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  • HeBIS  (3)
  • Oxford : Oxford University Press
  • Film  (3)
  • General works  (3)
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  • 1
    Online Resource
    Online Resource
    New York : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231543125
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Film and culture
    Series Statement: Columbia scholarship online
    DDC: 302.23/43
    RVK:
    RVK:
    Keywords: Geschichte ; Film ; Kunst ; Experimentalfilm ; Videokunst ; Motion picture audiences History ; Video art History ; Motion pictures and the arts ; Art and motion pictures ; Motion picture industry Technological innovations
    Abstract: Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, 'After Uniqueness' traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity - or both at once.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [New York] : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231526975
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 303.6
    RVK:
    Keywords: Film ; Fernsehen ; Folter ; Politische Verfolgung ; Gewalt ; Dokumentarfilm ; Fernsehsendung ; Torture in motion pictures ; Torture on television ; Aufsatzsammlung
    Abstract: Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual and the viewer was more likely to identify with the victim rather than the torturer. Since the attacks of September 11, 2001 scenes of brutalitiy and torture in mainstream films appear for little other reason than to titillate and delight. This volume follows the shift in the representation of torture over the past decade.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Oxford : Oxford University Press
    ISBN: 9780748689156
    Language: English
    Pages: 1 Online-Ressource (ix, 206 pages) , Illustrations (black and white).
    Series Statement: Edinburgh critical studies in modernist culture
    DDC: 306.4
    RVK:
    RVK:
    Keywords: Geschichte 1900-1950 ; Sozialgeschichte ; Literatur ; Kunst ; Film ; Moderne ; Klang ; Klang ; Musikwahrnehmung ; Sound Social aspects ; Sound in literature ; Sound in motion pictures ; Sound in art ; Modernism (Literature) ; Modernism (Art)
    Abstract: Drawing on a wealth of primary and secondary source materials this book describes the distinctive nature of modernity's sonic cultures, arguing controversially that they are not reducible to sound alone. In fact, they encompass representations of sound in 'other' media as well, particularly within literature yet also within cinema and painting.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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