ISBN:
1905462646
,
9781905462643
Language:
English
Pages:
76 Seiten
Series Statement:
Essays on sculpture issue 81
Series Statement:
Essays on sculpture
DDC:
730
Keywords:
Ausstellungskatalog Henry Moore Institute 25.11.2022-26.02.2023
;
Ausstellungskatalog Henry Moore Institute 25.11.2022-26.02.2023
;
Großbritannien
;
Plastik
;
Künstlerisches Material
;
Person of Color
;
Hautfarbe
;
Erotik
;
Aktdarstellung
;
Geschichte 1840-1900
;
Sklave
Abstract:
In the late nineteenth century, British sculptors began to move away from the whiteness of Neoclassical marble and started to incorporate colour into their work, using bronze, silver, gold, ivory and porcelain as well as semi-precious stones, tinted waxes, enamels and paint.00The exhibition examined the rise of coloured sculpture in relation to widespread anxieties about social change and scientific advances, drawing attention to a Victorian fascination with colouring people and people of colour.00Includes a reprint of David J. Getsy?s article ?Privileging the Object of Sculpture: Actuality and Harry Bates? Pandora of 1890? originally published in Art History (vol. 28, no. 1, February 2005).00Exhibition: Henry Moore Institute, Leeds, UK (25.11.2022 - 26.02.2023)
Note:
Titelblattrückseite:Published to accompany the exhibition "The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture", 25 November 2022-16 February 2023, Henry Moore Institute
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