ISBN:
0195363264
,
1280523913
,
1601297319
,
9780195363265
,
9781280523915
,
9781601297310
Sprache:
Englisch
Seiten:
1 Online-Ressource (xiii, 288 p., [12] p. plates)
Paralleltitel:
Erscheint auch als
Paralleltitel:
Erscheint auch als
Paralleltitel:
Erscheint auch als
DDC:
780/.951
Schlagwort(e):
1900 - 1999
;
Geschichte 1900-2000
;
Geschichte 1940-1988
;
Musicians / China
;
Musique / Chine / 20e siècle / Aspect politique
;
Musique / Politique gouvernementale / Chine
;
Musiciens / Chine / Biographies
;
MUSIC / History & Criticism
;
Cultural policy
;
Music and state
;
Music / Political aspects
;
Musicians
;
Musik
;
Politik
;
Music Political aspects 20th century
;
Music and state
;
Musicians Biography
;
Politik
;
Klaviermusik
;
China
;
Westliche Welt
;
Biografie
;
China
;
Politik
;
Westliche Welt
;
Klaviermusik
;
Geschichte 1940-1988
Anmerkung:
Includes bibliographical references (p. 215-271) and index
,
1. Cosmopolitan Culture at Capitalism's Periphery; 2. The Ambiguous Legacy of Composer Xian Xinghai; 3. The Defector: Fou Ts'ong; 4. Science versus Revolution in the Modernization of Music; 5. Court Pianist to the Cultural Revolution: Yin Chengzong; 6. The Red Aristocrat: Liu Shikun; 7. The Power of Music, the Music of Power; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z.
,
During the Cultural Revolution the piano, the musical embodiment of Western culture, became the object of intense hostility. This book examines the evolution of China's ever-changing disposition towards European music and Western influences generally
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