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  • Cambridge : Cambridge University Press
  • Musicology  (61)
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  • 1
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
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    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781108486187
    Language: English
    Pages: xxviii, 315 Seiten , Illustrationen
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, - 1962- A people's music
    DDC: 781.650943/1
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    Keywords: Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Literaturverzeichnis: Seite 291-302. - Register
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108296939
    Language: English
    Pages: 1 Online-Ressource (xx, 351 Seiten) , Illustrationen
    Series Statement: Composers in context
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; Beatles / Influence ; The Beatles ; Popular music / 1961-1970 / History and criticism ; Rezeption ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles ; Rezeption ; Kultur
    Abstract: Since their first performances in 1960, The Beatles' cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from dance halls to Abbey Road Studios and the digital age, the band's impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band's complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore The Beatles' lives and work and understand their cultural legacy, focusing on the people and places central to The Beatles' careers, the visual media that contributed to their enduring success, and the culture and politics of their time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
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    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
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  • 11
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
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    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 12
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xii, 404 Seiten , Illustrationen
    DDC: 305.23509409047
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    Note: Bibliography: pages 343-379
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  • 13
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316676400
    Language: English
    Pages: 1 Online-Ressource (ix, 233 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.640973
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    Keywords: Geschichte 1950-2016 ; Popular music / United States / History and criticism ; Ballads, English / United States / History and criticism ; Ballad ; Popsong ; USA ; USA ; Ballad ; Popsong ; Geschichte 1950-2016
    Abstract: While ballads have been a cornerstone of popular music for decades, this is the first book to explore the history and appeal of these treasured songs. David Metzer investigates how and why the styles of ballads have changed over a period of more than seventy years, offering a definition of the genre and discussing the influences of celebrated performers including Frank Sinatra, Aretha Franklin, and Whitney Houston. The emotional power of the ballad is strongly linked to the popular mood of the time, and consequently songs can tell us much about how events and emotions were felt and understood in wider culture at specific moments of recent American history. Tracing both the emotional and stylistic developments of the genre from the 1950s to the present day, this lively and engaging volume is as much a musical history as it is a history of emotional life in America
    Note: Title from publisher's bibliographic system (viewed on 15 Sep 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
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    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316779569
    Language: English
    Pages: 1 Online-Ressource (xiii, 404 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 323/.0420830941
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    Keywords: Geschichte 1976-1984 ; Youth / Great Britain / History / 20th century ; Punk culture / Great Britain / History / 20th century ; Punk rock music / Great Britain / History and criticism ; Jugendkultur ; Großbritannien ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Abstract: 'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent
    Note: Title from publisher's bibliographic system (viewed on 15 Sep 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten
    Series Statement: Cambridge cultural social studies
    DDC: 306.4842
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    Note: Forthcoming publication
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  • 17
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107161528
    Language: English
    Pages: ix, 233 Seiten
    Edition: First published
    DDC: 782.421640973
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    Keywords: Geschichte 1950-2016 ; Ballad ; Popsong ; USA
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  • 18
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 19
    ISBN: 9781107680913 , 9781107063648
    Language: English
    Pages: xvi, 366 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 782.4209
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    Keywords: Liedermacher ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Select bibliography Seite 341-360
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  • 20
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316569207
    Language: English
    Pages: 1 Online-Ressource (xvi, 366 Seiten) , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.4209
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    Keywords: Popular music History and criticism ; Popular music Writing and publishing ; Songs History and criticism ; Sänger ; Songwriting ; Musiksoziologie ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie
    Abstract: Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West
    Description / Table of Contents: Introduction / Katherine Williams and Justin A. Williams -- Establishing a tradition -- The emergence of the singer-songwriter / David R. Shumway -- Singer-songwriters of the German Lied / Natasha Loges and Katy Hamilton -- Bill Monroe, bluegrass music, and the politics of authorship / Mark Finch -- Singer-songwriters and the English folk tradition / Allan F. Moore -- The Brill Building and the creative labour of the professional songwriter / Simon Barber -- Forging the singer-songwriter at the Los Angeles Troubadour / Christa Anne Bentley -- The 'professional' singer-songwriter in the 1970s / Michael Borshuk -- Individuals -- Thomas D'Urfey / Tōru Mitsui -- Leadbelly / Josep Pedro -- Region and identity in Dolly Parton's songwriting / Jada Watson -- Authorship and performance in the music of Elton John / Phil Allcock -- Depicting the working class in the music of Billy Joel / Joshua S. Duchan -- Musical gesture in the songs of Nick Drake / Timothy Koozin --
    Description / Table of Contents: Sampling and storytelling: Kanye West's vocal and sonic narratives / Lori Burns, Alyssa Woods, and Marc Lafrance -- James Blake, digital lion / madison moore -- Outside voices and the construction of Adele's singer-songwriter persona / Sarah Suhadolnik -- Joanna Newsom's 'Only skin': authenticity, 'becoming-other', and the relationship between 'New' and 'Old Weird America' / Jo Collinson Scott -- Men and women -- Gender, race, and the ma(s)king of 'Joni Mitchell' / Kevin Fellezs -- Gender, genre, and diversity at Lilith Fair / Jennifer Taylor -- Changing openness and tolerance towards LGBTQ singer-songwriters / Katherine Williams -- Tori Amos as shaman / Chris McDonald -- Gender identity, the queer gaze, and female singer-songwriters / Megan Berry -- The female singer-songwriter in the 1990s / Sarah Boak -- Frameworks and methods -- Reconciling theory with practice in the teaching of songwriting / Mark Marrington -- Singer-songwriters and open mics / Marcus Aldredge --
    Description / Table of Contents: Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's 'Someone Like You') / Rupert Till -- Global perspectives -- Don McGlashan and local authenticity / Nick Braae -- Italian canzone d'autore and Greek entechno tragoudi: a comparative overview / Franco Fabbri and Ioannis Tsioulakis -- Singer-songwriters and fandom in the digital age / Lucy Bennett
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781316569207
    Language: English
    Pages: 1 Online-Ressource (xvi, 366 pages)
    Series Statement: Cambridge companions to music
    DDC: 782.4209
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    Keywords: Liedermacher ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie ; Aufsatzsammlung
    Abstract: Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West.
    Note: Title from publisher's bibliographic system (viewed on 13 Jul 2016)
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  • 22
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107643864 , 9781107037465
    Language: English
    Pages: XV, 349 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) History and criticism ; Hip-Hop ; Rap ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop
    Note: Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139151214
    Language: English
    Pages: 1 Online-Ressource (xiii, 293 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Jews / Music / History and criticism ; Judentum ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Judentum ; Musik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Language: English
    Pages: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842#n/a
    RVK:
    Keywords: Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 25
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107504318 , 9781107007321
    Language: English
    Pages: XIV, 327 S.
    Series Statement: Music since 1900
    DDC: 780.904
    RVK:
    RVK:
    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Note: Originally published: 2013. , Includes bibliographical references and index.
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  • 26
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107023451 , 9781107623750
    Language: English
    Pages: xiii, 293 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 780.89924
    RVK:
    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Bibliography Seite 258-279
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  • 27
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
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  • 28
    ISBN: 1107504120 , 9780521764247 , 9781107504127
    Language: English
    Pages: xv, 358 Seiten
    Edition: First paperback edition
    DDC: 781.2/3
    RVK:
    RVK:
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    Keywords: Music ; Social aspects ; Sound ; Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Soziologie
    Abstract: This book focuses on music, sound and space and how they have been employed to transform public and private experience.
    Abstract: Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
    Note: First published 2013 , Literaturverzeichnis: Seite 312-342, Discography, Index
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  • 29
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775298
    Language: English
    Pages: 1 Online-Ressource (xv, 349 Seiten)
    Series Statement: The Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) History and criticism ; Rap ; Hip-Hop ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 30
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 31
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9780521881197 , 9780521707534
    Language: English
    Pages: xx, 294 Seiten , Notenbeispiele
    Edition: First published
    Series Statement: Cambridge companions to music
    Parallel Title: Online-Ausg. The Cambridge companion to Duke Ellington
    RVK:
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    Keywords: Ellington, Duke ; Ellington, Duke 1899-1974
    Note: Select bibliography Seite 274 - 281
    URL: 93
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  • 32
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Cover
    URL: Cover
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  • 33
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139871846
    Language: English
    Pages: 1 online resource (vii, 269 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.49/023
    RVK:
    RVK:
    Keywords: Psychologie ; Sound recordings / Production and direction / Philosophy and aesthetics ; Sound recordings / Production and direction / Psychological aspects ; Musical perception ; Schallplattenproduktion ; Schallplattenproduktion
    Abstract: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action
    Description / Table of Contents: Introduction -- Why study record production? -- How should we study record production? -- Theoretical interlude 1 -- Sonic cartoons -- Staging -- Theoretical interlude 2 -- The development of audio technology -- Using technology -- Theoretical interlude 3 -- Training, communication and practice -- Performance in the studio -- Theoretical interlude 4 -- Aesthetics and consumer influence -- The business of record production
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 34
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139871846
    Language: English
    Pages: 1 Online-Ressource (vii, 269 pages)
    Edition: First published
    DDC: 781.49/023
    RVK:
    RVK:
    Keywords: Schallplattenproduktion
    Abstract: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 35
    ISBN: 9781107010918 , 9781107460980
    Language: English
    Pages: XII, 335 Seiten
    Edition: First paperback edition
    Series Statement: New perspectives in music history and criticism
    DDC: 780.943
    RVK:
    RVK:
    Keywords: Geistesgeschichte 1800-1935 ; Musikpsychologie ; Tiefe ; Metapher ; Musik ; Deutschland
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  • 36
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139029476
    Language: English
    Pages: 1 Online-Ressource (xxvi, 851 Seiten)
    Series Statement: The Cambridge history of music
    DDC: 780.9
    RVK:
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    Keywords: Weltmusik ; Folk music ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
    Note: Literaturangaben
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  • 37
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107610828
    Language: English
    Pages: X, 219 S. , Ill. , 23 cm
    Edition: 1. paperback ed.
    DDC: 781.6509
    RVK:
    RVK:
    Keywords: Jazz ; History and criticism ; Jazz musicians ; Jazzmusiker ; Berühmte Persönlichkeit
    Note: Literaturverz. S. 207 - 217
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  • 38
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139051682
    Language: English
    Pages: 1 Online-Ressource (xiv, 327 pages)
    Series Statement: Music since 1900
    DDC: 780.9/04
    RVK:
    RVK:
    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 39