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  • MPI Ethno. Forsch.  (3)
  • Regensburg UB
  • Swedish  (3)
  • Cultural studies  (3)
  • 1
    ISBN: 9789170619267
    Language: Swedish
    Pages: 1 Online-Ressource (149 Seiten, 43 ungezählte Seiten Bildtafeln)
    Series Statement: Kriterium 38
    Keywords: History of art / art & design styles ; Book & paper crafts ; Cultural studies ; Literature & literary studies ; Media studies ; Society & culture: general
    Abstract: During the 1920s and 1930s the wordless novel – stories told in black-and-white wordless woodcuts – was established as a narrative genre. The genre was most popular in Germany, but was as well known in other parts of Europé and in the US. The wordless novel was characterized by the absence of words, the use of woodcut and other relief printing techniques, as well as themes of social critique and serious existential issues. The purpose of the book is to - through the wordless novels of the 1920s and 30s - explain the uniqueness of the wordless narrative and thus the autonomous narrative possibilities of the image. The method of the examination is a close reading of the German artist Otto Nückel's wordless novel Schicksal (Destiny 1926). A comparative material consists of the Czech artist Helena Bochořáková-Dittrichova's wordless novel Z Mého Dětství (From My Childhood, 1929). Wordlessness is studied through the image's characteristics as an intermediary of messages and narratives and through comparisons with other expressions - the silent film, cirkus, expressionist dance and visual art, as well as medieval woodcuts. Narratives – which are usually put together by verbal communication – are in this project a tool for seeing: the image sequences or the image groups that ""replace"" the words - not as a lack or implied meaning of words, but as a personal visual story
    Note: Swedish
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  • 2
    ISBN: 9789170313318
    Language: Swedish
    Pages: 1 Online-Ressource (381 p.)
    Keywords: Cultural studies ; Social & cultural history ; Social & cultural anthropology, ethnography ; Museology & heritage studies ; Urban communities
    Abstract: In this book, researchers from different disciplines take the reader on a stroll among forgotten, hidden and exposed rooms in 19th and 20th century’s Stockholm. Confectioneries and kitchen entrances, brothels, shop windows and urinal tell of a lost city where boundaries between male and female, public and private, dirty and clean are both sharpened and challenged
    Note: Swedish
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  • 3
    Language: Swedish
    Pages: 1 Online-Ressource (272 p.)
    Keywords: Society & social sciences ; Society & culture: general ; Cultural studies ; Social & cultural anthropology, ethnography
    Abstract: In this volume of studies, Animal: Moments of Affect, Moments of Pain, eight ethnologists apply a cultural perspective to people’s varied and complex relationships with other species. The contributions focus on wild animals, that is, those that are rarely found in the authors’ immediate vicinity. Based on ongoing research, the articles discuss themes such as conflicts and joys in the birdwatching world, charismatic animals in various exhibition contexts, children’s fears, morbid animal jokes and the ritual transformation of living animals into edible meat. The texts range from the tender, comical and cute to death and existential vulnerability. The book begins with the editors presenting an overview of how animals have been produced, noticed and studied in a mostly Nordic humanistic research context. Then the articles follow. Based on the idea of affective logic, Elin Lundquist follows the on-site monitoring of the bird hunting that takes place annually in Malta. Mattias Frihammar uses observations at a wilderness gallery with taxidermied animals to reflect on local identity. Lars Kaijser examines the ambivalent and conflicted portrayal of sharks in public aquariums. Sverker Hyltén-Cavallius writes about the death of extinct animals and how this is displayed in natural history museums. Susanne Nylund Skog examines birdwatchers’ stories as an expression of collecting and as a way of manifesting status. With lobster cartoons as a starting point, Simon Ekström shows how these depict both animal rights issues and human anxiety. Helena Hörnfeldt investigates animal fear and the diffuse boundary between humans and animals. Proceeding from different depictions of slaughter and the preparation of meat, Michelle Zethson problematizes how some animals are made edible. The volume ends with an epilogue by the editors commenting on the findings
    Note: Swedish
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