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  • Ethn. Museum Berlin  (14)
  • Bild  (14)
  • Artikel
  • New Haven : Yale University Press  (14)
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  • 1
    ISBN: 9781588397317 , 1588397319
    Sprache: Englisch
    Seiten: 243 Seiten , Illustrationen , 29 cm
    DDC: 700.973
    RVK:
    Schlagwort(e): Maya art Exhibitions ; Maya art Exhibitions Themes, motives ; Maya mythology in art Exhibitions ; Mayas Exhibitions Antiquities ; Maya art ; Maya mythology in art ; Mayas - Antiquities ; Exhibition catalogs ; Ausstellungskatalog The Metropolitan Museum of Art 21.11.2022-02.02.2023 ; Ausstellungskatalog Kimbell Art Museum 07.05.2023-03.09.2023 ; Aufsatzsammlung ; Maya ; Gottesvorstellung ; Religiöse Kunst ; Geschichte
    Kurzfassung: This engaging exploration of the Maya pantheon introduces readers to the complex stories of Mesoamerican divinity through the stunning carvings, ceramics, and metalwork of the Classic period. Lives of the Gods explores how ancient Maya peoples gave bodily form to the divine and explains the cosmological underpinnings of some of the greatest creative achievements of Maya civilization. Focusing on the Classic period (250-900 CE), the publication reveals how artists and scribes used diverse media-from the monumental to the miniature-to construct an aesthetic and a rhetoric of a powerful universe, as rich and complex as the more familiar Greco-Roman, Hindu-Buddhist, and Egyptian pantheons. In thematic chapters, the authors examine the mythical contents of Maya art, the relationship of divine lives with the landscape, the centrality of cycles associated with day and night, and the importance of maize as the ideal metaphor for the cycle of life, death, and rebirth. Other chapters discuss the divine in the daily lives of Maya kings and queens, the Maya's close and personal dealings with protective patron deities, and the transmission of their traditions and worldview throughout the colonial period and into contemporary Maya communities. Exhibition: Metropolitan Museum of Art, New York, USA (21.11.2022-02.04.2023) / Kimbell Art Museum, Fort Worth, USA (07.05-03.09.2023)
    Anmerkung: Catalog of an exhibition at the Metropolitan Museum of Art, New York from November 21, 2022-April 2, 2023, and at Kimbell Art Museum, Fort Worth from May 7-September 3, 2023 , Includes bibliographical references (pages 217-233) and index
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  • 2
    ISBN: 9780300266726
    Sprache: Englisch
    Seiten: xvii, 315 Seiten , Illustrationen , 28 cm
    DDC: 741.09033
    RVK:
    Schlagwort(e): Drawing 18th century ; Prints 18th century ; Enlightenment ; Ausstellungskatalog Harvard Art Museums 16.09.2022-15.01.2023 ; Aufsatzsammlung ; Aufklärung ; Zeichnung ; Druckgrafik ; Wissensvermittlung ; Wissenschaft ; Naturbeobachtung ; Geschichte 1680-1790
    Anmerkung: "This book accompanies the exhibition 'Dare to Know: Prints and Drawings in the Age of Enlightenment', on view at the Harvard Art Museums, Cambridge, Massachusetts, from September 16, 2022 through January 15, 2023." (Impressum, Seite [316]) , Geleitwort: Martha Tedeschi, Elizabeth and John Moors Cabot Director, Harvard Art Museums , Wenige der enthaltenen Blätter sind breiter als das Buchformat, deshalb einmal gefaltet. Diese speziellen Blätter können somit aus dem Buch ausgefaltet werden , Literaturverzeichnis Seite 312-313
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  • 3
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    Cambridge, Mass. : Harvard Art Museums | New Haven : Yale University Press
    ISBN: 9780300250893
    Sprache: Englisch
    Seiten: 177 Seiten , Illustrationen , 30 cm
    DDC: 709.5
    RVK:
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    Schlagwort(e): Feinberg Collection ; Geschichte 1615-1868 ; Malerei ; Japan ; Feinberg, Robert / Art collections / Exhibitions ; Painting, Japanese / Edo period, 1600-1868 / Exhibitions ; Painting, Japanese / Edo period, 1600-1868 / Art collections / Exhibitions ; Art, Japanese / Edo period, 1600-1868 / Exhibitions ; Art, Japanese / Edo period, 1600-1868 / Art collections / Exhibitions ; Art, Japanese / Edo period ; Art / Private collections ; Painting, Japanese / Edo period ; 1600-1868 ; Catalogs ; Ausstellungskatalog Harvard Art Museums 14.02.-26.07.2020 ; Ausstellungskatalog Harvard Art Museum 14.02.2020-26.07.2020 ; Bildband ; Feinberg Collection ; Japan ; Malerei ; Geschichte 1615-1868
    Kurzfassung: Japan's Edo period (1615-1868) witnessed the arrival of peace after centuries of warfare, together with economic prosperity, population growth, and increased urbanization. The arts of the period flourished, reflecting and inflecting these fertile conditions. Painting Edo: Selections from the Feinberg Collection of Japanese Art explores this rich visual culture, highlighting works from an unparalleled collection to showcase the masters of various Edo schools and lineages. Beautiful illustrations punctuate the catalogue's essays: Yukio Lippit situates the works within a broad cultural history of early modern Japan, and Rachel Saunders focuses on a single artist, offering fresh perspectives on the late "bird-and-flower paintings" of Sakai Hoitsu. Together, these essays unpack the literary, artistic, and cultural histories that form the basis for how these masterful works would have been received in their time-and for how we can best understand them today
    Anmerkung: Edo paintings : ten chapters , Birds, flowers, and botany in Sakai Hōitsu's Pure Land Garden
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  • 4
    ISBN: 9780300222968
    Sprache: Englisch
    Seiten: xix, 352 Seiten , Illustrationen
    DDC: 704.9/48
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    Schlagwort(e): Votive offerings Exhibitions ; Material culture Exhibitions Psychological aspects ; Material culture Exhibitions Social aspects ; New York ; Ausstellungskatalog Bard Graduate Center Gallery, New York, NY 2018-2019 ; Bildband ; Ausstellungskatalog Bard Graduate Center Gallery 14.09.2018-06.01.2019 ; Votivgabe ; Geschichte ; Frömmigkeit ; Ritus ; Weihegabe ; Opfer ; Sachkultur ; Geschichte
    Kurzfassung: "Votive objects or ex-votos are a broad category of material artifacts produced with the intention of being offered as acts of faith. Common across historical periods, religions, and cultures, they are presented as tokens of gratitude for prayers answered, as well as the physical manifestation of hopes and anxieties. Agents of Faith explores votive offerings in the context of material culture, art history, and religious studies to better understand their history and present-day importance. By looking at what humans have chosen to offer in their votive transactions, this volume uncovers their most intimate moments in life and questions the nature, role, and function of one of the most fundamental aspects of the relationship between people and things--the imbuing of objects with sentiment. Encompassing exquisite works of art as well as votives of humble origin and material, with objects dating from 2000 B.C. to the twenty-first century, the beautiful illustrations and wide-ranging text expose the global reach of votive practices and the profoundly personal nature behind their creation"--
    Kurzfassung: Place, shrine, miracle / Jaś Elsner -- Clever devices and cognitive artifacts / Verity Platt
    Anmerkung: Rückseite der Titelseite: "This catalogue is published in conjunction with the exhibition Agents of Faith: Votive Objects in Time and Place, held at the Bard Graduate Center Gallery from September 14, 2018 through January 6, 2019. Exhibition curators: Ittai Weinryb with Marianne Lamonaca and Caroline Hannah."
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  • 5
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    New York : Metropolitan Museum of Art | New Haven : Yale University Press
    ISBN: 1588396169 , 9781588396167
    Sprache: Englisch
    Seiten: 193 Seiten , Illustrationen , 28 cm
    DDC: 700.411
    Schlagwort(e): Pape, Lygia Exhibitions ; Pape, Lygia Interviews ; Pape, Lygia ; Pape, Lygia ; Exhibitions ; Art, Brazilian Exhibitions 20th century ; Art, Brazilian Exhibitions 21st century ; Art, Brazilian ; Art, Brazilian ; Art, Brazilian ; 20th century ; 21st century ; Exhibition catalogs ; Exhibitions ; Exhibitions ; 1900-2099 ; Ausstellungskatalog ; Pape, Lygia 1927-2004
    Kurzfassung: An exceptional overview of the experimental, political, and participatory artwork of an important, iconoclastic Latin American artist Lygia Pape (1927-2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde. She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide. This handsome book provides an extensive examination of her lengthy, prolific career. Pape embraced the ideals of Concrete art and geometric abstraction early on, and later was an active participant in the Neo Concrete movement that championed experimentation and chance. During this time, she created participatory works that questioned the space between artist and viewer, as well as the social context of art itself. Featuring essays from art historians in both North and South America, an illustrated chronology, and two previously untranslated interviews with the artist, Lygia Pape is a testament to Pape's lasting importance to the modern art and culture of Latin America and to her position as a major figure of the international avant-garde. Exhibition: The Met Breuer, New York, USA (21.03-23.07.2017)
    Anmerkung: Aus dem Kolophon: "This catalogue is published in conjunction with "Lygia Pape - a multitude of forms" on view at The Metropolitan Museum of Art, New York, from March 21 through July 23, 2017" , Includes bibliographical references (pages 186-187) and index , Preface , The risk of invention , Birds of marvelous colors , An anticlass in avant-gardism , Lygia Pape's vital ideas , Outside the frame of the screen , Irreverence and marginality , Plates ; Chronology , Checklist ; Notes ; Selected bibliography ; Index.
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  • 6
    ISBN: 9781588396358
    Sprache: Englisch
    Seiten: 176 Seiten , 24 x 29 cm
    DDC: 778.9/9954
    RVK:
    Schlagwort(e): Singh, Raghubir Exhibitions ; Singh, Raghubir Exhibitions ; Modernism (Art) Exhibitions ; Modernism (Art) Exhibitions ; India ; Modernism (Art) ; Singh, Raghubir ; India ; India Pictorial works Description and travel ; Exhibitions ; India Pictorial works ; Exhibitions ; Description and travel ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog The Metropolitan Museum of Art 11.10.2017-02.01.2018 ; Ausstellungskatalog Museum of Fine Arts 03.03.2018-03.06.2018 ; Ausstellungskatalog Royal Ontario Museum XX.07.2017-X.10.2018 ; Singh, Raghubir 1942-1999 ; Fotografie ; Indien ; Ganges ; Mensch ; Geschichte 1967-1997
    Kurzfassung: Raghubir Singh (1942-1999) was a pioneer of color street photography who worked and published prolifically from the late 1960s until his death in 1999 at age 56. His vivid, intensely hued photographs capture rural and urban India and iconic depictions of Indian culture though a truly cosmopolitan approach that succeeded in blending East and West. This richly illustrated volume studies in depth the full breadth of Singh's work, situating it at the intersection of Western Modernism and traditional South Asian modes of picturing the world. The book showcases 90 of his photographs, including some previously unpublished images, in counterpoint both with the work of his contemporaries and with images of traditional South Asian artworks that inspired his practice
    Anmerkung: Literaturverzeichnis Seite 167 - 168), Index Seite 174 - 175 , This catalogue is published in conjunction with "Raghubir Singh: Modernism on the Ganges, on view at The Metropolitan Museum of Art, New York, from October 11, 2017, through January 2, 2018; Museum of Fine Arts, Houston, March-June 2018; and Royal Ontario Museum, Toronto, July-October 2018. - Includes bibliographical references and index
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  • 7
    ISBN: 9780300221596 , 0300221592
    Sprache: Englisch
    Seiten: xix, 580 Seiten , Illustrationen , 28 cm
    Suppl.: Rezensiert in Gotway, Kirstin [Rezension von: Bryant, Julius, Susan Weber, et al., John Lockwood Kipling, arts and crafts in the Punjab and London] 2019
    DDC: 700.92
    RVK:
    Schlagwort(e): Kipling, John Lockwood Exhibitions ; Kipling, John Lockwood 1837-1911 Criticism and interpretation ; Kipling, John Lockwood 1837-1911 ; ART / Individual Artists / Monographs ; ART / Techniques / Drawing ; ART / Collections, Catalogs, Exhibitions / General ; Ausstellungskatalog Victoria and Albert Museum 14.01.2017-02.04.2017 ; Ausstellungskatalog Bard Graduate Center Gallery 15.09.2017-07.01.2018 ; Kipling, John Lockwood 1837-1911 ; Kipling, John Lockwood 1837-1911
    Kurzfassung: "John Lockwood Kipling (1837-1911) started his career as an architectural sculptor at the South Kensington Museum (today the Victoria and Albert Museum). Much of his life, however, was spent in British India, where his son Rudyard was born. He taught at the Bombay School of Art and later was appointed principal of the new Mayo School of Art (today Pakistan's National College of Art and Design) as well as curator of its museum in Lahore. Over several years, Kipling toured the northern provinces of India, documenting the processes of local craftsmen, a cultural preservation project that provides a unique record of 19th-century Indian craft customs. This is the first book to explore the full spectrum of artistic, pedagogical, and archival achievements of this fascinating man of letters, demonstrating the sincerity of his work as an artist, teacher, administrator, and activist"--
    Anmerkung: Includes bibliographical references (pages 550-562) and index , Aus dem Impressum: "This catalogue is published in conjunction with the exhibitions Lockwood Kipling: Arts and Crafts in the Punjab and London, held at the Victoria and Albert Museum, London, from January 14 through April 2, 2017, and John Lockwood Kipling: Arts & Crafts in the Punjab and London, held at Bard Graduate Center Gallery, New York, from September 15, 2017 through January 7, 2018"
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  • 8
    ISBN: 9780300221862 , 030022186X
    Sprache: Englisch
    Seiten: 231 Seiten , 32 cm
    Paralleltitel: Katalog der Ausstellung in Deutschland Herrera, Carmen, 1915 - 2022 Carmen Herrera
    DDC: 759.97291
    RVK:
    Schlagwort(e): Herrera, Carmen Exhibitions ; Herrera, Carmen 1915-; ; Herrera, Carmen 1915- ; Ausstellungskatalog Whitney Museum of American Art 16.10.2016-02.01.2017 ; Ausstellungskatalog Wexner Center for the Visual Arts 04.02.2017-16.04.2017 ; Bildband ; Ausstellungskatalog Wexner Center for the Arts, The Ohio State University 04.02.2017-16.04.2017 ; Ausstellungskatalog Whitney Museum of American Art 26.09.2016-02.01.2017 ; Herrera, Carmen 1915-2022
    Kurzfassung: "Cuban-born artist Carmen Herrera (b. 1915) has painted for more than seven decades, though it is only in recent years that acclaim for her work has catapulted the artist to international prominence. This handsome volume offers the first sustained examination of her early career from 1948 to 1978, which spans the art worlds of Havana, Paris, and New York. Essays consider the artist's early studies in Cuba, her involvement with the Salon des Réalités Nouvelles in postwar Paris, and her groundbreaking New York output, as well as situate her work in the context of a broader Latin American avant-garde art. An essay by Dana Miller considers Herrera's New York work of the 1950s through the 1970s, when Herrera was arriving at and perfecting her signature style. Personal family photographs from Herrera's archive enrich the narrative, and a chronology addressing the entirety of her life and career features additional documentary images. Over eighty works are illustrated as color plates, making this book the most extensive representation of Herrera's work to date."
    Anmerkung: This catalogue was published on the occasion of the exhibition Carmen Herrera. Lines of sight, curated by Dana Miller, Richard DeMartini Family Curator and Director of the Collection, Whitney Museum of American Art, New York. Whitney Museum of American Art, New York, September 16, 2016-January 2, 2017, Wexner Center for the Arts, The Ohio State University, Columbus, February 4-April 16, 2017 , Includes bibliographical references and index
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  • 9
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    Chicago, Illinois : The Art Institute of Chicago | New Haven : Yale University Press
    ISBN: 9780300214840 , 0300214847
    Sprache: Englisch
    Seiten: 276 Seiten , 31 cm
    Ausgabe: First edition
    DDC: 739.27095
    RVK:
    Schlagwort(e): Kipper, David A. 1939-2010 Exhibitions ; Art collections ; Kipper, Barbara Exhibitions ; Art collections ; Art Institute of Chicago Exhibitions ; Jewelry Exhibitions ; Private collections ; Illinois ; Chicago ; Art, Asian Exhibitions ; Private collections ; Illinois ; Chicago ; Ritual in art Exhibitions ; Ausstellungskatalog ; Bildband ; Art Institute of Chicago ; Sammlung ; Asien ; Schmuck ; Kultgegenstand ; Geschichte
    Kurzfassung: "This book commemorates the gift of over 400 works from the collection of Barbara and David Kipper to the Art Institute of Chicago. These outstanding pieces of jewelry and ritual objects offer a material record of vanishing ways of life. Used as portable forms of wealth, as personal adornment, and in religious practice, they represent a broad spectrum of cultures. The majority comes from the Himalayan region, including Tibet, Nepal, Bhutan, and Mongolia, and other pieces hail from Afghanistan, China, India, Indonesia, Kazakhstan, Pakistan, Turkmenistan, and Uzbekistan. The works include delicate amulet boxes, other Tibetan Buddhist artifacts, and ornate Turkmen jewelry. Five essays place the objects in the contexts of their native regions"
    Anmerkung: Im Impressum: "Published in conjunction with an exhibition held at the Art Institute of Chicago, June 19-August 21, 2016" , Literaturverzeichnis Seite 268 , Mit Index
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  • 10
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    New York : The Metropolitan Museum of Art | New Haven : Yale University Press
    ISBN: 9781588395900 , 1588395901
    Sprache: Englisch
    Seiten: ix, 262 Seiten , 29 cm
    Paralleltitel: Erscheint auch als McInerney, Terence Divine pleasures
    DDC: 745.670954
    Schlagwort(e): Kossak, Steven Exhibitions ; Art collections ; Miniature painting, Indic Exhibitions ; Rajput painting Exhibitions ; Ausstellungskatalog ; Rajputmalerei ; Geschichte
    Kurzfassung: "Particularly distinguished for paintings made for the Indian royal courts between the 16th and 19th centuries, the Kronos Collections feature brilliantly colored works characterized by powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. The nearly 100 works in this catalogue--many of them illustrated here for the first time--represent a new way of seeking the divine through a form of personal devotion that had permeated India's Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols central to Rajput literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the spiritual"--
    Anmerkung: Catalog of an exhibition at The Metropolitan Museum of Art from June 14-September 11, 2016 , Includes bibliographical references (pages 250-257) and index , Collecting pleasures , Mughal court painting and the origins of Rajput court painting , Hindu epic and myth in Mughal painting , The Kronos collections and Rajput court painting
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  • 11
    ISBN: 9781588395702
    Sprache: Englisch
    Seiten: 336 Seiten , 31 cm
    DDC: 739.70917/671
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    Schlagwort(e): Metropolitan Museum of Art (New York, N.Y.) Catalogs ; Islamic armor Catalogs ; Islamic weapons Catalogs
    Kurzfassung: "Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description of discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor." -- Publisher's description
    Kurzfassung: "From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art."--YaleBooks website
    Kurzfassung: American collectors and the formation of the Metropolitan Museum's collection of Islamic arms and armor / Stuart W. Pyhrr -- Catalogue / David G. Alexander. Armor : Mail and plate armor (cats. 1-18) ; Helmets (cats. 19-43) ; Shields ; (cats. 44-46) ; Horse armor (cats. 47-53) -- Edged weapons : Swords and sabers (cats. 54-74) ; Daggers (cats. 75-92) ; Shafted weapons (cats. 93-107) -- Firearms and archery : Firearms (cats. 108-123) ; Archery (cats. 124-126) -- Appendix A: comments on iconography and decoration on Islamic arms and armor / David. G Alexander -- Appendix B: Turkman-style armor / David G. Alexander
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  • 12
    ISBN: 9780300211504
    Sprache: Englisch
    Seiten: 280 S , zahlr. Ill , 29 cm
    Suppl.: Rezensiert in Zepeda Brenes, Ietza Azucena [Rezension von: Peter John Brownlee, Valeria Piccoli, Georgiana Uhlyarik (Hrsg.),Picturing the Americas] Regensburg : Verlag Schnell & Steiner GmbH, 2016
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    Schlagwort(e): Ausstellungskatalog 2015 ; Amerika ; Landschaftsmalerei ; Geschichte ; Amerika ; Landschaftsmalerei ; Geschichte 1780-1950
    URL: Cover
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  • 13
    ISBN: 9780300197457 , 0300197454
    Sprache: Englisch
    Seiten: 184 S , zahlr. Ill , 29 cm
    Ausgabe: 1. ed.
    Serie: The Henry Roe Cloud series on American Indians and modernity
    DDC: 978.004/97
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    Schlagwort(e): Poolaw, Horace Exhibitions ; Poolaw, Horace 1906-1984 Exhibitions ; Kiowa Indians Pictorial works History 20th century ; Exhibitions ; Documentary photography Exhibitions ; Indians of North America Pictorial works History 20th century ; Exhibitions ; Indian photographers Biography ; Kiowa Indians Biography ; Indians of North America Pictorial works ; Exhibitions ; History ; 20th century ; Great Plains ; Kiowa Indians Pictorial works ; Exhibitions ; History ; 20th century ; Documentary photography Exhibitions ; United States ; Indian photographers Biography ; Kiowa Indians Biography ; Photography / Individual Photographers / Monographs ; History / Native American ; Photography / Photoessays & Documentaries ; Great Plains Pictorial works Social life and customs 20th century ; Exhibitions ; Great Plains Pictorial works ; Exhibitions ; Social life and customs ; 20th century ; Bildband ; Ausstellungskatalog 2014 ; Poolaw, Horace 1906-1984 ; Fotografie ; Oklahoma ; Kiowa ; Alltag ; Geschichte 1925-1960
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Kurzfassung: "Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
    Anmerkung: "This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index , Foreword , Introduction: The Transcendence of the Everyday , Insider Knowledge , "An Age of Pictures More than Words" : Theorizing Early American Indian Photography , Breaking the Bounds of Documentation , For a Love of His People , Reflections , Why Horace Poolaw's Indians Won't Vanish , Horace Poolaw : "Pictures by an Indian" , Fancy , Planes, Flags, and Automobiles : Horace Poolaw's American Legacy , Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits , Justin Poolaw Comes to Visit [+ untitled reflections] , Afterword ; This is My Family , Appendix A: Horace Poolaw Biography , Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
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  • 14
    ISBN: 0300090781 , 158839011X
    Sprache: Englisch
    Seiten: 79 S. , zahlr. Ill., Kt. , 28 cm.
    Paralleltitel: Erscheint auch als Kjellgren, Eric Splendid isolation
    DDC: 732.2099618
    Schlagwort(e): Art Easter Island ; Art, Primitive ; Easter Island Antiquities ; Easter Island Antiquities ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art 11.12.2001-04.08.2002 ; Osterinsel ; Kunst
    Anmerkung: Includes bibliographical references
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