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  • Cambridge : Cambridge University Press  (9)
  • Politik  (9)
  • Musikwissenschaft  (6)
  • Philosophie  (3)
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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 365 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    Schlagwort(e): Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Kurzfassung: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Anmerkung: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107032415 , 9781107681088
    Sprache: Englisch
    Seiten: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
    RVK:
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    Schlagwort(e): Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781108445443 , 9781108426701
    Sprache: Englisch
    Seiten: xi, 230 Seiten , 23 cm
    Paralleltitel: Erscheint auch als Winter, Yves Machiavelli and the orders of violence
    DDC: 303.601
    RVK:
    Schlagwort(e): Machiavelli, Niccolò Criticism and interpretation ; Machiavelli, Niccolò 1469-1527 Criticism and interpretation ; Political violence ; Violence ; Political violence ; Machiavelli, Niccolò 1469-1527 ; Gewalt ; Politik ; Machiavelli, Niccolò 1469-1527 ; Gewalt ; Politik
    Kurzfassung: "Niccolò Machiavelli is the most prominent and notorious theorist of violence in the history of European political thought - prominent, because he is the first to candidly discuss the role of violence in politics; and notorious, because he treats violence as virtue rather than as vice. In this original interpretation, Yves Winter reconstructs Machiavelli's theory of violence and shows how it challenges moral and metaphysical ideas. Winter attributes two central theses to Machiavelli: first, violence is not a generic technology of government but a strategy that tends to correlate with inequality and class conflict; and second, violence is best understood not in terms of conventional notions of law enforcement, coercion, or the proverbial 'last resort', but as performance. Most political violence is effective not because it physically compels another agent who is thus coerced; rather, it produces political effects by appealing to an audience. As such, this book shows how in Machiavelli's world, violence is designed to be perceived, experienced, remembered, and narrated"--
    Anmerkung: Literaturverzeichnis Seite 201-220 , Mit Register
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  • 4
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781108412254 , 9781108419833
    Sprache: Englisch
    Seiten: x, 183 Seiten , 23 cm
    Paralleltitel: Erscheint auch als Cohen, Elizabeth F., 1973 - The political value of time
    DDC: 320.01
    RVK:
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    Schlagwort(e): Citizenship ; Political participation ; Democracy ; State, The ; Time Political aspects ; Political science ; Time ; Politik ; Zeit ; Demokratie ; Staat ; Politische Theorie ; Politik ; Zeit ; Demokratie ; Staat ; Politische Theorie
    Kurzfassung: "Time is widely recognized as one of the most precious and finite resources required for the accomplishment of human purposes. Within the domain of the political, time is required for almost any exercise of liberty that people seek to protect through the enforcement of social contracts, constitutions, and laws. Time is therefore inextricable from the realization of any vision of political justice. All political subjects encounter myriad ways in which their time is structured, valued, appropriated, or freed by the state. In the United States, we wait to turn 18 to acquire political voice and full representation. Then we wait again, to turn 62 or 66, when we can retire from work and receive retirement benefits, if we wish. People file taxes on April 15; redistricting hinges on decennial censuses; and prosecutors specify when crimes were committed to determine whether statutes of limitation have expired. Around us convicted criminals are punished with prison sentences of varying durations, legal permanent residents refrain from traveling for long periods of time as they seek to naturalize, and election cycles run their course only to begin anew. Despite the significance of time for the satisfaction of people's ends, the legitimate power of the state to command the time of its subjects and set a political schedule is not generally contested"--
    Kurzfassung: The sovereign temporal boundaries around nation-states, populations, and citizenries -- Democracy, duration, and lived consent -- Time's political value -- The political economy of time
    Anmerkung: Enthält Literaturverzeichnis Seite 164-177 und Index
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  • 5
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107184800 , 9781316636145
    Sprache: Englisch
    Seiten: xviii, 305 Seiten , Illustrationen , 26 cm
    Serie: New perspectives in music history and criticism
    DDC: 941.081092
    RVK:
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    Schlagwort(e): Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Kurzfassung: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Kurzfassung: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Anmerkung: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 6
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107504318 , 9781107007321
    Sprache: Englisch
    Seiten: XIV, 327 S.
    Serie: Music since 1900
    DDC: 780.904
    RVK:
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    Schlagwort(e): Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Anmerkung: Originally published: 2013. , Includes bibliographical references and index.
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  • 7
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139051682
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 327 pages)
    Serie: Music since 1900
    DDC: 780.9/04
    RVK:
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    Schlagwort(e): Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Kurzfassung: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 8
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Paralleltitel: Print version
    DDC: 306.4/842094309034
    RVK:
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    Schlagwort(e): Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Kurzfassung: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Kurzfassung: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 0521418496
    Sprache: Englisch
    Seiten: XIV, 430 S.
    Ausgabe: 1. publ.
    Suppl.: Rezensiert in Legutko, Ryszard The Two Gods of Leviathan: Thomas Hobbes on Religion and Politics. A. P. Martinich 1994
    DDC: 320.01
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    Schlagwort(e): Political Science ; Hobbes, Thomas ; Leviathan ; Hobbes, Thomas ; Religion ; Hobbes, Thomas 1588-1679 Leviathan ; Religionsphilosophie ; Hobbes, Thomas 1588-1679 Leviathan ; Politische Philosophie ; Hobbes, Thomas 1588-1679 Leviathan ; Religion ; Hobbes, Thomas 1588-1679 ; Politik ; Religionsphilosophie
    Anmerkung: Includes bibliographical references (p. 397-422) and index
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