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  • 1
    Online-Ressource
    Online-Ressource
    London, UK :Royal Anthropological Institute,
    Sprache: Französisch
    Seiten: 1 online resource (48 min.). , 004824
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Kurzfassung: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Anmerkung: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (58 min.). , 005743
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Kurzfassung: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (39 min.). , 003852
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Kurzfassung: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    London :Royal Anthropological Institute,
    Sprache: Englisch
    Seiten: 1 online resource (53 min.). , 005309
    Ausgabe: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Serie: Disappearing world
    Serie: Ethnographic video online, volume 2
    Schlagwort(e): Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Kurzfassung: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Anmerkung: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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