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  • Würzburg UB  (9)
  • 2020-2024  (9)
  • London ; New York : Routledge, Taylor & Francis Group  (9)
  • Musikwissenschaft  (9)
  • Rechtswissenschaft
Datenlieferant
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Jahr
  • 1
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032276533 , 9781032276540
    Sprache: Englisch
    Seiten: xvii, 222 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1900- ; Volkslied ; Sephardim ; Spanien ; Folk songs, Ladino / History and criticism ; Folk songs, Ladino ; Criticism, interpretation, etc ; Spanien ; Sephardim ; Volkslied ; Geschichte 1900-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Sprache: Englisch
    Seiten: xi, 199 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Kurzfassung: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Beschreibung / Inhaltsverzeichnis: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Bild
    Bild
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815379126 , 9781032129037
    Sprache: Englisch
    Seiten: viii, 183 Seiten , Illustrationen, Notenbeispiele
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Bambusflöte ; Querflöte ; Korea ; Taegŭm ; Taegŭm music / History and criticism ; Taegŭm ; Taegŭm music ; Criticism, interpretation, etc ; Korea ; Querflöte ; Bambusflöte ; Geschichte
    Kurzfassung: "Tradition and Creativity in Korean Taegŭm Flute Performance describes the taegŭm as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegŭm. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegŭm. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegŭm tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegŭm with perspectives on its use today"--
    Beschreibung / Inhaltsverzeichnis: History and background of the taegŭm -- The contemporary practices of the taegŭm -- Music analysis I: Youngdong Kim -- Music analysis II: Sukhi Kang -- Music analysis III: Sngkn Kim -- Performance I: Jazz -- Performance II: Western art music -- Performance III: Electroacoustics
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367243142
    Sprache: Englisch
    Seiten: xiii, 260 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Music / Spain / 500-1400 / History and criticism ; Music / Spain / To 1500 / History and criticism ; Music / Spain / 16th century / History and criticism ; Music / Spain / 17th century / History and criticism ; Muslims / Spain / Music / History and criticism ; Arabs / Spain / Music / History and criticism ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Kurzfassung: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Beschreibung / Inhaltsverzeichnis: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
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  • 5
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367429997
    Sprache: Englisch
    Seiten: xi, 249 Seiten , Illustrationen , 25 cm
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Folk music / Ireland / History and criticism ; Folk music / Instruction and study / Ireland ; Folk music / Vocational guidance ; Folk musicians / Training of ; Folk music ; Folk music / Instruction and study ; Ireland ; Criticism, interpretation, etc
    Kurzfassung: "Coupling the narratives of twenty-two Irish traditional musicians alongside intensive field research, Becoming an Irish Traditional Musician explores the rich and diverse ways traditional musicians hone their craft. It details the educational benefits and challenges associated with each learning practice, outlining the motivations and obstacles learners experience during musical development. By exploring learning from the point of view of the learners themselves, the author provides new insights into modern Irish traditional music culture and how people begin to embody a musical tradition. This book charts the journey of becoming an Irish traditional musician and explores how musicality is learned, developed, and embodied." -- Back cover
    Beschreibung / Inhaltsverzeichnis: Introduction: exploring the journey of musical enculturation -- Passing it on: connecting with a community of practitioners -- Transmission, inspiration, and social tensions in Irish traditional music sessions -- Organized informality: teaching and institutionalizing Irish traditional music -- Musicking at festivals, summer schools, and live events -- Technology and Irish traditional music culture -- Conclusion: the lifelong process of becoming an Irish traditional musician -- Appendix: Musicians' biographies
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367563172 , 9780367563271
    Sprache: Englisch
    Seiten: xviii, 282 Seiten , Illustrationen, Karte
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Columbia University 2014
    RVK:
    Schlagwort(e): Geschichte 1993-2020 ; Musikleben ; Musikproduktion ; Sozialer Wandel ; Nahostkonflikt ; Palästina ; Israel ; Music / Political aspects ; Music / Social aspects ; Arab-Israeli conflict / 1993- ; Music and conflict management ; Israel / Relations / Palestine / 21st century ; Ethnomusicology ; Arab-Israeli conflict / 1993- / Music and the conflict ; Since 1993 ; Hochschulschrift ; Hochschulschrift ; Israel ; Palästina ; Nahostkonflikt ; Musikproduktion ; Musikleben ; Sozialer Wandel ; Geschichte 1993-2020
    Anmerkung: Literaturverzeichnis Seite [247]-267
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367370237
    Sprache: Englisch
    Seiten: ix, 190 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Kurzfassung: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
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  • 8
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Sprache: Englisch
    Seiten: xii, 120 Seiten , Illustrationen
    Serie: CMS cultural expressions in music series
    Serie: Routledge focus
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780429445149
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vi, 185 Seiten)
    Serie: Routledge studies in popular music
    Paralleltitel: Erscheint auch als
    DDC: 782.421660922
    RVK:
    Schlagwort(e): Radiohead ; Musikalischer Stil ; Rockmusik ; Radiohead (Musical group) ; Rock music / Criticism and interpretation ; MUSIC / General ; Electronic books ; Electronic books ; Radiohead ; Rockmusik ; Musikalischer Stil
    Kurzfassung: Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band's varied reception in online and offline media. Radiohead's work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead's musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead's work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners' search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead's music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band's experimental stance has increasingly fostered debates about Radiohead's generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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