Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • Online-Ressource  (9)
  • Durham : Duke University Press  (9)
  • Kunstgeschichte  (6)
  • Informatik  (3)
Materialart
Sprache
Erscheinungszeitraum
  • 1
    ISBN: 9781478007326
    Sprache: Englisch
    Seiten: 1 Online-Ressource (241 Seiten)
    Paralleltitel: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
    RVK:
    RVK:
    Schlagwort(e): Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Kurzfassung: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Kurzfassung: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Anmerkung: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478002468
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 395 Seiten)
    Paralleltitel: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
    RVK:
    Schlagwort(e): AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Kurzfassung: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Kurzfassung: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    ISBN: 9781478003342
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 373 Seiten)
    Paralleltitel: Erscheint auch als From Russia 〈with〉 code
    DDC: 303.48/330947
    RVK:
    Schlagwort(e): Information technology Social aspects ; Computer software Development ; Social aspects ; Brain drain ; Hacking Social aspects ; Hacking Political aspects ; Russia (Federation) Emigration and immigration ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Russen ; Informatiker ; Auswanderung ; Russland ; Informatiker ; Auswanderung
    Kurzfassung: While Russian computer scientists are notorious for their interference in the 2016 US presidential election, they are ubiquitous on Wall Street and coveted by international IT firms and often perceive themselves as the present manifestation of the past glory of Soviet scientific prowess. Drawing on over three hundred in-depth interviews, the contributors to From Russia with Code trace the practices, education, careers, networks, migrations, and lives of Russian IT professionals at home and abroad, showing how they function as key figures in the tense political and ideological environment of technological innovation in post-Soviet Russia. Among other topics, they analyze coders' creation of both transnational communities and local networks of political activists; Moscow's use of IT funding to control peripheral regions; brain drain and the experiences of coders living abroad in the United Kingdom, United States, Israel, and Finland; and the possible meanings of Russian computing systems in a heterogeneous nation and industry. Highlighting the centrality of computer scientists to post-Soviet economic mobilization in Russia, the contributors offer new insights into the difficulties through which a new entrepreneurial culture emerges in a rapidly changing world.
    Kurzfassung: Contributors: Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich
    Kurzfassung: Cover -- Contents -- List of Abbreviations -- Acknowledgments -- Introduction: Russian Economies of Codes -- I. Coding Collectives -- One. Before the Collapse: Programming Cultures in the Soviet Union -- Two. From Lurker to Ninja: Creating an it Community at Yandex -- Three. For Code and Country: Civic Hackers in Contemporary Russia -- II. Outward-Looking Enclaves -- Four. At the Periphery of the Empire: Recycling Japanese Cars into Vladivostok's it Community -- Five. Kazan Connected: "it-ing Up" a Province -- Six. Hackerspaces and Technoparks in Moscow -- Seven. Siberian Software Developers -- Eight. E-Estonia Reprogrammed: Nation Branding and Children Coding -- III. Interlude: Russian Maps -- Nine. Post-Soviet Ecosystems of it -- IV. Bridges and Mismatches -- Ten. Migrating Step by Step: Russian Computer Scientists in the UK -- Eleven. Brain Drain and Boston's "Upper-Middle Tech -- Twelve. Jews in Russia and Russians in Israel -- Thirteen. Russian Programmers in Finland: Self-Presentation in Migration Narratives -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: JSTOR
    URL: University of Alberta Access  ((Unlimited Concurrent Users))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822374893
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Serie: Art history publication initiative
    Paralleltitel: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Paralleltitel: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
    RVK:
    Schlagwort(e): Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Kurzfassung: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Kurzfassung: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822376323 , 0822376326
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 342 pages) , illustrations
    Serie: Experimental futures
    Paralleltitel: Erscheint auch als
    DDC: 003.54
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-2015 ; Cybernetics ; Big data ; Perception ; Cognition ; Sozialanthropologie ; Kybernetik ; Big Data ; Bewältigung ; Kybernetik ; Big Data ; Bewältigung ; Sozialanthropologie ; Geschichte 1945-2015
    Kurzfassung: Prologue: Speculating on sense -- Introduction: Dreams for our perceptual present -- Dreams for the perceptual present : temporality, storage, and interactivity in cybernetics -- Communicative objectivity : design, knowledge, and the interface -- The measure of reason and the art of visualization : transforming rationality, method, and logic in the social and human sciences -- The governance of sense: designing information and reconfiguring population circa 1959
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822391524
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Serie: Perverse modernities
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Serie: Perverse modernities
    Paralleltitel: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Anmerkung: Literaturverzeichnis: Seiten 223-242
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | The Hague : OAPEN Foundation
    ISBN: 9781478090786 , 1478090782
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 277 Seiten) , Illustrationen
    Serie: Objects/histories
    Paralleltitel: Erscheint auch als Hutchinson, Elizabeth, 1966 - The Indian craze
    DDC: 709/.01/1
    RVK:
    Schlagwort(e): Indianer ; Kunst ; Rezeption ; USA ; Künstler ; Gesellschaft ; Geschichte 1890-1915 ; USA ; Indianer ; Künstler ; Geschichte 1890-1915
    Anmerkung: Literaturverzeichnis: Seite 263-265
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822389002 , 0822389002
    Sprache: Englisch
    Seiten: xvi, 378 p , ill
    Serie: Experimental futures
    DDC: 303.48/33
    RVK:
    RVK:
    Schlagwort(e): Information society ; Open source software / Social aspects ; Electronic books
    Kurzfassung: Part I. The Internet. Geeks and recursive publics. Protestant reformers, polymaths, transhumanists -- Part II. Free software. The movement. Sharing source code. Conceiving open systems. Writing copyright licenses. Coordinating collaborations -- Part III. Modulations. "If we succeed, we will disappear" Reuse, modification, and the nonexistence of norms. Conclusion: the cultural consequences of free software
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...