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  • New York : Columbia University Press  (10)
  • Film  (10)
  • General works  (8)
  • American Studies  (3)
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Language
Subjects(RVK)
  • 1
    ISBN: 9780231191623 , 9780231191630
    Language: English
    Pages: XVIII, 228 Seiten , Illustrationen
    Uniform Title: Nihon eigashi 100-nen
    DDC: 791.430952
    RVK:
    Keywords: Motion pictures History ; Japan ; Kino ; Film
    Abstract: "What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"--
    Note: "Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)"
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  • 2
    Online Resource
    Online Resource
    New York : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231543125
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Film and culture
    Series Statement: Columbia scholarship online
    DDC: 302.23/43
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    Keywords: Geschichte ; Film ; Kunst ; Experimentalfilm ; Videokunst ; Motion picture audiences History ; Video art History ; Motion pictures and the arts ; Art and motion pictures ; Motion picture industry Technological innovations
    Abstract: Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, 'After Uniqueness' traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity - or both at once.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 3
    Book
    Book
    New York : Columbia University Press
    ISBN: 0231176937 , 9780231176934
    Language: English
    Pages: VIII, 296 Seiten , Illustrationen
    Series Statement: Film and culture
    Parallel Title: Erscheint auch als Balsom, Erika After uniqueness
    DDC: 302.23/43
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    Keywords: Geschichte ; Film ; Kunst ; Experimentalfilm ; Videokunst
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  • 4
    Online Resource
    Online Resource
    New York : Columbia University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780231543125
    Language: English
    Pages: 1 Online-Ressource (313 pages)
    DDC: 791.4309
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    Keywords: Geschichte ; Film ; Kunst ; Experimentalfilm ; Videokunst
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (Not Yet Published – Content Forthcoming)
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    New York : Columbia University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780231526975
    Language: English
    Pages: 1 Online-Ressource (327 pages)
    DDC: 303.6
    RVK:
    Keywords: Film ; Fernsehen ; Folter ; Politische Verfolgung ; Gewalt ; Dokumentarfilm ; Fernsehsendung ; Aufsatzsammlung
    Abstract: Since the terrorist attacks of September 11, 2001, scenes of brutality and torture have appeared in mainstream comedies, dramatic narratives, and action films, for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities. It is represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. Before 9/11, films outside of the horror/slasher genre that addressed torture depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and often depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. This volume follows the significant shift in the representation of torture over the past decade, specifically in documentary, action, and political films, and it compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, this collection addresses the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231520782
    Language: English
    Pages: 1 Online-Ressource (xxiii, 289 Seiten) , Illustrationen
    DDC: 306.0951
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    Keywords: Film ; Sozialer Wandel ; Globalisierung ; China
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231503464
    Language: English
    Pages: 1 Online-Ressource (xv, 372 Seiten) , Illustrationen
    Series Statement: Film and Culture Series
    Parallel Title: Erscheint auch als Griffiths, Alison, 1963 - Shivers down your spine
    DDC: 069
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    Keywords: Public spaces - Social aspects ; Film ; Museum ; Spektakel ; Publikum ; IMAX ; Neue Medien ; Virtuelle Realität ; Electronic books ; Museum ; Film ; Spektakel ; Publikum ; IMAX
    Abstract: From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time.Since their inception, museums of science and natural histor
    Description / Table of Contents: Contents; Acknowledgments; List of Illustrations; Introduction; I. FROM CATHEDRAL TO IMAX SCREEN: Case Studies in Imersive Spectatorship; 1. Immersive Viewing and the ""Reversed Gaze"" ; 2. Spectacle and Immersion in the Nineteenth-Century Panorama; 3. Expanded Vision Imax Style; 4. ""A Moving Picture of the Heavens"": Immersion in the Planetarium Space Show; II. MUSEUMS AND SCREEN CULTURE: Immersion and Interactivity Over Centuries; 5. Back to the (Interactive) Future: The Legacy of the Nineteenth Century Science Museum
    Description / Table of Contents: 6. From Daguerreotype to Imax Screen: Multimedia and Imax at the Smithsonian Institution7. Film and Interactive Media in the Museum Gallery: From ""Roto-Radio"" to Immersive Video; Conclusion; Notes; FIlmography; Bibliography; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 8
    ISBN: 9780231110945 , 9780231110952
    Language: English
    Pages: XIII, 430 Seiten , Illustrationen
    Series Statement: Film and culture
    DDC: 302.2343097309043
    RVK:
    Keywords: Geschichte 1930-1934 ; Censuur ; Cinéma - Censure - États-Unis - Histoire ; Films ; Seksualiteit ; Sexualité au cinéma ; Film ; Geschichte ; Sexualität ; Motion pictures Censorship ; History ; Sex in motion pictures ; Filmzensur ; Film ; Erotik ; USA ; USA ; USA ; Film ; Geschichte 1930-1934 ; USA ; Filmzensur ; Geschichte 1930-1934 ; USA ; Film ; Erotik ; Geschichte 1930-1934
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 0231500122 , 9780231500128
    Language: English
    Pages: 1 Online-Ressource (xiii, 430 pages)
    Series Statement: Film and culture
    DDC: 302.23/43/097309043
    RVK:
    Keywords: Geschichte 1930-1934 ; Cinéma / Censure / États-Unis / Histoire ; Sexualité au cinéma ; SOCIAL SCIENCE / Media Studies ; Motion pictures ; Motion pictures / Censorship ; Sex ; Films ; Censuur ; Seksualiteit ; Film ; Geschichte ; Sexualität ; Motion pictures Censorship ; History ; Sex in motion pictures ; Filmzensur ; Erotik ; Film ; USA ; USA ; USA ; Film ; Erotik ; Geschichte 1930-1934 ; USA ; Filmzensur ; Geschichte 1930-1934
    Note: Includes bibliographical references (pages 373-410) and indexes , On the cusp of classical Hollywood cinema -- Breadlines and box office lines: Hollywood in the nadir of the Great Depression -- Preachment yarns: the politics of mere entertainment -- Dictators and Democrats: the rage for order -- Vice rewarded: the wages of cinematic sin -- Criminal codes: gangsters unbound, felons in custody -- Comic timing: cracking wise and wising up -- News on screen: the vividness of mechanical immortality -- Remote kinships; the geography of the expeditionary film -- Primitive mating rituals: the color wheel of the racial adventure film -- Nightmare pictures: the quality of gruesomeness -- Classical Hollywood cinema: the world according to Joseph J. Breen
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  • 10
    Book
    Book
    New York : Columbia University Press
    ISBN: 0231062842 , 0231062850
    Language: English
    Pages: XI, 336 S. , Ill.
    DDC: 302.23430973
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    Keywords: Motion pictures Social aspects ; Motion picture plays, American History and criticism ; USA ; Film ; Soziologie ; Geschichte 1940-1950
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