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  • Cambridge : Cambridge University Press  (23)
  • Musik  (23)
  • Musicology  (23)
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Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Shared listenings : methods for transcultural musicianship and research (2023)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    LS 16000
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
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  • 2
    Book
    Book
    Music and politics : a critical introduction (2019)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
    RVK:
    LC 87000
    RVK:
    LR 57720
    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
    URL: Inhaltsverzeichnis
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    BSZ
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    MPI-MMG
  • 3
    Book
    Book
    Mary Gladstone and the Victorian salon : music, literature, liberalism (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
    RVK:
    LR 57715
    RVK:
    LR 57725
    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    Online Resource
    Online Resource
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    DOI: 10.1017/9781316271476
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781316271476
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Book
    Book
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    RVK:
    LP 19503
    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 6
    Book
    Book
    The Cambridge companion to Jewish music (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107023451 , 9781107623750
    Language: English
    Pages: xiii, 293 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 780.89924
    RVK:
    LS 33100
    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Bibliography Seite 258-279
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
    Book
    Book
    Performing civility : international competitions in classical music (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LR 57230
    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
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  • 8
    Book
    Book
    Music and protest in 1968 /ed. by Beate Kutschke ... (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107504318 , 9781107007321
    Language: English
    Pages: XIV, 327 S.
    Series Statement: Music since 1900
    DDC: 780.904
    RVK:
    LR 57727
    RVK:
    LS 48015
    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Note: Originally published: 2013. , Includes bibliographical references and index.
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  • 9
    Book
    Book
    Music, sound and space : transformations of public and private experience (2015)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107504120 , 9780521764247 , 9781107504127
    Language: English
    Pages: xv, 358 Seiten
    Edition: First paperback edition
    DDC: 781.2/3
    RVK:
    LR 56600
    RVK:
    LS 18600
    RVK:
    AP 14900
    RVK:
    LC 87000
    Keywords: Music ; Social aspects ; Sound ; Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Soziologie
    Abstract: This book focuses on music, sound and space and how they have been employed to transform public and private experience.
    Abstract: Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
    Note: First published 2013 , Literaturverzeichnis: Seite 312-342, Discography, Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 10
    Online Resource
    Online Resource
    The Cambridge companion to Jewish music (2015)
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781139151214
    Language: English
    Pages: 1 Online-Ressource (xiii, 293 pages)
    Series Statement: Cambridge companions to music
    DDC: 780.89924
    RVK:
    LS 33100
    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.
    Note: Title from publisher's bibliographic system (viewed on 26 Jan 2016)
    URL: https://doi.org/10.1017/CCO9781139151214
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  • 11
    Book
    Book
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
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  • 12
    Book
    Book
    Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2014)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107010918 , 9781107460980
    Language: English
    Pages: XII, 335 Seiten
    Edition: First paperback edition
    Series Statement: New perspectives in music history and criticism
    DDC: 780.943
    RVK:
    LR 56800
    RVK:
    LR 56806
    Keywords: Geistesgeschichte 1800-1935 ; Musikpsychologie ; Tiefe ; Metapher ; Musik ; Deutschland
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  • 13
    Online Resource
    Online Resource
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    DOI: 10.1017/CBO9781139775359
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9781139775359
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 14
    Online Resource
    Online Resource
    Music and protest in 1968 (2013)
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781139051682
    Language: English
    Pages: 1 Online-Ressource (xiv, 327 pages)
    Series Statement: Music since 1900
    DDC: 780.9/04
    RVK:
    LR 57727
    RVK:
    LS 48015
    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: https://doi.org/10.1017/CBO9781139051682
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  • 15
    Online Resource
    Online Resource
    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 16
    Online Resource
    Online Resource
    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107015388 , 9781139221306 (Sekundärausgabe)
    Language: English
    Pages: 358 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781139221306
    Edition: [Online-Ausg.]
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Juden ; Musik ; Klassische Musik ; Komponist ; Europa
    Abstract: David Conway examines how Jews developed a significant presence in early nineteenth-century Western music.
    Note: Description based upon print version of record , Online-Ausg.:
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  • 17
    Online Resource
    Online Resource
    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 18
    Online Resource
    Online Resource
    African Polyphony and Polyrhythm : Musical Structure and Methodology (2004)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511518317
    Language: English
    Pages: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
    RVK:
    LS 46000
    Keywords: Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9780511518317
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 19
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    The rise of a jazz art world (2002)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    LS 48100
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    DOI: 10.1017/CBO9780511489495
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9780511489495
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  • 20
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    Online Resource
    Music and social movements : mobilizing traditions in the twentieth century (1998)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511628139
    Language: English
    Pages: 1 online resource (xi, 191 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
    LR 56600
    RVK:
    MR 5600
    RVK:
    MS 8020
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1995 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History / 20th century ; Social movements / History / 20th century ; Political sociology / History / 20th century ; Popular culture / History / 20th century ; Music / Social aspects ; Soziale Bewegung ; Musik ; Musik ; Soziale Bewegung ; Geschichte 1900-1995
    Abstract: Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9780511628139
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9780511628139
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 21
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    Online Resource
    African polyphony and polyrhythm : musical structure and methodology (1991)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511518317
    Language: English
    Pages: 1 online resource (xxviii, 668 pages)
    Uniform Title: Polyphonies et polyrythmies instrumentales d'Afrique centrale
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/84/0967
    RVK:
    LS 46000
    RVK:
    LS 47002
    RVK:
    LS 47015
    RVK:
    LS 47350
    Keywords: Musik ; Music / Africa, Central / History and criticism ; Counterpoint ; Musical meter and rhythm ; Polyfonie ; Musik ; Polyrhythmus ; Afrika ; Afrika ; Polyfonie ; Musik ; Polyrhythmus ; Afrika
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system
    Description / Table of Contents: Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9780511518317
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9780511518317
    URL: https://www.cambridge.org/core/books/african-polyphony-and-polyrhythm/831AF8A34F15E39DC8E8F42104B46EB3
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  • 22
    Online Resource
    Online Resource
    The dastgāh concept in Persian music (1990)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511470233
    Language: English
    Pages: 1 online resource (xii, 201 pages)
    Series Statement: Cambridge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.955
    RVK:
    LS 37040
    RVK:
    LS 37120
    Keywords: Dastgāh ; Music theory / Iran ; Dastgāh ; Musik ; Kunstmusik ; Iran ; Hochschulschrift ; Hochschulschrift ; Iran ; Musik ; Iran ; Kunstmusik ; Dastgāh
    Abstract: The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times
    Description / Table of Contents: A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9780511470233
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
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    Online Resource
    Tikopia songs : poetic and musical art of a Polynesian people of the Solomon Islands (1990)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9780511627255
    Language: English
    Pages: 1 online resource (xvii, 307 pages)
    Series Statement: Cambridge studies in oral and literate culture 20
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 899/.4
    RVK:
    LS 49500
    Keywords: Alltag, Brauchtum ; Folk poetry, Tikopia / History and criticism ; Tikopia (Solomon Islands people) / Social life and customs ; Tikopia (Solomon Islands people) / Rites and ceremonies ; Folk poetry, Tikopia ; Musik ; Volksmusik ; Literatur ; Polynesien ; Tikopia ; Tikopia ; Literatur ; Tikopia ; Musik ; Polynesien ; Volksmusik
    Abstract: Sir Raymond Firth is one of the most distinguished British anthropologists, and one internationally acclaimed. His work here forms part of one of the fullest and most professional ethnographic accounts by any anthropologist of a non-industrial people, an account which extends over many years. This book is about the songs of a Western Pacific people, the Tikopia, who not so long ago lived entirely on a small remote island of the Solomons. Their songs vary from lively dance chants to mournful funeral laments. All are novel to western ears. The book provides about 100 examples, in text and translation. It also discusses the relation of the songs to the social life of the people, and it includes an analysis of the structure of their music, by Mervyn McLean, a noted musicologist
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9780511627255
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9780511627255
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