Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • New York : Oxford University Press  (16)
  • History and criticism  (9)
  • Großbritannien  (7)
  • Musicology  (15)
  • General works  (1)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    The Oxford handbook of the history of the book in early modern England (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780192585189 , 9780191881336
    Language: English
    Pages: 1 Online-Ressource (xxii, 739 Seiten)
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the history of the book in early modern England
    DDC: 002.09420903
    RVK:
    AN 19930
    Keywords: British & Irish history ; Europäische Geschichte ; HISTORY / Europe / Great Britain ; HISTORY / Social History ; LIT019000 ; Literary studies: c 1500 to c 1800 ; Literaturwissenschaft, allgemein ; Social & cultural history ; Sozial- und Kulturgeschichte ; Aufsatzsammlung ; Buch ; Großbritannien ; Geschichte 〈1500-1800〉 ; Sozialgeschichte
    Abstract: "How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--
    Abstract: The Oxford Handbook of the History of the Book in Early Modern England provides a rich, imaginative and also accessible guide to the latest research in one of the most exciting areas of early modern studies
    Description / Table of Contents: 1: Adam Smyth: An Introduction: Thinking about the history of the book2: Claire M.L. Bourne: The Handmaids' Tale: Book History, Shakespeare, and Women's Textual Labour3: Megan Heffernan: Cataloguing the Past: Periodisation and the Historiography of Print4: Jeffrey Todd Knight: The Scale of Book History: Data, Distance, Description5: Brandi K. Adams: 'Inlaid with inkie spots of jet': Early modern book history and premodern critical race studies6: Brian Cummings: Religion and the history of the book7: Alexandra Franklin and Richard Lawrence: Printing and book history: Insights from practice8: Jason Scott-Warren: Monuments and trifles: which books do we use to tell the history of the book?9: Paul Nash: What was a print shop, and what happened there?10: Tamara Atkin: Scribes, Compositors, Correctors11: Stephen B. Dobranski: Authors12: Kirk Melnikoff: Publishing Virginia (1608-15): Specialization, Commissioning, Networks13: Rachel Stenner: Regional book and print trades14: Katherine Hunt: Representing the labour of printing in image and text15: Jason Peacey: Printing and the Universities16: Michael Hunter: Illustrated books17: James Misson: Typography18: Harriet Philips: Beyond the book: non-codex texts19: Adrian Johns: Science and the book in early modern England20: Anna Reynolds: Waste, offcuts, remains, reuse21: Ben Higgins: 'The Book-sellars Shop': Browsing, Reading, and Buying in Early Modern England22: Hanna de Lange and Andrew Pettegree: Internationalism and the English book trade23: Tara L. Lyons: 'A Gifte of good Moment': A New History of the Stationers' Benevolence to the Bodleian Library, 1610 to 161624: A.E.B. Coldiron: Multi-lingual print25: Michelle O'Callaghan: Contexts for Circulation: Households, University, Inns of Court, and Professional Circles26: H.R. Woudhuysen: From Duck Lane to Lazarus Seaman: Buying and Selling Old Books in England during the Sixteenth and Seventeenth Centuries27: Sujata Iyengar: Conversations about Time and Space: Early Modern Books and Contemporary Artists' Books28: Jeff Dolven: The Early Modern Book as Metaphor29: Caroline Duroselle-Melish: Past, Present, and Future: Early Modern Collections and the Work of a Curator30: Emma Smith: Self-reading books: marginalia, prosopopoeia and book history31: Georgina Wilson: Book modification32: Bruce R. Smith: Early Modern Books and Phonography33: Alexandra Hill: Transience and loss
    DOI: 10.1093/oxfordhb/9780198846239.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 2
    Book
    Book
    Sweet thing : the history and musical structure of a shared American vernacular form (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
    RVK:
    LS 48400
    RVK:
    LS 48050
    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HeBIS
  • 3
    Book
    Book
    Brithop : the politics of UK rap in the new century (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    BSZ
    GBV
  • 4
    Book
    Book
    The Mahalia Jackson reader (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    BSZ
    GBV
  • 5
    Book
    Book
    Theological stains : art music and the Zionist Project (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    LS 33100
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    BSZ
    GBV
  • 6
    Book
    Book
    Rites, rights & rhythms : a genealogy of musical meaning in Colombia's Black Pacific (2019)
    New York : Oxford University Press
    Details
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    LS 48800
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
  • 7
    Online Resource
    Online Resource
    The Oxford handbook of the British musical (2017)
    New York : Oxford University Press
    Details
    ISBN: 9780190204938
    Language: English
    Pages: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
    RVK:
    HG 610
    RVK:
    LR 54130
    RVK:
    LQ 84000
    Keywords: Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Abstract: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Description / Table of Contents: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Note: Literaturverzeichnis: Seite 697-705
    DOI: 10.1093/oxfordhb/9780199988747.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 8
    Book
    Book
    Singing God's words : the performance of biblical chant in contemporary Judaism (2016)
    New York : Oxford University Press
    Details
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    BD 7230
    RVK:
    LS 33240
    RVK:
    LS 33260
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    München BSB
    Regensburg UB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 9
    Online Resource
    Online Resource
    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    LS 33100
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 10
    Online Resource
    Online Resource
    Resonances of the Raj : India in the English musical imagination, 1897-1947 (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
    RVK:
    LS 39820
    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
    DOI: 10.1093/acprof:oso/9780199314898.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 11
    Online Resource
    Online Resource
    Please please me : sixties British pop, inside out (2008)
    New York : Oxford University Press
    Details
    ISBN: 0199715556 , 9780199715558
    Language: English
    Pages: 1 Online-Ressource (xii, 340 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640941/09046
    RVK:
    LQ 84007
    RVK:
    LR 57767
    RVK:
    LS 48000
    RVK:
    LS 48635
    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Geschichte ; Popular music History and criticism 1961-1970 ; Sound recording industry History 20th century ; Musikwirtschaft ; Popmusik ; Großbritannien ; Großbritannien ; Großbritannien ; Popmusik ; Musikwirtschaft ; Geschichte 1960-1970
    Note: Includes bibliographical references (p. 307-314), discography (p. 281-305), and index , Introduction. Approaches and material -- The velvet glove: the art of production -- A question of balance: engineering art -- Mediating change: setting musical directions -- The write stuff: songwriters -- Red-light fever: musicians -- Please please me , Preface. Acknowledgements. Introduction. 1. The Velvet Glove: The Art of Production. 2. A Question of Balance: Engineering Art. 3. 4. 5. Red-Light Fever: Musicians. 6. Please Please Me. 7. Discography. Bibliography
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
  • 12
    Online Resource
    Online Resource
    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57736
    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
  • 13
    Online Resource
    Online Resource
    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195178326.001.0001
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HeBIS
  • 14
    Book
    Book
    Singing the village : music, memory and ritual among the Sibe of Xinjiang (2004)
    New York : Oxford University Press
    Details
    ISBN: 019726297X
    Language: English
    Pages: XX, 227 Seiten , Illustrationen, Notenbeispiele, Diagramme
    Additional Material: 1 CD (12 cm)
    DDC: 781.629510516
    RVK:
    LB 58440
    RVK:
    LC 87440
    RVK:
    LS 41900
    Keywords: Sibo (Chinese people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Chinese History and criticism ; Sibo (Chinese people) Rites and ceremonies ; Sibo ; Sinkiang ; Musik ; Ritual
    URL: http://www.loc.gov/catdir/enhancements/fy0626/2005273352-d.html
    URL: http://www.loc.gov/catdir/toc/fy0606/2005273352.html
    URL: http://www.loc.gov/catdir/enhancements/fy0626/2005273352-d.html
    URL: http://www.loc.gov/catdir/toc/fy0606/2005273352.html
    URL: http://www.loc.gov/catdir/enhancements/fy0626/2005273352-d.html
    URL: http://www.loc.gov/catdir/toc/fy0606/2005273352.html
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    GBV
    KOBV
    MPI Ethno. Forsch.
  • 15
    Online Resource
    Online Resource
    Rocking the classics : English progressive rock and the counterculture (1997)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199853236
    Language: English
    Pages: 1 Online-Ressource (xiii, 290p., [16]p. of plates) , Ill., ports.
    DDC: 781.66
    RVK:
    LS 48000
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music History and criticism ; Subculture ; Großbritannien ; Verzeichnis
    Abstract: This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
    Note: Includes bibliographical references, discography and index
    DOI: 10.1093/acprof:oso/9780195098884.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195098884.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 16
    Online Resource
    Online Resource
    Hard bop : jazz and Black music 1955-1965 (1993)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199853199
    Language: English
    Pages: 1 Online-Ressource (xi, 208 p.)
    DDC: 781.655
    RVK:
    LS 48100
    Keywords: Geschichte 1955-1965 ; Hardbop ; Bop (Music) History and criticism ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; African Americans Music ; History and criticism
    Abstract: Devoted to the history of this jazz movement, the study combines a narrative of the evolution of hard bop - from its beginnings as an amalgam of bebop and rhythm and blues to its experimental breakthroughs in the 1960s - with close analyses of the musicians' styles and recordings.
    Note: Includes discography and index
    DOI: 10.1093/acprof:oso/9780195085563.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195085563.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...