ISBN:
9780203131152
Language:
English
Pages:
1 Online-Ressource (XVI, 207 Seiten)
Series Statement:
Routledge contemporary Russia and Eastern Europe series 32
Series Statement:
Routledge contemporary Russia and Eastern Europe series
Parallel Title:
Erscheint auch als Postcommunist film
DDC:
302.23/430947
Keywords:
Motion pictures
;
Russia (Federation)
;
History
;
Motion pictures
;
Europe, Eastern
;
History
;
Post-communism
;
Europe, Eastern
;
Post-communism
;
Russia (Federation)
;
Electronic books
;
Konferenzschrift
;
Aufsatzsammlung
;
Osteuropa
;
Film
;
Geschichte 1989-2010
Abstract:
Includes bibliographical references and index
Abstract:
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film. The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mo
Description / Table of Contents:
Front Cover; Postcommunist Film - Russia, Eastern Europe and World Culture; Copyright Page; Contents; Figures; Foreword; Acknowledgements; Notes on contributors; Introduction: Lars Kristensen ; Part l: Cultural strategies, industry and reception; 1. National identity in post-9/11 transnational cinema: Jasmijn Van Gorp; 2. Baltic cinema: Zoe Aiano ; 3. Belgrade as New York: Vlastimir Sudar; 4. 'Haven't you heard of internationalism?': Ros Gray; 5. The remains of socialist realism: Lars Kristensen; 6. Spotting the eagle on Anglophone turf: Bruce Williams; Part ll: People, place and nation
Description / Table of Contents:
7. Demolish, preserve or beautify: Ewa Mazierska8. Treading new paths: Sune Bechmann Pedersen; 9. The crime that changed Serbia: Nevena Daković; 10. Projected nation and projected self: Yun-Hua Chen; 11. Truancy, or thought from the provinces: Yün Peng; 12. Representations of former USSR and Eastern European identity in Turkish cinema: Serazer Pekerman; References; Index
Note:
Description based upon print version of record
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