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  • Gesellschaft  (640)
  • Schwarze
  • Musicology  (1,026)
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  • 1
    Book
    Book
    Köln : Kiepenheuer & Witsch
    ISBN: 9783462006469 , 3462006460
    Language: German
    Pages: 1136 Seiten , 21.8 cm x 14.1 cm, 1123 g
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    DDC: 790
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    Keywords: Geschichte 2000-2023 ; Künste ; Ästhetik ; Kultur ; Erinnerungen ; Essay ; Gesellschaft ; Kunst ; Musik-Geschichte ; Pop-Kultur ; Sexbeat ; Über Pop-Musik ; Soziologie ; Kritik ; Kino ; Fernsehen ; Theater ; Walter Benjamin ; SPEX ; Stanley Kubrick ; Miley Cyrus ; Christoph Schlingensief ; Brett Easton Ellis ; Black Panther ; Biopolitik ; Lady Gaga ; Donald Trump ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kultur ; Künste ; Ästhetik ; Geschichte 2000-2023
    Abstract: Kaum war das 21. Jahrhundert angebrochen, wartete es auch schon mit neuen Schrecken, Idiotien und gelegentlichen Glücksmomenten auf. Zu den wenigen, die es noch wagen, in diesem von den Medien verdickten und beschleunigten Wirrwarr Zusammenhänge herzustellen und dabei an einem anspruchsvollen Begriff von Kritik festzuhalten, gehört Diedrich Diederichsen. In dieser Wundertüte von einem Reader mit Aufsätzen und Kommentaren, wenn auch erst aus den ersten dreiundzwanzig Jahren des Jahrhunderts, zeigt er sein stupendes Wissen über sämtliche Trends in Kunst, Kino, Fernsehen, Literatur, Musik, Theater, Theorie und Politik, das bis in die feinsten Verästelungen der Gegenkultur reicht. Er ist in der Lage, aus Erkenntnistheorie ebenso Funken zu schlagen wie aus den »Simpsons«, den Inszenierungen von René Pollesch oder Serien wie »Underground Railroad«. Vor allem vermag er es wie kein anderer, das eine mit dem anderen zu verknüpfen und von Theodor W. Adorno zur Familie Duck oder von einer Hamburger Baustelle zu einer feministischen Kunstinstallation (und zurück) zu springen. Was Zeitgenossenschaft bedeuten kann, ist seit Walter Benjamin nicht mehr so eindrucksvoll unter Beweis gestellt worden
    URL: Inhaltstext  (lizenzpflichtig)
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  • 2
    ISBN: 9783779979982 , 9783779979999
    Language: German
    Pages: 1 Online-Ressource (295 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop studies
    Parallel Title: Erscheint auch als 20 Jahre "Mein Block"
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    Keywords: Gesellschaft ; Soziologie ; Soziale Ungleichheit ; politische Bildung ; Gesellschaftskritik ; Musik ; Aggro ; Popkultur ; Hiphop ; Rap ; Sido ; Gangstarap ; HipHop Studies ; Deutschrap ; Mein Block ; Aufsatzsammlung
    Abstract: Biographical note: Raja Möller ist Wissenschaftliche Mitarbeiterin an der Professur für Neuere deutsche Literatur und Literaturdidaktik (Gymnasium) an der Philipps-Universität Marburg. Martin Seeliger, PD Dr., leitet die Abteilung »Wandel der Arbeitsgesellschaft« am Institut für Arbeit und Wirtschaft in Bremen. Fabian Wolbring hat die Professur für Neuere deutsche Literatur und Literaturdidaktik (Gymnasium) an der Philipps-Universität Marburg inne und ist Direktor im Zentrum für Lehrerbildung Marburg.
    Abstract: Sidos »Mein Block« ist reißerische Sozialreportage, Pride-Song für die räumlich segregierte Unterklasse, Räuberpistole und Gesellschaftskritik in einem. Zudem stellt er eine Zäsur für den deutschsprachigen Rap und Pop im Ganzen dar. Der Band leistet eine dichte Beschreibung dieses popkulturellen Ereignisses unter Aspekten sozialer Ungleichheit, politischer Bildung und multimodaler Ästhetik und bezieht Perspektiven aus Soziologie, Medien- und Literaturwissenschaft, Jugendarbeit und Didaktik, Stadt- und Architekturforschung ebenso ein wie die von Journalismus, Zeitzeugen und Szeneakteur*innen.
    URL: Cover
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  • 3
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
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    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 4
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 6
    ISBN: 9783412523831
    Language: German
    Parallel Title: Erscheint auch als Lux, Anna, 1978 - „Ich komm’ aus Karl-Marx-Stadt / Bin ein Verlierer, Baby / Origina(l)Ostler“
    Titel der Quelle: Das umstrittene Erbe von 1989
    Publ. der Quelle: Wien : Böhlau Verlag, 2022
    Angaben zur Quelle: (2022), Seite 310-332
    Angaben zur Quelle: year:2022
    Angaben zur Quelle: pages:310-332
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    Keywords: Deutschland ; Gesellschaft ; Ostdeutsche ; Identität ; Identitätsentwicklung ; Unterhaltungsmusik ; Deutschland ; Deutschland ; Geschichte 2000- ; Lied ; Lyrics ; Musikvideo ; Deutschland ; Deutschland
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  • 7
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 8
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
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    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 9
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 11
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 12
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
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    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 15
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    Oakland, California :University of California Press,
    ISBN: 978-0-520-38938-0 , 978-0-520-38939-7
    Language: English
    Pages: xviii, 200 Seiten, 8 ungezählte Bildtafelseiten : , Illustrationen ; , 23 cm.
    Edition: Updated edition with a new preface
    Parallel Title: Erscheint auch als
    Former Title: Ersatz von
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    Keywords: Popular music / Social aspects / Islamic countries ; Popular music / Social aspects / Middle East ; Popular music / Social aspects / Morocco ; Popular music / Social aspects / Egypt ; Popmusik. ; Islam. ; Gesellschaft. ; Musikleben. ; Rockmusik. ; Orient. ; Nordafrika. ; Naher Osten. ; Popmusik ; Islam ; Gesellschaft ; Islam ; Musikleben ; Rockmusik
    Note: Literaturverzeichnis Seite 187-193
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  • 16
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 17
    ISBN: 9783967074581 , 3967074587
    Language: German
    Pages: 268 Seiten , Illustrationen , 23 cm x 15 cm
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
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    Keywords: Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Pop-Kultur ; Geschichte 1945-2021
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  • 18
    ISBN: 9783967074598
    Language: German
    Pages: 1 Online-Ressource (268 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
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    Keywords: Electronic books ; Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Pop-Kultur ; Geschichte 1945-2021
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  • 19
    Musical Score
    Musical Score
    London : British Library
    ISBN: 9780712353700
    Language: English
    Pages: 160 Seiten , Illustrationen, Notenbeispiele
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    Keywords: Seeschifffahrt ; Seefahrer ; Volkslied ; Shanty ; Musikleben ; Gesellschaft ; Großbritannien ; Sea songs / Texts ; Sea songs / History and criticism ; Sea songs / Terminology ; Sailors / Social life and customs ; Shanty ; Gesellschaft ; Großbritannien ; Seeschifffahrt ; Musikleben ; Großbritannien ; Seefahrer ; Volkslied
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  • 20
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 21
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    Library Location Call Number Volume/Issue/Year Availability
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  • 22
    ISBN: 978-3-8394-5268-4
    Language: German
    Pages: 1 Online-Ressource (554 Seiten).
    Series Statement: Transdisziplinäre Popkulturstudien Band 3
    Series Statement: Transdisziplinäre Popkulturstudien
    Uniform Title: Suchtgenese & Selbstkonzept(e)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Leuphana Universität Lüneburg 2019
    RVK:
    RVK:
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    Keywords: Biographieforschung ; Cultural Studies ; Gesellschaft ; Ikone ; Junkie ; Lebensstil ; Los Angeles ; MUSIC / History & Criticism ; Musik ; Musiker*innen ; Musikwissenschaft ; Popkultur ; Popmusik ; Qualitative Sozialforschung ; Selbstkonzept ; Sucht ; Popmusiker. ; Drogenabhängigkeit. ; Heroin. ; Los Angeles, Calif. ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusiker ; Drogenabhängigkeit ; Heroin
    Abstract: Getreu dem Motto »Sex & Drugs & Rock'n'Roll« scheint der Konsum von Drogen geradezu prototypisch zum Lifestyle vieler Musiker*innen dazuzugehören. Auffällig ist, dass es immer wieder musikalische Vertreter*innen des Typus »Junkie« sind, die zu Weltstars und Ikonen werden. Doch warum ist dieser Lebenswandel und dabei ausgerechnet der Konsum von Heroin so populär (gewesen)? Durch die Rekonstruktion individueller Lebensgeschichten heroinabhängiger Musiker*innen in Los Angeles bestimmt Melanie Ptatscheck nicht nur sozialpsychologische und musikspezifische Suchtfaktoren. Ebenso zeigt sie auf, durch welche individuellen Bedürfnisse und gesellschaftlichen Narrative die Selbstvorstellungen dieser Musiker*innen geprägt sind
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 26
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469661964 , 9781469661957
    Language: English
    Pages: xiii, 121 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.4216490975
    RVK:
    Keywords: OutKast ; Hip-Hop ; Schwarze ; Ethnische Identität ; USA Südstaaten ; Rap (Music) / Social aspects / Southern States ; Rap (Music) / Southern States / History and criticism ; Hip-hop / Southern States ; African Americans / Race identity / Southern States ; OutKast (Musical group) ; OutKast (Musical group) ; African Americans / Race identity ; Hip-hop ; Rap (Music) ; Rap (Music) / Social aspects ; Southern States ; Criticism, interpretation, etc ; USA Südstaaten ; Schwarze ; Hip-Hop ; OutKast ; Ethnische Identität
    Abstract: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Description / Table of Contents: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 28
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 29
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 31
    ISBN: 9783967074598
    Language: German
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Pop-Kultur ; Geschichte 1945-2021
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 32
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 33
    ISBN: 9783967074598
    Language: German
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Popkultur ; Geschichte 1945-2021
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 34
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 35
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 36
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 37
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 38
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Language: English
    Pages: xi, 227 Seiten , 24 cm
    Series Statement: African American intellectual history
    DDC: 780.8996073
    RVK:
    Keywords: Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Abstract: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Note: Literaturangaben
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  • 39
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
    RVK:
    RVK:
    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 40
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
    RVK:
    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 41
    ISBN: 9783826071867
    Language: German
    Pages: 212 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Thurnauer Schriften zum Musiktheater Band 42
    Series Statement: Thurnauer Schriften zum Musiktheater
    DDC: 792.50943
    RVK:
    Keywords: Konferenzschrift 2019 ; Deutschland ; Musiktheater ; Ästhetik ; Aufführung ; Gesellschaft ; Halle (Saale) ; Musiktheater ; Politisches Theater ; Oper ; Inszenierung ; Politik ; Politisches Theater ; Oper ; Inszenierung ; Gesellschaft
    Note: "Diese Fragen behandelte die diesem Band zugrundeliegende kooperative Tagung von Musitheaterwissenschaftler*innen und Theaterpraktiker*innen an einem Opernhaus, also umgeben von eben jener Kunstpraxis im Juli 2019. " - Seite 12
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  • 42
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    RVK:
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 43
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Language: English
    Pages: xii, 120 Seiten , Illustrationen
    Series Statement: CMS cultural expressions in music series
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
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  • 44
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526126030 , 1526126036 , 9781526126016 , 152612601X
    Language: English
    Pages: 210 Seiten , Illustrationen , 25 cm
    DDC: 306.4/842
    RVK:
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    Keywords: Music Social aspects ; Musiksoziologie ; Geschichte 2000- ; Musik ; Gesellschaft ; Interaktion ; Gesellschaft ; Interaktion ; Theater
    Abstract: "Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely" --
    Note: Includes discography (pages 192-193), bibliographical references (pages 194-206) and index
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  • 45
    Book
    Book
    New Delhi : Oxford University Press
    ISBN: 9780190121129
    Language: English
    Pages: ix, 272 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Musik ; Gesellschaft ; Sozialer Wandel ; Indien ; Music / India / History and criticism ; Music / India ; Music / Social aspects / India ; India / Civilization / 21st century ; Civilization ; Music ; Music / Social aspects ; India ; 2000-2099 ; Criticism, interpretation, etc ; Konferenzschrift 2016 ; Indien ; Musik ; Gesellschaft ; Sozialer Wandel ; Geschichte 1950-2020
    Description / Table of Contents: Musical publics in twentieth-century Madras: competing narratives of sonic sociability / Lakshmi Subramanian -- The ustads from the North, the public sphere, and the classicization of music in late nineteeenth-century Calcutta / Adrian McNeil -- Hindustani music and the emergence of a lingua musica in Mumbai / Tejaswini Niranjana -- Govind Sadashiv Tembe and the education of taste in Maharashtra / Urmila Bhirdikar -- Artists in the open: Indian classical musicians in the mid-twentieth century / Amlan das Gupta -- Seeing print, hearing song: tracking the film song through the Hindi popular print sphere, c. 1955-75 / Vebhuti Duggal -- Rewind and play: romantic music of the 1990s in the cinematic public sphere / Abhija Ghosh -- The public sphere of marketed sound: the business of early recorded music in India / Vibodh Parthasarathi -- Singing in the fray: radical publics and popular entertainment in South India / Kaley Mason -- Vernacular music traditions and their publics: the political dimensions of sounds and technologies / Aditi Deo
    Note: Enthält Literaturverzeichnis auf Seite [253]-268
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  • 46
    ISBN: 9783955751319 , 3955751317 , 9783955751319
    Language: German
    Pages: 197 Seiten , 20 cm
    Edition: 1. Auflage
    RVK:
    Keywords: Diskurs ; Gegenkultur ; Gesellschaft ; Gesellschaftskritik ; Hardcore ; Kolumne ; Konsum ; Musikkritik ; Popkultur ; Punk ; Subkultur ; Trust ; Trust-Magazin ; Kolumnensammlung ; Kolumnensammlung ; Kolumnensammlung
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  • 47
    ISBN: 9781526131232 , 9781526131256
    Language: English
    Pages: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Series Statement: Music and society
    DDC: 781.64089960421
    RVK:
    RVK:
    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Note: Literaturverzeichnis Seite 248-263
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  • 48
    Book
    Book
    Lanham : Lexington Books
    ISBN: 9781498530989
    Language: English
    Pages: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
    RVK:
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    Keywords: Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Note: Literaturverzeichnis: Seite 209-217
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  • 49
    ISBN: 9780199913930
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Currents in Latin American and Iberian mMusic
    RVK:
    Keywords: Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Abstract: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
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  • 50
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 51
    Book
    Book
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
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    Keywords: Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Description / Table of Contents: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
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  • 52
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
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    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 53
    Book
    Book
    New York ; London, Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336195 , 9781501336188
    Language: English
    Pages: xix, 227 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4
    RVK:
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    Keywords: Gesellschaft ; Sound in mass media ; Sound Social aspects ; Performance art ; Geräuschkulisse ; Geräusch ; Massenmedien ; Luftschall ; Schall ; Performance ; Akustischer Reiz ; Alltagskultur ; Soziologie ; Klang ; Akustischer Reiz ; Alltagskultur ; Massenmedien ; Geräusch ; Geräuschkulisse ; Soziologie ; Performance ; Klang ; Schall ; Luftschall ; Akustischer Reiz ; Alltagskultur ; Massenmedien ; Geräuschkulisse
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  • 54
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Language: English
    Pages: 148 Seiten
    Series Statement: 33 1/3
    DDC: 782.42162130092
    RVK:
    Keywords: Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
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  • 55
    ISBN: 9783777627885 , 3777627887
    Language: German
    Pages: 193 Seiten , 21 cm, 344 g
    Parallel Title: Erscheint auch als
    DDC: 304.23709
    RVK:
    RVK:
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    Keywords: Geschichte ; Pünktlichkeit ; Kulturwandel ; Zeitbewusstsein ; Zeitmessung ; Uhr ; Kultur ; Zeit ; Uhren ; Gesellschaft ; Uhr ; Zeitmessung ; Zeitbewusstsein ; Kulturwandel ; Pünktlichkeit ; Kultur ; Geschichte
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  • 56
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    RVK:
    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 57
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
    RVK:
    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9781789200324
    Language: English
    Pages: xii, 307 Seiten , Illustrationen
    Series Statement: Spektrum / publications of the German Studies Association volume 18
    Series Statement: Spektrum
    DDC: 780.9430904
    RVK:
    Keywords: Music Social aspects ; History ; 20th century ; Germany ; Music History and criticism ; 20th century ; Germany ; National characteristics, German ; Music German influences ; Aufsatzsammlung ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1900-2000 ; Deutsches Sprachgebiet ; Musik ; Musikleben ; Nationalbewusstsein ; Geschichte 1900- ; Deutsches Sprachgebiet ; Musiksoziologie ; Geschichte 1900-2019
    Abstract: "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye.
    Abstract: Zusammenfassung: "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--(Provided by publisher.)
    Note: Literaturangaben
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  • 59
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 60
    Book
    Book
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Language: English
    Pages: xiii, 254 Seiten
    Edition: This editon first published
    Series Statement: African American literature Volume 2
    Series Statement: African American literature
    RVK:
    Keywords: Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
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  • 61
    ISBN: 9783840520136 , 3840520134
    Language: German
    Pages: 437 Seiten , Diagramme , 21 cm x 14.8 cm, 829 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII Band 11
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII
    Parallel Title: Erscheint auch als
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    Keywords: Iron Maiden ; Krieg ; Text ; Song ; Politik ; Gesellschaft ; Musik ; Metal Studies ; Metal ; Lyrics ; Iron Maiden ; Geschichte ; Politik ; Interview ; Interview ; Iron Maiden ; Song ; Text ; Gesellschaft ; Politik ; Krieg
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  • 62
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Palgrave Macmillan
    ISBN: 9789811335136
    Language: English
    Pages: 1 Online-Ressource (IX, 179 p. 3 illus., 2 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76
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    Keywords: Queer Theory ; Music ; Gender and Sexuality ; Culture and Gender ; Queer theory ; Music ; Gender identity ; Culture ; Gender ; Homosexualität ; Männlichkeit ; Rapmusiker ; Ethnische Identität ; Schwarze ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Language: English
    Pages: xix, 293 Seiten , 24 cm
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 793.319468
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    Keywords: Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Note: Includes bibliographical references and index
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  • 64
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
    RVK:
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 65
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 146964648X , 9781469646480 , 1469646498 , 9781469646497
    Language: English
    Pages: XIII, 226 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; Amerika ; Hochschulschrift ; Biografie
    Abstract: "Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre ... Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century
    Note: Bibliography Seite 207-218
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  • 66
    Book
    Book
    Hamburg ; Berlin :Orlanda Buchverlag UG,
    ISBN: 978-3-944666-53-2
    Language: German
    Pages: 289 Seiten.
    Edition: 1. Auflage, 2018
    Uniform Title: Black looks
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    Keywords: Schwarze Frau. ; Rassismus. ; Sexismus. ; Stereotyp. ; Schwarze. ; Massenkultur. ; Vermarktung. ; USA. ; Schwarze Frau ; Rassismus ; Schwarze Frau ; Sexismus ; Stereotyp ; Rassismus ; Schwarze ; Massenkultur ; Vermarktung ; Schwarze
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  • 67
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138920118 , 1138920118
    Language: English
    Pages: xxxii, 516 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Routledge companions
    Parallel Title: Erscheint auch als
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    Keywords: Gesellschaft ; Musik ; Musizieren ; Weltmusik ; Musikethnologie ; Volksmusik ; Kulturvergleich ; Music / Social aspects ; Music and anthropology ; Music and anthropology ; Music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musizieren ; Volksmusik ; Weltmusik ; Kulturvergleich ; Musikethnologie
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  • 68
    ISBN: 9783814223711
    Language: German
    Pages: 266 Seiten , Illustrationen
    DDC: 780
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    Keywords: Popmusik ; Grenzüberschreitung ; Medien ; Musikwissenschaft ; Gesellschaft ; Politik ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Popmusik ; Gesellschaft ; Politik ; Medien ; Musikwissenschaft ; Grenzüberschreitung
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  • 69
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 70
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 71
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    ISBN: 9788523218720
    Language: Portuguese
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Abstract: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 73
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
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    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 75
    ISBN: 9788857548050
    Language: Italian
    Pages: 214 pages , 21 cm
    Series Statement: Eterotopie n. 461
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    Keywords: Geschichte ; African Americans / Music / History and criticism ; Music and anthropology ; Gesang ; Musikanthropologie ; Schwarze ; Nordamerika ; Nordamerika ; Schwarze ; Gesang ; Musikanthropologie ; Geschichte
    Note: Includes bibliographical references (pages 207-214)
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  • 76
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501309311 , 9781501343773
    Language: English
    Pages: viii, 254 Seiten , Illustrationen , 24 cm
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Gesellschaft ; Elektronische Musik ; Electronic dance music festivals ; Electronic dance music / Social aspects ; Elektronische Musik
    Description / Table of Contents: Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg Part One. Dance Empires and EDM Culture Industry 1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde 2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University 3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College Part Two. Underground Networks and Transformational Events 4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota 5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London 6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds 7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia) Part Three. Cosmopolitan Experiments and Electroniculture 8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sonar Festival. Paolo Magaudda, University of Padova 9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Universite de Montreal 10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg
    Note: Literaturangaben
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  • 77
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 78
    ISBN: 9783462402292 , 3462402293
    Language: German
    Pages: 283 Seiten , 19 cm
    Edition: Unveränderter Reprint einer älteren Ausgabe
    Series Statement: KiWi 323
    Series Statement: KiWi Bibliothek
    Series Statement: KiWi
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1990-1993 ; Popmusik ; Gesellschaft ; Jugendkultur ; Hip-Hop ; Rockmusik ; Geschichte ; Subkultur ; Zeitdiagnose ; Pop-Literatur ; Musik-Szene ; Essays ; Gesellschaft ; Pop-Kultur ; 90er Jahre ; Musikgeschichte ; Pop-Diskurs ; Pop-Musik ; Medien ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Gesellschaft ; Geschichte 1990-1993 ; Rockmusik ; Jugendkultur ; Geschichte 1990-1993 ; Hip-Hop ; Subkultur ; Geschichte
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  • 79
    Book
    Book
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
    RVK:
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    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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  • 80
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 81
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 82
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
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    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 83
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 84
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 86
    ISBN: 9781526106223
    Language: English
    Pages: 1 Online-Ressource (xiii, 378 Seiten) , Illustrationen
    Series Statement: Studies in Imperialism
    Parallel Title: Erscheint auch als
    DDC: 306.484209033
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    Keywords: Geschichte 1790-1914 ; History / bicssc ; Humanities / History / bicssc ; HISTORY / General / bisach ; History of music / thema ; Music / Social aspects / History / 18th century ; Music / Political aspects / History / 18th century ; Music / Social aspects / History / 19th century ; Music / Political aspects / History / 19th century ; Radicalism in music ; Politische Kultur ; Gesellschaft ; Musik ; Englisches Sprachgebiet ; Englisches Sprachgebiet ; Politische Kultur ; Gesellschaft ; Musik ; Geschichte 1790-1914
    Abstract: "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover
    Abstract: Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened
    Description / Table of Contents: Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    Book
    Book
    London : faber
    ISBN: 9780571309719 , 9780571309726
    Language: English
    Pages: xi, 764 Seiten , Illustrationen, Notenbeispiele , 24 cm
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    Keywords: Geschichte ; Gesellschaft ; Volkslied ; Großbritannien ; Folk songs, English / England / History and criticism ; Folk songs, English / Social aspects / England ; Großbritannien ; Volkslied ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 88
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190297688
    Language: English
    Pages: 1 Online-Ressource (xxx, 370 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66081
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    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 89
    ISBN: 9781786990150 , 9781786990167
    Language: English
    Pages: 292 Seiten , 1 Karte
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Metallica ; Geschichte 2011 ; Gesellschaft ; Rockkonzert ; Heavy Metal ; Soziale Funktion ; Naher Osten ; Mittlerer Osten ; Heavy metal (Music) / Social aspects / Middle East ; Mittlerer Osten ; Metallica ; Heavy Metal ; Rockkonzert ; Soziale Funktion ; Geschichte 2011
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  • 90
    ISBN: 3955750302 , 9783955750305
    Language: German
    Pages: 109 Seiten
    Edition: 2. Auflage
    Series Statement: Testcard. zwergobst
    DDC: 781.640943
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    Keywords: Geschichte ; Popmusik ; Gesellschaft ; Deutschland ; Aufsatzsammlung
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  • 91
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    ISBN: 9781785334542
    Language: English
    Pages: 1 Online-Ressource (vi, 272 Seiten) , Illustrationen
    Series Statement: Dance and performance studies Volume 10
    Series Statement: Dance and performance studies
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
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    Keywords: Gesellschaft ; Musik ; Music and dance ; Music Social aspects ; Dance Anthropological aspects ; Musikanthropologie ; Selbstbild ; Soziale Funktion ; Musik ; Weltmusik ; Tanz ; Bewegung ; Aufsatzsammlung ; Weltmusik ; Musik ; Tanz ; Bewegung ; Selbstbild ; Soziale Funktion ; Musikanthropologie
    Note: Includes bibliographical references and index
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  • 93
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 94
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
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    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 96
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
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    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 97
    ISBN: 9780822374015
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Improvisation, Community, and Social Practice
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
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    Keywords: Music ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    Abstract: Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith.
    Note: English
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  • 98
    ISBN: 9781138452183
    Language: English
    Pages: 168 Seiten , Illustrationen, Notenbeispiele
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    Keywords: Sufi music / Turkey / Congresses ; Sufi music / Middle East / Congresses ; Music / Social aspects / Turkey / Congresses ; Music / Social aspects / Middle East / Congresses ; Music / Religious aspects / Islam / Congresses ; Gesellschaft ; Musik ; Religion ; Sufismus ; Islam ; Musik ; Gesellschaft ; Naher Osten ; Türkei ; Osmanisches Reich ; Balkanhalbinsel ; Naher Osten ; Islamische Staaten ; Türkei ; Konferenzschrift 1991 ; Naher Osten ; Sufismus ; Musik ; Gesellschaft ; Türkei ; Sufismus ; Musik ; Gesellschaft ; Balkanhalbinsel ; Sufismus ; Musik ; Gesellschaft ; Osmanisches Reich ; Sufismus ; Musik ; Gesellschaft ; Islamische Staaten ; Islam ; Sufismus ; Musik ; Gesellschaft
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  • 99
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 100
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc
    ISBN: 9781501309311 , 9781501309304
    Language: English
    Pages: VIII, 254 Seiten , Illustrationen , 24 cm
    Edition: First published
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    Keywords: Gesellschaft ; Elektronische Musik ; Tanzmusik ; Soziokultur ; Festival ; Internationaler Vergleich ; Electronic dance music festivals ; Electronic dance music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Elektronische Musik ; Tanzmusik ; Festival ; Soziokultur ; Internationaler Vergleich
    Description / Table of Contents: Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg Part One. Dance Empires and EDM Culture Industry 1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde 2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University 3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College Part Two. Underground Networks and Transformational Events 4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota 5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London 6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds 7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia) Part Three. Cosmopolitan Experiments and Electroniculture 8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sonar Festival. Paolo Magaudda, University of Padova 9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Universite de Montreal 10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg
    Note: Literaturangaben
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