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  • English  (3)
  • Project Muse  (3)
  • SOCIAL SCIENCE / Media Studies  (3)
  • General works  (3)
  • 1
    ISBN: 9780823264179
    Language: English , English
    Pages: 1 Online-Ressource
    Edition: First edition.
    Series Statement: IKKM BOOKS Volume 22
    Series Statement: Meaning systems
    Series Statement: UPCC book collections on Project MUSE
    Uniform Title: Essays.
    DDC: 302.2301
    RVK:
    RVK:
    Keywords: LITERARY CRITICISM / Semiotics & Theory ; SCIENCE / General ; SOCIAL SCIENCE / Media Studies
    Abstract: "This volume designates a shift within posthumanistic media studies, that dissolves the concept of media into a network of operations, that reproduce, process and reflect the distinctions that are fundamental for a given culture, e.g. the anthropological difference, the distinctions between natural object and cultural sign, noise and information, eye and gaze"--...
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  • 2
    Online Resource
    Online Resource
    Urbana : University of Illinois Press
    ISBN: 9780252097232 , 0252097238
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: History of communication
    Series Statement: UPCC book collections on Project MUSE
    DDC: 302.23
    RVK:
    Keywords: Geschichte 1900-2000 ; Massenmedien ; Rauschgift ; LSD ; LSD (Drug) Social aspects 20th century ; History ; LSD (Drug) History 20th century ; Hallucinogenic drugs Social aspects 20th century ; History ; Hallucinogenic drugs History 20th century ; Drugs and mass media ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Media Studies ; USA
    Abstract: "Now synonymous with Sixties counterculture, LSD actually entered the American consciousness via the mainstream. Time and Life, messengers of lumpen-American respectability, trumpeted its grand arrival in a postwar landscape scoured of alluring descriptions of drug use while outlets across the media landscape piggybacked on their coverage with stories by turns sensationalized and glowing. Acid Hype offers the untold tale of LSD's wild journey from Brylcreem and Ivory soap to incense and peppermints. As Stephen Siff shows, the early attention lavished on the drug by the news media glorified its use in treatments for mental illness but also its status as a mystical--yet legitimate--gateway to exploring the unconscious mind. Siff's history takes readers to the center of how popular media hyped psychedelic drugs in a constantly shifting legal and social environment, producing an intricate relationship between drugs and media experience that came to define contemporary pop culture. It also traces how the breathless coverage of LSD gave way to a textbook moral panic, transforming yesterday's refined seeker of truths into an acid casualty splayed out beyond the fringe of polite society. "--...
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  • 3
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472120024 , 0472120026
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Social history, popular culture, and politics in germany
    Series Statement: UPCC book collections on Project MUSE
    DDC: 302.23/45
    RVK:
    RVK:
    Keywords: Deutscher Fernsehfunk History ; Geschichte 1949-1961 ; Fernsehen ; Sozialismus ; Ost-West-Konflikt ; Darstellung ; Socialism and society ; Television broadcasting History ; Television Social aspects ; Television and politics ; PERFORMING ARTS / Television / History & Criticism ; SOCIAL SCIENCE / Media Studies ; HISTORY / Europe / Germany ; Deutschland
    Abstract: "Envisioning Socialism examines television and the power it exercised to define the East Germans' view of socialism during the first decades of the German Democratic Republic. In the first book in English to examine this topic, Heather L. Gumbert traces how television became a medium prized for its communicative and entertainment value. She explores the difficulties GDR authorities had defining and executing a clear vision of the society they hoped to establish, and she explains how television helped to stabilize GDR society in a way that ultimately worked against the utopian vision the authorities thought they were cultivating. Gumbert challenges those who would dismiss East German television as a tool of repression that couldn't compete with the West or capture the imagination of East Germans. Instead, she shows how, by the early 1960s, television was a model of the kind of socialist realist art that could appeal to authorities and audiences. Ultimately, this socialist vision was overcome by the challenges that the international market in media products and technologies posed to nation-building in the postwar period. A history of ideas and perceptions examining both real and mediated historical conditions, Envisioning Socialism considers television as a technology, an institution, and a medium of social relations and cultural knowledge. The book will be welcomed in undergraduate and graduate courses in German and media history, the history of postwar Socialism, and the history of science and technologies"--...
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