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  • 1
    Online Resource
    Online Resource
    The Changing Place of Europe in Global Memory Cultures : Usable Pasts and Futures (2017)
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    Details
    ISBN: 9783319391526 , 3319391526
    Language: English
    Pages: 1 Online-Ressource (XIII, 248 Seiten) , 11 illus., 4 illus. in color.
    Edition: 1st ed. 2017
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als The Changing Place of Europe in Global Memory Cultures
    DDC: 306.094
    RVK:
    NB 3400
    RVK:
    NQ 1040
    RVK:
    HD 300
    Keywords: Ethnology Europe ; Culture ; Collective memory ; Ethnology ; World history ; Culture Study and teaching ; Europe History ; 1492- ; European Culture ; Memory Studies ; Sociocultural Anthropology ; World History, Global and Transnational History ; Cultural Theory ; History of Modern Europe
    DOI: 10.1007/978-3-319-39152-6
    URL: https://doi.org/10.1007/978-3-319-39152-6
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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  • 2
    Online Resource
    Online Resource
    Screening Modern Irish Fiction and Drama (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319409283
    Language: English
    Pages: 1 Online-Ressource (XV, 266 p. 27 illus., 18 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Parallel Title: Printed edition
    DDC: 301
    RVK:
    AP 53000
    RVK:
    AP 59731
    RVK:
    HG 290
    Keywords: Culture Study and teaching ; Ethnology Europe ; Motion pictures. ; Motion pictures Great Britain ; Motion picture authorship ; British literature ; Motion pictures ; British literature. ; Motion picture authorship. ; Ethnology—Europe. ; Motion pictures—Great Britain. ; Cultural policy. ; Electronic books ; Friel, Brian 1929-2015 Dancing at Lughnasa ; Verfilmung ; Dancing at Lughnasa ; O'Flaherty, Liam 1896-1984 The informer ; O'Casey, Sean 1880-1964 The plough and the stars ; Shaw, Bernard 1856-1950 ; Verfilmung ; Wilde, Oscar 1854-1900 The importance of being earnest ; Verfilmung ; Huston, John 1906-1987 ; The dead ; Joyce, James 1882-1941 The dead ; Tuberkulose ; Liebe ; Jugendliebe ; Wilde, Oscar 1854-1900 The picture of Dorian Gray ; Verfilmung ; The picture of Dorian Gray 1945 ; Irland ; Irisch ; Drama ; Prosa ; Verfilmung ; Brown, Christy 1932-1981 ; Cerebralsklerose ; Sheridan, Jim 1949- ; Verfilmung
    Abstract: This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary and cinematic establishments
    Abstract: Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O’Flaherty’s The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O’Casey’s The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw’s Major Barbara. Doug McFarland -- 4. Lewin’s Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. ‘Wonderful and Incomparable Beauty’: Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston’s ‘The Dead’. Coilin Owens -- 9. Sheridan’s Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle’s The Barrytown Trilogy and Filming Ireland’s ‘New Picture’. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan’s The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel’s Dancing at Lughnasa. Marc Conner
    DOI: 10.1007/978-3-319-40928-3
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    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    The Case for Terence Rattigan, Playwright (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319409979
    Language: English
    Pages: 1 Online-Ressource (XII, 229 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Printed edition
    DDC: 301
    RVK:
    HN 7305
    Keywords: Culture Study and teaching ; Ethnology Europe ; Theater History ; Theater—History. ; Ethnology—Europe. ; Electronic books ; Rattigan, Terence 1911-1977 ; Drama
    Abstract: ‘Terence Rattigan was among the most successful British playwrights of the modern era - a master of comedy as well as tragedy. He is so incredibly good it should come as no surprise that a significant revival has been underway for some time. In fact, Rattigan has been slowly achieving a permanent place of esteem in the essential repertoire of twentieth century dramatists. And that place will be bolstered by this brilliant comprehensive study of the playwright’s art by John A. Bertolini. His book is a pleasure to read: elegantly written, persistently intelligent, and lucid, and it does exactly what it promises: makes a case for Rattigan.’ - Jay Parini, D.E.Axinn Professor of English, Middlebury College, USA This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan’s dramatic art and its basis in his use of subtext, implication, and understatement. By discussing every play in chronological order, the book also articulates the trajectory of Rattigan’s darkening vision of the human potential for happiness from his earlier comedies through his final plays in which death appears as a longed for peace. New here is the exploration through close analysis of Rattigan’s style of writing dialogue and speeches, and how that style expresses Rattigan’s sense of life. Likewise, the book newly examines how Rattigan draws on sources in Greek and Roman history, literature, and myth, as well as how he invites comparison with the work of other playwrights, especially Bernard Shaw and Shakespeare. It will appeal broadly to college and university students studying dramatic literature, but also and especially to actors and directors, and the play-going, play-reading public
    Abstract: Preface -- Introduction. Terence Rattigan’s Art of Understatement and Implication -- Chapter 1. French Without Tears -- Chapter 2. After the Dance -- Chapter 3. Flare Path -- Chapter 4. The Winslow Boy -- Chapter 5. The Comedies -- Chapter 6. The Browning Version -- Chapter 7. Adventure Story -- Chapter 8. The Deep Blue Sea -- Chapter 9. Separate Tables -- Chapter 10. Ross and Man and Boy -- Chapter 11. Bequest to the Nation -- Chapter 12. In Praise of Love -- Chapter 13. Cause Célèbre
    DOI: 10.1007/978-3-319-40997-9
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  • 4
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    Online Resource
    Queering Agatha Christie : Revisiting the Golden Age of Detective Fiction (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319335339
    Language: English
    Pages: 1 Online-Ressource (VII, 304 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
    RVK:
    HM 2155
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Sociology ; Gender identity ; Fiction ; British literature ; Sex (Psychology) ; Gender expression ; Fiction. ; British literature. ; Sex (Psychology). ; Gender expression. ; Literature, Modern—20th century. ; Ethnology—Europe. ; Christie, Agatha 1890-1976 ; Geschlechterforschung
    Abstract: This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
    Abstract: Introduction -- Chapter 1. Constructing Agatha Christie -- Chapter 2. English Masculinity and its Others -- Chapter 3. Femininity and Masquerade -- Chapter 4. Queer Children, Crooked Houses -- Chapter 5. Queering Christie on Television -- Conclusion
    DOI: 10.1007/978-3-319-33533-9
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  • 5
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    Online Resource
    The BBC and the Development of Anglophone Caribbean Literature, 1943-1958 (2016)
    Cham : Springer International Publishing | Imprint: Palgrave Macmillan
    Details
    ISBN: 9783319321189
    Language: English
    Pages: 1 Online-Ressource (XI, 230 p)
    Series Statement: New Caribbean Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HQ 7023
    Keywords: United States Study and teaching ; Ethnology Europe ; Literature, Modern 20th century ; Literature ; Comparative literature ; Comparative literature. ; Literature   . ; Literature, Modern—20th century. ; Ethnology—Europe. ; United States—Study and teaching.
    Abstract: This book is the first to analyse how BBC radio presented Anglophone Caribbean literature and in turn aided and influenced the shape of imaginative writing in the region. Glyne A. Griffith examines Caribbean Voices broadcasts to the region over a fifteen-year period and reveals that though the program’s funding was colonial in orientation, the content and form were antithetical to the very colonial enterprise that had brought the program into existence. Part literary history and part literary biography, this study fills a gap in the narrative of the region’s literary history
    Abstract: Introduction -- The Genesis of Caribbean Voices: People and Policies -- The Critics’ Circle -- Caribbean Voices and Competing Visions of Post-Colonial Community -- A Sustaining Epistolarly Community -- The Naipaul / Mittelholzer Years: 1954-58 -- Afterword
    DOI: 10.1007/978-3-319-32118-9
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    MPI Ethno. Forsch.
  • 6
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    Online Resource
    The Body in Pain in Irish Literature and Culture (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319313887
    Language: English
    Pages: 1 Online-Ressource (XVI, 283 p. 1 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Printed edition
    RVK:
    HG 290
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Europe.
    Abstract: This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history
    Abstract: Introduction -- Introduction: The Body in Pain in Irish Literature and Culture; Fionnuala Dillane, Naomi McAreavey and Emilie Pine -- 1. Where Does It Hurt? How Pain Makes History in Early Modern Ireland; Patricia Palmer -- 2. 'Most barbarously and inhumaine maner butchered’: Masculinity, Trauma and Memory in Early Modern Ireland; Dianne Hall -- 3. ‘Those Savage Days of Memory’: John Temple and his Narrative of the 1641 Uprising; Sarah Covington -- 4. Severed Heads and Floggings: The Undermining of Oblivion in Ulster in the Aftermath of 1798; Guy Beiner -- 5. ‘Tá mé ag imeacht’: The Execution of Myles Joyce and its Afterlives; Margaret Kelleher -- 6. Pain, Trauma and Memory in the Irish War of Independence: Remembering and Contextualizing Irish Suffering; Ian Miller -- 7. Pain, Pleasure and Revolution: The Body in Roger Casement’s Writings; Michael G. Cronin -- 8. ‘Targets of Shame’: Negotiating the Irish Female Migrant Experience in Kathleen Nevin’s You’ll Never Go Back (1946) and Kate O’Brien’s Mary Lavelle (1936); Sinéad Wall -- 9. ‘Intertextual quotation’: Troubled Irish Bodies and Jewish Intertextual Memory in Colum McCann’s ‘Cathal’s Lake’ and ‘Hunger Strike’; Alison Garden -- 10. The Vulnerable Body on Stage: Reading Interpersonal Violence in Rape as Metaphor; Lisa Fitzpatrick -- 11. Recovery and Forgetting: Haunting Remains in Northern Irish Culture; Shane Alcobia Murphy -- 12. ‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall; Caroline Magennis -- 13. ‘The Art of Grief’: Irish Women’s Poetry of Loss and Healing; Catriona Clutterbuck -- Bibliography -- Index
    DOI: 10.1007/978-3-319-31388-7
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  • 7
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    Online Resource
    Bernard Shaw’s Bridges to Chinese Culture (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319410036
    Language: English
    Pages: 1 Online-Ressource (XVII, 215 p. 11 illus. in color)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Printed edition
    RVK:
    HM 4275
    Keywords: Culture Study and teaching ; Ethnology Asia ; Ethnology Europe ; Theater History ; Comparative literature ; Comparative literature. ; Theater—History. ; Ethnology—Europe. ; Ethnology—Asia. ; Shaw, Bernard 1856-1950 ; Rezeption ; China ; Shaw, Bernard 1856-1950 ; Chinabild
    Abstract: 'Kay Li's study of Bernard Shaw's relationship with a number of leading Chinese figures and the assimilation of his plays into Chinese culture is a significant addition to her important previous work on Shaw and China. This new book expertly situates Shaw in wide-ranging spheres of Chinese culture, while also demonstrating the complexities of cross-cultural literary relations. It is a major contribution not just to Shaw studies but to interdisciplinary approaches to cultural dialogue.' - L.W. Conolly, Fellow of the Royal Society of Canada, Emeritus Professor of English, Trent University, Ontario, Canada and Honorary Fellow, Robinson College, University of Cambridge, UK This book explores the cultural bridges connecting George Bernard Shaw and his contemporaries, such as Charles Dickens and Arthur Miller, to China. Analyzing readings, adaptations, and connections of Shaw in China through the lens of Chinese culture, Li details the negotiations between the focused and culturally specific standpoints of eastern and western culture while also investigating the simultaneously diffused, multi-focal, and comprehensive perspectives that create strategic moments that favor cross-cultural readings. With sources ranging from Shaw's connections with his contemporaries in China to contemporary Chinese films and interpretations of Shaw in the digital space, Li relates the global impact of not only what Chinese lenses can reveal about Shaw's world, but how intercultural and interdisciplinary readings can shed new light on familiar and obscure works alike
    Abstract: Introduction. The Chinese Angles -- Chapter. 1 Introduction -- Part I. Shaw and his Contemporaries -- Chapter 2. Seeing China -- Chapter 3. Shaw and the Last Chinese Emperor, Henry Pu-Yi Aisin-Gioro -- Chapter 4. Mrs. Warren's Profession and Transnational Chinese Feminism -- Chapter 5. Sir Robert Ho Tung and Idlewild in Buoyant Billions -- Part II. The Contemporaries of Shaw’s Works -- Chapter 6. John Woo’s My Fair Gentleman and the Evolution of Pygmalion in Contemporary China -- Chapter 7. Chinese Film Adaptations of Shaw’s Plays -- Chapter 8. Nobel Laureates Shaw and Gao Xingjian -- Chapter 9. Major Barbara on Chinese Wikipedia and Microblogs -- Chapter 10. Bernard Shaw’s Bridges to Chinese Culture -- Bibliography
    DOI: 10.1007/978-3-319-41003-6
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