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  • Durham : Duke University Press  (3)
  • Massenkultur
  • American Studies  (3)
  • Economics
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  • 1
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 0822389169 , 9780822389163
    Language: English
    Pages: 1 Online-Ressource (xiv, 353 Seiten) , Illustrationen
    Edition: Online-Ausgabe 2011
    Parallel Title: Erscheint auch als Berlant, Lauren Gail, 1957 - 2021 The female complaint
    DDC: 305.420973
    RVK:
    RVK:
    Keywords: Emotions ; Women in literature ; Women in motion pictures ; Women Psychology ; Mass media and women ; Sentimentalism in motion pictures ; Sentimentalism in literature ; Sentimentalism ; Massenkultur ; Frau 〈Motiv〉 ; Gefühl 〈Motiv〉 ; Sentimentalität ; Kultur ; USA ; Massenkultur ; Frau ; Gefühl
    Abstract: A literary critical and historical chronicle of women s culture in the United States from 1830 to the present, by a leading Americanist
    Note: Includes bibliographical references and index , Contents; Preface; Introduction: Intimacy, Publicity, and Femininity; Poor Eliza; Pax Americana: The Case of Show Boat; National Brands, National Body: Imitation of Life; Uncle Sam Needs a Wife: Citizenship and Denegation; Remembering Love, Forgetting Everything Else:Now, Voyager; "It's Not the Tragedies That Kill Us, It's the Messes":Femininity, Formalism, and Dorothy Parker; The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil; Overture/Aperture: Showboat 1988-The Remake; Notes; Bibliography; Index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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