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  • Bild  (3)
  • 2010-2014  (3)
  • New Haven : Yale University Press  (3)
  • History  (3)
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Fachgebiete(RVK)
  • 1
    ISBN: 9780300197457 , 0300197454
    Sprache: Englisch
    Seiten: 184 S , zahlr. Ill , 29 cm
    Ausgabe: 1. ed.
    Serie: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
    RVK:
    RVK:
    Schlagwort(e): Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Anmerkung: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    ISBN: 9780300197457 , 0300197454
    Sprache: Englisch
    Seiten: 184 S , zahlr. Ill , 29 cm
    Ausgabe: 1. ed.
    Serie: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
    RVK:
    RVK:
    Schlagwort(e): Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Anmerkung: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    ISBN: 0300125798 , 9780300125795
    Sprache: Englisch
    Seiten: 251 Seiten , Illustrationen , 31 cm
    DDC: 391.0074
    RVK:
    Schlagwort(e): Fashion Exhibitions ; History ; Bildband ; Museum ; Mode ; Ausstellung ; Geschichte 1900-2013
    Kurzfassung: Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitions over the past decade, this groundbreaking book provides a timely look at the evolution of the practice, taking as its anchor the seminal 1971 Victoria and Albert Museum exhibition Fashion: An Anthology by Cecil Beaton, revealing it to be symptomatic of a shift in museological attitudes. The authors' combined experience of more than forty years, one in architecture and exhibition design and the other in fashion history and curating, informs their detailed account of the exhibition. Accompanied by photographs of Beaton's museum work published here for the first time, their narrative establishes a perspective from which to view working practices today. Research into international exhibitions from the early 20th century to the present results in some 150 stunning illustrations, including previously unpublished exhibition photographs and out-of-print documents. Through this research and the testimony of curators, exhibition designers, and mannequin manufacturers, the authors discover striking continuity in the development of the fundamental equation of mannequin, dress, and mise-en-scène. A comprehensive chronology from 1971 illustrates the exponential rise in exhibitions of Western dress on an international scale.--
    Beschreibung / Inhaltsverzeichnis: IntroductionExhibiting fashion before 1971 -- Fashion: an anthology by Cecil Beaton 1971 -- The exhibition -- Aspects -- An incomplete inventory of fashion exhibitions since 1971 -- Index.
    Beschreibung / Inhaltsverzeichnis: IntroductionExhibiting fashion before 1971 -- Fashion: an anthology by Cecil Beaton 1971 -- The exhibition -- Aspects -- An incomplete inventory of fashion exhibitions since 1971 -- Index.
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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