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  • New York : Oxford University Press  (6)
  • London [u.a.] : Routledge
  • Paris : OECD Publishing
  • Wiesbaden : Springer Fachmedien Wiesbaden
  • Großbritannien  (9)
  • Musicology  (9)
Datasource
Material
Language
  • 1
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 2
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190204938
    Language: English
    Pages: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
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    Keywords: Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Abstract: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Description / Table of Contents: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Note: Literaturverzeichnis: Seite 697-705
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  • 4
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
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    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
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  • 5
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 0415958539 , 9780415958530
    Language: English
    Pages: 234 S.
    Series Statement: Routledge advances in sociology
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    Keywords: Nachtklub ; Unterhaltungsindustrie ; Freizeitverhalten ; Großbritannien
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  • 6
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 0199715556 , 9780199715558
    Language: English
    Pages: 1 Online-Ressource (xii, 340 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640941/09046
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    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Geschichte ; Popular music History and criticism 1961-1970 ; Sound recording industry History 20th century ; Musikwirtschaft ; Popmusik ; Großbritannien ; Großbritannien ; Großbritannien ; Popmusik ; Musikwirtschaft ; Geschichte 1960-1970
    Note: Includes bibliographical references (p. 307-314), discography (p. 281-305), and index , Introduction. Approaches and material -- The velvet glove: the art of production -- A question of balance: engineering art -- Mediating change: setting musical directions -- The write stuff: songwriters -- Red-light fever: musicians -- Please please me , Preface. Acknowledgements. Introduction. 1. The Velvet Glove: The Art of Production. 2. A Question of Balance: Engineering Art. 3. 4. 5. Red-Light Fever: Musicians. 6. Please Please Me. 7. Discography. Bibliography
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 0415202132 , 0415202140
    Language: English
    Pages: XVI, 236 S , Ill. , 24 cm
    Edition: Transfered to digital printing
    Series Statement: Critical geographies 4
    Series Statement: Critical geographies
    DDC: 305.242/0941
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    Keywords: a ; Young adults ; Great Britain ; Social life and customs ; a ; Discotheques ; Social aspects ; Great Britain ; Großbritannien ; Klub ; Diskothek ; Interaktion ; Jugendkultur
    Note: Includes bibliographical references (p. 210-227) and index
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  • 8
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199853236
    Language: English
    Pages: 1 Online-Ressource (xiii, 290p., [16]p. of plates) , Ill., ports.
    DDC: 781.66
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    Keywords: Geschichte ; Progressive Rock ; Progressive rock music History and criticism ; Subculture ; Großbritannien ; Verzeichnis
    Abstract: This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
    Note: Includes bibliographical references, discography and index
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  • 9
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 0415078172 , 0415079705
    Language: English
    Pages: XII, 295 S.
    Edition: 1. publ.
    DDC: 384.54
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    Keywords: Musique populaire - 1961-1970 - Histoire et critique ; Piratenzenders ; Popmuziek ; Radio pirate - Grande-Bretagne - Histoire ; Geschichte ; Pirate radio broadcasting History ; Popular music 1961-1970 ; History and criticism ; Hörfunk ; Großbritannien ; Großbritannien ; Privatsender ; Privatsender ; Privatsender ; Großbritannien ; Privatsender ; Großbritannien ; Hörfunk
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