Seiten
    DDC: 305.48896073
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    Keywords: Geschichte 1965-1994 ; Black arts movement ; Bürgerrechtlerin ; Engagierte Kunst ; Frauenkunst ; Künstlerin ; Person of Color ; Schwarze ; Schwarze Frau ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog The Institute of Contemporary Art 26.06.2018-30.09.2018
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of the exhibition "We wanted a revolution: black radical women, 1965-85", organized by the Brooklyn Museum.
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  • 5
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822391524
    Language: English
    Pages: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN Foundation
    ISBN: 9781478090786 , 1478090782
    Language: English
    Pages: 1 Online-Ressource (xv, 277 Seiten) , Illustrationen
    Series Statement: Objects/histories
    Parallel Title: Erscheint auch als Hutchinson, Elizabeth, 1966 - The Indian craze
    DDC: 709/.01/1
    RVK:
    Keywords: Indianer ; Kunst ; Rezeption ; USA ; Künstler ; Gesellschaft ; Geschichte 1890-1915 ; USA ; Indianer ; Künstler ; Geschichte 1890-1915
    Note: Literaturverzeichnis: Seite 263-265
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  • 9
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822338505 , 0822338661 , 9780822338505 , 9780822338666
    Language: English
    Pages: XXX, 235 S. , Ill. (überw. farb.) , 26 cm
    Series Statement: Objects/histories
    DDC: 759.13
    RVK:
    Keywords: Indian painting ; Modernism (Art) ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Indianer ; Malerei ; Moderne ; Geschichte 1940-1960
    Description / Table of Contents: Art and modern Indian policyThe culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists.
    Description / Table of Contents: Art and modern Indian policy -- The culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists
    Note: Includes bibliographical references (p. [217]-225) and index
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