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  • Popular music History and criticism
  • Musicology  (431)
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Subjects(RVK)
  • 1
    Book
    Book
    Handbook of Japanese music in the modern era (2024)
    Leiden : Brill
    Details
    ISBN: 9789004524019
    Language: English
    Pages: xxiv, 457 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Series Statement: Handbook of oriental studies = Handbuch der Orientalistik volume 18
    Series Statement: Section 5, Japan / edited by R. Kersten
    Series Statement: Handbook of Oriental studies Japan ; volume 18
    Parallel Title: Erscheint auch als Handbook of Japanese music in the modern era
    DDC: 780.952
    RVK:
    LS 43000
    Keywords: Music History and criticism 20th century ; Music History and criticism 21st century ; Folk music History and criticism ; Popular music History and criticism ; Music Instruction and study ; Music Western influences ; Japan ; Musik ; Geschichte 1900-2023
    Abstract: "Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms"--
    Description / Table of Contents: Introduction. Japanese Music in the Modern Era / Henry Johnson -- Part 1. Foundations. Sacred or Secular? The Dilemma of Theatrical Kagura / Terence Lancashire ; Buddhism and Modern Music in Japan : From Praise Songs to Popular Music / Duncan Reehl ; Reigakusha Gagaku Ensemble : Mediating between Ancient and Contemporary Practice / Naoko Terauchi ; The "Heike Brothers" and the 800-Year Transmission and Reception of Heike Musical Narrative / Haruko Komoda and Alison Tokita ; Eisā : Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture / Sumi Cho ; Ainu Ways of Being in the Contemporary : Music and Dance as Cultural Practice / Justin R. Hunter -- Part 2. Heritage. Getting into Min'yо̄ : Online and Offline Access to Japanese Folk Song / Felicity Greenland ; Traditional Folk Music in Contemporary Japan : Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song / Gakuto Chiba and Patrick E. Savage ; Naniwa-bushi : A Musical Narrative Born in Modern Japan / Alison Tokita ; An Innovative Conservative : Satsuma-biwa Practice and the Legacy of Fumon Yoshinori / Hugh De Ferranti and Thomas Charles Marshall ; Wondrous Tones : The Transnational Appeal of the Shakuhachi through Time and Space / Christopher Yohmei Blasdel ; Choreographing Sound : Ensemble Taiko Drumming in Modern Japan / Shawn Bender ; Studying the Past to Predict the Future : Yamauchi Reach, a Professional Percussionist in the Twenty-First Century / Jennifer Milioto Matsue
    Description / Table of Contents: Part 3. Institutions. Learning Musical Instruments in Japanese Schools / David G. Hebert and Kōji Matsunobu ; Yōgaku, Western Music in Japan : Perspectives from Osaka / Junko Iguchi ; Violin Playing and Women in Japanese Music / Ena Kajino ; The Suzuki Method, Yamaha System, and Japanese Traditional Music : A Case Study of Japanese Music Education in the Modern Era / Eria Kubo ; Ryukyuan Uta-sanshin in Modern Japan : The Influence of Government Institutions on Teaching and Performing / Matt Gillan and Mina Endō ; Koto Modernities in the Twenty-First Century / Henry Johnson -- Part 4. Hybridities. Navigating the Past, Embracing the Present : Japanese Compositional Hybridity in Theory and Practice / Marty Regan ; The Innate Hybridity of the Shamisen within Contemporary Music : The Physical, Musical, and Socio-Cultural / Colleen C. Schmuckal ; Rethinking the Evolution of Japanese Music : Kunimoto Takeharu and Katō Kinji's Electric Shamisen / Keisuke Yamada ; Japanese Popular Songs in the Twentieth Century : Adaptation, Hybridity, and Creativity / Minako Waseda ; Misora Hibari in Kōhaku Utagassen : From Modernity to Immortality / Shelley Brunt and Amane Kasai ; Japanese Rap : A History of Style / Noriko Manabe.
    Note: Serienangabe von der LoC fälschlich als "The history of oriental studies ; volume 18" bezeichnet
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
    GBV
  • 2
    Book
    Book
    Indigenous African popular music; volume 2: Social crusades and the future / Abiodun Salawu, Israel A. Fadipe, editors (2022)
    Cham, Switzerland : Palgrave Macmillan
    Associated volumes
    In:  volume 2
    Details
    ISBN: 9783030987046 , 3030987043
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 2
    RVK:
    LS 46395
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
  • 3
    Book
    Book
    Let's do it : the birth of Pop (2022)
    London : Faber and Faber Limited
    Details
    ISBN: 0571372198 , 9780571372195 , 9780571320257 , 0571320252
    Language: English
    Pages: xx, 636 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    LS 48070
    Keywords: Geschichte 1900-1980 ; Popmusik ; Popular music History and criticism ; Musique populaire Histoire et critique ; Popular music ; Criticism, interpretation, etc
    Note: Quellen- und Literaturverzeichnis Seite [595]-603
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  • 4
    Online Resource
    Online Resource
    American popular song : the great innovators, 1900-1950 (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
    RVK:
    LS 22525
    RVK:
    LS 48000
    RVK:
    LS 48050
    RVK:
    LS 50525
    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190939946.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190939946.001.0001
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  • 5
    Book
    Book
    Insulting music : a lexicon of insult in music (2022)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783031164651
    Language: English
    Pages: xi, 213 Seiten , 21 cm
    DDC: 781.64159
    RVK:
    LS 48050
    Keywords: Invective in music ; Popular music History and criticism ; Popular music ; Criticism, interpretation, etc
    URL: Inhaltsverzeichnis
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  • 6
    Book
    Book
    The poets of Tin Pan Alley : a history of America's great lyricists (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
    LQ 89306
    RVK:
    LS 48615
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Image
    Image
    Indigenous African popular music; volume 1: Prophets and philosophers / Abiodun Salawu, Israel A. Fadipe, editors (2022)
    Cham, Switzerland : Palgrave Macmillan
    Associated volumes
    In:  volume 1
    Details
    ISBN: 9783030978839 , 3030978834
    Language: English
    Pages: xxiii, 401 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 1
    DDC: 781.63096
    RVK:
    LS 46395
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
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    BSZ
  • 8
    Online Resource
    Online Resource
    New York and the international sound of Latin music, 1940-1990 (2021)
    Jackson : Unversity Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496831279
    Language: English
    Pages: 1 Online-Ressource (392 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.64097471
    RVK:
    LS 48900
    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; Popular music History and criticism ; Popular music Latin American influences ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. This book seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, the book examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496831286.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496831286.001.0001
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  • 9
    Online Resource
    Online Resource
    Sweet thing : the history and musical structure of a shared American vernacular form (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
    RVK:
    LS 48400
    RVK:
    LS 48050
    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190881979.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190881979.001.0001
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  • 10
    Online Resource
    Online Resource
    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    HR 1121
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478021391
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 11
    Online Resource
    Online Resource
    Sound alignments : popular music in Asia's cold wars (2021)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478013143
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095/0904
    RVK:
    LS 33000
    Keywords: Geschichte 1950-1980 ; HISTORY / Asia / General ; Cold War ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism ; Popular music Political aspects ; Popular music History and criticism ; Popmusik ; Asien ; Aufsatzsammlung ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
    DOI: 10.1515/9781478013143
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Popular music History and criticism ; Popular music Political aspects ; Postcolonialism and music ; Guadeloupe
    Abstract: From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.
    Note: Previously issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.7208/chicago/9780226631806.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226631806.001.0001/upso-9780226631639
    URL: https://doi.org/10.7208/chicago/9780226631806.001.0001
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  • 13
    Book
    Book
    Solid gold : the popular record industry (2019)
    London ; New York : Routledge
    Details
    ISBN: 9781138533271 , 9780878555864
    Language: English
    Pages: xxii, 504 Seiten , Illustrationen
    DDC: 338.4/7/789912
    RVK:
    QR 750
    RVK:
    LR 57255
    RVK:
    LS 48000
    Keywords: Sound recording industry ; Popular music History and criticism ; USA
    Note: First published 1975 by Transaction Publishers
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  • 14
    Online Resource
    Online Resource
    Making music indigenous : popular music in the Peruvian Andes (2019)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    LS 49800
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    DOI: 10.7208/9780226607474
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: http://purl.org/coar/access_right/c_16ec
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  • 15
    Book
    Book
    Made in the Low Countries : studies in popular music (2019)
    London : Routledge
    Details
    ISBN: 9780367873554 , 9781138920101
    Language: English
    Pages: xxvii, 229 Seiten , Illustrationen, Diagramm, Karte
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popmusik ; Niederlande ; Flandern ; Aufsatzsammlung ; Niederlande ; Flandern ; Popmusik
    Note: Includes bibliographical references and index
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    HBZ
  • 16
    Online Resource
    Online Resource
    Tearing the world apart : Bob Dylan and the twenty-first century (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
    RVK:
    LS 48040
    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496813329.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496813329.001.0001
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  • 17
    Online Resource
    Online Resource
    Yodeling and meaning in American music (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
    LQ 89300
    RVK:
    LR 11040
    RVK:
    LS 21980
    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496805805.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496805805.001.0001
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  • 18
    Book
    Book
    Styling blackness in Chile : music and dance in the African diaspora (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    LS 48800
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 19
    Book
    Book
    Global glam and popular music : style and spectacle from the 1970s to the 2000s (2019)
    London : Routledge
    Details
    ISBN: 9780367871222
    Language: English
    Pages: viii, 300 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge studies in popular music 11
    Series Statement: Routledge studies in popular music
    DDC: 781.6609
    RVK:
    LS 48015
    Keywords: Glam rock music History and criticism ; Popular music History and criticism ; Aufsatzsammlung ; Popmusik ; Glitter Rock ; Geschichte 1970-2014
    Note: First published 2016 by Routledge
    URL: Inhaltsverzeichnis
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    BSZ
  • 20
    Book
    Book
    Global popular music (2019)
    [San Diego, Calif.] : Cognella Academic Publishing
    Details
    ISBN: 9781516525867 , 1516525868 , 9781516525874
    Language: English
    Pages: xvi, 262 Seiten , Illustrationen, Karten , 26 cm
    Edition: First edition
    RVK:
    LS 48635
    Keywords: Popular music History and criticism ; World music History and criticism ; Musique populaire Histoire et critique ; Musiques du monde Histoire et critique ; Popular music ; World music ; Textbooks
    Note: Literaturangaben
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    HeBIS
  • 21
    Online Resource
    Online Resource
    What she go do : women in Afro-Trinidadian music (2018)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
    RVK:
    LS 48700
    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496807533.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496807533.001.0001
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    HeBIS
  • 22
    Book
    Book
    This thing called life : race, sex, religion, and the creative revolution of Prince (2018)
    New York ; London ; Oxford ; New delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501333972 , 9781501333989
    Language: English
    Pages: 225 Seiten
    Edition: First published
    Parallel Title: Erscheint auch als Vogel, Joseph, 1981- author This thing called life
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince Criticism and interpretation ; Prince ; Popular music History and criticism ; Identität ; Prince Musiker 1958-2016 ; Identität
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 23
    Book
    Book
    Is it still good to ya? : fifty years of rock criticism, 1967-2017 (2018)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478000228 , 9781478000082
    Language: English
    Pages: 443 Seiten
    Parallel Title: Erscheint auch als Christgau, Robert, author Is it still good to ya?
    DDC: 781.6609
    RVK:
    LS 48070
    Keywords: Geschichte 1967-2017 ; Rock music History and criticism ; Popular music History and criticism ; Kritik ; Rockmusik ; Rockmusik ; Kritik ; Geschichte 1967-2017
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    München BSB
    Würzburg UB
    KOBV
    BVB
  • 24
    Book
    Book
    Trajectories and themes in world popular music : globalization, capitalism, identity (2018)
    Sheffield, UK ; Bristol, CT : Equinox
    Details
    ISBN: 9781781796221 , 9781781796214
    Language: English
    Pages: xi, 298 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Bridge, Simone Krü̈̈ger, author Trajectories and themes in world popular music
    DDC: 781.63
    RVK:
    LS 48015
    Keywords: Popular music Social aspects ; Popular music Political aspects ; Music and globalization ; Popular music History and criticism ; Dissemination of music ; Neoliberalismus ; Popmusik ; Musikbranche ; Kapitalismus ; Kritische Theorie ; Kultursoziologie ; Globalisierung ; Popmusik ; Musikbranche ; Globalisierung ; Kapitalismus ; Neoliberalismus ; Kultursoziologie ; Kritische Theorie
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    München BSB
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  • 25
    Book
    Book
    Made in France : studies in popular music (2019)
    London : Routledge, Taylor & Francis Ltd
    Details
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
  • 26
    Book
    Book
    Made in Turkey : studies in popular music (2018)
    New York : Routledge
    Details
    ISBN: 9781138789289
    Language: English
    Pages: XX, 259 Seiten , illustrations , 26 cm
    Edition: First published
    Series Statement: Routledge lobal popular music series
    DDC: 781.6309561
    RVK:
    LS 48060
    Keywords: Popular music History and criticism
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    KOBV
  • 27
    Book
    Book
    American popular music : from minstrelsy to MP3 (2018)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190632991
    Language: English
    Pages: xxi, 641 Seiten , Illustrationen
    Edition: Fifth Edition
    Parallel Title: Erscheint auch als Starr, Larry author American popular music
    DDC: 781.640973
    RVK:
    LS 48000
    Keywords: Popular music History and criticism ; USA ; Popmusik
    URL: Inhaltsverzeichnis
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    BSZ
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  • 28
    Book
    Book
    Made in France : studies in popular music (2018)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    LS 48015
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
    URL: Inhaltsverzeichnis
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  • 29
    Online Resource
    Online Resource
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: Volltext
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    BSZ
    GBV
  • 30
    Book
    Book
    Perspectives on German popular music (2018)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138363069 , 9781472479624
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LQ 80107
    RVK:
    LS 48000
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Unterhaltungsmusik ; Musiksoziologie ; Deutsch ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Unterhaltungsmusik ; Musiksoziologie
    Abstract: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Abstract: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
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  • 31
    Book
    Book
    Made in the Low Countries : studies in popular music (2018)
    New York and London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138920101
    Language: English
    Pages: xxvii, 229 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in the Low Countries
    DDC: 781.6409492
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popmusik ; Flandern ; Niederlande ; Aufsatzsammlung ; Aufsatzsammlung ; Niederlande ; Flandern ; Popmusik
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    Würzburg UB
    BVB
  • 32
    Online Resource
    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 33
    Book
    Book
    Made in Greece : studies in popular music (2018)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138811980 , 9781138489523
    Language: English
    Pages: XII, 265 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.6409495
    RVK:
    LS 48060
    RVK:
    LQ 88607
    Keywords: Geschichte ; Popular music History and criticism ; Musikleben ; Unterhaltungsmusik ; Griechenland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Griechenland ; Unterhaltungsmusik ; Musikleben ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Register // Gemischte Register
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    KOBV
    BVB
  • 34
    Online Resource
    Online Resource
    Popmusik in Zeiten der Digitalisierung : veränderte Aneignung - veränderte Wertigkeit (2018)
    Bielefeld : transcript
    Details
    ISBN: 3839444829 , 9783839444825
    Language: German
    Pages: 1 Online-Ressource (369 p)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Seifert, Robert Popmusik in Zeiten der Digitalisierung : Veränderte Aneignung - veränderte Wertigkeit
    Dissertation note: Dissertation Universität Erfurt 2017
    DDC: 780
    RVK:
    LR 57790
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music History and criticism ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Popular music ; Sozialisation ; Musikerlebnis ; Digitalisierung ; Medienkonsum ; Popmusik ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musikerlebnis ; Sozialisation ; Digitalisierung ; Medienkonsum ; Popmusik ; Digitalisierung ; Soziologie ; Popmusik ; Digitalisierung ; Wirtschaft
    Abstract: 2 Der Popmusik-Begriff2.1 Popmusik ist Musik; 2.1.1 Adorno und Popmusik; 2.1.2 Popmusik und die Unmöglichkeit ihrer musikalischen Analyse; 2.1.3 Popmusik ist polymorph und nicht nur Musik; 2.2 Popmusik ist Pop(ulär); 2.2.1 Pop; 2.2.2 Popkultur; 2.2.2.1 Anthropologische und ethnologische Kulturperspektive; 2.2.2.2 Soziologische Kulturperspektive; 2.2.2.3 Normative Kulturperspektive; 2.2.2.4 Popkultur als Medienkultur; 2.2.2.5 Popkultur und Massenkultur; 2.2.2.6 Rehabilitierung der Popkultur; 2.2.2.7 Funktionsweise von Popkultur: Referenzierung und rekontextualisierende Aneignung
    Abstract: 2.2.3 Popmusik und Kunst2.2.3.1 Bezüge: Popmusik und Kunsttraditionen; 2.2.3.2 Gemeinsamkeiten: Technische Reproduzierbarkeit und permanente Erneuerung; 2.2.3.3 Popmusik ist (keine) Kunst; 2.3 Popmusik ist politisch; 2.3.1 Popmusik als sozialpolitischer Gegenstand der Jugend; 2.3.2 Popmusik als hybrides, politisch vielseitiges Konstrukt; 2.3.3 Die Schwierigkeit der Popmusik, politisch wirksam zu sein; 2.3.4 Politische Diskurse in der Popmusik; 2.4 Popmusik ist Unterhaltung und Vergnügen; 2.4.1 Der kommunikationswissenschaftliche Unterhaltungsbegriff; 2.4.2 Von der Unterhaltung zum Vergnügen
    Abstract: 2.5 Popmusik ist soziale Konstruktion2.5.1 Popmusik als soziales Handeln; 2.5.2 Popmusik als soziale Interaktion; 2.5.3 Popmusik als sozialer Tatbestand; 2.5.4 Popmusik als soziales System; 2.5.5 Popmusik als soziale Praxis; 2.6 Popmusik das soziale Medium; 2.6.1 Der Mediencharakter von Popmusik; 2.6.2 Popmusik als vages Ergebnis sozialer und medialer Handlungen; 2.6.3 Popmusik als modernes und bedeutsames Netzwerkmedium; 2.7 Popmusikgenres; 2.7.1 Kanonisierung und Genrekonfusion; 2.7.2 Popmusikgenres als sozial und kulturell hergeleitete Marketingwerkzeuge; 2.7.3 Genreherleitung
    Abstract: 2.7.3.1 Popmusikgeschichte erschafft und verändert Genres2.7.3.2 Popgeografie als Quelle für Popmusikgenres; 2.7.3.3 Weitere Genrequellen: Ästhetik, Labels, Clubs, Veröffentlichungen und Kritiker; 2.7.3.4 Die Unübersichtlichkeit popmusikalischer Genrewelten; 2.7.3.5 Post Punk; 2.7.3.6 New Wave; 2.7.3.7 Cold Wave; 2.7.4 Popmusikgenres als soziale Kontextaggregate; 2.8 Was ist Popmusik?; 2.8.1 Popmusik ist ein komplexes soziales Medium; 2.8.2 Popmusik ist medientechnologisch und medienökonomisch verfasst; 2.8.3 Popmusik ist reflexiv; 2.8.4 Der Popmusikbegriff -- offen aber nicht allumfassend
    Abstract: Cover; Inhalt; 1 Einleitung; 1.1 Relevanz und Erkenntnisinteresse; 1.1.1 Zugang und Aneignung von Popmusik; 1.1.2 Popmusik als kulturelles Gut und ihre gesellschaftliche Rolle; 1.1.3 Popmusik als Geschichte; 1.2 Abgrenzung und Einordnung der Arbeit; 1.2.1 Musikpädagogik und Musikerziehung; 1.2.2 Musikpsychologie; 1.2.3 Musikwissenschaft, Musiksoziologie, Mediensozialisation; 1.2.3.1 Musikwissenschaft / Musicology; 1.2.3.2 Musiksoziologie; 1.2.3.3 Musiksozialisation als Teil von Mediensozialisation; 1.2.3.4 Popmusikalische Sozialisation: Aneignung zwischen Technik Inhalt und Ökonomie
    Note: 3 Popmusik und Sozialisation , Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9783839444825?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839444825
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://static.onleihe.de/content/transcript/20180810/9783839444825/v9783839444825.pdf
    URL: https://static.onleihe.de/images/transcript/20180810/9783839444825/tn9783839444825l.jpg
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    Regensburg UB
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    KOBV
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    BVB
  • 35
    Image
    Image
    Selling folk music : an illustrated history (2018)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496837936 , 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen , 29 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Cohen, Ronald D., 1940- author Selling folk music
    DDC: 781.62/13009
    RVK:
    LC 86610
    RVK:
    LS 48050
    Keywords: Folk music History and criticism ; Popular music History and criticism ; Music trade History ; Sheet music History ; Folk music Pictorial works ; Popular music Pictorial works ; Music trade Pictorial works ; Sheet music Pictorial works
    Abstract: "Selling Folk Music: An Illustrated History highlights commercial sources that reveal the process of how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States through its commercial promotion and presentation through much of the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history of folk music."-- $c Provided by publisher
    Note: "This book is partially meant to be a visual companion to Ronald D. Cohen, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Amherst: University of Massachusetts Press, 2002) and his Folk Music: The Basics (New York: Routledge, 2006)"--Introduction
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  • 36
    Book
    Book
    On record : popular Afrikaans music & society : 1900-2017 (2017)
    Stellenbosch : SUN PRESS
    Details
    ISBN: 9781928357117 , 1928357113
    Language: English
    Pages: i, 193 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.48423
    RVK:
    LS 47945
    Keywords: Geschichte 1900-2017 ; Criticism, interpretation, etc / fast / (OCoLC)fst01411635 ; Music / fast / (OCoLC)fst01423855 ; Afrikaners / fast / (OCoLC)fst00800022 ; Music / Political aspects / fast / (OCoLC)fst01030414 ; Music / Social aspects / fast / (OCoLC)fst01030444 ; Popular music / fast / (OCoLC)fst01071422 ; Popular music / Social aspects / fast / (OCoLC)fst01071460 ; Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Afrikaners ; Music ; Music ; Popular music ; Popular music ; Musiksoziologie ; Afrikaans ; Gesellschaft ; Popmusik ; South Africa / fast / (OCoLC)fst01204616 ; South Africa ; Südafrika ; Südafrika ; Afrikaans ; Popmusik ; Gesellschaft ; Geschichte 1900-2017 ; Südafrika ; Afrikaans ; Popmusik ; Musiksoziologie
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "...
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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    Bayreuth UB
  • 37
    Online Resource
    Online Resource
    Sweet air : modernism, regionalism, and American popular song (2017)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    RVK:
    LS 48015
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
    DOI: 10.5406/illinois/9780252037399.001.0001
    URL: https://doi.org/10.5406/illinois/9780252037399.001.0001
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  • 38
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    Book
    Made in Korea : studies in popular music (2017)
    New York, NY : Routledge
    Details
    ISBN: 9781138793033
    Language: English
    Pages: xiii, 247 Seiten
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Korea
    DDC: 781.6309519
    RVK:
    LS 42000
    RVK:
    LB 61445
    Keywords: Popular music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Südkorea ; Popmusik
    Abstract: Introduction
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  • 39
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    Book
    Schneller, höher, lauter : Virtuosität in populären Musiken (2017)
    Bielefeld : transcript
    Details
    ISBN: 3837635929 , 9783837635928
    Language: German
    Pages: 183 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.5 cm x 14.8 cm, 288 g
    Series Statement: Beiträge zur Popularmusikforschung 43
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Gesellschaft für Popularmusikforschung (26. : 2016 : Hamburg) Schneller, höher, lauter
    Parallel Title: Erscheint auch als Schneller, höher, lauter
    Parallel Title: Erscheint auch als Gesellschaft für Popularmusikforschung (26. : 2016 : Hamburg) Schneller, höher, lauter
    DDC: 781.64143
    RVK:
    LS 48000
    RVK:
    LC 87000
    RVK:
    LR 11140
    RVK:
    LS 48015
    RVK:
    LR 54600
    Keywords: Popular music History and criticism ; Virtuosity in musical performance ; Konferenzschrift 2016$tHamburg ; Konferenzschrift 2016$tHamburg ; Konferenzschrift Gesellschaft für Popularmusikforschung 18.11.2017-20.11.2016 ; Konferenzschrift Gesellschaft für Popularmusikforschung 18.11.2017-20.11.2016 ; Konferenzschrift Gesellschaft für Popularmusikforschung 18.11.2017-20.11.2016 ; Konferenzschrift 2016$tHamburg ; Unterhaltungsmusik ; Virtuosität
    Note: Die Beiträge des vorliegenden Bandes sind Schriftfassungen von Vorträgen, die anlässlich der 27. Arbeitstagung der Gesellschaft für Popularmusikforschung/German Society for Popular Music Studies e. V. (ehemals ASPM) vom 18. bis 20. November 2016 ... zum Schwerpunktthema "Schneller, höher, lauter - Virtuosität in (populären) Musiken" in Hamburg gehalten wurden - Editorial , Literaturangaben
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-3592-8
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    HU Berlin
    München UB
    Würzburg UB
    Regensburg UB
    BSZ
    GBV
    KOBV
    BVB
    Ethn. Museum Berlin
  • 40
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    Anatomy of a song : the oral history of 45 iconic hits that changed rock, R&B and pop (2017)
    New York : Grove Press
    Details
    ISBN: 9780802125590
    Language: English
    Pages: xii, 323 Seiten , Illustrationen , 24 cm
    Edition: First Grove Atlantic papberback edition
    Parallel Title: Erscheint auch als Myers, Marc, 1956- Anatomy of a song
    DDC: 782.4216409
    RVK:
    LS 48070
    Keywords: Popular music History and criticism ; Musicians Interviews
    Abstract: Believing that every great song has a fascinating backstory, Myers brings to life five decades of music through oral histories of forty-five transformative songs woven from interviews with the artists who created them.From "Lawdy Miss Clawdy" by Lloyd Price to "Losing my religion" by R.E.M., leading artists reveal the emotions, inspirations, and techniques behind their influential works. The result is a love letter to the songs that have defined generations
    Abstract: Lawdy Miss Clawdy / Lloyd Price -- K.C. Loving / Little Willie Littlefield -- Shout / The Isley Brothers -- Please Mr. Postman / The Marvelettes -- Runaround Sue / Dion DiMucci -- Chapel of love / The Dixie Cups -- You really got me / The Kinks -- You've lost that lovin' feelin' / The Righteous Brothers -- My girl / The Temptations -- Reach out I'll be there / The Four Tops -- Darling be home soon / John Sebastian -- Light my fire / The Doors -- Groovin' / The Young Rascals -- White rabbit / Jefferson Airplane -- Different drum / The Stone Poneys -- (Sittin' on) The dock of the bay / Otis Redding -- Fist City / Loretta Lynn -- Street fighting man / The Rolling Stones -- Stand by your man / Tammy Wynette -- Magic carpet ride / Steppenwolf -- Proud Mary / Creedence Clearwater Revival -- Oh happy day / The Edwin Hawkins Singers -- Suspicious minds / Elvis Presley -- Whole lotta love / Led Zeppelin -- Mercedes Benz / Janis Joplin -- Moonlight mile / The Rolling Stones -- Maggie May / Rod Stewart -- Carey / Joni Mitchell -- Respect yourself / The Staple Singers -- The harder they come / Jimmy Cliff -- Midnight train to Georgia / Gladys Knight and The Pips -- Ramblin' man / The Allman Brothers -- Rock the boat / The Hues Corporation -- Walk this way / Aerosmith -- Love's in need of love today / Stevie Wonder -- Deacon blues / Steely Dan -- (The angels wanna wear my) Red shoes / Elvis Costello -- Heart of glass / Blondie -- Another brick in the wall / Pink Floyd -- London calling / The Clash -- Brother John/Iko Iko / The Neville Brothers -- Big city / Merle Haggard -- Time after time / Cyndi Lauper -- Nick of time / Bonnie Raitt -- Losing my religion / R.E.M
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
  • 41
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    Book
    Music and the road : essays on the interplay of music and the popular culture of the American road (2017)
    New York, NY : Bloomsbury Academic
    Details
    ISBN: 9781501335266
    Language: English
    Pages: VI, 271 Seiten
    Parallel Title: Erscheint auch als Slethaug, Gordon author Music and the road
    DDC: 306.4/8420973
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; Travel in music ; USA ; Volkstümliche Musik ; Landstraße ; Reise ; Identität ; Mobilität ; Popmusik
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
  • 42
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    Book
    Made in Korea : studies in popular music (2017)
    New York, London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138328310 , 9781138793033
    Language: English
    Pages: XIII, 247 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Korea
    DDC: 781.6309519
    RVK:
    LB 61445
    RVK:
    LS 42000
    Keywords: Popular music History and criticism
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    Würzburg UB
    KOBV
    BVB
    HBZ
  • 43
    Book
    Book
    Mortality and music : popular music and the awareness of death (2017)
    London : Bloomsbury
    Details
    ISBN: 9781350026896 , 9781472534514
    Language: English
    Pages: viii, 222 Seiten
    Edition: Paperback edition
    Series Statement: Bloomsbury studies in religion and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64112
    RVK:
    LB 43860
    RVK:
    LS 48015
    RVK:
    EC 5410
    Keywords: Popular music History and criticism ; Death in music ; Popmusik ; Tod ; Musikphilosophie
    Abstract: "Mortality and Music examines the ways in which popular music has responded to our awareness of the inevitability of death and the anxiety it can evoke. Exploring bereavement, depression, suicide, violence, gore, and fans' responses to the deaths of musicians, it argues for the social and cultural significance of popular music's treatment of mortality and the apparent absurdity of existence
    Abstract: 1. Mortality and immortality -- The obscuring of death and decay -- Immortality and the denial of death -- Words against death -- Strategies of immortalization -- 2. Death and the sacred -- The sacred, the profane, transgression and death -- Liminality and pissing people off -- Death and subcultural capital -- Death chic, youth culture and the romanticization of mortality -- The impure sacred -- 3. The undead and the uncanny -- Mortality and the uncanny -- MUsic and uncanny affective space -- Memory and memento mori -- Hauntology, spirit voices and exorcisms -- Can the world be as sad as it seems? -- Grotesque bodies -- 4. Morbidity, violence, and suicide -- A vortex of summons and repulsion -- Thanatos, survival and schadenfreude -- Suicidal tendencies -- Disaffection, violence and death -- The pornography of gore, violence and death -- Living on death row -- 5. Transfiguration, devotion and immortality -- A note on myth -- Transcendence and transfiguration -- Recorded immortality -- Pilgrims and dead rock stars -- Kinetic rituals
    Description / Table of Contents: Mortality and immortalityDeath and the sacred -- The undead and the uncanny -- Morbidity, violence, and suicide -- Transfiguration, devotion and immortality.
    Note: Literaturverzeichnis: Seiten 187-210 , "First published 2015"
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  • 44
    Online Resource
    Online Resource
    〈〈The〉〉 Routledge research companion to popular music and gender / (2017)
    London ; New York :Routledge,
    Details
    ISBN: 978-1-317-04204-4 , 978-1-315-61343-7
    Language: English
    Pages: 1 Online-Ressource (xvii, 382 Seiten) : , Illustrationen.
    Edition: First published
    Parallel Title: Erscheint auch als
    RVK:
    LR 56610
    RVK:
    LR 56600
    RVK:
    MS 3010
    Keywords: Popular music History and criticism ; Sex role in music ; Gender identity in music ; Unterhaltungsmusik. ; Geschlechterforschung. ; Geschlechterrolle. ; Aufsatzsammlung ; Unterhaltungsmusik ; Geschlechterforschung ; Geschlechterrolle
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    Online Resource
    HU Berlin
  • 45
    Online Resource
    Online Resource
    German pop music : a companion (2017)
    Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter
    Details
    ISSN: ISSN 2193-9659
    Language: English
    Pages: 1 online resource (276 pages)
    Series Statement: Companions to Contemporary German Culture Volume 6
    Parallel Title: Erscheint auch als German pop music : a companion
    DDC: 781.640943
    RVK:
    LS 48015
    RVK:
    LS 48060
    Keywords: Sozialgeschichte ; Popular music History and criticism ; Musikalischer Stil ; Popmusik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Deutschland ; Popmusik ; Musikalischer Stil ; Sozialgeschichte
    Note: Description based on print version record
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    BVB
  • 46
    Online Resource
    Online Resource
    Mad dogs and Englishness : popular music and English identities (2017)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501311260 , 9781501311277
    Language: English
    Pages: 1 Online-Ressource (XV, 220 Seiten)
    Parallel Title: Erscheint auch als Mad dogs and Englishness
    RVK:
    LQ 84007
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; National characteristics, English ; Nationalbewusstsein ; Popmusik ; England ; Aufsatzsammlung ; England ; Nationalbewusstsein ; Popmusik
    Note: Includes bibliographical references and index
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    Online Resource
    HBZ
  • 47
    Online Resource
    Online Resource
    Country soul : making music and making race in the American South (2016)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469623245
    Language: English
    Pages: 1 Online-Ressource , Illustrations
    DDC: 781.64208900976
    RVK:
    LS 48050
    RVK:
    LS 48640
    RVK:
    LS 48610
    Keywords: Countrymusic ; Soul ; Rassismus ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Soul music History and criticism ; Soul music History and criticism ; Country music History and criticism ; Popular music History and criticism ; Music and race ; USA Südstaaten
    Abstract: Drawing on interviews and rarely used archives, Charles L. Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labour, and the US south.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469622439.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469622439.001.0001
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  • 48
    Online Resource
    Online Resource
    Categorizing sound : genre and twentieth-century popular music (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48015
    Keywords: Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Abstract: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1525/california/9780520248717.001.0001
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    München BSB
    HeBIS
    BVB
  • 49
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    Book
    Yodeling and meaning in American music (2016)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    LS 21980
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 50
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    Book
    Uproot : travels in twenty-first-century music and digital culture (2016)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374533427 , 9780374708849
    Language: English
    Pages: 274 pages , 19 cm
    Edition: First edition
    DDC: 781.6409/05
    RVK:
    LS 48015
    Keywords: FL Studio (Computer file) ; FL Studio (Computer file) ; Dissemination of music ; Music and the Internet ; Popular music Production and direction ; Popular music Social aspects ; Electronic dance music History and criticism ; Popular music History and criticism 21st century ; Popular culture 21st century ; Dissemination of music ; Music and the Internet ; Popular music Production and direction ; Popular music Social aspects ; Electronic dance music History and criticism ; Popular music History and criticism ; 21st century ; Popular culture 21st century ; FL Studio (Computer file) ; Dissemination of music ; Electronic dance music ; Music and the Internet ; Popular culture ; Popular music ; Popular music ; Popular music
    Abstract: In 2001 Jace Clayton was an unknown DJ who recorded a three-turntable, sixty-minute mix and put it online to share with friends. Within weeks, Gold Teeth Thief became an international calling card, whisking Clayton away to play a nightclub in Zagreb, a gallery in Osaka, a former brothel in Sao Paolo, and the American Museum of Natural History. Just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of creative upheavals of art production in the twenty-first century globalized world. Uproot is a guided tour of this newly-opened cultural space. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie-rock scene, Mexican rodeo teens and Israeli techno, and Whitney Houston and the robotic voices is rural Moroccan song, and offers an unparalleled understanding of music in the digital age
    Abstract: In 2001 Jace Clayton was an unknown DJ who recorded a three-turntable, sixty-minute mix and put it online to share with friends. Within weeks, Gold Teeth Thief became an international calling card, whisking Clayton away to play a nightclub in Zagreb, a gallery in Osaka, a former brothel in Sao Paolo, and the American Museum of Natural History. Just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of creative upheavals of art production in the twenty-first century globalized world. Uproot is a guided tour of this newly-opened cultural space. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie-rock scene, Mexican rodeo teens and Israeli techno, and Whitney Houston and the robotic voices is rural Moroccan song, and offers an unparalleled understanding of music in the digital age
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  • 51
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    Music, space and place : popular music and cultural identity (2016)
    London : Routledge
    Details
    ISBN: 9780754655749
    Language: English
    Pages: x, 224 Seiten , Illustrationen
    Series Statement: Ashgate popular and folk music series
    DDC: 781.6409
    RVK:
    LR 56600
    RVK:
    LR 56607
    RVK:
    RB 10844
    RVK:
    LS 48000
    Keywords: Popular music Social aspects ; Rap (Music) Social aspects ; Popular music History and criticism ; Popular culture ; Popular music History and criticism ; World music History and criticism ; Music Social aspects ; Nationalism in music ; Sound recordings Production and direction ; Aufsatzsammlung ; Popmusik ; Soziologie ; Geschichte ; Kulturelle Identität ; Rap ; Popmusik ; Soziologie ; Geschichte ; Rap ; Kulturelle Identität
    Description / Table of Contents: Literaturverz. S. [201] - 212
    Description / Table of Contents: Inhalt: Music, space and place. Rap and hip hop : community and cultural identity. Musical production/politics of desire
    Note: First publ. 2004
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  • 52
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    Love for sale : pop music in America (2016)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374170530
    Language: English
    Pages: 307 Seiten
    Edition: First edition
    DDC: 781.640973
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; USA ; Popmusik ; Geschichte
    Abstract: From the age of song sheets in the late nineteenth century to the contemporary era of digital streaming, pop music has been our most influential laboratory for social and aesthetic experimentation, changing the world three minutes at a time. Hajdu shows how pop has done much more than peddle fantasies of love and sex to teenagers. Exhaustively researched and rich with fresh insights, Love for Sale details pop music from Eva Tanguay, who upended Victorian conceptions of feminine propriety, to Blondie, the scandal of disco; from Bessie Smith and the 'blues queens' of the 1920s to Jimmie Rodgers, a former blackface minstrel performer who created the country music sound. At every turn, Hajdu surprises and challenges readers to think about our most familiar art in unexpected ways. -- $c adapted from publisher website
    Abstract: he sheet music era: the zenith of the popular music craze -- The rise of records : whispering -- The Cotton Club : jungle nights in Harlem -- The charts : make-believe island -- Going west : Hollywood barn dance -- Rock and roll : they went ca-raaaaazy for it! -- The transistor : mine completely -- Singers and songwriters : potty about Dylan -- The album : a pair of twenty-minute things -- Punk versus disco : who needs love? -- Video : moonwalkers -- Hip-hop : beats want to be free -- Digitization : the immaterial world -- Coda
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 53
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    Book
    More songwriters on songwriting (2016)
    Boston, MA : Da Capo Press
    Details
    ISBN: 9780306817991
    Language: English
    Pages: xiv, 658 Seiten
    Edition: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    LS 48000
    Keywords: Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Abstract: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Note: Includes bibliographical references and index
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  • 54
    Online Resource
    Online Resource
    Global glam and popular music : style and spectacle from the 1970s to the 2000s (2016)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 1138821764 , 1315743124 , 9781317588191 , 9781138821767 , 9781315743127
    Language: English
    Pages: 1 Online-Ressource (viii, 300 pages) , illustrations
    Series Statement: Routledge studies in popular music 11
    DDC: 781.6609
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Glam rock music History and criticism
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 55
    Online Resource
    Online Resource
    What's love got to do with it? : emotions and relationships in popular songs (2016)
    New York : Routledge
    Details
    ISBN: 9781317249245
    Language: English
    Pages: 1 Online-Ressource (XIII, 166 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Love songs History and criticism ; Emotions in music ; Liebeslied ; Gefühlsempfindung ; Popmusik ; Popmusik ; Liebeslied ; Gefühlsempfindung
    Note: "First published 2011 by Paradigm Publishers.Published 2016 by Routledge"
    URL: Volltext
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  • 56
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    Du tango au reggae : musiques noires d'Amérique latine et des Caraïbes (2016)
    [Clichy] : Éditions du Jasmin
    Details
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
    RVK:
    LS 48800
    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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    Bayreuth UB
  • 57
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    Book
    The course of Mexican music (2016)
    New York, NY and London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138843080 , 9781138843097
    Language: English
    Pages: xxvi, 334 pages, 8 unnumbered pages of plates , illustrations (some color), maps, music , 26 cm
    DDC: 780.972
    RVK:
    LS 20675
    Keywords: Music History and criticism ; Popular music History and criticism
    Note: Includes bibliographical references and index
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    Würzburg UB
    BVB
  • 58
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    Book
    The American song book : the Tin Pan Alley era (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199391875 , 9780199391882
    Language: English
    Pages: XI, 264 Seiten , Illustrationen, Notenbeispiele
    DDC: 782.421640973
    RVK:
    LS 20525
    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Würzburg UB
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    Bayreuth UB
  • 59
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    Book
    Audible states : socialist politics and popular music in Albania (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780190467814 , 9780190467821
    Language: English
    Pages: xiv, 263 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    LS 20750
    Keywords: Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Note: Includes bibliographical references and index ; revised dissertation
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
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  • 60
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    Taking popular music seriously : selected essays (2016)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780754626794
    Language: English
    Pages: xvi, 343 Seiten , Illustrationen, Faksimiles
    Series Statement: Ashgate contemporary thinkers on critical musicology series
    DDC: 781.64
    RVK:
    LS 48000
    Keywords: Popular music History and criticism ; Aufsatzsammlung ; Popmusik ; Jazz ; Weltmusik ; Alltagskultur ; Image
    Note: Includes bibliographical references and index
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  • 61
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    Book
    Play it again: cover songs in popular music (2016)
    London : Routledge
    Details
    ISBN: 9781138250031
    Language: English
    Pages: xi, 267 Seiten , Notenbeispiele
    Series Statement: Ashgate popular and folk music series
    DDC: 781.6309
    RVK:
    LR 57730
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Cover versions History and criticism ; Aufsatzsammlung ; Unterhaltungsmusik ; Coverversion
    Note: Literaturverzeichnis Seite 253-264
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  • 62
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    Book
    Understanding popular music culture (2016)
    London : Routledge
    Details
    ISBN: 9781138907850
    Language: English
    Pages: VI, 298 Seiten , 24 cm
    Edition: Fifth edition, extensively revised
    DDC: 781.64
    RVK:
    MS 8020
    RVK:
    LS 48000
    RVK:
    LC 87000
    Keywords: Popular music History and criticism ; Popular culture History 20th century ; Popmusik ; Pop-Kultur ; Geschichte 1900-2000
    Abstract: Introduction: 'What's going on?' : Popular music culture -- 'Every 1's a winner' : the music industry and the record companies -- 'Pump up the volume' : music and technology -- 'I'm just a singer' : making music, the rock musician and the success continuum -- 'So you want to be a rock'n'roll star?' : auteurs and stars -- 'Message understood' : musical texts -- 'The real thing' : authenticity, covers and the canon -- 'It's still rock'n'roll to me' : genre -- 'Shop around' : marketing and mediation -- 'U got the look' : from film and television to YouTube -- 'On the cover of the Rolling Stone' : the music press -- 'My generation' : consumption, identity and fandom -- 'Sound of our town' : subcultures, sounds and scenes -- 'Revolution' : social change, politics and conscience rock -- 'Pushin too hard' : moral panic, state regulation and censorship -- 'We are the world' : globalization and state music policy -- 'Time will pass you by' : histories and popular memory -- Conclusion: 'Wrap it up' : making music, making meaning
    Description / Table of Contents: Introduction: 'What's going on?' : Popular music culture'Every 1's a winner' : the music industry and the record companies -- 'Pump up the volume' : music and technology -- 'I'm just a singer' : making music, the rock musician and the success continuum -- 'So you want to be a rock'n'roll star?' : auteurs and stars -- 'Message understood' : musical texts -- 'The real thing' : authenticity, covers and the canon -- 'It's still rock'n'roll to me' : genre -- 'Shop around' : marketing and mediation -- 'U got the look' : from film and television to YouTube -- 'On the cover of the Rolling Stone' : the music press -- 'My generation' : consumption, identity and fandom -- 'Sound of our town' : subcultures, sounds and scenes -- 'Revolution' : social change, politics and conscience rock -- 'Pushin too hard' : moral panic, state regulation and censorship -- 'We are the world' : globalization and state music policy -- 'Time will pass you by' : histories and popular memory -- Conclusion: 'Wrap it up' : making music, making meaning.
    Note: Literaturverzeichnis: Seite 293-294
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  • 63
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    Bhangra moves : from Ludhiana to London and beyond (2016)
    Farnham [u.a] : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138255579
    Language: English
    Pages: xiii, 289 Seiten , Illustrationen
    Edition: 1. issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.630954/55
    RVK:
    LS 39550
    Keywords: Bhangra (Music) History and criticism ; Popular music History and criticism ; South Asians Music ; Popular music Indic influences ; Bhangra (Music) ; History and criticism ; Popular music ; India ; Punjab ; History and criticism ; South Asians ; Foreign countries ; Music ; Popular music ; Indic influences ; Pandschab ; Bhangra ; Geschichte ; Westliche Welt ; Südasiaten ; Bhangra ; Verbreitung ; Westliche Welt ; Bhangra ; Wandel ; Popmusik
    Description / Table of Contents: Flows across the Chenab -- No mixing please! We are Indian -- Mann Panjab De : fabricating authenticity -- Naqqal, mimicry and the signifying monkey -- Global bazaar, local peddlers -- Desi Networks -- Cool guys, Desi Boyz and Panjabi Munde dance the bhangra -- Performing the Panjabi body -- Bhangra nation -- Who speaks for the Jat? : Vernacular cosmopolitanisms.
    Note: Literaturverzeichnis: Seite 261-281
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  • 64
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    Online Resource
    Categorizing sound : genre and twentieth-century popular music (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource (XVI, 368 Seiten) , Diagramme, Notenbeispiele
    Parallel Title: Erscheint auch als Brackett, David, 1958 - Categorizing sound
    DDC: 781.64
    RVK:
    LS 48000
    RVK:
    LC 87000
    RVK:
    LS 48015
    Keywords: Popular music genres Social aspects ; Popular music History and criticism
    Abstract: "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher
    Abstract: Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s
    Description / Table of Contents: Introduction: They never even knewForeign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    BSZ
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  • 65
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    Made in Latin America : studies in popular music (2016)
    New York and London : Routledge Taylor & Francis Group
    Details
    ISBN: 9780415715737
    Language: English
    Pages: xiii, 182 Seiten , Illustrationen, graphische Darstellung, Notenbeispiele , 26 cm
    Series Statement: Routledge global popular music series
    DDC: 781.64098
    RVK:
    LS 48800
    Keywords: Popular music History and criticism ; Latin Americans Music ; Musicians ; Aufsatzsammlung ; Lateinamerika ; Unterhaltungsmusik
    Abstract: "Comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of pop music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance
    Abstract: Debating genre, class and identity : popular music and music scenes from the Latin American world / Julio Mendívil and Christian Spencer Espinosa -- The carpas shows in Mexico City (1900-1930) : an ethno-historical perspective to a musical scene / Natalia Bieletto Bueno -- Nineteenth century Spanish American salon in the light of music scenes / Juan Francisco Sans -- Representing Ayacucho : music, politics, commerce and identity in an Andean music scene in Lima / Julio Mendívil -- Imagining traditions : performance and social imagination in the urban cueca scene in Santiago de Chile (2000-2010) / Christian Spencer Espinosa -- "Cumbia, nena" : cumbia scene, gender and class in Argentina / Pablo Alabarces and Malvina Silba -- The Ecuadorian popular music scene in Quito : contesting the national imaginary / Ketty Wong -- Chicha music, urban subalternity and cultural identities in Peru : construction of the local and translocal scene / Arturo Quispe Lázaro -- Merengue on the move : making music, place, and community in the típico world / Sydney Hutchinson -- The geopolitics of queer tango : from Buenos Aires to a community of translocal practice / María Mercedes Liska -- Otavalan transnational music making : the Andean music scene in Japan / Michelle Wibbelsman -- Voice in Fernando Ortiz : tools for rethinking the notion of scene / Ana M. Ochoa Gautier -- Epilogue : reconsidering music scenes from a Latin American perspective / Julio Mendívil and Christian Spencer Espinosa -- "We live in mixture, and are constantly mixing together our musical expressions" : a conversation with Susana Baca, Peruvian singer and former Minister of Culture / by Julio Mendívil and Christian Spencer Espinosa
    Description / Table of Contents: Debating genre, class and identity : popular music and music scenes from the Latin American world / Julio Mendívil and Christian Spencer EspinosaThe carpas shows in Mexico City (1900-1930) : an ethno-historical perspective to a musical scene / Natalia Bieletto Bueno -- Nineteenth century Spanish American salon in the light of music scenes / Juan Francisco Sans -- Representing Ayacucho : music, politics, commerce and identity in an Andean music scene in Lima / Julio Mendívil -- Imagining traditions : performance and social imagination in the urban cueca scene in Santiago de Chile (2000-2010) / Christian Spencer Espinosa -- "Cumbia, nena" : cumbia scene, gender and class in Argentina / Pablo Alabarces and Malvina Silba -- The Ecuadorian popular music scene in Quito : contesting the national imaginary / Ketty Wong -- Chicha music, urban subalternity and cultural identities in Peru : construction of the local and translocal scene / Arturo Quispe Lázaro -- Merengue on the move : making music, place, and community in the típico world / Sydney Hutchinson -- The geopolitics of queer tango : from Buenos Aires to a community of translocal practice / María Mercedes Liska -- Otavalan transnational music making : the Andean music scene in Japan / Michelle Wibbelsman -- Voice in Fernando Ortiz : tools for rethinking the notion of scene / Ana M. Ochoa Gautier -- Epilogue : reconsidering music scenes from a Latin American perspective / Julio Mendívil and Christian Spencer Espinosa -- "We live in mixture, and are constantly mixing together our musical expressions" : a conversation with Susana Baca, Peruvian singer and former Minister of Culture / by Julio Mendívil and Christian Spencer Espinosa.
    Note: Includes bibliographical references and index , Text in English, some text in Spanish with translations in English
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  • 66
    Online Resource
    Online Resource
    Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective (2016)
    Ann Arbor, Michigan : University of Michigan Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 0472122274 , 9780472902385 , 0472119958 , 9780472119950 , 9780472122271
    Language: English
    Pages: 1 Online-Ressource (pages cm.)
    Series Statement: Tracking pop
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: Wilson, Brian ; Beach Boys Criticism and interpretation ; The Beach Boys ; Geschichte ; Popular music History and criticism
    Note: Includes bibliographical references and index
    URL: kostenfrei
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    HeBIS
  • 67
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    Die Lieder der Geschwister Rainer und "Rainer Family" aus dem Zillertal (1822-1843) : Untersuchungen zur Popularisierung von Tiroler Liedern in Deutschland, England und Amerika (2016)
    Innsbruck : Universitätsverlag Wagner
    Details
    ISBN: 3703008822 , 9783703008825
    Language: German
    Pages: 246 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 5
    Series Statement: Schriften zur musikalischen Ethnologie
    DDC: 781.6200936043
    RVK:
    LS 22380
    RVK:
    LC 86160
    Keywords: Rainer Family (Musical group) Criticism and interpretation ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Geschwister Rainer ; Volksmusik ; Rezeption ; Deutschland ; England ; USA
    Note: Quellen und Literatur: Seiten [225]-236 , Register der Liedincipits, Liedtitel und Titel von Tänzen und Instrumentalstücken: Seiten [237]-246
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
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    MEK Berlin
  • 68
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    Understanding popular music culture (2016)
    London and New York : Routledge Taylor & Francis Group
    Details
    ISBN: 9781138907850
    Language: English
    Pages: VI, 298 Seiten
    Edition: 5. ed.
    Uniform Title: Understanding popular music culture
    DDC: 781.64
    RVK:
    LC 87000
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2010 ; Geschichte ; Popular music History and criticism ; Popular culture History 20th century ; Popkultur ; Popmusik ; Einführung ; Popmusik ; Popkultur ; Geschichte 1900-2010
    Description / Table of Contents: Includes bibliographical references and index
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  • 69
    Online Resource
    Online Resource
    Understanding popular music culture (2016)
    London and New York : Routledge Taylor & Francis Group
    Details
    ISBN: 9781317440888 , 9781315694870
    Language: English
    Pages: 1 Online-Ressource (VI, 298 Seiten)
    Edition: 5. ed.
    Uniform Title: Understanding popular music culture
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48000
    RVK:
    LC 87000
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2010 ; Geschichte ; Popular music History and criticism ; Popular culture History 20th century ; Popkultur ; Popmusik ; Einführung ; Einführung ; Popmusik ; Popkultur ; Geschichte 1900-2010
    Description / Table of Contents: Includes bibliographical references and index
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    Würzburg UB
    BVB
  • 70
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    Tigers of a different stripe : performing gender in Dominican music (2016)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226405322 , 9780226405469
    Language: English
    Pages: XII, 279 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.64097293
    RVK:
    LS 48700
    RVK:
    LR 56600
    RVK:
    LR 56610
    Keywords: Popular music History and criticism ; Gender identity in music ; Unterhaltungsmusik ; Geschlechterrolle ; Dominikanische Republik ; Dominikanische Republik ; Unterhaltungsmusik ; Geschlechterrolle
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    Würzburg UB
    KOBV
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    HBZ
    Bayreuth UB
    Ethn. Museum Berlin
  • 71
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    American popular music in Britain's Raj (2016)
    Rochester, NY : University of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer Limited
    Details
    ISBN: 9781580465489
    Language: English
    Pages: x, 242 Seiten , Illustrationen , 24 cm
    Series Statement: Eastman studies in music v. 131
    Series Statement: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popmusik ; Musiker ; Schwarze ; Afroamerikanische Musik ; Unterhaltungsmusik ; Indien ; USA ; Britisch-Indien ; USA ; USA ; Unterhaltungsmusik ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Schwarze ; Musiker ; Britisch-Indien
    Abstract: "American Popular Music in Britain's Raj" is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. - Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi. (Klappentext)
    Description / Table of Contents: List of Figures. - Acknowledgments. - Introduction. - 1 Entertainment Globalization, 1850s to 1910s. - 2 Technologies, Exoticism, and Entrepreneurs, 1920s and 1930s. - 3 Calcutta in the War. - 4 The Case of Lucknow. - 5 Cabaret Sequences in Hindi Films. - Afterword. - Notes. - Bibliography. - Filmography and Discography. - Index
    Note: Series numbering from CIP data. - Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 72
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    Globalization and popular music in South Korea : sounding out K-pop (2016)
    New York, NY [u.a.] : Routledge
    Details
    ISBN: 9781138840010 , 1138840017
    Language: English
    Pages: XIII, 256 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Routledge studies in popular music 7
    Series Statement: Routledge studies in popular music
    DDC: 781.63095195
    RVK:
    LS 48070
    Keywords: Popular music History and criticism ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Südkorea ; Popmusik ; Geschichte ; Geschichte 1990-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    Würzburg UB
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  • 73
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    Oliver Mtukudzi : living Tuku music in Zimbabwe (2016)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253022318 , 9780253022233
    Language: English
    Pages: xi, 290 Seiten , Illustrationen , 24 cm
    Series Statement: African expressive cultures
    Parallel Title: Erscheint auch als Kyker, Jennifer, 1979- author Oliver Mtukudzi
    DDC: 781.63092
    RVK:
    LS 47895
    Keywords: Mtukudzi, Oliver ; Musicians Biography ; Popular music History and criticism ; Biografie ; Biografie ; Mtukudzi, Oliver 1952-2019 ; Simbabwe ; Musikleben
    Note: Includes bibliographical references (pages 257-273) and index
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  • 74
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    Oliver Mtukudzi : living Tuku music in Zimbabwe (2016)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253022233 , 9780253022318
    Language: English
    Pages: xi, 290 pages , Illustrationen, Notenbeispiele
    Series Statement: African expressive cultures
    Parallel Title: Erscheint auch als
    DDC: 781.63092
    RVK:
    LS 47895
    Keywords: Mtukudzi, Oliver ; Mtukudzi, Oliver ; Musicians Biography ; Popular music History and criticism ; Musikleben ; Simbabwe ; Biografie ; Biografie ; Biografie ; Mtukudzi, Oliver 1952-2019 ; Simbabwe ; Musikleben
    Note: Includes bibliographical references (pages 257-273) and index
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
    Library Location Call Number Volume/Issue/Year Availability
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    BVB
    Bayreuth UB
    Ethn. Museum Berlin
  • 75
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    The resisting muse : popular music and social protest (2016)
    London : Routledge
    Details
    ISBN: 0754651134 , 9780754651130 , 0754651142 , 9780754651147
    Language: English
    Pages: xxiv, 228 Seiten , Illustrationen
    Series Statement: Ashgate popular and folk music series
    RVK:
    LS 48000
    Keywords: Protest songs History and criticism ; Popular music Social aspects ; Popular music Political aspects ; Popular music History and criticism ; Subculture ; Chansons contestataires - Histoire et critique ; Musique populaire - Aspect social ; Musique populaire - Aspect politique ; Musique populaire - Histoire et critique ; Subculture ; Popular music ; Popular music - Political aspects ; Popular music - Social aspects ; Protest songs ; Subculture ; Unterhaltungsmusik - Sozialer Protest ; Sozialer Protest - Unterhaltungsmusik ; Popmusik - Sozialer Protest - Aufsatzsammlung ; Criticism, interpretation, etc ; Aufsatzsammlung
    Note: Literaturverzeichnis: Seite 206-221 , Titelzusatz auf dem Cover "An Ashgate book"
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 76
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    Perspectives on German popular music (2016)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781315600208
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48000
    RVK:
    LS 48060
    RVK:
    LQ 80107
    Keywords: Popular music History and criticism ; Unterhaltungsmusik ; Musiksoziologie ; Deutsch ; Deutschland ; Aufsatzsammlung ; Deutsch ; Unterhaltungsmusik ; Musiksoziologie
    Abstract: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Abstract: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
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  • 77
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    Online Resource
    The Cambridge companion to the singer-songwriter (2016)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316569207
    Language: English
    Pages: 1 Online-Ressource (xvi, 366 Seiten) , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.4209
    RVK:
    LR 53970
    RVK:
    LR 54600
    RVK:
    LS 48620
    Keywords: Popular music History and criticism ; Popular music Writing and publishing ; Songs History and criticism ; Sänger ; Songwriting ; Musiksoziologie ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Sänger ; Songwriting ; Musiksoziologie
    Abstract: Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West
    Description / Table of Contents: Introduction / Katherine Williams and Justin A. Williams -- Establishing a tradition -- The emergence of the singer-songwriter / David R. Shumway -- Singer-songwriters of the German Lied / Natasha Loges and Katy Hamilton -- Bill Monroe, bluegrass music, and the politics of authorship / Mark Finch -- Singer-songwriters and the English folk tradition / Allan F. Moore -- The Brill Building and the creative labour of the professional songwriter / Simon Barber -- Forging the singer-songwriter at the Los Angeles Troubadour / Christa Anne Bentley -- The 'professional' singer-songwriter in the 1970s / Michael Borshuk -- Individuals -- Thomas D'Urfey / Tōru Mitsui -- Leadbelly / Josep Pedro -- Region and identity in Dolly Parton's songwriting / Jada Watson -- Authorship and performance in the music of Elton John / Phil Allcock -- Depicting the working class in the music of Billy Joel / Joshua S. Duchan -- Musical gesture in the songs of Nick Drake / Timothy Koozin --
    Description / Table of Contents: Sampling and storytelling: Kanye West's vocal and sonic narratives / Lori Burns, Alyssa Woods, and Marc Lafrance -- James Blake, digital lion / madison moore -- Outside voices and the construction of Adele's singer-songwriter persona / Sarah Suhadolnik -- Joanna Newsom's 'Only skin': authenticity, 'becoming-other', and the relationship between 'New' and 'Old Weird America' / Jo Collinson Scott -- Men and women -- Gender, race, and the ma(s)king of 'Joni Mitchell' / Kevin Fellezs -- Gender, genre, and diversity at Lilith Fair / Jennifer Taylor -- Changing openness and tolerance towards LGBTQ singer-songwriters / Katherine Williams -- Tori Amos as shaman / Chris McDonald -- Gender identity, the queer gaze, and female singer-songwriters / Megan Berry -- The female singer-songwriter in the 1990s / Sarah Boak -- Frameworks and methods -- Reconciling theory with practice in the teaching of songwriting / Mark Marrington -- Singer-songwriters and open mics / Marcus Aldredge --
    Description / Table of Contents: Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's 'Someone Like You') / Rupert Till -- Global perspectives -- Don McGlashan and local authenticity / Nick Braae -- Italian canzone d'autore and Greek entechno tragoudi: a comparative overview / Franco Fabbri and Ioannis Tsioulakis -- Singer-songwriters and fandom in the digital age / Lucy Bennett
    Note: Includes bibliographical references and index
    DOI: 10.1017/CCO9781316569207
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
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    München UB
    Würzburg UB
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    BVB
  • 78
    Online Resource
    Online Resource
    The pop festival : history, music, media, culture (2015)
    New York : Bloomsbury
    Details
    ISBN: 9781628921960 , 9781628921984
    Language: English
    Pages: 1 Online-Ressource (xx, 234 Seiten) , Illustrationen
    Edition: First published
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64078
    RVK:
    LR 57180
    RVK:
    LS 48015
    Keywords: Music festivals ; Popular music History and criticism ; Jazz ; Musikfestspiel ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Musikfestspiel ; Jazz ; Popmusik
    Note: Includes bibliographical references and index
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    München BSB
    BVB
  • 79
    Book
    Book
    The pop festival : history, music, media, culture (2015)
    New York, London, New Delhi, Sydney : Bloomsbury Academic
    Details
    ISBN: 9781623568207 , 162356820X , 9781623569594 , 1623569591
    Language: English
    Pages: xx, 234 pages , illustrations , 23 cm
    DDC: 781.64078
    RVK:
    LR 57180
    RVK:
    LS 48015
    Keywords: Music festivals ; Popular music History and criticism ; Music festivals ; Popular music ; Aufsatzsammlung ; Aufsatzsammlung ; Musikfestspiel ; Jazz ; Popmusik
    Abstract: "A brilliant collection of essays on popular music festival culture as a whole, from its origins to a wide range of contemporary manifestations"--Provided by publisher
    Note: Includes bibliographical references (page 230) and index , "The pose" is a stance? : popular music and the cultural politics of festival in 1950s Britain , "Let there be rock!" : myth and ideology in the rock festivals of the transatlantic counterculture , "As real as real can get" : race, representation, and rhetoric at Wattstax, 1972 , The artist at the music festival : art, performance and hybridity , Photo-essay : free festivals, new travellers, and the free party scene in Britain, 1981-1992 , Festival bodies : the corporeality of the contemporary music festival scene in Australia , The Love Parade : European techno, the EDM festival, and the tragedy in Duisburg , Protestival : global days of action and carnivalised politics at the turn of the millennium , Alternative playworlds : psytrance festivals, deep play and creative zones of transcendence , No Spectators! : the art of participation, from Burning Man to boutique festivals in Britain , Musicking in Motor City : reconfiguring urban space at the Detroit Jazz Festival , Branding, sponsorship, and the music festival , Everybody talk about pop music : un-Convention as alternative to festival, from DIY music to social change
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 80
    Online Resource
    Online Resource
    The SAGE handbook of popular music (2015)
    London : SAGE Publications Ltd
    Details
    ISBN: 9781473910362
    Language: English
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48000
    Keywords: Popular music History and criticism ; Music theory ; Musikbranche ; Popmusik ; Aufsatzsammlung ; Popmusik ; Musikbranche
    Abstract: This handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field
    Description / Table of Contents: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
  • 81
    Book
    Book
    Relocating popular music (2015)
    Basingstoke : Palgrave Macmillan
    Details
    ISBN: 9781137463371
    Language: English
    Pages: XI, 253 Seiten , Illustrationen
    Edition: First published
    DDC: 781.6309
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Music and globalization ; Globalisierung ; Popmusik ; Zeit ; Sozialraum ; Internationaler Vergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Globalisierung ; Sozialraum ; Zeit ; Internationaler Vergleich
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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    BVB
  • 82
    Online Resource
    Online Resource
    Country soul : making music and making race in the American South (2015)
    Chapel Hill : University of North Carolina Press
    Details
    ISBN: 9781469623245 , 1469623242
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.642089/00976
    RVK:
    LS 48050
    RVK:
    LS 48640
    RVK:
    LS 48610
    Keywords: Countrymusic ; Soul ; Rassismus ; Music and race ; Popular music History and criticism ; Country music History and criticism ; Soul music History and criticism ; Soul music History and criticism ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; USA Südstaaten
    URL: https://muse.jhu.edu/book/42216
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  • 83
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    Online Resource
    Made in Brazil : studies in popular music (2015)
    New York : Routledge
    Details
    ISBN: 9780203664544
    Language: English
    Pages: 1 Online-Ressource (XIII, 249 Seiten)
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Brazil
    DDC: 781.640981
    RVK:
    LQ 90600
    RVK:
    LS 48800
    Keywords: Popular music History and criticism
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Cover
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  • 84
    Book
    Book
    Relocating popular music (2015)
    Basingstoke [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137463371
    Language: English
    Pages: XI, 253 S. , Ill.
    Parallel Title: Erscheint auch als Relocating popular music
    DDC: 781.6309
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Music and globalization ; Aufsatzsammlung
    Note: Includes bibliographical references
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
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  • 85
    Book
    Book
    Made in Brazil : studies in popular music (2015)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780415625609 , 9781138213395
    Language: English
    Pages: xiii, 249 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Brazil
    RVK:
    LQ 90600
    RVK:
    LS 48800
    Keywords: Popular music History and criticism
    Note: Fitrst issued in paperback 2016
    URL: Inhaltsverzeichnis
    URL: Cover
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  • 86
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    Book
    The SAGE handbook of popular music (2015)
    Los Angeles : SAGE reference
    Details
    ISBN: 9781446210857
    Language: English
    Pages: xvi, 647 Seiten
    DDC: 781.64
    RVK:
    LP 19000
    RVK:
    LS 48000
    Keywords: Popular music History and criticism ; Popular music Handbooks, manuals, etc ; Music theory ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: "The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology."--Publisher's description
    Abstract: Part I. Theory and Method / Andy Bennett. The Many Worlds of Popular Music: Ethnomusicological Approaches / Kevin Dawe ; Notes on Sociological Theory and Popular Music Studies / Motti Regev ; Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies / Gilbert B. Rodman ; (Re)generations of Popular Musicology / Serge Lacasse ; Archival Research and the Expansion of Popular Music History / Christine Feldman-Barrett -- Part II. The Business of Popular Music / Steve Waksman. Power, Production and the Pop Process / Reebee Garofalo ; Intermediaries and Intermediation Devon Powers ; Popular Musical Labor in North America / Matt Stahl ; Music in Advertising in the US: History and Issues / Timothy D. Taylor -- Part III. Popular Music History / Steve Waksman. Grinding Out Hits at the Song Factory / Keir Keightley ; Popular Music Genres: Aesthetics, Commerce and Identity / David Brackett ; Live Music History / Matt Brennan -- Part IV. The Global and the Local / Andy Bennett. African, African American, Middle Eastern and French Hip Hop / Tony Mitchell ; Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance / Graham St John ; Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact / Andy R. Brown ; Punk Rock, Hardcore and Globalization / Ross Haenfler -- Part V. The Star System / Steve Waksman. Rock Stars as Icons / David R. Shumway ; Everybody's in Show Biz: Performing Star Identity in Popular Music / Philip Auslander ; Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop / Jacqueline Warwick ; Dark Cosmos: Making Race, Shaping Stardom / C. Riley Snorton -- Part VI. Body and Identity / Andy Bennett. Blurred Lines, Gender and Popular Music / Sheila Whiteley ; Popular Music, Race and Identity / Jon Stratton ; Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion / Sherril Dodds ; Shaping The Past of Popular Music: Memory, Forgetting and Documenting / Catherine Strong -- Part VII. Media / Andy Bennett. In Print and On Screen: The Changing Character of Popular Music Journalism / Simon Warner ; Sight and Sound in Concert? The Interrelationship Between Music and Television / Tim Wall and Paul Long ; Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema / Scott Henderson ; Beyond Napster: Popular Music and the Normal Internet / Nick Prior -- Part VIII. Technology / Steve Waksman. Phonography and the Recording in Popular Music / Patrick Feaster ; Ghosts of Electricity: Amplification ; Ubiquitous Musics: Technology, Listening and Subjectivity / Anahid Kassabian -- Part IX. Digital Economies / Steve Waksman. Modes of Production: The Value of Modal Analysis for Popular Music Studies / Tim J. Anderson ; Music, Copies and Essences / Joanna Demers ; Authorship, Ownership and Musical Appropriation / Kembrew McLeod ; Music Cartels and the Dematerialization of Power / Aram Sinnreich
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Ethn. Museum Berlin
  • 87
    Book
    Book
    From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s : authenticity, authority, influence (2015)
    Farnham : Ashgate
    Details
    ISBN: 9781409441731
    Language: English
    Pages: 201 Seiten
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421640944
    RVK:
    LS 48005
    Keywords: Brel, Jacques Criticism and interpretation ; Brassens, Georges Criticism and interpretation ; Ferré, Léo Criticism and interpretation ; Geschichte 1960-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism ; Chanson ; Schlager ; Frankreich ; Italien ; Frankreich ; Italien ; Chanson ; Schlager ; Geschichte 1960-1980
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    Würzburg UB
    BSZ
    GBV
    BVB
    HBZ
    Bayreuth UB
  • 88
    Book
    Book
    Lion songs : Thomas Mapfumo and the music that made Zimbabwe (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359081 , 0822359081
    Language: English
    Pages: 362 pages, 40 pages of unnumbered plates , illustrations, portraits , 24 cm
    DDC: 781.63092
    RVK:
    LS 47895
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music History and criticism ; Popular music Political aspects ; Revolutionary ballads and songs
    Description / Table of Contents: Chimurenga nightsRhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter.
    Note: Includes bibliographical references (pages 341-343), discography (pages 337-339) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    BSZ
    GBV
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    BVB
    Bayreuth UB
  • 89
    Book
    Book
    The late voice : time, age and experience in popular music (2015)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781628921182
    Language: English
    Pages: 289 pages , 20 cm
    DDC: 783/.064
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Interpretation (Phrasing, dynamics, etc.) ; Creation (Literary, artistic, etc.) ; Aging Psychological aspects ; Older people Psychology ; Old age Psychological aspects
    Abstract: Time, age, experience and voice -- Won't you spare me over till another year? -- September of my years -- Time out of mind -- Both sides now -- Conclusion -- Late thoughts
    Description / Table of Contents: Time, age, experience and voiceWon't you spare me over till another year? -- September of my years -- Time out of mind -- Both sides now -- Conclusion -- Late thoughts.
    Note: Includes bibliographical references (pages 271-284) and index -- Discography: pages -- Filmography: pages
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 90
    Online Resource
    Online Resource
    The SAGE Handbook of Popular Music (2015)
    London : SAGE Publications
    Details
    ISBN: 9781473910997
    Language: English
    Pages: 1 Online-Ressource (665 pages)
    Edition: 1st ed
    Parallel Title: Print version Bennett, Andy The SAGE Handbook of Popular Music
    DDC: 781.64
    RVK:
    LP 19000
    RVK:
    LS 48000
    Keywords: Music industry ; Music theory ; Popular music History and criticism ; Popular music Handbooks, manuals, etc ; Sound recording industry ; Unterhaltungsmusik
    Abstract: This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field
    Abstract: Cover -- Contents -- Acknowledgements -- Notes on the Editors and Contributors -- Introduction -- Part I Theory and Method -- 1 The Many Worlds of Popular Music: Ethnomusicological Approaches -- 2 Notes on Sociological Theory and Popular Music Studies -- 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies -- 4 (Re)generations of Popular Musicology -- 5 Archival Research and the Expansion of Popular Music History -- Part II The Business of Popular Music -- 6 Power, Production and the Pop Process -- 7 Intermediaries and Intermediation -- 8 Popular Musical Labor in North America -- 9 Music in Advertising in the US: History and Issues -- Part III Popular Music History -- 10 Grinding Out Hits at the Song Factory -- 11 Popular Music Genres: Aesthetics, Commerce and Identity -- 12 Live Music History -- Part IV The Global and the Local -- 13 African, African American, Middle Eastern and French Hip Hop -- 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance -- 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact -- 16 Punk Rock, Hardcore and Globalization -- Part V The Star System -- 17 Rock Stars as Icons -- 18 Everybody's in Show Biz: Performing Star Identity in Popular Music -- 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop -- 20 Dark Cosmos: Making Race, Shaping Stardom -- Part VI Body and Identity -- 21 Blurred Lines, Gender and Popular Music -- 22 Popular Music, Race and Identity -- 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion -- 24 Shaping The Past of Popular Music: Memory, Forgetting and Documenting -- Part VII Media -- 25 In Print and On Screen: The Changing Character of Popular Music Journalism
    Abstract: 26 Sight and Sound in Concert? The Interrelationship Between Music and Television -- 27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema -- 28 Beyond Napster: Popular Music and the Normal Internet -- Part VIII Technology -- 29 Phonography and the Recording in Popular Music -- 30 Ghosts of Electricity: Amplification -- 31 Ubiquitous Musics: Technology, Listening and Subjectivity -- Part IX Digital Economies -- 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies -- 33 Music, Copies and Essences -- 34 Authorship, Ownership and Musical Appropriation -- 35 Music Cartels and the Dematerialization of Power -- Index
    URL: Volltext
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    GBV
  • 91
    Image
    Image
    The rap year book : the most important rap song from every year since 1979, discussed, debated, and deconstructed (2015)
    New York, NY : Abrams Image
    Details
    ISBN: 9781419718182
    Language: English
    Pages: 239 pages , colour illustrations , 23 cm
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Rap (Music) History and criticism ; Rap musicians Criticism and interpretation ; Rap musicians Caricatures and cartoons ; Popular music History and criticism ; African Americans Music ; History and criticism ; USA ; Rap ; Geschichte 1979-2014
    Abstract: 1979 :"Rapper's delight" /The Sugarhill Gang --1980 :"The breaks" /Kurtis Blow --1981 :"Jazzy sensation" /Afrika Bambaataa and the Jazzy Five --1982 :"The message" /Grandmaster Flash and the Furious Five --1983 :"Sucker M.C.'s" /Run-DMC --1984 :"Friends" /Whodini --1985 :"La Di Da Di" /Doug E. Fresh and Slick Rick --1986 :"6 in the mornin'" /Ice-T --1987 :"Paid in full" /Eric B. and Rakim --1988 :"Straight outta Compton" /N.W.A --1989 :"Fight the power" /Public Enemy --1990 :"Bonita Applebum" /A Tribe Called Quest --1991 :"Mind playing tricks on me" /Geto Boys --1992 :"Nuthin' but a 'G' Thang" /Dr. Dre, featuring Snoop Dogg --1993 :"C.R.E.A.M." /Wu-Tang Clan --1994 :"Juicy" /The Notorious B.I.G. --1995 :"Dear Mama" /Tupac --1996 :"California love" /Tupac, featuring Dr. Dre and Roger Troutman --1997 :"Can't nobody hold me down" /Puff Daddy, featuring Mase --1998 :"Ruff Ryders' Anthem" /DMX --1999 :"My name is" /Eminem --2000 :"Big pimpin'" /Jay Z, featuring UGK --2001 :"Takeover" vs. "Ether" /Jay Z vs. Nas --2002 :"Grindin'" /The Clipse --2003 :"In Da Club" /50 Cent --2004 :"Still tippin'" /Mike Jones, featuring Slim Thug and Paul Wall --2005 :"Gold digger" /Kanye West, featuring Jamie Foxx --2006 :"Hustlin'" /Rick Ross --2007 :"International players anthem" /UGK, featuring Outkast --2008 :"A Milli" /Lil Wayne --2009 :"Best I ever had" /Drake --2010 :"Monster" /Kanye West featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj --2011 :"Niggas in Paris" /Jay Z and Kanye West --2012 :"Same love" /Macklemore and Ryan Lewis --2013 :"Control" /Big Sean, featuring Kendrick Lamar and Jay Electronica --2014 :"Lifestyle" /Rich Gang, featuring Young Thug and Rich Homie Quan.
    Abstract: 1979 : "Rapper's delight" (The Sugarhill Gang) -- 1980 : "The breaks" (Kurtis Blow) -- 1981 : "Jazzy sensation" (Afrika Bambaataa and the Jazzy Five) -- 1982 : "The message" (Grandmaster Flash and the Furious Five) -- 1983 : "Sucker M.C.'s" (Run-DMC) -- 1984 : "Friends" (Whodini) -- 1985 : "La Di Da Di" (Doug E. Fresh and Slick Rick) -- 1986 : "6 in the mornin'" (Ice-T) -- 1987 : "Paid in full" (Eric B. and Rakim) -- 1988 : "Straight outta Compton" (N.W.A) -- 1989 : "Fight the power" (Public Enemy) -- 1990 : "Bonita Applebum" (A Tribe Called Quest) -- 1991 : "Mind playing tricks on me" (Geto Boys) -- 1992 : "Nuthin' but a 'G' Thang" (Dr. Dre, featuring Snoop Dogg) -- 1993 : "C.R.E.A.M." (Wu-Tang Clan) -- 1994 : "Juicy" (The Notorious B.I.G.) -- 1995 : "Dear Mama" (Tupac) -- 1996 : "California love" (Tupac, featuring Dr. Dre and Roger Troutman) -- 1997 : "Can't nobody hold me down" (Puff Daddy, featuring Mase) -- 1998 : "Ruff Ryders' Anthem" (DMX) -- 1999 : "My name is" (Eminem) -- 2000 : "Big pimpin'" (Jay Z, featuring UGK) -- 2001 : "Takeover" vs. "Ether" (Jay Z vs. Nas) -- 2002 : "Grindin'" (The Clipse) -- 2003 : "In Da Club" (50 Cent) -- 2004 : "Still tippin'" (Mike Jones, featuring Slim Thug and Paul Wall) -- 2005 : "Gold digger" (Kanye West, featuring Jamie Foxx) -- 2006 : "Hustlin'" (Rick Ross) -- 2007 : "International players anthem" (UGK, featuring Outkast) -- 2008 : "A Milli" (Lil Wayne) -- 2009 : "Best I ever had" (Drake) -- 2010 : "Monster" (Kanye West, featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj) -- 2011 : "Niggas in Paris" (Jay Z and Kanye West) -- 2012 : "Same love" (Macklemore and Ryan Lewis) -- 2013 : "Control" (Big Sean, featuring Kendrick Lamar and Jay Electronica) -- 2014 : "Lifestyle" (Rich Gang, featuring Young Thug and Rich Homie Quan).
    Abstract: This book "takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano ... discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional"--Amazon.com
    Abstract: "The Rap Year Book takes readers on a journey that begins in 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present. Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Complete with infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created." -- Publisher's description
    Note: Formerly CIP , Includes bibliographical references (pages 229-232) and index
    URL: Contributor biographical information
    URL: Inhaltstext
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  • 92
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    Real men don't sing : crooning in American culture (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
    HD 375
    RVK:
    LS 48615
    RVK:
    LS 48050
    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 93
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    American popular music : from minstrelsy to MP3 (2014)
    New York [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780199859115 , 9780199859122 , 9780199859139 , 9780199859146 , 9780199316694
    Language: English
    Pages: XX, 598 S , Ill
    Edition: Fourth edition
    DDC: 781.63
    RVK:
    HD 570
    RVK:
    LS 48000
    RVK:
    MS 8020
    Keywords: Popular music History and criticism
    Abstract: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
    Description / Table of Contents: Themes and streams of American popular music"After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Description / Table of Contents: popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Note: Frühere Copyrights: 2003, 2007, 2010
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  • 94
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    Living politics, making music : the writings of Jan Fairley (2014)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 9781472412669
    Language: English
    Pages: X, 208 S.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 12100
    Keywords: World music History and criticism ; Popular music History and criticism ; Popular music Political aspects 20th century ; History ; Popular music History and criticism
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
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    HBZ
    Ethn. Museum Berlin
  • 95
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    Countercultures and popular music (2014)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 9781472421067
    Language: English
    Pages: XX, 295 S. , Ill , 24 cm
    Series Statement: Ashgate popular and folk music series
    DDC: 306.4/8424
    RVK:
    LR 57737
    Keywords: Popular music Social aspects ; Counterculture ; Popular music History and criticism ; 1961-1970 ; Counterculture ; Counterculture ; Popular music Social aspects ; Gegenkultur ; Popmusik ; Unterhaltungsmusik ; Gegenkultur
    Note: Includes bibliographical references (pages 251-274), discography (pages 275-280), filmography (pages 281-282), and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 96
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    Deutschpop halt's Maul! : für eine Ästhetik der Verkrampfung (2014)
    Mainz : Ventil Verl.
    Details
    ISBN: 9783955750305
    Language: German
    Pages: 109 S. , 195 mm x 130 mm
    Edition: 1. Aufl.
    Series Statement: Testcard zwergobst
    DDC: 781.640943
    RVK:
    LS 48645
    RVK:
    LQ 80108
    RVK:
    LS 48070
    RVK:
    GO 23800
    Keywords: Popular music History and criticism ; Popular music Philosophy and aesthetics ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Popmusik ; Geschichte
    Note: Literaturangaben
    URL: Inhaltstext
    URL: Inhaltstext
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  • 97
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    Between nostalgia and apocalypse : popular music and the staging of Brazil (2014)
    Middletown, CT : Wesleyan Univ. Press
    Details
    ISBN: 9780819575012 , 9780819575029 , 9780819575036
    Language: English
    Pages: xxiii, 159 p. , ill.
    Series Statement: Music culture
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Geschichte ; Gesellschaft ; Sambas History and criticism ; Popular music History and criticism ; Popular music Social aspects ; History ; Musiksoziologie ; Musikpflege ; Samba ; Kulturwandel ; Vermarktung ; Brasilien ; Pernambuco ; Pernambuco ; Samba ; Musikpflege ; Vermarktung ; Kulturwandel ; Musiksoziologie
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    Würzburg UB
    BVB
  • 98
    Online Resource
    Online Resource
    Popgeschichte : Band 1: Konzepte und Methoden (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839425282
    Language: German
    Pages: Online-Ressource (274 S.)
    Edition: Online-Ausg. 2014
    Series Statement: Histoire 48
    Series Statement: Histoire
    Parallel Title: Druckausg. Popgeschichte ; Band 1: Konzepte und Methoden
    RVK:
    AP 14000
    RVK:
    LS 48070
    RVK:
    MS 8020
    Keywords: Popular music History and criticism ; Popular Culture, History, Contemporary History, Media History, Cultural Studies, Cultural History, History of the 20th Century ; Pop-Kultur ; Jugendkultur
    Abstract: Biographical note: Alexa Geisthövel (Dr. phil.) ist Mitarbeiterin am Institut für Geschichte der Medizin der Charité Berlin. Bodo Mrozek (M.A.) promoviert am Arbeitsbereich Zeitgeschichte der Freien Universität Berlin und ist Stipendiat des Max-Planck-Instituts für Bildungsgeschichte.
    Abstract: Main description: Dieser Band will eine akademische Debatte über das bisher stark vernachlässigte Thema Popgeschichte anregen. Er fächert erstmalig verschiedene Ansätze und Methoden auf, mit denen sich Historiker/-innen dem Thema Pop nähern können. Von den Cultural Studies über Körper-, Gender- und Konsumgeschichte bis zur Sound History stellt er verschiedene Zugänge vor und diskutiert ihre Relevanz für die zeitgeschichtliche Forschung. Zugleich führt das Buch Studierende der Geschichtwissenschaften an einen historisch informierten Umgang mit Popkultur heran und bietet benachbarten Wissenschaften eine historische Kontextualisierung ihres Theorieinventars.
    Note: FrontmatterInhaltEinleitung , Pop und Politik , Popkultur und Geschlechternormen , Pop und Generationalität , Subkultur und Cultural Studies , Auf der Suche nach dem Publikum , Mobil hören , Lebenssteigerung , Pop- und Emotionsgeschichte , Geschichtsmaschine Pop , Autorinnen und AutorenBackmatter.
    DOI: 10.14361/transcript.9783839425282
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 99
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    Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles (1930s - 2000s) (2014)
    Leiden [u.a.] : Brill
    Details
    ISBN: 9789004259867 , 9789004261778
    Language: English
    Pages: XI, 375 S. , Ill., Notenbeisp.
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 290
    Series Statement: Southeast Asia mediated 4
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
    Series Statement: Southeast Asia mediated
    Parallel Title: Erscheint auch als
    DDC: 781.6309595/1
    RVK:
    LS 40080
    RVK:
    NQ 5770
    Keywords: Geschichte 1900-2000 ; Geschichte 1930-2010 ; Geschichte ; Gesellschaft ; Musik ; Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; Popmusik ; Musiksoziologie ; Indonesien ; Malaysia ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Malaysia ; Indonesien ; Popmusik ; Musiksoziologie ; Geschichte 1930-2010
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"..
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 100
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    Made in Italy : studies in popular music (2014)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780415899765
    Language: English
    Pages: XV, 255 Seiten , Illustrationen, Notenbeispiele
    Edition: Paperback edition
    Series Statement: Routledge global popular music series
    DDC: 781.640945
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Popular music / Italy / History and criticism ; Italien ; Unterhaltungsmusik
    Note: Literaturangaben. - Ausgewählte Bibliografie: Seite 234-240 , An egg of Columbus : how can Italian popular music studies stand on their own , An egg of Columbus : how can Italian popular music studies stand on their own , Italy in music : a sweeping (and somewhat audacious) reconstruction of a problematic identity , Sanremo effects : the festival and the Italian canzone (1950s-1960s) , And the bitt went on , Naples power : Neapolitan sounds of the 1970s , Music economies and markets in Italy , A portrait of the author as an artist : ideology, authenticity and stylization in the canzone d'autore , Canzoni diverse : a semiotic approach to Luigi Tenco's songs , You can call them, if you like, emotions : the (un)orthodox songs of Lucio Battisti , Saved souls : locating style in Fabrizio De André's and Ivano Fossati's record production , Mystical arrogance : Franco Battiato's esoteric pop , An escape from escapism : the short history of Cantacronache , Virtuosity and populism : the everlasting appeal of Mina and Celentano , In the court of a foreign king : 1970s Italian progressive rock in the UK , Radiofreccia : a rocker from Emilia behind the film camera , Killer melodies : the musica neomelodica debate , Lasciatemi cantare and other diseases : Italian popular music as represented abroad , Provisionally popular : a conversation with Ennio Morricone , Italy in music : a sweeping (and somewhat audacious) reconstruction of a problematic identity , Sanremo effects : the festival and the Italian canzone (1950s-1960s) , And the bitt went on , Naples power : Neapolitan sounds of the 1970s , Music economies and markets in Italy , A portrait of the author as an artist : ideology, authenticity and stylization in the canzone d'autore , Canzoni diverse : a semiotic approach to Luigi Tenco's songs , You can call them, if you like, emotions : the (un)orthodox songs of Lucio Battisti , Saved souls : locating style in Fabrizio De André's and Ivano Fossati's record production , Mystical arrogance : Franco Battiato's esoteric pop , An escape from escapism : the short history of Cantacronache , Virtuosity and populism : the everlasting appeal of Mina and Celentano , In the court of a foreign king : 1970s Italian progressive rock in the UK , Radiofreccia : a rocker from Emilia behind the film camera , Killer melodies : the musica neomelodica debate , Lasciatemi cantare and other diseases : Italian popular music as represented abroad , Provisionally popular : a conversation with Ennio Morricone
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