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  • MPI Ethno. Forsch.  (8)
  • Oakland, California : University of California Press  (6)
  • Chicago [u.a.] : Univ. of Chicago Press
  • Musikwissenschaft  (8)
Datenlieferant
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  • 1
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press | New York, NY : JSTOR
    ISBN: 9780520972032 , 0520972031
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Serie: Joan Palevsky imprint in classical literature
    Paralleltitel: Erscheint auch als Lucas, Ann E., 1978- Music of a thousand years
    RVK:
    Schlagwort(e): Musik ; Music History and criticism ; Maqām ; Dastgāh ; HISTORY / Middle East / Iran ; Dastgāh ; Maqām ; Music ; Criticism, interpretation, etc ; Iran ; Iran
    Kurzfassung: Introduction -- Culture of maqam. Musical empires -- Musical structure: cosmology and the universal order c. 1100-1800 -- Music and morality: listening to dangers inherent in the cosmos -- The politics of song: music for kings, music for empire c. 1400-1722 -- Culture of dastgah. Musical structure, musical nation c. 1800-1950 -- The nation's music: discovering and recovering the dastgah -- Music and morality: the recovery of a nation, c. 1880-1940 -- Singing the nation: words of the people, music for Iran -- Conclusion.
    Kurzfassung: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history...
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520298712 , 0520298713
    Sprache: Englisch
    Seiten: xi, 174 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Eisenlohr, Patrick, 1967 - Sounding Islam
    Paralleltitel: Erscheint auch als Eisenlohr, Patrick Sounding Islam
    DDC: 297.2/67
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Voice ; Sound Religious aspects ; Islam ; Islamic poetry ; Islam ; Islam ; Islamic poetry ; Sound ; Voice ; Mauritius ; Islam ; Poetik ; Stimme ; Klang
    Kurzfassung: "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religion. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' experience, especially within the context of Mauritian Islamic practices. The work is a contribution to the anthropological study of sound, media, and religious experience and a rich study of Mauritius, diasporic South Asian communities, and global Islam."--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: Sounding Islam -- Devotional Islam and sound reproduction -- Aspirations in transnational religious networks -- The materiality of media and the vanishing medium -- The work of transduction: Voice as atmosphere -- Sound as affect? Encorporation and movement in vocal performance
    Anmerkung: Includes bibliographical references and index , Sounding Islam , Devotional Islam and sound reproduction , Aspirations in transnational religious networks , The materiality of media and the vanishing medium , The work of transduction: Voice as atmosphere , Sound as affect? Encorporation and movement in vocal performance
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    Schlagwort(e): Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Kurzfassung: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Kurzfassung: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520963122
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 237 pages) , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    RVK:
    Schlagwort(e): Musical instruments ; Music and technology History ; Electronic musical instruments History ; Music Philosophy and aesthetics ; Civil engineering. ; Communication. ; Electronic musical instruments; History. ; Engineering. ; Mass media. ; Music and technology; History. ; Music; Philosophy and aesthetics. ; Musical instruments. ; Music ; Theory of music & musicology ; Media studies ; History of engineering & technology ; Electronic books ; Musikinstrument ; Neue Musik ; Elektronische Musik
    Kurzfassung: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Anmerkung: English
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520965096 , 9780520965096 , 9780520965096 , 9780520291249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 electronic resource (468 p.))
    RVK:
    Schlagwort(e): Music ; Media studies ; Electronic books
    Kurzfassung: How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book?s diverse objects of inquiry?from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles?enter into analogical relations. Remapping the keyboard?s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new
    Anmerkung: English
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520962590 , 0520962591 , 0520287630 , 9780520243583 , 9780520287631 , 0520243587
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxv, 165 pages)
    Ausgabe: Open access edition.
    Serie: Luminos
    Paralleltitel: Erscheint auch als Kerman, Joseph, 1924-2014.; Art of fugue.
    Paralleltitel: Print version Kerman, Joseph, 1924-2014 Art of fugue
    RVK:
    Schlagwort(e): Bach, Johann Sebastian ; Bach, Johann Sebastian ; Fugue ; Fugue. ; Fugue ; Keyboard music (Bach, Johann Sebastian) ; Fugue ; MUSIC ; Genres & Styles ; Classical ; Electronic books ; Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge
    Kurzfassung: "Fugue for J.S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues?some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving."--Provided by publisher.
    Kurzfassung: Fugue in C major : The well-tempered clavier, book 1 -- Fugue in C minor : The well-tempered clavier, book 1 -- Fughetta in C major, BWV 952 -- Fugue in C-sharp minor : The well-tempered clavier, book 1 -- Contrapunctus 1 : The art of fugue -- Contrapunctus 10 : The art of fugue -- Chromatic fantasy and fugue, BWV 903 -- Prelude and fugue in E-flat major : The well-tempered clavier, book 1 -- Fugue in E major : The well-tempered clavier, book 2 -- Fugue on "Jesus Christus unser Heiland" : Clavierübung, book 3 -- Fugue in F-sharp minor : The well-tempered clavier, book 1 -- Gigue : English suite no. 3 in G minor -- Fugue in A-flat major : The well-tempered clavier, book 1 -- Fugue in A minor : Fantasy and fugue in A minor, BWV 904 -- Fugue in B-flat major : The well-tempered clavier, book 2 -- Fugue in B major : The well-tempered clavier, book 2
    Anmerkung: "Simpson, imprint in humanities"--PDF of front matter , Includes bibliographical references (pages 159-161) and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    Buch
    Buch
    Chicago [u.a.] : Univ. of Chicago Press
    ISBN: 0226034887 , 0226034879
    Sprache: Englisch
    Seiten: XXII, 384 S. , Ill., Notenbeisp.
    Serie: Chicago studies in ethnomusicology
    DDC: 784.2/09598/6
    RVK:
    RVK:
    Schlagwort(e): Gamelan ; Gamelan ; Gamelan ; Gamelan, Musique de - Histoire et critique ; Gamelan, Musique de - Histoire et critique ; Instrumentale muziek ; Musique - Indonésie - Bali (Île) - Histoire et critique ; Musique - Indonésie - Bali - Histoire et critique ; Musik ; Gamelan ; Gamelan music History and criticism ; Music History and criticism ; Gamelan ; Bali ; Bali ; Gamelan
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    Chicago [u.a.] : Univ. of Chicago Press
    ISBN: 0226217205 , 0226217213
    Sprache: Englisch
    Seiten: XXV, 446 S. , Ill.
    Serie: Chicago studies in ethnomusicology
    DDC: 782.42162963986068
    RVK:
    Schlagwort(e): Zulu ; Musik ; Südafrika
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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