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  • Edinburgh : Edinburgh University Press  (11)
  • Film  (11)
  • General works  (11)
Material
Language
  • 1
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    ISBN: 9781474479509 , 9781474479516
    Language: English
    Pages: 1 Online-Ressource (viii, 280 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Sayfo, Omar Adam, 1982 - Arab animation
    DDC: 305
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    Keywords: Group identity-Arab countries ; Araber ; Identität ; Nationalbewusstsein ; Kulturelle Identität ; Gruppenidentität ; Religion ; Islam ; Film ; Kunst ; Fremdbild ; Ausland ; Kultur ; Kulturindustrie ; Kulturraum ; Nation ; Wert ; Norm ; Kulturstandard ; Electronic books ; Naher Osten ; Mittlerer Osten ; Nordafrika ; Arabien ; Islamische Staaten ; Erde
    Abstract: Omar Sayfo textually analyses around 40 animation productions in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, from the 1930s until recently, showing how cartoons have engaged in the making and remaking of religious and political identities.
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  • 2
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9781474414951 , 9781474431774
    Language: English
    Pages: ix, 325 Seiten , Literaturverzeichnis: Seite [293]-312
    DDC: 302.2343
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    Keywords: Film ; Kino ; Publikum ; Wahrnehmung
    Note: Illustrationen
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  • 3
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781474414968
    Language: English
    Pages: 1 Online-Ressource (336 p.) , 25 B/W illustrations
    Edition: 2022
    DDC: 302.2343
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    Keywords: Film ; Kino ; Publikum ; Wahrnehmung
    Abstract: Explores the experiences spectators have when they watch a film collectively in a cinemaIs the experience of watching a film with others in a cinema crucially different from watching a film alone? Does laughing together amplify our enjoyment, and when watching a film in communal rapt attention, does this intensify the whole experience?Attending a film in a cinema implies being influenced by other people, an 'audience effect' that is particularly noticeable once affective responses like laughter, weeping, embarrassment, guilt, or anger play a role. In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide. Combining recent scholarly interest in viewers' emotions and affects with insights from the blossoming debate about collective emotions in philosophy and social psychology, this study makes viewers more aware of their own experience in the cinema, and simultaneously opens up a new line of research for film studies.Key FeaturesDescribes the experiences spectators have when they watch a film collectively in a cinemaProvides detailed phenomenological descriptions of how it feels when viewers laugh, cry and get angry in the cinemaInvestigates film theorists who have previously voiced ideas about the collective cinema experience such as Walter Benjamin, André Bazin, Edgar Morin, Roland Barthes and Roger Odin...
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9781474411448 , 9781474411431
    Language: English
    Pages: 1 Online-Ressource (xi, 298 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Adaptation: Russian Text into Film (Veranstaltung : 2013 : Columbus, Ohio) Border crossing
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    Keywords: Emigration and immigration in motion pictures ; Russian literature Film adaptations ; Emigration and immigration in literature ; Film adaptations ; Film theory & criticism ; Konferenzschrift 2013 ; Electronic books ; Russisch ; Literatur ; Film
    Abstract: Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings
    Abstract: Machine generated contents note: -- 1. -- Across the Russian Border / -- Thomas Leitch -- 2. -- Dostoevskii's "White Nights": The Dreamer Goes Abroad / -- Ronald Meyer -- 3. -- On Not Showing Dostoevskii's Work: Robert Bresson's Pickpocket / -- Olga Peters Hasty -- 4. -- Stealing the Scene: Crime as Confession in Robert Bresson's Pickpocket / -- S. Ceilidh Orr -- 5. -- The Eye-deology of Trauma: Killing Anna Karenina Softly / -- Yuri Leving -- 6. -- "A Vicious Circle": Karen Shakhnazarov's Ward no. 6 / -- Alexander Burry -- 7. -- A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences / -- Frederick H. White -- 8. -- Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe / -- Alastair Renfrew -- 9. -- Chasing the Wealth: The Americanization of Il'f and Petrov's The Twelve Chairs / -- Robert Mulcahy -- 10. -- Fassbinder's Nabokov -- From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment / -- Dennis Ioffe -- 11. -- "The Soviet Abroad (That We Lost)": The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen / -- Otto Boele
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  • 5
    ISBN: 9781474402910
    Language: English
    Parallel Title: Erscheint auch als Kerner, Aaron, 1972 - Extreme cinema
    DDC: 791.43/655
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    Keywords: Violence in motion pictures ; Sex in motion pictures ; Motion pictures History ; Film ; Gewalt ; Erotik
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  • 6
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9780748676118 , 9780748676125
    Language: English
    Pages: XI, 244 S , Ill
    DDC: 302.2343
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    Keywords: Motion pictures Social aspects ; Intermediality ; Aufsatzsammlung ; Film ; Medien ; Neue Medien ; Geschichte
    Abstract: "This collection ... [focuses] on the relations of cinema to other media, artworks and diverse forms of entertainment, demarcating their sometimes conjoined, sometimes separate, histories ... [and] seeks to make visible the complex ways in which media anticipate, interfere with and draw on one another, demonstrating how what we have called 'cinematicity' makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema"--Page 1
    Note: Introduction : cinematicity and comparative media , 1. Dickensian 'dissolving views' : the magic lantern, visual storytelling and the Victorian technological imagination , 2. 'Never has one seen reality enveloped in such a phantasmagoria' : watching spectacular transformations, 1860-89 , 3. Moving-picture media and modernity : taking intermediate and ephemeral forms seriously , Part 2. Transitions : early cinema and cinematicity ; 4. Reading in the age of Edison : the cinematicity of 'The yellow wall-paper' , 5. Time and motion studies : Joycean cinematicity in A portrait of the artist as a young man , 6. Nature caught in the act : on the transformation of an idea of art in early cinema , Part 3. Cinematicity in the 'classic' cinema age ; 7. Cinematicity of speech and visibility of literature : the poetics of Soviet film scripts of the early sound film era , 8. Making America global : cinematicity and the aerial view , 9. Invisible cities, visible cinema : illuminating shadows in late film noir , Part 4. Digital cinematicity ; 10. Cinema, video, game : astonishing aesthetics and the cinematic 'future' of computer graphics' past , 11. Miniature pleasures : on watching films on an iPhone , 12. Kino-eye in reverse : visualizing cinema
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  • 7
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Oxford : Oxford University Press
    ISBN: 9780748689156
    Language: English
    Pages: 1 Online-Ressource (ix, 206 pages) , Illustrations (black and white).
    Series Statement: Edinburgh critical studies in modernist culture
    DDC: 306.4
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    Keywords: Geschichte 1900-1950 ; Sozialgeschichte ; Literatur ; Kunst ; Film ; Moderne ; Klang ; Klang ; Musikwahrnehmung ; Sound Social aspects ; Sound in literature ; Sound in motion pictures ; Sound in art ; Modernism (Literature) ; Modernism (Art)
    Abstract: Drawing on a wealth of primary and secondary source materials this book describes the distinctive nature of modernity's sonic cultures, arguing controversially that they are not reducible to sound alone. In fact, they encompass representations of sound in 'other' media as well, particularly within literature yet also within cinema and painting.
    Note: Includes bibliographical references and index
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  • 8
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9780748676118 , 9780748676125
    Language: English
    Pages: XI, 244 S , Ill
    DDC: 302.2343
    RVK:
    Keywords: Motion pictures Social aspects ; Intermediality ; Aufsatzsammlung ; Film ; Medien ; Neue Medien ; Geschichte
    Abstract: "This collection ... [focuses] on the relations of cinema to other media, artworks and diverse forms of entertainment, demarcating their sometimes conjoined, sometimes separate, histories ... [and] seeks to make visible the complex ways in which media anticipate, interfere with and draw on one another, demonstrating how what we have called 'cinematicity' makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema"--Page 1
    Note: Introduction : cinematicity and comparative media , 1. Dickensian 'dissolving views' : the magic lantern, visual storytelling and the Victorian technological imagination , 2. 'Never has one seen reality enveloped in such a phantasmagoria' : watching spectacular transformations, 1860-89 , 3. Moving-picture media and modernity : taking intermediate and ephemeral forms seriously , Part 2. Transitions : early cinema and cinematicity ; 4. Reading in the age of Edison : the cinematicity of 'The yellow wall-paper' , 5. Time and motion studies : Joycean cinematicity in A portrait of the artist as a young man , 6. Nature caught in the act : on the transformation of an idea of art in early cinema , Part 3. Cinematicity in the 'classic' cinema age ; 7. Cinematicity of speech and visibility of literature : the poetics of Soviet film scripts of the early sound film era , 8. Making America global : cinematicity and the aerial view , 9. Invisible cities, visible cinema : illuminating shadows in late film noir , Part 4. Digital cinematicity ; 10. Cinema, video, game : astonishing aesthetics and the cinematic 'future' of computer graphics' past , 11. Miniature pleasures : on watching films on an iPhone , 12. Kino-eye in reverse : visualizing cinema
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  • 9
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9780748624560
    Language: English
    Pages: viii, 184 Seiten
    Edition: Paperback edition
    DDC: 306.097309
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    Keywords: Motion picture industry History ; Motion picture industry Political aspects ; History ; Blacklisting of entertainers History ; Communism and motion pictures History ; Anti-communist movements ; USA Committee on Un-American Activities ; Los Angeles- Hollywood ; Film ; Geschichte 1947-1953 ; Propagandafilm ; Geschichte 1939-1958 ; USA ; Filmregisseur ; Filmschauspieler ; Politische Verfolgung
    Note: Literaturverzeichnis: Seite 166-173 , ***Hier auch später erschienene, unveränderte Nachdrucke.***Unchanged reprints that were published later are included here.***
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  • 10
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9780748634187 , 0748634185
    Language: English
    Pages: VII, 167 S. , 24 cm
    DDC: 791.436530944
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    Keywords: Homosexuality in motion pictures ; Gays in motion pictures ; Frankreich ; Film ; Homosexualität
    Note: Literaturverz. S. 151 - 158
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  • 11
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 0748621245 , 0748621237 , 9780748621248 , 9780748621231
    Language: English
    Pages: XII, 224 S. , Ill.
    Series Statement: Traditions in world cinema
    DDC: 791.43096
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    Keywords: Motion pictures ; Motion picture industry ; Afrika ; Film ; Afrika ; Filmproduktion ; Motion pictures Africa ; Motion picture industry Africa ; Afrika ; Film ; Afrika ; Filmproduktion ; Afrika ; Film
    Note: Includes bibliographical references and index
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