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  • History and criticism  (569)
  • Musicology  (569)
Keywords
  • 1
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
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    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 3
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 4
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 5
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    RVK:
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 6
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 7
    Book
    Book
    Cairo : The American University in Cairo Press
    ISBN: 9781649033048
    Language: English
    Pages: xxii, 318 Seiten , Illustrationen
    Series Statement: Refugees and migrants within the Middle East series
    DDC: 780.89/9274
    RVK:
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    Keywords: Palestinian Arabs Music ; History and criticism ; Palestinian Arabs Music ; Political aspects ; Music History and criticism ; Music History and criticism ; Expatriate musicians ; Expatriate musicians
    Abstract: "Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate and undocumented locations. The stories taking center stage show creatively divergent and revolutionary performance springing from conditions of colonialism, repression, and underdevelopment. What role does music play in the social spaces of Palestinian exile? How are the routes and roadblocks to musical success impacted by regional and international power structures? And how are questions of style, genre, or national tradition navigated by Palestinian musicians? Based on seven years of research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies is the first oral history of contemporary Palestinian musicianship to appear in book form, and the only study to encompass such a broad range of experiences of the ghurba, or place of exile."--
    Description / Table of Contents: Strings Of The Street : Resistance Aesthetics Of A Nation In Movement Chapter -- Za'atar, Zeit, And Fairuz : Growing Up Palestinian In Kuwait : Reem Kelani's Musical Beginnings -- 'Nothing Stops Tradition' : Dialects Of Cultural Reinvention In Exile : Experiences Of Palestinian Instrumentalism In Bilad al-Sham -- Village Dreams In Urban Gaza : A Young Girl's Musical Intifada : Music And Land In A Palestinian Socialist Household -- Smashing The Pyramids : Encores Of Palestinian Radicalism In Egypt : Tamer Abu Ghazaleh, The Cairo Underground, And The Sabreen Influence -- 'An Even Tougher Act Of Resistance' : Instrumentalism In The Dakhil Saied Silbak And The Music Of Internal Displacement -- Ahla Ayām' : The Most Beautiful Days Tarab, al-Waṭan, And Gaza's New Generation Of Musicians -- Sumud And The City : Old And New Comradeship In Istanbul : Fares Anbar, Ahmed Haddad, and The Turkish Migrant Scene ; Conclusion : Where To?
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 9
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190661960
    Language: English
    Pages: xx, 541 Seiten , Illustrationen, Diagramme, Notenbeispiele , 25.5 cm x 18 xm
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Note: Includes bibliographical references and index
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  • 10
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
    RVK:
    RVK:
    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 11
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
    RVK:
    RVK:
    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 12
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 15
    ISBN: 9783030987046 , 3030987043
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 2
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 17
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 18
    ISBN: 9783030978839 , 3030978834
    Language: English
    Pages: xxiii, 401 Seiten , Illustrationen , 22 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: volume 1
    DDC: 781.63096
    RVK:
    Keywords: Popular music History and criticism ; Africans Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online Resource
    Online Resource
    [New York] : Bloomsbury Academic
    ISBN: 9781501333507
    Language: English
    Pages: 1 Online-Ressource (xii, 233 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.951
    RVK:
    RVK:
    Keywords: Music China ; 21st century ; History and criticism ; Music China ; 20th century ; History and criticism ; Music China ; Philosophy and aesthetics
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
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    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
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  • 25
    Online Resource
    Online Resource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 26
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    RVK:
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 29
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 32
    ISBN: 9780199949267 , 9780199949243
    Language: English
    Pages: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als
    DDC: 781.62/914970561
    RVK:
    Keywords: Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Note: Includes bibliographical references and index
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  • 33
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 34
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 35
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781409426844
    Language: English
    Pages: xxii, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 788.9/209667
    RVK:
    Keywords: Trumpet ; Ashanti (African people) Music ; History and criticism ; Trumpet ensembles History and criticism ; Aschanti ; Trompetenmusik
    Note: Literaturverzeichnis: Seite 191-199
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  • 36
    Online Resource
    Online Resource
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/97
    RVK:
    Keywords: Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 37
    Book
    Book
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Language: English
    Pages: viii, 181 Seiten , 1 Karte
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
    RVK:
    Keywords: Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
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  • 38
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
    RVK:
    RVK:
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 40
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442258396
    Language: English
    Pages: xix, 192 Seiten
    Series Statement: Listener's companion
    Parallel Title: Erscheint auch als Frühauf, Tina, author Experiencing Jewish music in America
    DDC: 780.89/924073
    RVK:
    Keywords: Jews Music ; History and criticism ; Music History and criticism
    Note: Includes bibliographical references and index
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  • 41
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253032072 , 9780253032096
    Language: English
    Pages: XXI, 210 Seiten , Illustrationen, 1 Karte
    Series Statement: African expressive cultures
    DDC: 782.2209669
    RVK:
    RVK:
    RVK:
    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Geistliche Musik ; Gotteslob ; Musikpflege ; Yoruba ; Nigeria ; Lagos ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Includes bibliographical references and index
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  • 42
    Book
    Book
    Philadelphia, Pennsylvania : Temple University Press
    ISBN: 9781439911730
    Language: English
    Pages: IX, 282 Seiten , Illustrationen , 24 cm
    Series Statement: Studies in Latin American and Caribbean music
    Parallel Title: Erscheint auch als Ortiz, Fernando, 1881-1969, author Fernando Ortiz on music
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Blacks Music ; History and criticism
    Note: Includes bibliographical references (pages 267-275) and index
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  • 43
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 44
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578334 , 9780819578327
    Language: English
    Pages: xi, 241 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.62/92805694
    RVK:
    Keywords: Music Social aspects ; Ethiopians Music ; History and criticism ; Jews, Ethiopian Music ; History and criticism
    Note: Includes bibliographical references and index
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  • 45
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138585102
    Language: English
    Pages: viii, 131 Seiten , Illustrationen
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
    DDC: 786.8/5096891
    RVK:
    Keywords: International Library of African Music ; Mbira music History and criticism ; Shona (African people) Music ; History and criticism ; Lamellophonmusik ; Lautarchiv ; Simbabwe ; Simbabwe ; Lamellophonmusik ; Lautarchiv ; International Library of African Music
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  • 46
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 782.2530973
    RVK:
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Abstract: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 47
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
    RVK:
    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 48
    ISBN: 9780873488594 , 0873488598
    Language: English
    Pages: 186 Seiten , illustrations, portraits , 21 cm
    Edition: 10th printing,2018
    DDC: 781.65
    RVK:
    Keywords: Jazz History and criticism ; African Americans Music ; History and criticism ; African American musicians ; African American musicians ; African Americans ; Music ; Jazz ; Criticism, interpretation, etc
    Abstract: "You don't own your own product" : an introduction to the political economy of jazz -- Why let a little thing like death interfere with exploitation? -- "Selling records to colored people" : white contempt for black art -- If you're black, get back : double standards in the recording industry -- You don't have to be intellectually dishonest to defend the status quo in jazz, but it helps -- The "jazz tradition" : black music, white critic -- The Afro-American folk roots of innovation in jazz -- App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.
    Abstract: "Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket
    Note: Includes bibliographical references and index
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  • 49
    Book
    Book
    Sheffield, UK ; Bristol, CT : Equinox
    ISBN: 9781781795712 , 9781781795705
    Language: English
    Pages: VI, 212 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1950- ; Soziokultur ; Popmusik ; England ; Popular music ; History and criticism ; England, Northern ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Popmusik ; Soziokultur ; Geschichte 1950-
    Note: Includes bibliographical references and index
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  • 50
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782049210
    Language: English
    Pages: 1 Online-Ressource (viii, 224 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als Music, indigeneity, digital media
    DDC: 781.6200285
    RVK:
    RVK:
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    Keywords: Indigenous peoples Music ; History and criticism ; Sound Recording and reproducing ; Social aspects ; Sound recordings Social aspects ; Digital media Social aspects ; Aufsatzsammlung ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Indigenes Volk ; Musik ; Neue Medien
    Abstract: Music, indigeneity, digital media : an introduction / Thomas R. Hilder -- Taiwan's aboriginal music on the internet / Shzr Ee Tan -- Recording technolgoy, traditioning, and urban American Indian powwow perormance / John-Carlos Perea -- YouTubing the "Other" : Lima's upper classes and Andean imaginaries / Fiorella Montero-Diaz -- An interview with Russell Wallace / Russell Wallace -- Mixing it up : a comparative approach to Sâami audio production / Beverley Diamond -- Creative pragmatism : competency and aesthetics in Bolivian indigenous music video (VCD) production / Henry Stobart -- Keepsakes and surrogates : hijacking muisc technology at Wadeye (Northwest Australia) / Linda Barwick -- The politics of virtuality : Sâami cultural simulation through digital musical media / Thomas R. Hilder
    Note: Literaturverzeichnis: Seiten 205-214 , first published 2017
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
    RVK:
    RVK:
    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 52
    ISBN: 9781928357117 , 1928357113
    Language: English
    Pages: i, 193 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.48423
    RVK:
    Keywords: Geschichte 1900-2017 ; Criticism, interpretation, etc / fast / (OCoLC)fst01411635 ; Music / fast / (OCoLC)fst01423855 ; Afrikaners / fast / (OCoLC)fst00800022 ; Music / Political aspects / fast / (OCoLC)fst01030414 ; Music / Social aspects / fast / (OCoLC)fst01030444 ; Popular music / fast / (OCoLC)fst01071422 ; Popular music / Social aspects / fast / (OCoLC)fst01071460 ; Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Afrikaners ; Music ; Music ; Popular music ; Popular music ; Musiksoziologie ; Afrikaans ; Gesellschaft ; Popmusik ; South Africa / fast / (OCoLC)fst01204616 ; South Africa ; Südafrika ; Südafrika ; Afrikaans ; Popmusik ; Gesellschaft ; Geschichte 1900-2017 ; Südafrika ; Afrikaans ; Popmusik ; Musiksoziologie
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "...
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 53
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226376011
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 784.4/165
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    Keywords: Art Ensemble of Chicago History ; Jazz History and criticism ; African Americans Music ; History and criticism
    Abstract: This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices - members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry's traditionalist aesthetics. In this book, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 54
    ISBN: 9780822363545 , 9780822363705
    Language: English
    Pages: XII, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanischer Tanz ; Soziale Funktion ; Ethnische Identität ; Afroamerikanische Musik ; Rezeption ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
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  • 55
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 57
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934- author Jazz transatlantic
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934 - Jazz Transatlantic ; Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
    Angaben zur Quelle: volume 1
    DDC: 781.6509
    RVK:
    Keywords: Jazz African influences ; Africans Music ; History and criticism ; Jazz musicains
    Abstract: Machine generated contents note: $t Jazz-The Word and Some Other Words -- $t Kikoongo in French-Speaking New Orleans (Early Nineteenth Century) -- $t Vodu-Vaudou-Voodoo-and Jazz's Spirituality -- $t Retention, Resilience, and Reinvention of African Instrumental Techniques in the United States -- $t Ragtime -- $t Jazz Legends, Facts and Fiction -- $t Hoodoo Affecting Jazz and Blues Musicians -- $t Swing -- $t The African Matrix in Jazz Harmonic Practices -- $t Summary and Conclusions -- $t Bibliography
    Note: Includes bibliographical references (pages 387-411) and index
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  • 58
    ISBN: 9780415881821 , 9780415881838
    Language: English
    Pages: xiv, 418 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als Issues in African American music
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences
    Abstract: The blues in transcultural contexts / Susan Oehler -- New bottle, old wine : whither jazz studies? / Travis Jackson -- Race erasure and the origin narrative in black popular music / Portia K. Maultsby -- African Americans engage the western art music tradition / Olly Wilson -- Crossing musical borders : agency and process in the gospel music industry / Mellonee V. Burnim -- Industrializing African American popular music / Reebee Garafolo -- The Motown legacy : homegrown sound, mass appeal / Charles Sykes -- Stax Records and the impulse toward integration / Robert Bowman -- Uptown sound, downtown bound : the Philadelphia International Records story / John A. Jackson -- "And the beat goes on" : SOLAR, the Sound Of Los Angeles Records / Scot Brown -- Tyscot Records : a merger of business and ministry / Tyron Cooper -- Voices of women in gospel : resisting representations / Mellonee V. Burnim -- Are all the choir directors gay? : the policing of black men's sexuality and identity in gendered gospel performance / Alisha Lola Jones -- Women in blues : transgressing boundaries / Daphne Harrison -- Jazz history remix : black women from "enter" to "center" / Sherrie Tucker -- The reception of blackness in "women's music" / Eileen M. Hayes -- African American women and the dynamics of gender, race, and genre in rock 'n' roll / Maureen Mahon -- "Ain't nuthin' but a she thing" : women in hip hop / Cheryl Keyes -- The Antebellum period : communal coherence and individual expression / Lawrence Levine -- The Civil Rights Movement : the musical foundation of movement culture / Bernice Johnson Reagon -- The post-civil rights period : the political dynamics of black life and culture / Mark Anthony Neal
    Note: Includes bibliographical references (pages 381-403) and index
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  • 59
    Book
    Book
    New York : Basic Civitas
    ISBN: 9780465094400
    Language: English
    Pages: xl, 243 Seiten , Illustration
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
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    Keywords: Rap ; Hip-Hop ; USA ; Rap (Music ; History and criticism ; Rap (Music) / History and criticism ; Rap (Music) / Texts ; USA ; Hip-Hop ; USA ; Rap
    Abstract: "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop"--Page 4 of cover
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  • 60
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9781315472096 , 9781315472065 , 9781315472089
    Language: English
    Pages: 1 Online-Ressource (433 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Issues in African American music
    DDC: 780.8996073
    RVK:
    Keywords: African Americans Music ; History and criticism ; African American musicians ; Music African American influences ; African Americans ; Music ; History and criticism ; African American musicians ; Music ; African American influences
    Abstract: pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance.
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  • 62
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
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  • 63
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Musical Score
    Musical Score
    Basel : Basler Afrika Bibliographien
    ISBN: 3905758830 , 9783905758832
    Language: English
    Pages: xv, 188 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Basel Southern Africa studies 11
    Series Statement: Basel Southern Africa studies
    DDC: 780/.96881
    RVK:
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    Keywords: Music History and criticism ; Music Social aspects ; Music ; Namibia ; Namibia ; Social aspects ; History and criticism ; Criticism, interpretation, etc ; Namibia Ethnie/Volk ; Ovambo (Volk) ; Musik ; Musikinstrumente ; Traditionelle Kultur ; Namibia Ethnic/national groups ; Music ; Musical instruments ; Traditional culture ; Namibia ; Ambo ; Musik ; Tanz ; Ausdruck
    Note: Includes bibliographical references (pages 177-181) and index
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  • 65
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 66
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    RVK:
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    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 67
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469620862
    Language: English
    Pages: 1 Online-Ressource , Illustrations.
    Series Statement: Envisioning Cuba
    DDC: 780.8968729107471
    RVK:
    RVK:
    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 68
    Book
    Book
    Lucca : Libreria musicale italiana
    ISBN: 9788870968378
    Language: English
    Pages: xii, 293 Seiten , Illustrationen , 24 cm
    Additional Material: 1 DVD
    DDC: 781
    RVK:
    Keywords: Folk music History and criticism ; Romanies Music ; History and criticism ; Romanies Rites and ceremonies ; Women, Romani Social life and customs ; Effeminacy ; Kosovo (Republic) Social life and customs ; Kosovo ; Roma ; Frau ; Fest ; Ritual ; Geschlechterrolle ; Musikpflege ; Musikanthropologie
    Note: Includes bibliographical references (pages 273-293)
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  • 69
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
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    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
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  • 70
    ISBN: 9780810881594
    Language: English
    Pages: xxiv, 242 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Europea: Ethnomusicologies & Modernities
    DDC: 782.421640945/73
    RVK:
    Keywords: Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Songs, Neapolitan History and criticism ; Music and transnationalism ; Dissemination of music ; Italian Americans Music ; History and criticism ; USA ; Rezeption ; Volkslied ; Neapel ; Geschichte
    Abstract: Echoes of Naples / Goffredo Plastino -- A Mediterranean triangle : Naples, Smyrna, Athens / Franco Fabbri -- The Neapolitan sound goes around : mechanical music instruments, talking machines, and Neapolitan song (1850-1925) / Anita Pesce -- The folk within : on some Neapolitan productions in early twentieth-century Italian-American records / Giuliana Fugazzotto -- New York City Neapolitan music from the Calandra Institute's Mark Pezzano Collection / Rosangela Briscese and Joseph Sciorra -- You can go home again and again : Santa Lucia Luntana, the film / Giorgio Bertellini -- Diasporic musings on veracity and uncertainties of "Core 'ngrato" / Joseph Sciorra -- Napoli in Buenos Aires : from canzonetta to tango canción / Ana Cara -- The good, the bad, and the ugly : transatlantic stereotypes 1880s-1950s / Paolo Prato -- Blues in the bay : the bluesology of James Senese and Raiz / Alessandro Buffa and Iain Chambers -- Afterword : Neapolitan postcards and metaphorical materiality : ontologies of intimacy / Philip V. Bohlman
    Note: Includes bibliographical references and index
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  • 71
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780754667537
    Language: English
    Pages: XVI, 173 Seiten , Illustrationen, Notenbeispiele
    Additional Material: 1 CD (12 cm)
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate Book
    RVK:
    Keywords: Batá music History and criticism ; Drum language ; Yoruba (African people) Music ; History and criticism ; Trommel ; Musikethnologie ; Yoruba ; Nigeria ; CD ; Nigeria ; Yoruba ; Trommel ; Musikethnologie ; Nigeria ; Yoruba ; Trommel ; Musikethnologie
    Note: Includes bibliographical references (page [163]-166) and index , Includes discography , "First published 2010 by Ashgate Publishing"
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  • 72
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen
    RVK:
    Keywords: Blacks Latin America ; Music ; History and criticism ; Blacks West Indies ; Music ; History and criticism ; Popular music Latin America ; History and criticism ; Popular music West Indies ; History and criticism ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    URL: Cover
    URL: Cover
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  • 73
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
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    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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  • 74
    Online Resource
    Online Resource
    Würzburg : Ergon Verlag Würzburg in Kommission | Istanbul : Orient-Institut Istanbul (Max Weber Stiftung) | Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt
    ISBN: 9783956502071
    Language: English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Series Statement: Istanbuler Texte und Studien Band 35
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Yıldız, Burcu Experiencing Armenian music in Turkey
    DDC: 781.62919920561
    RVK:
    Keywords: Armenians Music ; History and criticism ; Music History and criticism ; Türkei ; Armenier ; Musik ; Armenien ; Türkei ; Musik
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  • 75
    ISBN: 9781138275324
    Language: English
    Pages: xxxviii, 174 S.
    Edition: 2nd ed., First issued in paperback
    Series Statement: Music in nineteenth-century Britain
    DDC: 306.48409409034
    RVK:
    RVK:
    RVK:
    Keywords: Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; Music Social aspects ; Concerts England ; London ; Concerts France ; Paris ; Concerts Austria ; Vienna ; Music Europe ; 19th century ; History and criticism ; Middle class Europe ; London ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Paris ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; Wien ; Sozialstruktur ; Konzertleben ; Geschichte 1830-1848 ; London ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Paris ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848 ; Wien ; Konzertleben ; Sozialstruktur ; Geschichte 1830-1848
    Note: Literaturangaben , Contents: The cultural explosion : an overview -- The high-status popular-music public -- The high-status classical music public -- The low-status concert public , First published 1975 by Croom Helm Ltd., First published by Ashgate Publishing
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  • 76
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819575760 , 9780819575777
    Language: English
    Pages: 267 Seiten , 25 cm
    DDC: 809/.8896
    RVK:
    Keywords: Literature Black authors ; History and criticism ; Literature and technology ; Music and literature ; African diaspora in literature ; Race in literature ; Schwarze ; Literatur ; Technik ; Person of Color ; Literatur ; Musik ; Technologie ; Person of Color ; Literatur ; Science-Fiction ; Cyberpunk ; Künstliche Intelligenz
    Note: Includes bibliographical references (pages 247-256) and index
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  • 77
    Book
    Book
    Farnham [u.a] : Routledge, Taylor & Francis Group
    ISBN: 9781138255579
    Language: English
    Pages: xiii, 289 Seiten , Illustrationen
    Edition: 1. issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.630954/55
    RVK:
    Keywords: Bhangra (Music) History and criticism ; Popular music History and criticism ; South Asians Music ; Popular music Indic influences ; Bhangra (Music) ; History and criticism ; Popular music ; India ; Punjab ; History and criticism ; South Asians ; Foreign countries ; Music ; Popular music ; Indic influences ; Pandschab ; Bhangra ; Geschichte ; Westliche Welt ; Südasiaten ; Bhangra ; Verbreitung ; Westliche Welt ; Bhangra ; Wandel ; Popmusik
    Description / Table of Contents: Flows across the Chenab -- No mixing please! We are Indian -- Mann Panjab De : fabricating authenticity -- Naqqal, mimicry and the signifying monkey -- Global bazaar, local peddlers -- Desi Networks -- Cool guys, Desi Boyz and Panjabi Munde dance the bhangra -- Performing the Panjabi body -- Bhangra nation -- Who speaks for the Jat? : Vernacular cosmopolitanisms.
    Note: Literaturverzeichnis: Seite 261-281
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  • 78
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 79
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    ISBN: 9783034319515
    Language: English
    Pages: xxviii, 571 Seiten , Illustrationen, Karten , 23 cm
    Series Statement: Exile studies vol. 14
    Series Statement: Exil-Studien
    Uniform Title: Die verschwundenen Musiker
    DDC: 780.89/924094
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians ; Jewish refugees ; Aufsatzsammlung ; Juden ; Musiker ; Exil ; Australien ; Geschichte 1933-2000 ; Australien ; Musikleben ; Juden ; Geschichte 1933-2000
    Note: Bibliografie: Seite 540-556. - Index
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  • 82
    ISBN: 9781438462042 , 9781438462035
    Language: English
    Pages: xii, 255 Seiten , 24 cm
    Series Statement: SUNY series in new political science
    DDC: 305.809/073
    RVK:
    Keywords: White supremacy movements Songs and music ; History and criticism ; Popular music Political aspects ; Popular music Social aspects ; Neo-Nazism ; Hate groups ; Einführung ; Einführung ; Rassismus ; Rechtsradikalismus ; Rockmusik ; Demokratie ; Soziale Funktion
    Abstract: Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher
    Abstract: Mobilizing white power: music, culture, and politics -- Playing with hate: racist skinheads, Skrewdriver, and liberal tolerance -- Imaging a white nation: neo-nazi folk, family values, and Prussian Blue -- Building a church: Rahowa, heavy metal, and racial ecology -- Recycling white trash: aesthetics, music, and democracy
    Note: Includes bibliographical references (pages 215-245) and index
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  • 83
    Online Resource
    Online Resource
    Bielefeld : Transcript Verlag
    Language: German
    Pages: 1 Online-Ressource (369 pages)
    Series Statement: Histoire v. 88
    Parallel Title: Erscheint auch als Simmeth, Alexander Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978
    DDC: 900
    RVK:
    Keywords: Rock music ; Popular music ; Criticism, interpretation, etc ; Germany (West) Popular music 1971-1980 History and criticism ; Germany (West) Rock music 1971-1980 History and criticism ; Germany (West) Popular music 1961-1970 ; History and criticism ; Germany (West) Rock music 1961-1970 ; History and criticism ; Germany (West)
    Abstract: Archive, Bibliotheken, Sammlungen Diskographie ; Namensregister ; Abbildungsverzeichnis
    Abstract: Cover. Krautrock transnational ; Inhalt ; Vorwort ; Erstes Kapitel: Rahmen ; Einleitung ; Konsum und Wandel ; Krautrock transnational ; Popmusik ; Authentizität ; Krautrock ; Zweites Kapitel: Ende der 1960er Jahre ; „Mama Düül und ihre Sauerkrautband spielt auf" ; Sozialisation und Lebensformen
    Abstract: Kommunikationsräume: Von Festivals und Clubs Popmedien und Rezeption in der Bundesrepublik ; Drittes Kapitel: 1970-1974 ; „Zuckerzeit" ; „Trips & Träume": Neue Wahrnehmungen ; Klang der Revolte? Krautrock und Politik ; Krautrock und die Musikindustrie
    Abstract: Popgeschichte ist dabei, sich als neues Forschungsfeld der Zeitgeschichte zu etablieren. Im Zuge dessen wird zunehmend auch Popmusik als zeitspezifische massenkulturelle Ausdrucksform und damit als Manifestation übergeordneter gesellschaftlicher Wandlungs
    Abstract: „So apart from everything we've ever heard": Im Vereinigten Königreich Viertes Kapitel: Ab 1975 ; „Landed" ; „Schwingungen": Instrumente und Tonstudios ; „The Teutonic Invasion": In den Vereinigten Staaten ; Nach 1978: Wirkung und Ausblick ; Anhang ; Literatur ; Quellen
    Note: Includes bibliographical references (pages 325-356) and index , In German
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  • 84
    Book
    Book
    London : Routledge
    ISBN: 9780754629504
    Language: English
    Pages: xxix, 532 Seiten , Illustrationen, Notenbeispiele , 244 x 169 mm
    Series Statement: The library of essays on popular music
    RVK:
    Keywords: African Americans Music ; History and criticism ; Music History and criticism
    Note: Literaturangaben
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  • 85
    ISBN: 3476026817 , 9783476026811 , 3761823819 , 9783761823811
    Language: German
    Pages: 319 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm, 647 g
    Additional Information: Rezensiert in Heymel, Michael, 1953- lehrreich, in: Zeitzeichen : evangelische Kommentare zu Religion und Gesellschaft 2017 Bd. 18, Heft 5, Seite 62-63
    Additional Information: Rezensiert in Heymel, Michael, 1953 - Lehrreich 2017
    Additional Information: Rezensiert in Kunze, Hagen, 1973 - Verständlich für eine breite Leserschaft 2017
    Additional Information: Rezensiert in Poetzsch, Ute Musik im Namen Luthers. Kulturtraditionen seit der Reformation 2018
    DDC: 781.7141
    RVK:
    Keywords: Luther, Martin ; Lutheran Church Hymns ; History and criticism ; Church music Lutheran Church ; Luthertum ; Kirchenmusik ; Lutherische Kirche ; Kirchenmusik ; Geschichte
    Abstract: Musik des Luthertums ist ein Kernstück westlicher Kultur. Zum Reformationsjubiläum 2017 erzählt Konrad Küster ihre Geschichte und stellt sie in einen europäischen Kontext. Der Autor schildert zunächst die Rolle der Kirchenmusik in Luthers Liturgie. Er berichtet von der Fortführung der reformatorischen Ideen durch Kantoren, Organisten und Amateure, aber auch von Traditionsbrüchen. Besonders berücksichtigt werden Schütz und Bach, aber auch die Zeit zwischen beiden Meistern, zu der erst die Alte-Musik-Bewegung der jüngeren Zeit Zugänge erschlossen hat. Das Buch stellt auch heraus, welche Bedeutung die Orgelkunst des Nordseeraums für das Luthertum hatte. Und immer wieder geht es um überraschend intensive Beziehungen der lutherischen zur italienischen Musik
    Description / Table of Contents: "Ein neues Lied wir heben an"? -- Diesseitspflichten und Jenseitsaussichten -- Musikprofis, Musikamateure -- "Lobet den Herren mit Saiten und Orgeln" -- "Florilegium Portense" -- Kirchenmusik und Glaubenspolitik -- "Lasset uns den Herren preisen" -- "Da sprach Jesus..." -- "Ich habe fleissig seyn müssen" -- Kirchenmusik zwischen Gottesdienst und Konzertleben
    Note: "Dieses Buch entstand in Verbindung mit der Evangelisch-Lutherischen Kirche in Norddeutschland. Evangelisch-Lutherische Kirche in Norddeutschland [aus Anlass von] 'Am Anfang war das Wort, Luther 2017, 500 Jahre Reformation" (ungezählte Seite 4) , Hier auch später erschienene, unveränderte Nachdrucke , Nachdrucke: 2. Auflage 2017
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  • 86
    ISBN: 9781469622699 , 1469622696
    Language: English
    Pages: xiv, 291 Seiten , illustrations, maps , 25 cm
    DDC: 780.89/9607307471
    RVK:
    Keywords: African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race 20th century ; African American musicians
    Description / Table of Contents: A new musical rhythm was given to the people : rhythm and representation in black ManhattanDo all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America.
    Note: Includes bibliographical references (pages 261-280) and index
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  • 87
    ISBN: 9780803274969 , 0803274963 , 9780803274945
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.62/970092
    RVK:
    RVK:
    RVK:
    Keywords: Densmore, Frances Ethnomusicological collections ; Densmore, Frances ; Densmore, Frances ; Musikethnologie ; Sammlung ; Indians of North America Material culture ; Collectors and collecting ; Indians of North America Music ; History and criticism ; Ethnomusicology ; Ethnomusicologists Biography ; Biografie ; Aufsatzsammlung ; Biographie ; Aufsatzsammlung
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  • 88
    Online Resource
    Online Resource
    Chapel Hill, NC : University of North Carolina Press
    ISBN: 9781469620862 , 1469620863
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st edition.
    Series Statement: Envisioning Cuba
    Series Statement: UPCC book collections on Project MUSE
    DDC: 780.89/68729107471
    RVK:
    RVK:
    Keywords: Geschichte 1940-1960 ; Kubanischer Einwanderer ; Musiker ; Cuban Americans Music ; History and criticism ; Cuban Americans Music ; History and criticism ; Music History and criticism ; New York, NY ; Miami, Fla.
    Abstract: "Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha chá. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers"--Provided by publisher.
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  • 89
    Online Resource
    Online Resource
    Indianapolis : Indiana University Press
    ISBN: 9780253017765 , 0253017769
    Language: English
    Pages: 1 Online-Ressource
    Edition: Public cultures of the Middle East and North Africa
    Edition: UPCC book collections on Project MUSE
    Series Statement: Ethnomusicology multimedia
    Series Statement: Public cultures of the Middle East and North Africa
    Series Statement: Ethnomusicology multimedia
    DDC: 780.89/91992
    RVK:
    RVK:
    Keywords: Geschichte 1890-1980 ; Armenier ; Exil ; Musik ; Kulturelle Identität ; Musicians Social conditions ; Music History and criticism ; Musicians Social conditions ; Expatriate musicians Social conditions ; Armenians Music ; History and criticism
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  • 90
    Book
    Book
    New York, NY [u.a.] : Oxford University Press
    ISBN: 9780199987733
    Language: English
    Pages: xviii, 254 S. , Ill., Kt. , 24 cm
    DDC: 782.421649
    RVK:
    Keywords: Music ; History and criticism ; Rap (Music) / History and criticism ; Music / Social aspects ; Rap ; Hip-Hop ; Musiksoziologie
    Description / Table of Contents: What is hip hop? What is rap? -- Hip hop's ground zero : the South Bronx and urban America -- Graffiti art and breaking -- Rap's African and African-American cultural roots -- Old school DJs and MCs -- The Golden Era -- Hardcore : "message rap" and "gangsta rap" -- Hardcore II : gangsta in the '90s and responses from within the rap community -- Hip hop culture and rap music in the second millennium -- Conclusion..
    Note: Includes bibliographical references (pages 229-238) and index
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  • 91
    Book
    Book
    Athens : Ohio Univ. Press
    ISBN: 9780896802940 , 9780896802957
    Language: English
    Pages: xv, 270 S. , Ill., Kt., Notenbeisp. , 23 cm
    Series Statement: Ohio University research in international studies 127
    Series Statement: Southeast Asia series
    DDC: 780.9598/13
    RVK:
    RVK:
    Keywords: Music History and criticism ; Minangkabau (Indonesian people) Music ; History and criticism ; Talempong ; Minangkabau ; Gamelan ; Popmusik
    Abstract: Ethnicity, gongs, and pop songs -- Talempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau
    Description / Table of Contents: Ethnicity, gongs, and pop songsTalempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau.
    Note: Includes bibliographical references and index
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  • 92
    ISBN: 9783000500992
    Language: German
    Pages: 256 Seiten , Illustrationen , 21 cm
    Series Statement: Militärmusik im Diskurs Band 10
    Series Statement: Militärmusik im Diskurs
    DDC: 781.5/99094309041
    RVK:
    RVK:
    Keywords: Military music Congresses History and criticism 20th century ; World War, 1914-1918 Congresses Songs and music ; History and criticism ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Militärmusik ; Erster Weltkrieg ; Bonn 〈2014〉
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  • 93
    ISBN: 9780810888951 , 9780810888968
    Language: English
    Pages: 243 Seiten
    Series Statement: Europea: Ethnomusicologies and modernities 17
    Series Statement: Europea
    DDC: 780.89/9457
    RVK:
    RVK:
    RVK:
    Keywords: Sami (European people) Music ; History and criticism ; Music History and criticism ; Music ; Sami (European people) ; Lappland ; Samen ; Musik ; Musikleben
    Description / Table of Contents: Sámi musical performance : an introduction -- Performing Sápmi -- Reconceptualizing time -- Voicing nature -- Transmitting culture -- Aspiring cosmopolitanism.
    Note: Bbibliography p. 223-235 and index p. 237-242
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  • 94
    ISBN: 9781419718182
    Language: English
    Pages: 239 pages , colour illustrations , 23 cm
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) History and criticism ; Rap musicians Criticism and interpretation ; Rap musicians Caricatures and cartoons ; Popular music History and criticism ; African Americans Music ; History and criticism ; USA ; Rap ; Geschichte 1979-2014
    Abstract: 1979 :"Rapper's delight" /The Sugarhill Gang --1980 :"The breaks" /Kurtis Blow --1981 :"Jazzy sensation" /Afrika Bambaataa and the Jazzy Five --1982 :"The message" /Grandmaster Flash and the Furious Five --1983 :"Sucker M.C.'s" /Run-DMC --1984 :"Friends" /Whodini --1985 :"La Di Da Di" /Doug E. Fresh and Slick Rick --1986 :"6 in the mornin'" /Ice-T --1987 :"Paid in full" /Eric B. and Rakim --1988 :"Straight outta Compton" /N.W.A --1989 :"Fight the power" /Public Enemy --1990 :"Bonita Applebum" /A Tribe Called Quest --1991 :"Mind playing tricks on me" /Geto Boys --1992 :"Nuthin' but a 'G' Thang" /Dr. Dre, featuring Snoop Dogg --1993 :"C.R.E.A.M." /Wu-Tang Clan --1994 :"Juicy" /The Notorious B.I.G. --1995 :"Dear Mama" /Tupac --1996 :"California love" /Tupac, featuring Dr. Dre and Roger Troutman --1997 :"Can't nobody hold me down" /Puff Daddy, featuring Mase --1998 :"Ruff Ryders' Anthem" /DMX --1999 :"My name is" /Eminem --2000 :"Big pimpin'" /Jay Z, featuring UGK --2001 :"Takeover" vs. "Ether" /Jay Z vs. Nas --2002 :"Grindin'" /The Clipse --2003 :"In Da Club" /50 Cent --2004 :"Still tippin'" /Mike Jones, featuring Slim Thug and Paul Wall --2005 :"Gold digger" /Kanye West, featuring Jamie Foxx --2006 :"Hustlin'" /Rick Ross --2007 :"International players anthem" /UGK, featuring Outkast --2008 :"A Milli" /Lil Wayne --2009 :"Best I ever had" /Drake --2010 :"Monster" /Kanye West featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj --2011 :"Niggas in Paris" /Jay Z and Kanye West --2012 :"Same love" /Macklemore and Ryan Lewis --2013 :"Control" /Big Sean, featuring Kendrick Lamar and Jay Electronica --2014 :"Lifestyle" /Rich Gang, featuring Young Thug and Rich Homie Quan.
    Abstract: 1979 : "Rapper's delight" (The Sugarhill Gang) -- 1980 : "The breaks" (Kurtis Blow) -- 1981 : "Jazzy sensation" (Afrika Bambaataa and the Jazzy Five) -- 1982 : "The message" (Grandmaster Flash and the Furious Five) -- 1983 : "Sucker M.C.'s" (Run-DMC) -- 1984 : "Friends" (Whodini) -- 1985 : "La Di Da Di" (Doug E. Fresh and Slick Rick) -- 1986 : "6 in the mornin'" (Ice-T) -- 1987 : "Paid in full" (Eric B. and Rakim) -- 1988 : "Straight outta Compton" (N.W.A) -- 1989 : "Fight the power" (Public Enemy) -- 1990 : "Bonita Applebum" (A Tribe Called Quest) -- 1991 : "Mind playing tricks on me" (Geto Boys) -- 1992 : "Nuthin' but a 'G' Thang" (Dr. Dre, featuring Snoop Dogg) -- 1993 : "C.R.E.A.M." (Wu-Tang Clan) -- 1994 : "Juicy" (The Notorious B.I.G.) -- 1995 : "Dear Mama" (Tupac) -- 1996 : "California love" (Tupac, featuring Dr. Dre and Roger Troutman) -- 1997 : "Can't nobody hold me down" (Puff Daddy, featuring Mase) -- 1998 : "Ruff Ryders' Anthem" (DMX) -- 1999 : "My name is" (Eminem) -- 2000 : "Big pimpin'" (Jay Z, featuring UGK) -- 2001 : "Takeover" vs. "Ether" (Jay Z vs. Nas) -- 2002 : "Grindin'" (The Clipse) -- 2003 : "In Da Club" (50 Cent) -- 2004 : "Still tippin'" (Mike Jones, featuring Slim Thug and Paul Wall) -- 2005 : "Gold digger" (Kanye West, featuring Jamie Foxx) -- 2006 : "Hustlin'" (Rick Ross) -- 2007 : "International players anthem" (UGK, featuring Outkast) -- 2008 : "A Milli" (Lil Wayne) -- 2009 : "Best I ever had" (Drake) -- 2010 : "Monster" (Kanye West, featuring Rick Ross, Jay Z, Bon Iver, and Nicki Minaj) -- 2011 : "Niggas in Paris" (Jay Z and Kanye West) -- 2012 : "Same love" (Macklemore and Ryan Lewis) -- 2013 : "Control" (Big Sean, featuring Kendrick Lamar and Jay Electronica) -- 2014 : "Lifestyle" (Rich Gang, featuring Young Thug and Rich Homie Quan).
    Abstract: This book "takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano ... discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional"--Amazon.com
    Abstract: "The Rap Year Book takes readers on a journey that begins in 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present. Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Complete with infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created." -- Publisher's description
    Note: Formerly CIP , Includes bibliographical references (pages 229-232) and index
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  • 95
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199379064
    Language: English
    Pages: 1 Online-Ressource (XXV, 227 Seiten)
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/92407471
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; Musikleben ; Religiöse Identität ; Juden ; Buchara ; New York, NY ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität ; Geschichte
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 96
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199354948 , 9780199354962
    Language: English
    Pages: xv, 280 S. , Notenbeisp. , 25 cm
    DDC: 780.89/924
    RVK:
    Keywords: Music History and criticism ; Music by Jewish composers History and criticism ; Jews Music ; History and criticism ; Israel ; Komponist ; Musik ; Geschichte
    Note: Includes bibliographical references
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  • 97
    ISBN: 9781137305244 , 113730524X , 9781349454808 , 134945480X , 9781137305251
    Language: English
    Pages: xiii, 187 Seiten , 23 cm
    Edition: First edition
    DDC: 305.896073
    RVK:
    Keywords: Hip-hop United States ; Subculture United States ; Counterculture United States ; American literature African American authors ; History and criticism ; Literature and society United States ; African Americans Intellectual life ; African Americans Race identity ; African American youth Social conditions ; African Americans Social conditions ; 1975- ; MUSIC Genres & Styles ; Rap & Hip Hop ; SOCIAL SCIENCE Ethnic Studies ; African American Studies ; SOCIAL SCIENCE Media Studies
    Abstract: "The underground is a multi-faceted concept in African American culture. Peterson explores a variety of 'underground' concepts at the intersections of African American literature and hip hop culture using Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad, among other examples. This project makes meaningful connections across multiple iterations of Black concepts of the underground. Since socially conscious Hip Hop music inherits much of its socio-political and figurative significance from the Black underground it functions as a logical recurring subject matter for this study--situated at Black cultural and conceptual crossroads"--
    Note: Includes bibliographical references (pages 175-178) and index , Roots, rhymes, and rhizomes : an introduction to concepts of the underground in black culture , Verbal and spatial masks of the underground , The hip-hop underground and African American culture : the deep structure of black identity in American literature , Defining an underground at the intersections of hip-hop and African American culture , A cipher of the underground in black literary culture , Tears for the departed : see(k)ing a black visual underground in hip-hop and African American cultures , The depth of the hole : intertextuality and Tom Waits's "Way down in the hole" , Epilogue: The ironies underground : revolution, critical memory, and black nostalgia , Appendix: The timepiece hip-hop timeline
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  • 98
    ISBN: 9782875741653
    Language: French
    Pages: 318 S , Ill., Notenbeisp.
    Series Statement: Collection études de musicologie no. 4
    Series Statement: Collection "Études de musicologie"
    DDC: 784.68
    RVK:
    Keywords: War songs History and criticism ; World War, 1914-1918 Songs and music ; History and criticism ; Musik ; Musikwissenschaft ; Kunst ; Kultur ; Künstler ; Geschichte ; Frankreich Musik ; Musikwissenschaft ; Weltkrieg 1. (1914-1918) ; Kunst ; Kultur ; Künstler ; Geschichtlicher Überblick ; France Music ; Musicology ; World War 1 (1914-1918) ; Arts ; Culture ; Artists ; Historical surveys ; Kulturelle Veranstaltung Berufsgruppe ; Status und Rolle ; Lebensbedingungen ; Kunstwerk ; Patriotismus ; Verlag/Verlagswesen ; Angers ; Cultural events Occupational categories ; Status and role ; Living conditions ; Works of art ; Patriotism ; Publishing houses/industry ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musikleben ; Erster Weltkrieg
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  • 99
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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  • 100
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
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