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  • Image  (35)
  • 2015-2019  (31)
  • 2010-2014  (4)
  • New Haven : Yale University Press  (35)
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  • 1
    ISBN: 9781588396839 , 1588396835
    Language: English
    Pages: xix, 310 Seiten , 25 x 28 cm
    DDC: 709.394
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    Keywords: Art, Middle Eastern Exhibitions ; Art, Ancient Exhibitions ; Middle East Exhibitions Civilization To 622 ; Ausstellungskatalog Metropolitan Museum of Art 18.03.2019-23.06.2019 ; Bildband ; Naher Osten ; Kunst ; Kultur
    Note: "This catalogue is published in conjunction with 'The World between Empires: Art and Identity in the Ancient Middle East,' on view at The Metropolitan Museum of Art, New York, from March 18 through June 23, 2019." -- Colophon , Includes bibliographical references (pages 277-299) and index
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  • 2
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    New Haven : Yale University Press
    ISBN: 9780300243475
    Language: English
    Pages: x, 344 Seiten , 30 cm
    DDC: 709.1767
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    Keywords: Islamic arts Congresses ; Islamic art ; Art and Design ; Bildband ; Konferenzschrift 2017 ; Islamische Kunst
    Abstract: Defining meaning and value in contemporary Islamic Art /H.E. Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani --Islamic Art Now and Then /Linda Komaroff --Art and Image /Venetia Porter --Gender, Power, and Tradition /Lalla Essaydi --Hub Wahad: On Finding Inspiration in a Community of Nomads /Hassan Hajjaj in conversation with Alice Planel --Reclaiming Indo-Persian Miniature Painting. Reclaiming History: A Feminist Story /Shahzia Sikander in conversation with Rafia Zakaria --A Shah, a Russian, and My Grandfather: Iranian Photography, a History /Newsha Tavakolvian --Contemporary or Modern Islamic Art? /H.R.H. Princess Wijdan Fawaz Al Hashemi --Whose Past is it Anyway? Contemporary Architecture and the Past in the Lands of Islam /Mohammad al-Asad --Contemporary Trajectories: Iraqi Art in Context /Nada Shabout --Iranian Cinema Today: An Ode to the Past and New Directions in the Future? /Nacim Pak-Shiraz --"Islamic" Art in Southeast Asia and Australia: Past, Present, and Future /Stefano Carboni --Question and Answer Panels: Hamad bin Khalifa Symposium on Islamic Art, Virginia Museum of Arts /transcribed by Sarah Kleinman.
    Abstract: "Islamic art can be a challenging term in an ever-changing art world. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. Taken together, these texts, including beautiful illustrations of major works by contemporary artists from the Muslim world, invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future."--Publisher description
    Note: "This volume presents the written versions of the papers presented Islamic Art: Past, Present, and Future, the seventh Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture, which was held at the Virginia Museum of Art in Richmond, Virginia, on November 2-4, 2017"--Introduction , Literaturverzeichnis: Seite 331-335
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  • 3
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    New Haven : Yale University Press
    ISBN: 9780300246032 , 030024603X
    Language: English
    Pages: 311 Seiten , Illustrationen, 1 Karte , 26 cm
    DDC: 306.1/0979494
    Keywords: Graffiti ; Graffiti ; Social conditions ; Graffito ; History ; Los Angeles (Calif.) History 20th century ; Los Angeles (Calif.) Social conditions 20th century ; California ; Los Angeles ; Los Angeles, Calif ; Los Angeles, Calif. ; Graffiti ; Geschichte
    Abstract: A sweeping history of Los Angeles told through the lens of the many marginalized groups-from hobos to taggers-that have used the city's walls as a channel for communication. Graffiti written in storm drain tunnels, on neighborhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city's urban landscape, Susan A. Phillips traces the hidden language of marginalized groups over the past century-from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression. Graffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. "A-No. 1"), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon "Gidget," this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself
    Note: Includes bibliographical references (pages 301-302) and index
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  • 4
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    London : Paul Mellon Centre for Studies in British Art | New Haven : Yale University Press
    ISBN: 9781913107055
    Language: English
    Pages: xiii, 286 Seiten
    DDC: 704.949326
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    Keywords: Slavery in art ; Slave trade in art ; Bildband ; Sklaverei ; Sklave ; Abolitionismus ; Kunst ; Geschichte 1760-1900
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  • 5
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    New Haven : Yale University Press
    ISBN: 9780300198669
    Language: English
    Pages: xi, 266 Seiten , Illustrationen, Karten , 24 cm
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    Keywords: Geschichte ; Schwarze ; Minderheit ; Diskriminierung ; Ethnische Identität ; USA ; Afrika
    Abstract: What is an "African American" and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States' first African American president have all sparked new dialogue around the question. This work provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. It examines the diversity of African American identities through relationships with region, ethnicity, slavery, and immigration to investigate questions fundamental to the study of African American history and culture but often overlooked.
    Note: Literaturverzeichnis: Seite 245-253
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  • 6
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    New Haven : Yale University Press
    ISBN: 9780300207729
    Language: English
    Pages: vii, 352 Seiten , Illustrationen, Karten, Pläne , 26 cm
    Parallel Title: Erscheint auch als Mumford, Eric Paul, 1958 - Designing the modern city
    DDC: S:og Z:34
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    Keywords: Urban policy ; Cities and towns ; City planning ; AMVD ; ARC010000 ; ARCHITECTURE ; Stadt ; Stadtplanung ; Urbanität ; Geschichte 1800-2018 ; Europa ; Amerika ; Stadtentwicklung ; Stadtplanung ; Städtebau ; Geschichte 1850-2015
    Abstract: "A comprehensive new survey tracing the global history of urbanism and urban design from the industrial revolution to the present. Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world's population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called "urbanism." He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities. This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers' efforts to shape cities."--
    Abstract: Introduction -- The emergence of modern urbanism : European cities in the nineteenth century -- Cities in the Americas and the international influence of the City Beautiful movement -- From tenement reform to regional planning, 1840-1932 -- The emergence of avant-garde urbanism in the 1920s and 1930s -- Mid-twentieth-century modern urbanism -- Urban design, Team 10, and Metabolism after 1953 -- Crisis of Utopia : rejections and revisions of modern planning -- Globalization and urbanism from the 1950s to the present -- Conclusion
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  • 7
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    New Haven : Yale University Press | New York : The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York
    ISBN: 9780300229066
    Language: English
    Pages: XVII, 206 Seiten , 27 cm
    Additional Information: In Beziehung stehendes Werk Le modèle noir Paris : Musée D'Orsay, 2019 9782081480964
    Additional Information: 9782354332815
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    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Bildband ; Ausstellungskatalog Miriam and Ira D. Wallach Art Gallery, Columbia University 24.10.2018-10.02.2019 ; Ausstellungskatalog Musée d'Orsay 26.03.2019-14.07.2019 ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today, organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Établissement public des musée d'Orsay et de l'Orangerie, Paris. The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019, Musée d'Orsay, Paris (as the expanded exhibition Le Modèle noir de Gericault à Matisse), March 26-July 14, 2019."
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  • 8
    ISBN: 9780300222968
    Language: English
    Pages: xix, 352 Seiten , Illustrationen
    DDC: 704.9/48
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    Keywords: Votive offerings Exhibitions ; Material culture Exhibitions Psychological aspects ; Material culture Exhibitions Social aspects ; New York ; Ausstellungskatalog Bard Graduate Center Gallery, New York, NY 2018-2019 ; Bildband ; Ausstellungskatalog Bard Graduate Center Gallery 14.09.2018-06.01.2019 ; Votivgabe ; Geschichte ; Frömmigkeit ; Ritus ; Weihegabe ; Opfer ; Sachkultur ; Geschichte
    Abstract: "Votive objects or ex-votos are a broad category of material artifacts produced with the intention of being offered as acts of faith. Common across historical periods, religions, and cultures, they are presented as tokens of gratitude for prayers answered, as well as the physical manifestation of hopes and anxieties. Agents of Faith explores votive offerings in the context of material culture, art history, and religious studies to better understand their history and present-day importance. By looking at what humans have chosen to offer in their votive transactions, this volume uncovers their most intimate moments in life and questions the nature, role, and function of one of the most fundamental aspects of the relationship between people and things--the imbuing of objects with sentiment. Encompassing exquisite works of art as well as votives of humble origin and material, with objects dating from 2000 B.C. to the twenty-first century, the beautiful illustrations and wide-ranging text expose the global reach of votive practices and the profoundly personal nature behind their creation"--
    Abstract: Place, shrine, miracle / Jaś Elsner -- Clever devices and cognitive artifacts / Verity Platt
    Note: Rückseite der Titelseite: "This catalogue is published in conjunction with the exhibition Agents of Faith: Votive Objects in Time and Place, held at the Bard Graduate Center Gallery from September 14, 2018 through January 6, 2019. Exhibition curators: Ittai Weinryb with Marianne Lamonaca and Caroline Hannah."
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  • 9
    ISBN: 9780300221695 , 030022169X
    Language: English
    Pages: XVI, 250 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Seto, Karen Ching-Yee City unseen
    DDC: 577.5/6
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    Keywords: Urban ecology (Biology) ; Urban geography ; Climatic changes ; Illustrated books ; Erde ; Satellitenbild
    Abstract: Stunning satellite images of one hundred cities show our urbanizing planet in a new light to reveal the fragile relationship between humanity and Earth. Seeing cities around the globe in their larger environmental contexts, we begin to understand how the world shapes urban landscapes and how urban landscapes shape the world. Authors Karen Seto and Meredith Reba provide these revealing views to enhance readers' understanding of the shape, growth, and life of urban settlements of all sizes--from the remote town of Namche Bazaar in Nepal to the vast metropolitan prefecture of Tokyo, Japan. Using satellite data, the authors show urban landscapes in new perspectives. The book's beautiful and surprising images pull back the veil on familiar scenes to highlight the growth of cities over time, the symbiosis between urban form and natural landscapes, and the vulnerabilities of cities to the effects of climate change. We see the growth of Las Vegas and Lagos, the importance of rivers to both connecting and dividing cities like Seoul and London, and the vulnerability of Fukushima and San Juan to floods from tsunami or hurricanes. The result is a compelling book that shows cities' relationships with geography, food, and society
    Note: "Published with assistance from the Alfred P. Sloan Foundation" , Literaturverzeichnis S. 250. - Index
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  • 10
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    Brussels : Mercatorfonds | New Haven : Yale University Press
    ISBN: 9780300233254 , 0300233256
    Language: English
    Pages: 419 Seiten , 34 cm
    Uniform Title: Naga
    Parallel Title: Parallele Sprachausgabe Draguet, Michel, 1964 - Naga
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    Keywords: Naga ; g:Volk ; (DE-588)4041127-8 ; gnd ; Kultur ; (DE-588)4125698-0 ; gnd ; Kunst ; (DE-588)4114333-4 ; gnd ; Bildband ; Bildband ; Naga ; Sachkultur
    Abstract: Taking an approach that is equal parts anthropological and art historical, this lavishly illustrated volume offers a rare look at the art, artifacts, and culture of the Naga people, an ethnic group spanning several tribes native to northeastern India and northwestern Myanmar. The book seeks to shed light on this geographically isolated and historically insular people, identifying cultural aspects and artistic traditions that are common among all Naga tribes, as well as ways in which the tribes differ. The works featured include textiles, baskets, wood carving, pottery, metalwork, jewelry, and beadwork, and make use of a wide range of materials such as glass, stone, metal, wood, shell, seeds, bone, and hair. Archival photography is used to place clothing, accessories, and ornaments within the cultural practices of the Naga
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  • 11
    ISBN: 9780300221695 , 030022169X
    Language: English
    Pages: XVI, 250 Seiten , Illustrationen , 27 cm
    Parallel Title: Erscheint auch als Seto, Karen Ching-Yee City unseen
    DDC: 577.5/6
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    Keywords: Urban ecology (Biology) ; Urban geography ; Climatic changes ; Illustrated books ; Erde ; Satellitenbild
    Abstract: Stunning satellite images of one hundred cities show our urbanizing planet in a new light to reveal the fragile relationship between humanity and Earth. Seeing cities around the globe in their larger environmental contexts, we begin to understand how the world shapes urban landscapes and how urban landscapes shape the world. Authors Karen Seto and Meredith Reba provide these revealing views to enhance readers' understanding of the shape, growth, and life of urban settlements of all sizes--from the remote town of Namche Bazaar in Nepal to the vast metropolitan prefecture of Tokyo, Japan. Using satellite data, the authors show urban landscapes in new perspectives. The book's beautiful and surprising images pull back the veil on familiar scenes to highlight the growth of cities over time, the symbiosis between urban form and natural landscapes, and the vulnerabilities of cities to the effects of climate change. We see the growth of Las Vegas and Lagos, the importance of rivers to both connecting and dividing cities like Seoul and London, and the vulnerability of Fukushima and San Juan to floods from tsunami or hurricanes. The result is a compelling book that shows cities' relationships with geography, food, and society
    Note: "Published with assistance from the Alfred P. Sloan Foundation" , Literaturverzeichnis S. 250. - Index
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  • 12
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    New Haven : Yale University Press
    ISBN: 9780300224399 , 0300224397
    Language: English
    Pages: xii, 373 Seiten , Illustrationen , 25 cm
    DDC: 809.89
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    Keywords: Retirement Social aspects ; Retirement Psychological aspects ; Retirees Conduct of life ; Self-actualization (Psychology) ; Letztes Werk ; Ruhestand
    Abstract: For many today, retirement and the leisure said to accompany it have become vestiges of a slower, long-lost time. In a world where the sense of identity is tied to work and careers, to stop working often is to become nobody. In this deeply perceptive and personal exploration of last works, Mark C. Taylor explores the final reflections of writers and thinkers from Kierkegaard to David Foster Wallace. How did they either face or avoid ending and leaving? What do their lessons in ending teach us about living in the time that remains for us? Some leavings brought relief, even joy, while others brought pain and suffering. Whether the cause was infirmity, impending death, or simply exhaustion and ennui, the ways these influential voices fell silent offer poignant examples of people negotiating the challenges of ending. Throughout this profound and moving book, Taylor probes how the art of living involves learning to leave gracefully.--Jacket
    Note: Includes bibliographical references and index
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  • 13
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    Brussels : Mercatorfonds | New Haven : Yale University Press
    ISBN: 9780300233254 , 0300233256
    Language: English
    Pages: 419 Seiten , 34 cm
    Uniform Title: Naga
    Parallel Title: Parallele Sprachausgabe Draguet, Michel, 1964 - Naga
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    Keywords: Naga ; g:Volk ; (DE-588)4041127-8 ; gnd ; Kultur ; (DE-588)4125698-0 ; gnd ; Kunst ; (DE-588)4114333-4 ; gnd ; Bildband ; Naga ; Sachkultur
    Abstract: Taking an approach that is equal parts anthropological and art historical, this lavishly illustrated volume offers a rare look at the art, artifacts, and culture of the Naga people, an ethnic group spanning several tribes native to northeastern India and northwestern Myanmar. The book seeks to shed light on this geographically isolated and historically insular people, identifying cultural aspects and artistic traditions that are common among all Naga tribes, as well as ways in which the tribes differ. The works featured include textiles, baskets, wood carving, pottery, metalwork, jewelry, and beadwork, and make use of a wide range of materials such as glass, stone, metal, wood, shell, seeds, bone, and hair. Archival photography is used to place clothing, accessories, and ornaments within the cultural practices of the Naga
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  • 14
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    New Haven : Yale University Press
    ISBN: 9780300224399 , 0300224397
    Language: English
    Pages: xii, 373 Seiten , Illustrationen , 25 cm
    DDC: 809.89
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    Keywords: Retirement Social aspects ; Retirement Psychological aspects ; Retirees Conduct of life ; Self-actualization (Psychology) ; Letztes Werk ; Ruhestand
    Abstract: For many today, retirement and the leisure said to accompany it have become vestiges of a slower, long-lost time. In a world where the sense of identity is tied to work and careers, to stop working often is to become nobody. In this deeply perceptive and personal exploration of last works, Mark C. Taylor explores the final reflections of writers and thinkers from Kierkegaard to David Foster Wallace. How did they either face or avoid ending and leaving? What do their lessons in ending teach us about living in the time that remains for us? Some leavings brought relief, even joy, while others brought pain and suffering. Whether the cause was infirmity, impending death, or simply exhaustion and ennui, the ways these influential voices fell silent offer poignant examples of people negotiating the challenges of ending. Throughout this profound and moving book, Taylor probes how the art of living involves learning to leave gracefully.--Jacket
    Note: Includes bibliographical references and index
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  • 15
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    New York : Metropolitan Museum of Art | New Haven : Yale University Press
    ISBN: 1588396169 , 9781588396167
    Language: English
    Pages: 193 Seiten , Illustrationen , 28 cm
    DDC: 700.411
    Keywords: Pape, Lygia Exhibitions ; Pape, Lygia Interviews ; Pape, Lygia ; Pape, Lygia ; Exhibitions ; Art, Brazilian Exhibitions 20th century ; Art, Brazilian Exhibitions 21st century ; Art, Brazilian ; Art, Brazilian ; Art, Brazilian ; 20th century ; 21st century ; Exhibition catalogs ; Exhibitions ; Exhibitions ; 1900-2099 ; Ausstellungskatalog ; Pape, Lygia 1927-2004
    Abstract: An exceptional overview of the experimental, political, and participatory artwork of an important, iconoclastic Latin American artist Lygia Pape (1927-2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde. She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide. This handsome book provides an extensive examination of her lengthy, prolific career. Pape embraced the ideals of Concrete art and geometric abstraction early on, and later was an active participant in the Neo Concrete movement that championed experimentation and chance. During this time, she created participatory works that questioned the space between artist and viewer, as well as the social context of art itself. Featuring essays from art historians in both North and South America, an illustrated chronology, and two previously untranslated interviews with the artist, Lygia Pape is a testament to Pape's lasting importance to the modern art and culture of Latin America and to her position as a major figure of the international avant-garde. Exhibition: The Met Breuer, New York, USA (21.03-23.07.2017)
    Note: Aus dem Kolophon: "This catalogue is published in conjunction with "Lygia Pape - a multitude of forms" on view at The Metropolitan Museum of Art, New York, from March 21 through July 23, 2017" , Includes bibliographical references (pages 186-187) and index , Preface , The risk of invention , Birds of marvelous colors , An anticlass in avant-gardism , Lygia Pape's vital ideas , Outside the frame of the screen , Irreverence and marginality , Plates ; Chronology , Checklist ; Notes ; Selected bibliography ; Index.
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  • 16
    ISBN: 9781588396358
    Language: English
    Pages: 176 Seiten , 24 x 29 cm
    DDC: 778.9/9954
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    Keywords: Singh, Raghubir Exhibitions ; Singh, Raghubir Exhibitions ; Modernism (Art) Exhibitions ; Modernism (Art) Exhibitions ; India ; Modernism (Art) ; Singh, Raghubir ; India ; India Pictorial works Description and travel ; Exhibitions ; India Pictorial works ; Exhibitions ; Description and travel ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog The Metropolitan Museum of Art 11.10.2017-02.01.2018 ; Ausstellungskatalog Museum of Fine Arts 03.03.2018-03.06.2018 ; Ausstellungskatalog Royal Ontario Museum XX.07.2017-X.10.2018 ; Singh, Raghubir 1942-1999 ; Fotografie ; Indien ; Ganges ; Mensch ; Geschichte 1967-1997
    Abstract: Raghubir Singh (1942-1999) was a pioneer of color street photography who worked and published prolifically from the late 1960s until his death in 1999 at age 56. His vivid, intensely hued photographs capture rural and urban India and iconic depictions of Indian culture though a truly cosmopolitan approach that succeeded in blending East and West. This richly illustrated volume studies in depth the full breadth of Singh's work, situating it at the intersection of Western Modernism and traditional South Asian modes of picturing the world. The book showcases 90 of his photographs, including some previously unpublished images, in counterpoint both with the work of his contemporaries and with images of traditional South Asian artworks that inspired his practice
    Note: Literaturverzeichnis Seite 167 - 168), Index Seite 174 - 175 , This catalogue is published in conjunction with "Raghubir Singh: Modernism on the Ganges, on view at The Metropolitan Museum of Art, New York, from October 11, 2017, through January 2, 2018; Museum of Fine Arts, Houston, March-June 2018; and Royal Ontario Museum, Toronto, July-October 2018. - Includes bibliographical references and index
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  • 17
    ISBN: 9780300208443
    Language: English
    Pages: xvi, 290 Seiten, 8 ungezählte Seiten , Illustrationen, Diagramme, Karten , 24 cm
    DDC: 330.958
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    Keywords: Globalization Asia, Central ; Dictatorship ; Political corruption ; Globalization Political aspects ; Wealth Political aspects ; Power (Social sciences) ; Wealth Political aspects ; Power (Social sciences) ; Autoritarismus ; Korruption ; Organisiertes Verbrechen ; Wirtschaftskriminalität ; Wirtschaftsbeziehungen ; Zentralasiatische Staaten der ehemaligen Sowjetunion Kasachstan ; Kirgisistan ; Tadschikistan ; Usbekistan ; Autoritäre Herrschaft ; Korruption ; Organisierte Kriminalität ; Wirtschaftskriminalität ; Internationale Wirtschaftsbeziehungen ; Central Asian States of the former Soviet Union Kazakhstan ; Kirghizia ; Tajikistan ; Uzbekistan ; Authoritarian rule ; Corruption ; Organized crime ; Economic crimes ; International economic relations ; Globalisierung Oligarchie ; Elite ; Klientelismus ; Westliche Industrieländer ; Direktinvestition ; Ausländisches Unternehmen ; Geldwäsche ; Verbrechensbekämpfung ; Regionale internationale Sicherheit ; Gesellschaftliche/Politische Opposition ; Unterdrückung/Repressalien ; Globalization Oligarchy ; Elites ; Clientelism ; Western industrialized countries ; Foreign direct investments ; Foreign enterprises ; Money laundering ; Fight against crime ; Regional international security ; Social/political opposition ; Suppression/reprisals ; Central Asia Economic conditions ; Asia, Central Politics and government 1991- ; Asia, Central Relations ; Western countries Relations ; Kasachstan ; Kirgisien ; Tadschikistan ; Usbekistan ; Zentralasien ; Diktatur ; Globalisierung ; Wirtschaftsbeziehungen ; Mittelasien ; Herrschaftssystem ; Politischer Skandal ; Internationalisierung ; Wohlstand ; Herrschaft ; Korruption ; Westliche Welt ; Europa ; Außenbeziehungen ; Außenpolitik ; Internationale Politik ; Zentralasien ; Diktatur ; Totalitarismus ; Globalisierung ; Macht ; Reichtum
    Abstract: "A penetrating look into the unrecognized and unregulated links between autocratic regimes in Central Asia and centers of power and wealth throughout the West. Weak, corrupt, and politically unstable, the former Soviet republics of Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan are dismissed as isolated and irrelevant to the outside world. But are they? This hard-hitting book argues that Central Asia is in reality a globalization leader with extensive involvement in economics, politics and security dynamics beyond its borders. Yet Central Asia's international activities are mostly hidden from view, with disturbing implications for world security. Based on years of research and involvement in the region, Alexander Cooley and John Heathershaw reveal how business networks, elite bank accounts, overseas courts, third-party brokers, and Western lawyers connect Central Asia's supposedly isolated leaders with global power centers. The authors also uncover widespread Western participation in money laundering, bribery, foreign lobbying by autocratic governments, and the exploiting of legal loopholes within Central Asia. Riveting and important, this book exposes the global connections of a troubled region that must no longer be ignored"--
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  • 18
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    New Haven : Yale University Press
    ISBN: 9780300228274
    Language: English
    Pages: 208 Seiten
    DDC: 391.0094109031
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    Keywords: Bildband ; Bildband ; Bildband
    Note: Literaturverzeichnis und Index
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  • 19
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
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    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 20
    ISBN: 9780300221596 , 0300221592
    Language: English
    Pages: xix, 580 Seiten , Illustrationen , 28 cm
    Additional Information: Rezensiert in Gotway, Kirstin [Rezension von: Bryant, Julius, Susan Weber, et al., John Lockwood Kipling, arts and crafts in the Punjab and London] 2019
    DDC: 700.92
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    Keywords: Kipling, John Lockwood Exhibitions ; Kipling, John Lockwood 1837-1911 Criticism and interpretation ; Kipling, John Lockwood 1837-1911 ; ART / Individual Artists / Monographs ; ART / Techniques / Drawing ; ART / Collections, Catalogs, Exhibitions / General ; Ausstellungskatalog Victoria and Albert Museum 14.01.2017-02.04.2017 ; Ausstellungskatalog Bard Graduate Center Gallery 15.09.2017-07.01.2018 ; Kipling, John Lockwood 1837-1911 ; Kipling, John Lockwood 1837-1911
    Abstract: "John Lockwood Kipling (1837-1911) started his career as an architectural sculptor at the South Kensington Museum (today the Victoria and Albert Museum). Much of his life, however, was spent in British India, where his son Rudyard was born. He taught at the Bombay School of Art and later was appointed principal of the new Mayo School of Art (today Pakistan's National College of Art and Design) as well as curator of its museum in Lahore. Over several years, Kipling toured the northern provinces of India, documenting the processes of local craftsmen, a cultural preservation project that provides a unique record of 19th-century Indian craft customs. This is the first book to explore the full spectrum of artistic, pedagogical, and archival achievements of this fascinating man of letters, demonstrating the sincerity of his work as an artist, teacher, administrator, and activist"--
    Note: Includes bibliographical references (pages 550-562) and index , Aus dem Impressum: "This catalogue is published in conjunction with the exhibitions Lockwood Kipling: Arts and Crafts in the Punjab and London, held at the Victoria and Albert Museum, London, from January 14 through April 2, 2017, and John Lockwood Kipling: Arts & Crafts in the Punjab and London, held at Bard Graduate Center Gallery, New York, from September 15, 2017 through January 7, 2018"
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  • 21
    ISBN: 9780300214840 , 0300214847
    Language: English
    Pages: 276 Seiten , 31 cm
    Edition: First edition
    DDC: 739.27095
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    Keywords: Kipper, David A. 1939-2010 Exhibitions ; Art collections ; Kipper, Barbara Exhibitions ; Art collections ; Art Institute of Chicago Exhibitions ; Jewelry Exhibitions ; Private collections ; Illinois ; Chicago ; Art, Asian Exhibitions ; Private collections ; Illinois ; Chicago ; Ritual in art Exhibitions ; Ausstellungskatalog ; Bildband ; Art Institute of Chicago ; Sammlung ; Asien ; Schmuck ; Kultgegenstand ; Geschichte
    Abstract: "This book commemorates the gift of over 400 works from the collection of Barbara and David Kipper to the Art Institute of Chicago. These outstanding pieces of jewelry and ritual objects offer a material record of vanishing ways of life. Used as portable forms of wealth, as personal adornment, and in religious practice, they represent a broad spectrum of cultures. The majority comes from the Himalayan region, including Tibet, Nepal, Bhutan, and Mongolia, and other pieces hail from Afghanistan, China, India, Indonesia, Kazakhstan, Pakistan, Turkmenistan, and Uzbekistan. The works include delicate amulet boxes, other Tibetan Buddhist artifacts, and ornate Turkmen jewelry. Five essays place the objects in the contexts of their native regions"
    Note: Im Impressum: "Published in conjunction with an exhibition held at the Art Institute of Chicago, June 19-August 21, 2016" , Literaturverzeichnis Seite 268 , Mit Index
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  • 22
    ISBN: 9781588395900 , 1588395901
    Language: English
    Pages: ix, 262 Seiten , 29 cm
    Parallel Title: Erscheint auch als McInerney, Terence Divine pleasures
    DDC: 745.670954
    Keywords: Kossak, Steven Exhibitions ; Art collections ; Miniature painting, Indic Exhibitions ; Rajput painting Exhibitions ; Ausstellungskatalog ; Rajputmalerei ; Geschichte
    Abstract: "Particularly distinguished for paintings made for the Indian royal courts between the 16th and 19th centuries, the Kronos Collections feature brilliantly colored works characterized by powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. The nearly 100 works in this catalogue--many of them illustrated here for the first time--represent a new way of seeking the divine through a form of personal devotion that had permeated India's Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols central to Rajput literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the spiritual"--
    Note: Catalog of an exhibition at The Metropolitan Museum of Art from June 14-September 11, 2016 , Includes bibliographical references (pages 250-257) and index , Collecting pleasures , Mughal court painting and the origins of Rajput court painting , Hindu epic and myth in Mughal painting , The Kronos collections and Rajput court painting
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  • 23
    ISBN: 9780300221862 , 030022186X
    Language: English
    Pages: 231 Seiten , 32 cm
    Parallel Title: Katalog der Ausstellung in Deutschland Herrera, Carmen, 1915 - 2022 Carmen Herrera
    DDC: 759.97291
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    Keywords: Herrera, Carmen Exhibitions ; Herrera, Carmen 1915-; ; Herrera, Carmen 1915- ; Ausstellungskatalog Whitney Museum of American Art 16.10.2016-02.01.2017 ; Ausstellungskatalog Wexner Center for the Visual Arts 04.02.2017-16.04.2017 ; Bildband ; Ausstellungskatalog Wexner Center for the Arts, The Ohio State University 04.02.2017-16.04.2017 ; Ausstellungskatalog Whitney Museum of American Art 26.09.2016-02.01.2017 ; Herrera, Carmen 1915-2022
    Abstract: "Cuban-born artist Carmen Herrera (b. 1915) has painted for more than seven decades, though it is only in recent years that acclaim for her work has catapulted the artist to international prominence. This handsome volume offers the first sustained examination of her early career from 1948 to 1978, which spans the art worlds of Havana, Paris, and New York. Essays consider the artist's early studies in Cuba, her involvement with the Salon des Réalités Nouvelles in postwar Paris, and her groundbreaking New York output, as well as situate her work in the context of a broader Latin American avant-garde art. An essay by Dana Miller considers Herrera's New York work of the 1950s through the 1970s, when Herrera was arriving at and perfecting her signature style. Personal family photographs from Herrera's archive enrich the narrative, and a chronology addressing the entirety of her life and career features additional documentary images. Over eighty works are illustrated as color plates, making this book the most extensive representation of Herrera's work to date."
    Note: This catalogue was published on the occasion of the exhibition Carmen Herrera. Lines of sight, curated by Dana Miller, Richard DeMartini Family Curator and Director of the Collection, Whitney Museum of American Art, New York. Whitney Museum of American Art, New York, September 16, 2016-January 2, 2017, Wexner Center for the Arts, The Ohio State University, Columbus, February 4-April 16, 2017 , Includes bibliographical references and index
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  • 24
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    Detroit : Detroit Institute of Arts | New Haven : Yale University Press
    ISBN: 9780895581747 , 9780300222500
    Language: English
    Pages: 142 Seiten , Illustrationen
    DDC: 394.1
    Keywords: Coffee Exhibitions Social aspects ; Tea Exhibitions Social aspects ; Chocolate Exhibitions Social aspects ; Coffee in art Exhibitions ; Tea in art Exhibitions ; Ausstellungskatalog 2016-2017 ; Ausstellungskatalog Detroit Institute of Arts 20.11.2016-05.03.2017 ; Ausstellungskatalog 2016-2017 ; Ausstellungskatalog Detroit Institute of Arts 20.11.2016-05.03.2017 ; Teegeschirr ; Kaffeegeschirr ; Geschichte ; Druckgrafik ; Karikatur ; Kaffee ; Tee ; Kakao
    Abstract: Coffee, tea, and chocolate: an introduction / Yao-Fen You -- Tipping tea tables and coffeehouse mobs: coffee and tea in graphic satire / Hope Saska -- The politics of coffee and tea consumption in eighteenth-century Germany / Yao-Fen You -- Making coffee at home in America: episodes in the cultural history of design / Mimi Hellman
    Note: "This catalogue was published in conjunction with the exhibition Bitter/Sweet: Coffee, tea, and chocolate, at the Detroit Institute of Arts, November 20, 2016 - March 5, 2017"
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  • 25
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    Detroit : Detroit Institute of Arts | New Haven : Yale University Press
    ISBN: 9780895581747 , 9780300222500
    Language: English
    Pages: 142 Seiten , Illustrationen
    DDC: 394.1
    Keywords: Coffee Exhibitions Social aspects ; Tea Exhibitions Social aspects ; Chocolate Exhibitions Social aspects ; Coffee in art Exhibitions ; Tea in art Exhibitions ; Ausstellungskatalog 2016-2017 ; Ausstellungskatalog Detroit Institute of Arts 20.11.2016-05.03.2017 ; Teegeschirr ; Kaffeegeschirr ; Geschichte ; Druckgrafik ; Karikatur ; Kaffee ; Tee ; Kakao
    Abstract: Coffee, tea, and chocolate: an introduction / Yao-Fen You -- Tipping tea tables and coffeehouse mobs: coffee and tea in graphic satire / Hope Saska -- The politics of coffee and tea consumption in eighteenth-century Germany / Yao-Fen You -- Making coffee at home in America: episodes in the cultural history of design / Mimi Hellman
    Note: "This catalogue was published in conjunction with the exhibition Bitter/Sweet: Coffee, tea, and chocolate, at the Detroit Institute of Arts, November 20, 2016 - March 5, 2017"
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  • 26
    ISBN: 9780300220414
    Language: English
    Pages: xxi, 298 Seiten , Illustrationen, Karten , 24 cm
    DDC: 398.20994
    Keywords: Folklore Bibliography ; Voyages and travels ; Australia Social life and customs ; Bibliography ; Australia Discovery and exploration ; Australien ; Entdeckung
    Abstract: Imagining the unknown southland -- First encounters -- 'More like monsters' -- Blood islands -- Paper voyages -- Death of the dragon -- Cliffs of fire -- The ship of doom -- Skeleton coasts -- Empires collide -- The unknown coast -- The last legend -- Surviving the southland -- Afterword: with the bones
    Description / Table of Contents: Imagining the unknown southlandFirst encounters -- 'More like monsters' -- Blood islands -- Paper voyages -- Death of the dragon -- Cliffs of fire -- The ship of doom -- Skeleton coasts -- Empires collide -- The unknown coast -- The last legend -- Surviving the southland -- Afterword: with the bones.
    Note: First published by Allen & Unwin in 2015. Original edition has subtitle: extraordinary stories of survival and tragedy from the early voyages of discovery to Australia
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  • 27
    ISBN: 9780300222357
    Language: English
    Pages: 175 Seiten
    DDC: 306.09
    Keywords: Crèches (Nativity scenes) Catalogs ; Italy ; Naples ; Art objects, Italian Catalogs ; Italy ; Naples ; Art objects Catalogs ; Illinois ; Chicago ; Art and music Catalogs ; History ; 18th century ; Italy ; Naples ; ART / Collections, Catalogs, Exhibitions / General ; ANTIQUES & COLLECTIBLES / Figurines ; DESIGN / Decorative Arts ; HISTORY / Modern / 18th Century ; Crèches (Nativity scenes) Catalogs ; Art objects, Italian Catalogs ; Art objects Catalogs ; Art and music Catalogs History 18th century ; Art and music ; Art objects ; Art objects, Italian ; Crèches (Nativity scenes) ; Bildband ; Katalog ; Bildband ; Katalog ; Art Institute of Chicago ; Neapel ; Krippe ; Geschichte 1700-1800 ; Art Institute of Chicago ; Neapel ; Krippe ; Sammlung
    Abstract: "The 18th-century Neapolitan crèche at the Art Institute of Chicago, which contains over 200 figures arranged in a panorama of street life, represents a prime example of this artistic medium. This catalogue is the first to study the crèche in the context of art and music history. Essays explore the Neapolitan crèche tradition and examine the design of Chicago's example with reference to other important crèches in Europe and the United States. Entries on individual figures identify the characters and types they represent, as well as their social and historical meaning and religious significance. Other entries address groups of figures, animals, and cultural themes present in the crèche"--
    Note: Includes bibliographical references
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  • 28
    ISBN: 9781588395702
    Language: English
    Pages: 336 Seiten , 31 cm
    DDC: 739.70917/671
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    Keywords: Metropolitan Museum of Art (New York, N.Y.) Catalogs ; Islamic armor Catalogs ; Islamic weapons Catalogs
    Abstract: "Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description of discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor." -- Publisher's description
    Abstract: "From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art."--YaleBooks website
    Abstract: American collectors and the formation of the Metropolitan Museum's collection of Islamic arms and armor / Stuart W. Pyhrr -- Catalogue / David G. Alexander. Armor : Mail and plate armor (cats. 1-18) ; Helmets (cats. 19-43) ; Shields ; (cats. 44-46) ; Horse armor (cats. 47-53) -- Edged weapons : Swords and sabers (cats. 54-74) ; Daggers (cats. 75-92) ; Shafted weapons (cats. 93-107) -- Firearms and archery : Firearms (cats. 108-123) ; Archery (cats. 124-126) -- Appendix A: comments on iconography and decoration on Islamic arms and armor / David. G Alexander -- Appendix B: Turkman-style armor / David G. Alexander
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  • 29
    ISBN: 9781588395702
    Language: English
    Pages: 336 Seiten , 31 cm
    DDC: 739.70917/671
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    Keywords: Metropolitan Museum of Art (New York, N.Y.) Catalogs ; Islamic armor Catalogs ; Islamic weapons Catalogs
    Abstract: "Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description of discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor." -- Publisher's description
    Abstract: "From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art."--YaleBooks website
    Abstract: American collectors and the formation of the Metropolitan Museum's collection of Islamic arms and armor / Stuart W. Pyhrr -- Catalogue / David G. Alexander. Armor : Mail and plate armor (cats. 1-18) ; Helmets (cats. 19-43) ; Shields ; (cats. 44-46) ; Horse armor (cats. 47-53) -- Edged weapons : Swords and sabers (cats. 54-74) ; Daggers (cats. 75-92) ; Shafted weapons (cats. 93-107) -- Firearms and archery : Firearms (cats. 108-123) ; Archery (cats. 124-126) -- Appendix A: comments on iconography and decoration on Islamic arms and armor / David. G Alexander -- Appendix B: Turkman-style armor / David G. Alexander
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  • 30
    ISBN: 9780300211504
    Language: English
    Pages: 280 S , zahlr. Ill , 29 cm
    Additional Information: Rezensiert in Zepeda Brenes, Ietza Azucena [Rezension von: Peter John Brownlee, Valeria Piccoli, Georgiana Uhlyarik (Hrsg.),Picturing the Americas] Regensburg : Verlag Schnell & Steiner GmbH, 2016
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    Keywords: Ausstellungskatalog 2015 ; Amerika ; Landschaftsmalerei ; Geschichte ; Amerika ; Landschaftsmalerei ; Geschichte 1780-1950
    URL: Cover
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  • 31
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    New Haven : Yale University Press
    ISBN: 9780300197501
    Language: English
    Pages: XI, 323 Seiten , Illustrationen
    DDC: 070.195
    Keywords: Television broadcasting of news ; Online journalism Social aspects ; Television broadcasting of news Social aspects ; Marketing channels Social aspects ; Journalism ; Fernsehsendung ; Nachrichtensendung ; Online-Medien
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  • 32
    ISBN: 9780300197457 , 0300197454
    Language: English
    Pages: 184 S , zahlr. Ill , 29 cm
    Edition: 1. ed.
    Series Statement: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
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    Keywords: Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Note: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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  • 33
    ISBN: 9780300197457 , 0300197454
    Language: English
    Pages: 184 S , zahlr. Ill , 29 cm
    Edition: 1. ed.
    Series Statement: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
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    Keywords: Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Abstract: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Note: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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  • 34
    ISBN: 0300125798 , 9780300125795
    Language: English
    Pages: 251 Seiten , Illustrationen , 31 cm
    DDC: 391.0074
    RVK:
    Keywords: Fashion Exhibitions ; History ; Bildband ; Museum ; Mode ; Ausstellung ; Geschichte 1900-2013
    Abstract: Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitions over the past decade, this groundbreaking book provides a timely look at the evolution of the practice, taking as its anchor the seminal 1971 Victoria and Albert Museum exhibition Fashion: An Anthology by Cecil Beaton, revealing it to be symptomatic of a shift in museological attitudes. The authors' combined experience of more than forty years, one in architecture and exhibition design and the other in fashion history and curating, informs their detailed account of the exhibition. Accompanied by photographs of Beaton's museum work published here for the first time, their narrative establishes a perspective from which to view working practices today. Research into international exhibitions from the early 20th century to the present results in some 150 stunning illustrations, including previously unpublished exhibition photographs and out-of-print documents. Through this research and the testimony of curators, exhibition designers, and mannequin manufacturers, the authors discover striking continuity in the development of the fundamental equation of mannequin, dress, and mise-en-scène. A comprehensive chronology from 1971 illustrates the exponential rise in exhibitions of Western dress on an international scale.--
    Description / Table of Contents: IntroductionExhibiting fashion before 1971 -- Fashion: an anthology by Cecil Beaton 1971 -- The exhibition -- Aspects -- An incomplete inventory of fashion exhibitions since 1971 -- Index.
    Description / Table of Contents: IntroductionExhibiting fashion before 1971 -- Fashion: an anthology by Cecil Beaton 1971 -- The exhibition -- Aspects -- An incomplete inventory of fashion exhibitions since 1971 -- Index.
    Note: Literaturangaben
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  • 35
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    New Haven : Yale University Press
    ISBN: 9780300196702 , 0300196709
    Language: English
    Pages: 248 Seiten , Illustrationen
    DDC: 746.9/2
    RVK:
    RVK:
    Keywords: Geschichte ; Mode ; Homosexualität ; Modeschöpfer ; Homosexueller ; LGBT ; Aufsatzsammlung
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