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  • 2015-2019  (10)
  • 1940-1944
  • Durham : Duke University Press  (10)
  • Art History  (10)
Material
Language
Years
Year
  • 1
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9781478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 Seiten)
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Abstract: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9781478001874 , 9781478003007
    Language: English
    Pages: xvi, 534 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chicano and Chicana art
    Parallel Title: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Keywords: Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780822369431 , 9780822369288
    Language: English
    Pages: xix, 337 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Welland, Sasha Su-Ling, 1969- author Experimental Beijing
    DDC: 709.51/0905
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    Keywords: Art, Chinese 21st century ; Art, Modern 21st century ; Artists 21st century ; Art ; Globalization in art ; China ; Geschlechterforschung ; Globalisierung ; Kunst ; China ; Peking ; Kunst ; Geschlechterforschung
    Abstract: Chinese contemporary art in the expanded field -- Art worldings -- Xianfeng Beijing -- Showcase Beijing -- Zones of encounter -- The besieged city -- The hinterlands of feminist art -- Feminist sightlines -- Red detachment -- Opening the Great Wall -- Camouflaged histories -- Recursive worldly fables
    Note: Literaturverzeichnis Seite [305] - 321
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  • 5
    ISBN: 9780822371274 , 9780822371342
    Language: English
    Pages: viii, 145 Seiten , Illustrationen , 23 cm
    Series Statement: On decoloniality
    DDC: 700/.4
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    Keywords: Postcolonialism and the arts ; Post-communism Social aspects ; Art Political aspects ; Postcolonialism and the arts Former Soviet republics ; Post-communism Social aspects ; Former Soviet republics ; Art Political aspects ; Former Soviet republics ; Sowjetunion ; Nachfolgestaaten ; Postkommunismus ; Entkolonialisierung ; Engagierte Kunst
    Abstract: The decolonial sublime -- Decolonial aesthesis and post-Soviet art -- A woman who has many selves and takes over many spaces : a conversation with Liina Siib -- Beyond dependencies : a talk with Vyacheslav Akhunov, the lonely ranger of Uzbek contemporary art -- Reflecting on time, space, and memory with Afanassy Mamedov
    Note: Literaturverzeichnis: Seite 135-140
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  • 6
    ISBN: 9780822369547 , 9780822369813
    Language: English
    Pages: xv, 296 Seiten, 32 ungezählte Seiten , Illustrationen , 23 cm
    Series Statement: Art history publication initiative
    DDC: 704.03/974
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    Keywords: American Indian Movement Influence ; Indian artists Travel 20th century ; History ; Indian art History 20th century ; Indian art ; Indian artists ; American Indian Movement ; Indianer ; Künste ; Geschichte ; Durham, Jimmie 1940-2021 ; Luna, James 1950- ; Kabotie, Fred 1900-1986 ; Walking Stick, Kay 1935- ; Houle, Robert 1947- ; American Indian Movement
    Abstract: The word for world and the word for history are the same: Jimmie Durham, the American Indian Movement, and spatial thinking -- Now that we are Christians we dance for ceremony: James Luna, performing props, and sacred space -- They sent me way out in the foreign country and told me to forget it: Fred Kabotie, Dance memories, and the 1932 U.S. pavilion of the Venice Biennale -- Dance is the one activity that I know of when virtual strangers can embrace: Kay Walkingstick, creative kinship, and Art history's tangled legs -- They advanced to the portraits of their friends and offered them their hands: Robert Houle, Ojibwa tableaux vivants, and transcultural materialism -- Traveling with stones
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  • 7
    ISBN: 9780872731837
    Language: English
    Pages: 318 Seiten
    DDC: 305.48896073
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    Keywords: Geschichte 1965-1994 ; Black arts movement ; Bürgerrechtlerin ; Engagierte Kunst ; Frauenkunst ; Künstlerin ; Person of Color ; Schwarze ; Schwarze Frau ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog The Institute of Contemporary Art 26.06.2018-30.09.2018
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of the exhibition "We wanted a revolution: black radical women, 1965-85", organized by the Brooklyn Museum.
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  • 8
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822360551 , 9780822360711 , 9780822374602
    Language: English
    Pages: xv, 265 Seiten , Illustrationen
    Series Statement: Objects / histories
    Parallel Title: Erscheint auch als Biddle, Jennifer, 19XX - Remote avant-garde
    DDC: 704.03/991509429
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    Keywords: Artists, Aboriginal Australian ; Art, Aboriginal Australian ; Aboriginal Australians Government relations ; Aborigines ; Kunst ; Northern Territory
    Description / Table of Contents: Humanitarian imperialismTangentyere artists -- June Walkutjukurr Richards -- Rhonda Unrupa Dick -- Tjanpi desert weavers -- Warnayaka art : Yurlpa -- Yarrenyty Arltere artists -- Yiwarra Kuju : the canning stock route -- The Warburton arts project.
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
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    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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