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  • New York : Oxford University Press  (10)
  • Unterhaltungsmusik  (10)
  • Musikwissenschaft  (10)
  • Psychologie
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  • 1
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190881979
    Sprache: Englisch
    Seiten: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Serie: Oxford studies in music theory
    DDC: 782.4216213
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    Schlagwort(e): Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Kurzfassung: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Anmerkung: Literaturverzeichnis: Seite [249]-255
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190052218 , 9780190052201
    Sprache: Englisch
    Seiten: ix, 199 Seiten , Illustrationen
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
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    Schlagwort(e): Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Kurzfassung: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Kurzfassung: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190296612 , 9780190296605
    Sprache: Englisch
    Seiten: xviii, 229 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.49
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    Schlagwort(e): Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190227951 , 9780190227975 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9780190227975
    Ausgabe: [Online-Ausg.]
    DDC: 810.989162
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    Schlagwort(e): Juden ; Rezeption ; Literatur ; Unterhaltungsmusik ; Irland ; USA
    Kurzfassung: This study traces the often uncanny relationships between Irish- and Jewish-Americans, arguing for the centrality of these diasporic groups to the development of American popular music, fiction, and especially drama. The book reads such cultural forms as tenement fiction, Tin Pan Alley music, and melodrama as part of a larger 'circum-North Atlantic' world in which texts and performers from Ireland, Europe, and America were involved in a continuous cultural exchange within which stereotypes and performances of Jewishness and Irishness took centre stage.
    Anmerkung: Includes bibliographical references and index , Online-Ausg.:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199377091
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Kurzfassung: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Anmerkung: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199377091
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    Schlagwort(e): Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Kurzfassung: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    ISBN: 9780199369751
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als More than Bollywood
    DDC: 781.630954
    RVK:
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    Schlagwort(e): Popular music History and criticism ; Motion picture music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Unterhaltungsmusik
    Kurzfassung: This text tackles the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2014)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199855865
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    DDC: 782.421640973
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    Schlagwort(e): Geschichte 1890-1930 ; Tin Pan Alley ; Oper ; Unterhaltungsmusik ; Popular music History and criticism ; Opera ; Opera in popular music ; USA
    Kurzfassung: Author Larry Hamberlin guides us through the large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humour and keen social criticism of the ragtime era.
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    ISBN: 0195121015
    Sprache: Englisch
    Seiten: XI, 294 S. , Ill.
    Ausgabe: 2nd ed.
    DDC: 780.8968073
    RVK:
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    Schlagwort(e): Unterhaltungsmusik ; Lateinamerika ; USA ; Lateinamerika ; Unterhaltungsmusik ; USA ; Unterhaltungsmusik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780195121018 , 9780199761487
    Sprache: Englisch
    Seiten: xi, 294 p.
    Ausgabe: 2nd ed
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780/.89/68073
    RVK:
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    Schlagwort(e): Popular music Latin American influences ; Unterhaltungsmusik ; USA ; USA ; Lateinamerika ; USA ; Unterhaltungsmusik ; Lateinamerika ; Unterhaltungsmusik
    Anmerkung: Includes bibliographical references (p. [282]-288), discography (p. [270]-281) and index
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