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  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (62 min.). , 010150
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Sensory ethnography lab
    Keywords: Islam 21st century. ; Mosques 21st century. ; Basements ; Joint occupancy of buildings ; Broadway (New York, N.Y.) ; Bhutan ; Documentary films.
    Abstract: This work is a subtle investigation of the ordinary spaces that transform and transition between the playful and the sacred as individuals enter and perform routine acts of worship or leisure. In this work consisting of several long takes, the viewer experiences the rhythms of folding and unfolding as a visual metaphor for the boundary between these seemingly disparate acts.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Manhattan, New York, NY. , Previously released as DVD. , This edition in Arabic with English subtitles.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (26 min.). , 002534
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Palestinian Arabs ; Refugees, Palestinian Arab Psychology. ; Older refugees Psychology. ; Photographs Psychological aspects. ; France ; Documentary films.
    Abstract: Still Life is the first sequence in a triptych of portraits that explores the mediations of memory among three generations of Palestinian refugees living in Lebanon. It considers how a series of photos brought to Lebanon by Said Otruk, an elderly Palestinian fisherman from Acre, mediate both his present experience and recollections of his life in Palestine before 1948. We see how the reality represented in these images has become conflated with them; Said repeatedly misremembers the number of his fishing boat and his age when he left, and when he describes photos of Acre's waterfront as capturing the golden age, he seems to be gesturing as much at the splendid figure of his own youth as at the halcyon days of pre-48 Palestine. Rather than being a straightforward expository narrative, or an act of witness of political solidarity, the film is a meditation on the dislocations of memory, the effects of aging and forgetfulness, and the recollection of youthful vitality; the loss of Palestine is lyrically convergent with the felt loss of this vitality. The two portraits that complete the triptych examine spatial and ritual mediations of memory.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Lebanon in 2007. , Previously released as DVD. , This edition in Arabic with English subtitles.
    Library Location Call Number Volume/Issue/Year Availability
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