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  • GBV  (9)
  • IVB
  • Durham : Duke University Press  (9)
  • Art History  (9)
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Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Image
    Image
    Future/present : arts in a changing America (2024)
    Durham : Duke University Press
    Details
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    LO 94000
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    BSZ
    GBV
    KOBV
  • 2
    Book
    Book
    AFRICOBRA : experimental art toward a school of thought (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
    RVK:
    LI 99900
    RVK:
    LO 94250
    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 3
    Book
    Book
    Art for people's sake : artists and community in Black Chicago, 1965-1975 (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
    LI 99900
    RVK:
    LO 94250
    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
    KOBV
  • 4
    Book
    Book
    Experimental Beijing : gender and globalization in Chinese contemporary art (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822369431 , 9780822369288
    Language: English
    Pages: xix, 337 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Welland, Sasha Su-Ling, 1969- author Experimental Beijing
    DDC: 709.51/0905
    RVK:
    LO 88900
    RVK:
    LB 52440
    RVK:
    LB 73440
    RVK:
    LC 90440
    Keywords: Art, Chinese 21st century ; Art, Modern 21st century ; Artists 21st century ; Art ; Globalization in art ; China ; Geschlechterforschung ; Globalisierung ; Kunst ; China ; Peking ; Kunst ; Geschlechterforschung
    Abstract: Chinese contemporary art in the expanded field -- Art worldings -- Xianfeng Beijing -- Showcase Beijing -- Zones of encounter -- The besieged city -- The hinterlands of feminist art -- Feminist sightlines -- Red detachment -- Opening the Great Wall -- Camouflaged histories -- Recursive worldly fables
    Note: Literaturverzeichnis Seite [305] - 321
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 5
    Book
    Book
    Mounting frustration : the art museum in the age of Black power (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
    RVK:
    LO 94050
    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Weltkulturen Museum
    BSZ
    GBV
  • 6
    Book
    Book
    Remote avant-garde : aboriginal art under occupation (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822360551 , 9780822360711 , 9780822374602
    Language: English
    Pages: xv, 265 Seiten , Illustrationen
    Series Statement: Objects / histories
    Parallel Title: Erscheint auch als Biddle, Jennifer, 19XX - Remote avant-garde
    DDC: 704.03/991509429
    RVK:
    LO 90770
    RVK:
    LC 90680
    Keywords: Artists, Aboriginal Australian ; Art, Aboriginal Australian ; Aboriginal Australians Government relations ; Aborigines ; Kunst ; Northern Territory
    Description / Table of Contents: Humanitarian imperialismTangentyere artists -- June Walkutjukurr Richards -- Rhonda Unrupa Dick -- Tjanpi desert weavers -- Warnayaka art : Yurlpa -- Yarrenyty Arltere artists -- Yiwarra Kuju : the canning stock route -- The Warburton arts project.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Weltkulturen Museum
    BSZ
    GBV
    MPI-MMG
  • 7
    Online Resource
    Online Resource
    Mounting frustration : the art museum in the age of Black power (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
    RVK:
    LO 94050
    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    GBV
    KOBV
  • 8
    Online Resource
    Online Resource
    Monstrous intimacies : making post-slavery subjects (2010)
    Durham : Duke University Press
    Details
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    HR 1728
    RVK:
    LO 94030
    RVK:
    MS 3450
    RVK:
    NW 8295
    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    URL: lizenzpflichtig
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    Online Resource
    GBV
  • 9
    Book
    Book
    Native moderns : American Indian painting, 1940 - 1960 (2006)
    Durham : Duke University Press
    Details
    ISBN: 0822338505 , 0822338661 , 9780822338505 , 9780822338666
    Language: English
    Pages: XXX, 235 S. , Ill. (überw. farb.) , 26 cm
    Series Statement: Objects/histories
    DDC: 759.13
    RVK:
    LO 96730
    Keywords: Indian painting ; Modernism (Art) ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Indianer ; Malerei ; Moderne ; Geschichte 1940-1960
    Description / Table of Contents: Art and modern Indian policyThe culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists.
    Description / Table of Contents: Art and modern Indian policy -- The culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists
    Note: Includes bibliographical references (p. [217]-225) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Table of contents only
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Weltkulturen Museum
    BSZ
    GBV
    KOBV
    Ethn. Museum Berlin
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