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  • Leiden : Brill  (487)
  • Milan : FrancoAngeli  (375)
  • New York : Oxford University Press  (170)
  • History  (840)
  • Cross  (192)
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Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    The early Dutch sinologists (1854-1900) : training in Holland and China, functions in the Netherlands Indies (2017-)
    Leiden : Brill
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    Details
    ISBN: 9789004228870
    Language: English
    Series Statement: Sinica Leidensia Volume 135
    Parallel Title: Erscheint auch als Kuiper, Pieter Nicolaas, 1951 - The early Dutch sinologists (1854-1900)
    DDC: 951.0072/02339310598
    RVK:
    LB 27170
    Keywords: Sinologists History 19th century ; China Study and teaching 19th century ; History
    Abstract: The origins of Dutch sinology -- Hoffmann's students (1854-1865) -- Studying in China (1856-1867) -- Contributions to science -- De Grijs and the Sino-Dutch Treaty of Tientsin -- Chinese teachers/clerks in the Indies -- Studying Chinese in Batavia and China (1864-1877) -- Schlegel and his students in Leiden (1873-1878) -- Schlegel's later students (1888-1895) -- Schlegel's students in China (1877-1898)
    Note: Includes bibliographical references and index
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    Book
    GBV
  • 2
    Book
    Book
    Women's America : refocusing the past (2011-)
    New York : Oxford University Press
    Details
    ISBN: 9780195388329 , 0195388321
    Language: English
    Pages: 2 volumes , Illustrationen , 26 cm
    DDC: 305.40973
    RVK:
    NW 8100
    Keywords: Women Sources History ; Women Sources Employment ; History ; Women Sources Political activity ; History ; Women Sources Health and hygiene ; History ; Feminism Sources History ; USA ; Frau ; Geschichte
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    GBV
  • 3
    Book
    Book
    al- Hind : the making of the Indo-Islamic world (1990-)
    Leiden : Brill
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    Details
    ISBN: 9004095098
    Language: English
    DDC: 954
    RVK:
    BE 8092
    RVK:
    BE 8607
    RVK:
    LB 46385
    RVK:
    NK 3600
    RVK:
    NM 9650
    Keywords: India ; History ; 1000-1765 ; Indian Ocean Region ; History ; Muslims ; India ; History ; Indien ; Islam ; Geschichte 633-
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    Book
    Ethn. Museum Berlin
    MPI-MMG
  • 4
    Book
    Book
    The early Dutch sinologists (1854-1900) : training in Holland and China, functions in the Netherlands Indies (2017-)
    Leiden : Brill
    Show associated volumes/articles
    Details
    ISBN: 9789004228870
    Language: English
    Series Statement: Sinica Leidensia Volume 135
    Parallel Title: Erscheint auch als Kuiper, Pieter Nicolaas, 1951 - The early Dutch sinologists (1854-1900)
    DDC: 951.0072/02339310598
    RVK:
    LB 27170
    Keywords: Sinologists History 19th century ; China Study and teaching 19th century ; History
    Abstract: The origins of Dutch sinology -- Hoffmann's students (1854-1865) -- Studying in China (1856-1867) -- Contributions to science -- De Grijs and the Sino-Dutch Treaty of Tientsin -- Chinese teachers/clerks in the Indies -- Studying Chinese in Batavia and China (1864-1877) -- Schlegel and his students in Leiden (1873-1878) -- Schlegel's later students (1888-1895) -- Schlegel's students in China (1877-1898)
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    MPI-MMG
  • 5
    Book
    Book
    al- Hind : the making of the Indo-Islamic world (1990-)
    Leiden : Brill
    Details
    ISBN: 9004095098
    Language: English
    DDC: 954
    RVK:
    BE 8092
    RVK:
    BE 8607
    RVK:
    LB 46385
    RVK:
    NK 3600
    RVK:
    NM 9650
    Keywords: India ; History ; 1000-1765 ; Indian Ocean Region ; History ; Muslims ; India ; History ; Indien ; Islam ; Geschichte 633-
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    Book
    KOBV
  • 6
    Book
    Book
    al- Hind : the making of the Indo-Islamic world (1990-)
    Leiden : Brill
    Details
    ISBN: 9004095098
    Language: English
    DDC: 954
    RVK:
    BE 8092
    RVK:
    BE 8607
    RVK:
    LB 46385
    RVK:
    NK 3600
    RVK:
    NM 9650
    Keywords: India ; History ; 1000-1765 ; Indian Ocean Region ; History ; Muslims ; India ; History ; Indien ; Islam ; Geschichte 633-
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
  • 7
    Online Resource
    Online Resource
    Death and gender in the early modern period (2024)
    Leiden : Brill
    Details
    ISBN: 9789004244467
    Language: English
    Pages: 1 Online-Ressource (XII, 232 Seiten) , Illustrationen
    Series Statement: Death in history, culture, and society volume 2
    Parallel Title: Erscheint auch als Death and gender in the early Modern Period
    DDC: 306.9094/09031
    Keywords: Death Social aspects ; History ; Gender identity History ; Wills ; Burial History
    Abstract: "In premodern Europe, the gender identity of those waiting for Doomsday in their tombs could be reaffirmed, readjusted, or even neutralized. Testimonies of this renegotiation of gender at the encounter with death is detectable in wills, letters envisioning oneself as dead, literary narratives, provisions for burial and memorialization, the laws for the disposal of those executed for heinous crimes and the treatment of human remains as relics"--
    Description / Table of Contents: Part 1. Gendering One's Corpse before Death: Wills and Burial Arrangements -- Part 2. Narrating Deaths: Killing and Being a Corpse as Gendered Performances.
    Note: Includes index
    DOI: 10.1163/9789004244467
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    GBV
    KOBV
  • 8
    Book
    Book
    The moment of death in early modern Europe, c. 1450-1800 : contested ideals, controversial spaces, and suspicious objects (2024)
    Leiden : Brill
    Details
    ISBN: 9789004517738
    Language: English
    Pages: 376 Seiten
    Series Statement: Intersections volume 89
    Series Statement: Intersections
    Parallel Title: Erscheint auch als Moment of death in early modern Europe, c. 1450-1800
    DDC: 306.09409/031
    Keywords: Death Social aspects 16th century ; History ; Death Social aspects 17th century ; History ; Death Symbolic aspects 16th century ; History ; Death Symbolic aspects 16th century ; History
    Abstract: "Both in our time and in the past, death was one of the most important aspects of anyone's life. The early modern period saw drastic changes in rites of death, burials and commemoration. One particularly fruitful avenue of research is not to focus on death in general, but the moment of death specifically. This volume investigates this transitionary moment between life and death. In many cases, this was a death on a deathbed, but it also included the scaffold, battlefield or death in the streets. Contributors include: Friedrich J. Becher, Benedikt Brunner, Isabel Casteels, Martin Christ, Louise Deschryver, Irene Dingel, Michaël Green, Vanessa Harding, Sigrun Haude, Vera Henkelmann, Imke Lichterfeld, Erik Seeman, Elizabeth Tingle, and Hillard von Thiessen"--
    Description / Table of Contents: Introduction : the moment(s) of death in early modern Europe / Benedikt Brunner and Martin Christ -- Ambiguity and authenticity : the 'good death' on the scaffold / Hillard von Thiessen -- Privacy in death? : early modern French accounts of death and Huguenots' last hours / Michaël Green -- Urbanity around the deathbed : considerations from early modern London / Martin Christ -- Deathbed scenes in the early modern Atlantic world : cross-cultural perspectives / Erik R. Seeman -- Confessing in the contexts of dying and narratives of death / Irene Dingel -- The Catholic Reformation and the dying : confraternities and preparations for death in France 1550-1700 / Elizabeth Tingle -- Dying in communities : the ideal death between individual and communal requirements in early modern Protestantism / Benedikt Brunner -- Candles of death and the death of the Virgin Mary as a model of the ideal death on the threshold of the early modern era / Vera Henkelmann -- Contested kingship--controversial coronation : York's paper crown / Imke Lichterfeld -- Miseraciones eius super omnia opera eius : Lucas Cranach the Elder's 'Der Sterbende' on the brink of Reformation? / Friedrich J. Becher -- The moment of death during the Thirty Years' War / Sigrun Haude -- Death disrupted : heresy executions and spectators in the Low Countries, 1550-1566 / Isabel Casteels -- Deaths in hospitals and care institutions in sixteenth- and seventeenth-century London / Vanessa Harding -- Fleeing the deathbed : sensory anxieties and the persecution of non-Catholic dying practices in Antwerp, 1560s-1570s / Louise Deschryver.
    Note: Includes bibliographical references and index
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    BSZ
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  • 9
    Online Resource
    Online Resource
    The moment of death in early modern Europe, c. 1450-1800 : contested ideals, controversial spaces, and suspicious objects (2024)
    Leiden : Brill
    Details
    ISBN: 9789004517745
    Language: English
    Pages: 1 Online-Ressource (329 Seiten)
    Series Statement: Intersections volume 89
    Parallel Title: Erscheint auch als The moment of death in early modern Europe, c. 1450-1800
    DDC: 306.09409/031
    Keywords: Death Social aspects 16th century ; History ; Death Social aspects 17th century ; History ; Death Symbolic aspects 16th century ; History ; Death Symbolic aspects 16th century ; History
    Abstract: "Both in our time and in the past, death was one of the most important aspects of anyone's life. The early modern period saw drastic changes in rites of death, burials and commemoration. One particularly fruitful avenue of research is not to focus on death in general, but the moment of death specifically. This volume investigates this transitionary moment between life and death. In many cases, this was a death on a deathbed, but it also included the scaffold, battlefield or death in the streets. Contributors include: Friedrich J. Becher, Benedikt Brunner, Isabel Casteels, Martin Christ, Louise Deschryver, Irene Dingel, Michaël Green, Vanessa Harding, Sigrun Haude, Vera Henkelmann, Imke Lichterfeld, Erik Seeman, Elizabeth Tingle, and Hillard von Thiessen"--
    Description / Table of Contents: Introduction : the moment(s) of death in early modern Europe / Benedikt Brunner and Martin Christ -- Ambiguity and authenticity : the 'good death' on the scaffold / Hillard von Thiessen -- Privacy in death? : early modern French accounts of death and Huguenots' last hours / Michaël Green -- Urbanity around the deathbed : considerations from early modern London / Martin Christ -- Deathbed scenes in the early modern Atlantic world : cross-cultural perspectives / Erik R. Seeman -- Confessing in the contexts of dying and narratives of death / Irene Dingel -- The Catholic Reformation and the dying : confraternities and preparations for death in France 1550-1700 / Elizabeth Tingle -- Dying in communities : the ideal death between individual and communal requirements in early modern Protestantism / Benedikt Brunner -- Candles of death and the death of the Virgin Mary as a model of the ideal death on the threshold of the early modern era / Vera Henkelmann -- Contested kingship--controversial coronation : York's paper crown / Imke Lichterfeld -- Miseraciones eius super omnia opera eius : Lucas Cranach the Elder's 'Der Sterbende' on the brink of Reformation? / Friedrich J. Becher -- The moment of death during the Thirty Years' War / Sigrun Haude -- Death disrupted : heresy executions and spectators in the Low Countries, 1550-1566 / Isabel Casteels -- Deaths in hospitals and care institutions in sixteenth- and seventeenth-century London / Vanessa Harding -- Fleeing the deathbed : sensory anxieties and the persecution of non-Catholic dying practices in Antwerp, 1560s-1570s / Louise Deschryver.
    Note: Includes bibliographical references and index
    DOI: 10.1163/9789004517745
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 10
    Image
    Image
    Forging America : a continental history of the United States (2024)
    New York : Oxford University Press
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    Details
    Language: English
    Pages: 2 Bände , 24 cm
    RVK:
    NK 4600
    Keywords: History ; United States / History / Textbooks ; Histoire ; history (discipline) ; local histories ; Local histories ; Histoires locales
    Abstract: "A history of the United States is a daunting undertaking for readers and writers alike. It covers well over 400 years and involves people and places from all over the globe. It also requires that we transport ourselves into worlds very different than our own and try to see those worlds through the eyes of the people we study. It requires that we acknowledge the "pastness" of the past and do what we can to reckon with it. At the same time, we must also acknowledge the "presentness of the past," that the past is always living within us, is being carried by us even if we're not aware of it. "The past is never dead," a famous novelist once wrote. "It's not even past." History is our companion and our teacher. History is a way of learning and thinking. History is something we cannot escape nor should we want to"--
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  • 11
    Book
    Book
    Unframing and reframing Mediterranean spaces and identities (2024)
    Leiden : Brill
    Details
    ISBN: 9789004678859
    Language: English
    Pages: XIII, 234 Seiten
    Series Statement: Cultural interactions in the mediterranean volume 7
    Series Statement: Cultural interactions in the Mediterranean
    Parallel Title: Erscheint auch als Unframing and reframing Mediterranean spaces and identities
    DDC: 305.8009182/2
    Keywords: Multiculturalism History ; Mediterranean Region Civilization ; Mediterranean Region Ethnic relations ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mittelmeerraum West ; Multikulturelle Gesellschaft ; Regionale Identität ; Repräsentation ; Literatur ; Kunst
    Abstract: "Reconsidering the Mediterranean, appreciating and demarginalizing the peoples and cultures of this vast region, while considering the affinities and differences, is a valuable part of the process of unframing and reframing the concept of the Mediterranean. The authors of this volume follow Franco Cassano's refusal of a sort of prêt-à-porter reality of cohabitation of cultures, introducing instead un'alternativa mediterranea, a world of multiple cultures that entails an ongoing learning and experiencing. The volume's contributors use an interdisciplinary approach that mirrors the hybridity of the area and of the discipline, that is much more introspective and humanistic, more contemporary and inclusive. Contributors are: Antonio Cecere, Jessica Boll, Stefania Licata, Filomena Viviana Tagliaferri, Valentina Grasso, Sherine Hafez, Roberta Cauchi-Santoro, Elena Frasca, Marco Pioli, Maria Sorbello, Giuseppe Serrantino, Samuel Boscarello, Elena Serina"--
    Description / Table of Contents: Places and moments of Mediterranean reason: a critical reconnaissance / Antonio Cecere -- Three's a crowd? Córdoba's Mosque-Cathedral as representative Third Place / Jessica R. Boll -- Women at the Spanish Mediterranean border: the Liminal Space of Legality / Stefania Licata -- A Mediterranean Theater: different pepresentations of Muslim otherness in early modern Maltese public feasts / Filomena Viviana Tagliaferri -- Elated images of Jāhilīyah in Sicilian decorative arts of the twelfth century: the Islamic Iconography of divertissement / Valentina Grasso -- The Madonna delle Milizie di Scicli and the legacies of contact in Sicily / Sherine Hafez -- A porous Mediterranean Écriture Féminine: Elena Ferrante's L'amore molesto / Roberta Cauchi-Santoro -- Marriage annulment lawsuits in XIX century Sicily / Elena Frasca -- Sicily, Spain and the Mediterranean in Leonardo Sciascia's literary production / Marco Pioli -- A journey in search of the ancient flavors of Sicily gastro-tourism: critical issues and opportunities for development / Maria Sorbello -- Southern European clientelism a case study, Catania (Sicily): from mass party to leader-centered clientelism / Giuseppe Serrantino -- A long migration cooperatives practices and social innovation in Mediterranean Europe (1848-1900) / Samuel Boscarello -- Towards a "Mediterranean social model"? Welfare policies in Italy and Spain during the Interwar period / Elena Serina -- Tracing "New Mediterranean Borders" through artworks and theater / Rosario Pollicino
    Note: Literaturhinweise S. 226-227 und Index S. 229-234
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    München BSB
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    BVB
  • 12
    Book
    Book
    A companion to the environmental history of Byzantium (2024)
    Leiden : Brill
    Details
    ISBN: 9789004689282 , 9004689281
    Language: English
    Pages: XVI, 552 Seiten , Illustrationen, Diagramme
    Series Statement: Brill's companions to the Byzantine world volume 13
    Series Statement: Brill's companions to the Byzantine world
    Parallel Title: Erscheint auch als A companion to the environmental history of Byzantium
    DDC: 304.209495/0902
    RVK:
    NH 9100
    Keywords: Human ecology History ; Byzantine Empire History ; Nature Effect of human beings on To 1500 ; History ; Climatic changes Social aspects To 1500 ; History ; Nature Effect of human beings on To 1500 ; History ; Climatic changes Social aspects To 1500 ; History ; Aufsatzsammlung ; Byzantinisches Reich ; Umwelt ; Menschheit ; Klima ; Pathogenese ; Geschichte
    Abstract: "How did humans and the environment impact each other in the medieval Eastern Mediterranean? How did global climatic fluctuations affect the Byzantine Empire over the course of a millennium? And how did the transmission of pathogens across long distances affect humans and animals during this period? This book tackles these and other questions about the intersection of human and natural history in a systematic way. Bringing together analyses of historical, archaeological, and natural scientific evidence, specialists from across these fields have contributed to this volume to outline the new discipline of Byzantine environmental history. Contributors are: Johan Bakker, Henriette Baron, Chryssa Bourbou, James Crow, Michael J. Decker, Warren J. Eastwood, Dominik Fleitmann, John Haldon, Adam Izdebski, Eva Kaptijn, Jürg Luterbacher, Henry Maguire, Mischa Meier, Lee Mordechai, Jeroen Poblome, Johannes Preiser-Kapeller, Abigail Sargent, Peter Talloen, Costas Tsiamis, Ralf Vandam, Myrto Veikou, Sam White, and Elena Xoplaki"--
    Description / Table of Contents: Environmental History of Byzantium. An introduction -- Part 1. The Basics: Methods and Evidence -- Part 2. Case Studies: Environmental History at Work.
    Description / Table of Contents: Environmental History of Byzantium. An introduction -- Part 1. The Basics: Methods and Evidence -- Part 2. Case Studies: Environmental History at Work.
    Note: Includes bibliographical references and index
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  • 13
    Book
    Book
    The population history of China (1368-1953) (2024)
    Leiden : Brill
    Details
    ISBN: 9789004682658
    Language: English , Chinese
    Pages: X, 622 Seiten , Illustrationen
    Series Statement: Global economic history series volume 20
    Series Statement: The quantitative economic history of China volume 7
    Series Statement: Global economic history series
    Series Statement: The quantitative economic history of China
    Parallel Title: Erscheint auch als Cao, Shuji, 1956 - The population history of China (1368-1953)
    DDC: 304.60951
    Keywords: Bevölkerung ; Demographie ; Sozialgeschichte ; China ; Bevölkerung und Demographie ; HISTORY / Social History ; Population & demography ; SOCIAL SCIENCE / Demography ; Social & cultural history ; Sozial- und Kulturgeschichte ; China Population ; History ; China ; China
    Abstract: "From 1368 to 1953, China's administrative divisions were mainly composed of counties, prefectures, and provinces. This book shows the population figures, density, and changes in the provincial population in China during this period and population figures of each major city and town and its proportion in terms of the provincial population during this period - the urbanization rate. Data in this book is drawn partly from historical sources and partly from statistical-model-based calculations. The book also includes provincial population maps in 1393, and their original statistical models, population databases, and metadata"--
    Abstract: This book is a detailed account of the provincial population of China and its changes from 1368 to 1953. The maps and databases show the number, density, and proportion of urban population in different time periods
    Description / Table of Contents: List of Tables, Diagrams, and Maps1 Introduction2 Reinvestigating the Population of the Ming and Qing3 Population of Prefectures in the Hongwu Period4 The Military Population and the Population of National Minorities in the Ming Dynasty5 The Population Growth and Distribution in the Ming Dynasty6 The Rapid Population Decline between the Ming and Qing Dynasties7 The Population of the Four Southern Provinces in the Mid-Qing Dynasty8 The Population of the Prefectures in Sichuan Province in the Mid-Qing Dynasty9 Population by Prefecture in Northern China in the Mid-Qing Dynasty10 The Impact of The Taiping War on the Population11 The Urban Population in the Hongwu Period12 The Urban Population in the Late Ming Dynasty13 The Urban Population in Northern China in the Mid-Qing Dynasty14 Urban Population in Southern China in the Mid-Qing Dynasty15 Urban Population of Shandong Province at the End of the Qing Dynasty16 Urban Population at the End of the Qing Dynasty, the Examples of Zhili and Henan17 ConclusionAppendix 1: Population and Population Density of Regions in the Ming DynastyAppendix 2: The Number of Li, the Population of Inner Cities and Fu Captials in 1393 (Hongwu s 26th Year)Appendix 3: The Population of the County Headquarters (excluding Fucheng and Fuguo) and the Urbanization Rate of the Individual Fu in 1393 (Hongwu 26th Year)Appendix 4: Urban Population and Urbanization Rate of Individual Fu in 1580 (Wanli 8th Year)Appendix 5: Changes in the Population of the Individual Fu in the Late Ming and Early Qing DynastiesAppendix 6: Population of the Individual Fu from 1393 to 1953Appendix 7: Population of Individual Fu from 1680 to 1953Appendix 8: Population of Fu and Towns in the Qing DynastyGlossary of Chinese CharactersBibliographyIndex
    Note: Includes bibliographical references and index
    DOI: 10.1163/9789004688933
    URL: Inhaltsverzeichnis
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  • 14
    Online Resource
    Online Resource
    The Oxford handbook of the Latin Bible (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780190886127
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 522 pages) , Illustrationen
    Additional Information: Rezensiert in Bray, Gerald, 1948 - [Rezension von: The Oxford handbook of the Latin Bible] 2023
    Series Statement: Oxford handbooks online
    Series Statement: Religion
    Parallel Title: Erscheint auch als The Oxford handbook of the Latin Bible
    DDC: 220.47
    RVK:
    AN 19345
    Keywords: Bible History ; Bible Versions ; History ; Religion ; Religion & beliefs ; Aufsatzsammlung ; Bibel ; Bibel ; Rezeption ; Geschichte ; Latein ; Bibelausgabe ; Geschichte
    Abstract: 'The Oxford Handbook of the Latin Bible' contains 31 chapters covering the history of the Latin Bible from its earliest translations (the Vetus Latina), the revisions leading to the Vulgate, the achievements and innovations of the Carolingian period and Middle Ages, the development of modern scholarship, and the 20th-century innovation of the Nova Vulgata. It includes discussions of key figures and interpreters, the most important manuscripts, and the significance of the Latin Bible in multiple fields.
    Note: Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on March 22, 2023)
    DOI: 10.1093/oxfordhb/9780190886097.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 15
    Book
    Book
    Slavery in the Black Sea Region, c.900-1900 : forms of unfreedom at the intersection between Christianity and Islam (2023)
    Leiden : Brill
    Details
    ISBN: 9789004549265
    Language: English
    Pages: XXIII, 448 Seiten , 24 cm
    Edition: Paperback
    Series Statement: Studies in global slavery volume11
    Series Statement: Studies in global slavery
    Parallel Title: Erscheint auch als Slavery in the Black Sea region, C. 900-1900
    DDC: 306.3620918229
    Keywords: Slavery History ; Christianity and other religions Islam ; History ; Islam Relations ; Christianity ; History ; Konferenzschrift 2017 ; Schwarzmeer-Gebiet ; Sklaverei ; Sklavenhandel ; Religion ; Geschichte 900-1900
    Note: Originally published: 2022 , "This volume is based on the proceedings of a workshop titled "Slavery in the Black Sea Region, c. 900-1900: Forms of Unfreedom at the Intersection between Christianity ans Islam", held at Leiden University in May 2017" (Acknowledgements)
    URL: Inhaltsverzeichnis
    URL: Rezension
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  • 16
    Online Resource
    Online Resource
    Chapter Modelli procedurali per l’ideazione, il controllo e la generazione della forma libera negli apparati decorativi (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 17
    Online Resource
    Online Resource
    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 18
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    Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell’opera di El Lissitzky (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 19
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    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 20
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    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 21
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    Chapter Dall’illustrazione alla realtà immersiva: l’evoluzione del visual journalism (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 22
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    Chapter Transizioni digitali e fisiche per i beni museali (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 23
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    Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 24
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    Chapter Skiagraphia, manifestazione proiettiva della transizione temporale del sole sull’architettura (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 25
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    Chapter La rappresentazione info-grafica a supporto dei ‘programmi di sviluppo’ sul territorio per le agenzie umanitarie (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 26
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    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 27
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    Chapter I disegni di Francesco Paolo Labisi per il convento dei Padri Crociferi a Noto (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 28
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    Chapter Idoli virtuali. Rappresentazioni di corpi in transito e modelli estetici da incarnare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 29
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    Chapter Tradition in Innovation. Some Considerations on SLAM Technique Integration for Historic Buildings (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 30
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    Chapter Ri-disegno di percorsi e microarchitetture nel parco museale di Craco Vecchia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 31
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    Chapter Transitus Signa. Il complesso monastico medioevale di San Giorgio Maggiore a Venezia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 32
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    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (6 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 33
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    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 34
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    Chapter “Mi parve pinta de la nostra effige”. Alcune note critiche sulla creatività artificiale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 35
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    Chapter Attraversare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 36
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    Chapter Dalle case di carta alle case di pietra. Modulazioni di Pietro Lingeri sul tema della casa per l’artista (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (18 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 37
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    Chapter Hortus Lizori. Percorsi didattici sulla rappresentazione del paesaggio (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 38
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    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 39
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    Chapter Note sulla transizione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 40
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    Chapter Beyond Letarouilly (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 41
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    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 42
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    Chapter Documenting Theatres as Spaces for ‘Transitions’ (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 43
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    Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 44
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    Chapter La grotta degli asceti. Rilievo e analisi dell’eremo di Santa Maria della Stella (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 45
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    Chapter Geometric and Parametric Modeling to Identify the Characteristics of Niemeyer’s V Columns (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 46
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    Chapter Edu-verse: Designing 3D Learning Environments (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 47
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    Chapter Archaeology and Natural Sciences. Giovanni Antonio Antolini’s Unpublished Texts and Drawings (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 48
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (16 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 49
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    Chapter Digital Humanities for Underground Worship Heritage (UWH). Casi studio in Calabria (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 50
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    Chapter Il ponte dell’Isca. La ri-scoperta di un ponte romano nella media valle del Tammaro (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 51
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    Chapter Transizione dal reale al virtuale in ambito medico-sanitario (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (12 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 52
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    Chapter Considerazioni sulla produzione teatrale di Gabriele D’Annunzio illustrata da caricature (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (11 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 53
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 54
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 55
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    Chapter Architettura e Musica: le melodie ‘mistiche’ del chiostro benedettino dell’Abbazia di San Zeno a Verona (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 56
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    Chapter I modelli per la Geometria descrittiva: transizioni tra spazio reale e virtuale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 57
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    Chapter L’Intelligenza Artificiale sarà in grado di sostituirsi alla creatività umana? (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 58
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    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 59
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    Chapter Transizioni d’immagini e architetture al tempo dell’IA. Modelli semantici in cerca di autore (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 60
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    Chapter La dimensione visuale dei nativi digitali (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 61
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    Chapter Drawing beyond Language and Images: Steps to Olfactory Representations (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 62
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    Chapter Dinamiche di rappresentazione di un’architettura alla ricerca della sua identità (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (27 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 63
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    Chapter Imaging the Cultural Landscapes of Remote Areas. Storytelling, Fragilities and Future Scenarios (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 64
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    Chapter Il controllo della forma nelle superfici libere dell’architettura contemporanea (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (16 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 65
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    Chapter Disegnare un sistema informativo 3D per la promozione della rotta culturale di Jaime I a Valencia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 66
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    Chapter Transizioni digitali: artefatti dalle macchine intelligenti. Riflettendo con Cesare Battelli (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 67
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    Chapter Itinerari della rappresentazione. Transizioni tra spazio scenico e pubblico nel teatro partecipativo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 68
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    Chapter Modulare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (11 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 69
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    Chapter Didattica per il disegno degli elementi costruttivi di opere civili ed edili (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 70
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    Chapter Il digital twin dei siti culturali per l’inclusività e la valorizzazione. Il Castello Aragonese di Ischia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 71
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    Chapter Architecture Analysis by the Comparative Method (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (6 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 72
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    Chapter L’invenzione dei percorsi pedonali meccanizzati. Dalla città delle automobili alla città dei pedoni (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 73
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    Chapter Dalla pianta al volume: transizioni e trasformazioni geometriche del cerchio nell’architettura di Mario Botta (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 74
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 75
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    Chapter Prefazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (5 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 76
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    Chapter Fra spazio fisico e digitale: ricostruzione e comunicazione del complesso del Castello di Mirafiori (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 77
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    Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 78
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    Chapter Misurare e/è disegnare: tra modelli di dati e modelli grafico-geometrico-analitici (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 79
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    Chapter Le transizioni del disegno: fondi di archivio e rappresentazione digitale del Teatro Bellini (CT) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 80
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    Chapter Digital Storytelling about the São Paulo Independence Monument: between Lost Memories and Italian Legacy (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 81
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (18 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 82
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    Chapter Processi di transizione digitale per i musei: il Palazzo Ducale di Urbino nel progetto CIVITAS (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 83
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 84
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    Chapter Geometrie in movimento nelle architetture cinetiche (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 85
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 86
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    Chapter Archetipi della transizione: il Viaggio al centro della Terra di Jules Verne (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 87
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    Chapter Construyendo transiciones pedagógicas híbridas (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 88
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    Chapter Dal testo verbale al testo estetico del fumetto. Un esercizio di stile (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 89
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    Chapter Pitched-Brick Barrel Vaults and Biaxial Cross-Vaults in Egypt’s Western Desert (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 90
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    Chapter Modelli digitali per la conoscenza dei complessi monumentali spagnoli (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 91
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    Chapter Grandezza: alcune considerazioni sul concetto di ‘Bigness’ in Rem Koolhaas (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 92
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    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 93
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    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 94
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    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (11 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 95
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    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 96
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    Chapter Sensor Data Fusion per i processi Scan to BIM. La Chiesa Ognissanti di Valenzano, Bari (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 97
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    Chapter Le fortificazioni bastionate capuane. Ricostruzione e rappresentazione degli assetti difensivi (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 98
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    Chapter Ricomposizione di parti urbane di antico impianto tra Palazzo Spagna e il Pianitello di Accettura (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 99
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    MPI Ethno. Forsch.
  • 100
    Online Resource
    Online Resource
    Chapter Las ciudades y el tiempo: Transiciones en torno a la Catedral de Burgos (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
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