Note: Anfangs ohne Zählung

Note: Anfangs ohne Zählung

Note: Includes bibliographical references and index , Erschienen: 1 - 3

Note: Ab Vol. 2 hrsg. von Alan Berube

Note: Erscheinungsjahr aus dem Vorwort ermittelt , Maschinenschrift

Note: Includes bibliographical references (p. 963-970) and index , Erschienen: 1 - 2

Note: Includes bibliographical references and index , Erschienen: 1 - 4

Note: Erschienen: 1 - 3

Note: v. 1. Aaron-Brown, Ruth -- v. 2. Brown, S.-Diggs -- v. 3. Dihigo-Gwynn -- v. 4 Hacker-Jones, Sarah -- v. 5. Jones, Scipio-Moore, Kevin -- v. 6. Moore, Lenny-Romain -- v. 7. Roman-Tzomes -- v. 8. Uggams-Zuber , Includes bibliographical references and index , Erschienen: 1 - 8

Note: Erschienen: 1 - 3

Note: Includes bibliographical references and index , Erschienen: 1 - 3

Note: Includes bibliographical references (p. 963-970) and index , Erschienen: 1 - 2

Note: Erschienen: Vol. 1 - 5

Note: Includes bibliographical references and index , Erschienen: 1 - 3

Note: Erschienen: 1 - 3

Note: Ab Vol. 2 hrsg. von Alan Berube

Note: Includes bibliographical references (p. 963-970) and index , Erschienen: 1 - 2

Note: Includes bibliographical references and index , Erschienen: 1 - 4

Note: Erschienen: Vol. 1 - 5

Note: v. 1. Aaron-Brown, Ruth -- v. 2. Brown, S.-Diggs -- v. 3. Dihigo-Gwynn -- v. 4 Hacker-Jones, Sarah -- v. 5. Jones, Scipio-Moore, Kevin -- v. 6. Moore, Lenny-Romain -- v. 7. Roman-Tzomes -- v. 8. Uggams-Zuber , Includes bibliographical references and index , Erschienen: 1 - 8

Note: Includes bibliographical references and index

Note: Erschienen: Vol. 1 - 5

Note: v. 1. Aaron-Brown, Ruth -- v. 2. Brown, S.-Diggs -- v. 3. Dihigo-Gwynn -- v. 4 Hacker-Jones, Sarah -- v. 5. Jones, Scipio-Moore, Kevin -- v. 6. Moore, Lenny-Romain -- v. 7. Roman-Tzomes -- v. 8. Uggams-Zuber , Includes bibliographical references and index , Erschienen: 1 - 8

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index , Erschienen: 1 - 4

Note: Ab Vol. 2 hrsg. von Alan Berube

Note: Includes bibliographical references and index

Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift

Note: Includes bibliographical references and index

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Includes bibliographical references and index. - Description based on print version record

Note: Includes bibliographical references

Note: Previously issued in print: 2021 , Includes bibliographical references and index

Note: Previously issued in print: 2022 , Includes bibliographical references and index

Note: References Seite [265]-278

Note: Previously issued in print: 2022 , Includes bibliographical references and index

Note: In English

Note: References Seite [265]-278

Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index

Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Frontmatter , CONTENTS , FOREWORD , PREFACE TO THE FOURTH EDITION , ACKNOWLEDGMENTS , I INTRODUCTION , II HALLMARK CRITICAL RACE THEORY THEMES , III LEGAL STORYTELLING AND NARRATIVE ANALYSIS , IV LOOKING INWARD , V POWER AND THE SHAPE OF KNOWLEDGE , VI CRITIQUES AND RESPONSES TO CRITICISM , VII CRITICAL RACE THEORY TODAY , VIII CONCLUSION , GLOSSARY OF TERMS , INDEX , ABOUT THE AUTHORS , In English

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

Note: Bibliographie (Seite 234 - 243)

Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references

Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke

Note: In English