ISBN:
1-137-35059-8
,
978-1-137-35059-6
Language:
English
Pages:
XIV, 368 S.
,
Ill.
Series Statement:
Anthropology, Change and Development
DDC:
306.484
Keywords:
Theater Entwicklung, kulturelle
;
Anthropologie
;
Politik
;
Entwicklungsländer
Abstract:
From Pussy Riot and the Arab Spring to Italian mafia dance, this collection provides an interdisciplinary analysis of relational reflexivity in political performance. By putting anthropological theory into dialogue with international development scholarship and artistic and activist practices, this book highlights how aesthetics and politics interrelate in precarious spheres of social life. The contributors of this innovative interdisciplinary volume raise questions about the transformative potential of participating in and reflecting upon political performances both as individual and as collectives. They also argue that such processes provide a rich field and new pathways for anthropological explorations of peoples' own reflections on humanity, sociality, change, and aspiration. Reflecting on political transformations through performance puts centre stage the ethical dimensions of cultural politics and how we enact political subjectivity. Review: 'When is reflection political, ethical? This multidimensional collection on performance as theatre opens up an arena for exploration through the sheer audacity of its scope. Anthropologically informed, diversely interpreted, it is a compelling example of unexpected collaborations.' - Marilyn Strathern, University of Cambridge, UK 'The conversation between Anthropology, Theatre and Development is long and profound - and this collection deepens it further through a powerful set of analyses that draw on an impressive range of theoretical sources and geographically-located practices. Its breadth is excellent and it will strengthen the thinking, and I hope practice, of those that seek to expand the scope of performance and anthropology scholarship.' - James Thompson, The University of Manchester, UK 'This collective book proposes a lucid rethinking and critique of the field of 'theatre for development'. It is based on the premise that, because of its ineluctable embeddedness in place and locality, engaged performance has a particularly powerful contribution to make to the ever-elusive goal of sustainability. 'Relational' and 'embodied' reflexivity emerge from the rich spectrum of chapters as a compelling new paradigm for political transformation and for an effective theory and practice of sustainability; it also offers an antidote to the detached rationality of globalized modernity and expert-driven development, so essential to healing the ravages on nature, peoples and cultures caused by it. This volume should be read by those working on art and performance, development, and sustainability in fields such as anthropology, geography, politics, and environmental, social movements, and global studies. It constitutes a much welcome and illuminating voice in the cacophony of debates on the post-2015 development agenda and sustainable development goals taking place at present.' - Arturo Escobar, University of North Carolina at Chapel Hill, USA
Description / Table of Contents:
PART I: ETHNOGRAPHIES OF POLITICAL PERFORMANCE IN DEVELOPING CONTEXTS 1.1 Interventions Re-Imagining Political Subjectivities: Relationality, Reflexivity And Performance In Rural Brazil; Alex Flynn Performing Transformation: Cultivating A Paradigm Of Education For Cooperation And Sustainability In A Brazilian Community; Dan Baron Cohen Embodying Protest: Culture And Performance Within Social Movements; Jeffrey Juris 1.2 Development And Governance Resistant Acts In Post-Genocide Rwanda; Ananda Breed Embodiment, Intellect And Emotion: Thinking About Possible Impacts Of Theatre For Development In Three Projects In Africa; Jane Plastow Governance, Theatricality, And Fantasma In Mafia Dance; Stavroula Pipyrou PART II: THEATRE AS PARADIGM FOR SOCIAL REFLECTION - CONCEPTUAL PERSPECTIVES 2.1 Theatre And Tradition: Politics And Aesthetics Ethical Self-Cultivation As The Politics Of Engaged Theatre: How Theatre Engages Refugee Politics; Jonas Tinius The Invisible Performance/ The Invisible Masterpiece: Visibility, Concealment, And Commitment In Graffiti And Street Art; Rafael Schacter Whose Theatre Is It Anyway? Ancient Chorality Versus Modern Drama; Clare Foster 2.2 Political Theatricality Pussy Riot's Moscow Trials: Restaging Political Protest And Juridical Metaperformance; Milo Rau Reinventing The Show Trial: Putin And Pussy Riot; Catherine Schuler Theatre In The Arab World - Perspectives/Portraits From Lebanon, Syria, And Tunisia; Rolf Hemke 2.3 Theatre As Ethnographic Method - Ethnography As Theatrical Practice For A Verbatim Ethnography; Nick Long The Anthropologist As Ensemble Member: Anthropological Experiments With Theatre Makers; Caroline Gatt
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