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  • New York, NY : Oxford University Press  (46)
  • Cambridge : Cambridge University Press  (26)
  • Köln : König
  • Musik  (75)
  • Ausstellungskatalog  (10)
  • Musicology  (73)
  • Art History  (11)
Material
Language
  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
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    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
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  • 4
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
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    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 8
    ISBN: 9780190947309
    Language: English
    Pages: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
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    Keywords: Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Abstract: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
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  • 9
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
    RVK:
    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
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    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 12
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 13
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
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    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 15
    ISBN: 9780190841485 , 9780190841492
    Language: English
    Pages: xvii, 431 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Thought and play in musical rhythm
    DDC: 781.2/24
    RVK:
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    Keywords: Musical meter and rhythm ; Musical meter and rhythm ; Musical meter and rhythm ; Aufsatzsammlung ; Afrika ; Asien ; Europa ; Nordamerika ; Musik ; Aufführung ; Rhythmus
    Abstract: Thinking with and about rhythm / Christopher Hasty -- Formative processes of durational projection in free rhythm world music / John Roeder -- Meter and rhythm in the sung poetry of Iranian Khorasan / Stephen Blum -- An approach to musical rhythm in agbadza / David Locke -- Rhythm and the physical / Eugene Montague -- Modern drum solos over ostinatos / Fernando Benadon -- Temporal and density flow in Javanese gamelan / Sumarsam -- Layers and elasticity in the rhythm of noh songs : taking komi and its social background / Takanori Fujita -- Rhythmic metamorphoses : botanical process models on the Atlas Mountains of Morocco / Miriam Rovsing Olsen -- Mapping a rhythmic revolution through eighteenth- and nineteenth-century sources on rhythm and drumming in North India / James Kippen -- Time changes : heterometric rhythm in South Asia / Richard Widdess -- Rhythm, beat, and freedom, in South Asian musical traditions / Richard K. Wolf -- New music - new rhythm / Christopher Hasty
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
    RVK:
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    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
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  • 18
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
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    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 19
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
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    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
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  • 20
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.609593
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    Keywords: Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
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  • 21
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
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    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 23
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
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    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
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    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 25
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 26
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
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    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 27
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984169
    Language: English
    Pages: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
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    Keywords: Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
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  • 29
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190636241
    Language: English
    Pages: 1 Online-ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
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    Keywords: Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Abstract: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Note: Includes bibliographical references and index
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  • 30
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 31
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 32
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
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    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 33
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
    RVK:
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    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 36
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 37
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
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    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
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    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Abstract: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Abstract: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Note: Includes bibliographical references and index
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  • 39
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 40
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index
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  • 43
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 online resource.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    Keywords: Music History and criticism ; Music and globalization ; Afrika ; Musik ; Ethnologie ; Globalisierung
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2016)
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  • 47
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107504318 , 9781107007321
    Language: English
    Pages: XIV, 327 S.
    Series Statement: Music since 1900
    DDC: 780.904
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Note: Originally published: 2013. , Includes bibliographical references and index.
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  • 48
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
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  • 49
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107023451 , 9781107623750
    Language: English
    Pages: xiii, 293 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Cambridge companions to music
    DDC: 780.89924
    RVK:
    Keywords: Juden ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Bibliography Seite 258-279
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  • 50
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
    RVK:
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    ISBN: 9783863357160
    Language: English
    Pages: 194 Seiten , Illustrationen
    Additional Material: Beil. (1 ungezähltes Blatt)
    Edition: English edition
    Series Statement: Proposition 3
    Series Statement: Proposition
    Angaben zur Quelle: Vol. 2
    RVK:
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    Keywords: Ausstellungskatalog ; Aufsatzsammlung ; China ; Bestattungsritus ; Konsumgut ; Papier
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  • 52
    ISBN: 1107504120 , 9780521764247 , 9781107504127
    Language: English
    Pages: xv, 358 Seiten
    Edition: First paperback edition
    DDC: 781.2/3
    RVK:
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    Keywords: Music ; Social aspects ; Sound ; Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Soziologie
    Abstract: This book focuses on music, sound and space and how they have been employed to transform public and private experience.
    Abstract: Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
    Note: First published 2013 , Literaturverzeichnis: Seite 312-342, Discography, Index
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  • 53
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199334681 , 9780199334698
    Language: English
    Pages: xvii, 433 Seiten , Illustrationen
    DDC: 781.5/920952090512
    RVK:
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Antikernkraftbewegung ; Protestsong ; Popmusik ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan
    Note: Literaturverzeichnis: Seite 403-417
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  • 54
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199984183
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 303.376
    RVK:
    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections: Censorship and Religion; Censorship During the Enlightenment; Censorship in Transitional Governments; Censorship in Totalitarian States; Censorship in Democracies; and Censoring Race, Gender, and Sexual Orientation.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 55
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139151214
    Language: English
    Pages: 1 Online-Ressource (xiii, 293 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Jews / Music / History and criticism ; Judentum ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Judentum ; Musik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    ISBN: 9783863355326
    Language: German , English
    Pages: 239 S , zahlr. farb. Ill , 27 cm
    RVK:
    Keywords: Ausstellungskatalog ; Installation ; Tayou, Pascale Marthine 1967-
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  • 57
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
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    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Cover
    URL: Cover
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  • 58
    ISBN: 9781107010918 , 9781107460980
    Language: English
    Pages: XII, 335 Seiten
    Edition: First paperback edition
    Series Statement: New perspectives in music history and criticism
    DDC: 780.943
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    Keywords: Geistesgeschichte 1800-1935 ; Musikpsychologie ; Tiefe ; Metapher ; Musik ; Deutschland
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  • 59
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984619
    Language: English
    Pages: 1 Online-Ressource (xii, 701 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    DDC: 780.9
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    Keywords: Music History and criticism ; Music ; History and criticism ; Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
    Abstract: Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal.
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  • 60
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 62
    ISBN: 9783863354442 , 3863354443
    Language: German , English , French
    Pages: 183 S. , zahlr. Ill. , 23 cm
    Additional Material: 1 DVD-Video (12 cm) u.d.T.: Romuald Hazoumè : ONG SBOP, 2011, 3,14 min
    DDC: 709.2
    RVK:
    Keywords: Hazoumé, Romuald ; Installation ; Benin ; Postkolonialismus ; Ausstellungskatalog 2013 ; Ausstellungskatalog ; DVD-Video ; Hazoumé, Romuald 1962- ; Installation ; Hazoumé, Romuald 1962-
    Note: Text dt., engl. und franz
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  • 63
    ISBN: 9783863353100
    Language: English , Swedish
    Pages: 183 S , zahlr. Ill , 29 cm
    DDC: 759.955
    RVK:
    Keywords: Ausstellungskatalog
    Note: Text engl. und schwed. - Literaturangaben
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  • 64
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139051682
    Language: English
    Pages: 1 Online-Ressource (xiv, 327 pages)
    Series Statement: Music since 1900
    DDC: 780.9/04
    RVK:
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    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Abstract: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 65
    ISBN: 9783863352431
    Language: English
    Pages: 64 S , zahlr. Ill , 240 mm x 160 mm
    DDC: 700
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    Keywords: Ausstellungskatalog ; Jacir, Emily 1970- ; Installation
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  • 66
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 67
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781107015388 , 9781139221306 (Sekundärausgabe)
    Language: English
    Pages: 358 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781139221306
    Edition: [Online-Ausg.]
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Klassische Musik ; Komponist ; Europa
    Abstract: David Conway examines how Jews developed a significant presence in early nineteenth-century Western music.
    Note: Description based upon print version of record , Online-Ausg.:
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  • 68
    ISBN: 9783865609762
    Language: English , German , Italian
    Pages: 131 S. , zahlr. Ill , 23 cm
    DDC: 700
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    Keywords: Ausstellungskatalog ; Ausstellungskatalog 2010 ; Margolles, Teresa 1963- ; Installation ; Margolles, Teresa 1963-
    Note: Text engl., dt. und ital.
    URL: Cover
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  • 69
    ISBN: 9783865607393 , 9783902592262
    Language: German , English
    Pages: 15 S., 5 Musterblätter 4c, 13 Seiten Faksimile-Brief in Mappe , Ill. , 270 mm x 216 mm
    Edition: 1., Auflage
    DDC: 700
    RVK:
    Keywords: Ausstellungskatalog
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  • 70
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
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    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 71
    ISBN: 9783865609212
    Language: English
    Pages: 96 S. , zahlr. Ill. , 30 cm
    DDC: 700
    RVK:
    Keywords: Bildband ; Ausstellungskatalog ; Abdessemed, Adel 1971- ; Abdessemed, Adel 1971- ; Videokunst ; Aktionskunst
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  • 72
    ISBN: 9783865608987
    Language: German
    Pages: 328 S. , zahlr. Ill.
    DDC: 709.6
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    Keywords: Stadt ; Verstädterung ; Stadtentwicklung ; Kultur ; Einflussgröße ; Kunst ; Darstellende Kunst ; Künstler ; Massenmedien ; Soziokultureller Faktor ; Fallstudie ; Feldforschung ; Afrika Stadt ; Urbanisierung ; Stadtentwicklung ; Kulturelle Faktoren ; Kunst ; Bildende Kunst ; Darstellende Kunst ; Kulturprojekt ; Künstler ; Massenmedien ; Soziokulturelle Faktoren ; Fallstudie ; Feldforschung ; Länderbezogene Beiträge ; Ägypten Al-Qahira/Cairo ; Nigeria ; Lagos (City) ; Kenia ; Nairobi ; Kongo (Kinshasa) ; Kinshasa ; Südafrikanische Republik ; Johannesburg ; Architektur ; Literatur ; Fotografie ; Film ; Feier ; Musik ; Design ; Freizeit ; Technik ; Sport ; Kulturelle Einrichtung ; Stadtbevölkerung ; Soziale Beziehungen ; Afrika ; Ausstellungskatalog 2010 ; Ausstellungskatalog 2010-2011 ; Ausstellungskatalog 2011 ; Afrika ; Metropole ; Urbanität ; Kunst
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  • 73
    ISBN: 9783865606839
    Language: German , English
    Pages: 314 Seiten , Illustrationen , 230 cm
    Edition: 1. Aufl.
    DDC: 700.45780744362422gerDNB
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    Keywords: Ausstellungskatalog Lentos Kunstmuseum Linz 28.08.2009-10.01.2010 ; Klangkunst ; Musik ; Kunst
    Description / Table of Contents: Literaturverz. S. 291 - 302
    Note: Text in dt. und engl. Sprache
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  • 74
    Image
    Image
    Köln : König
    ISBN: 9783865603753 , 3865603750
    Language: German
    Pages: 290 S. , überw. Ill.
    DDC: 700.9435509045
    RVK:
    Keywords: Geschichte ; Geschichte 1967-1990 ; Pop art Exhibitions ; Rock music Exhibitions ; Pop-Art ; Literatur ; Popkultur ; Musik ; Kunst ; Deutschland ; Rheinland ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung ; Ausstellungskatalog ; Aufsatzsammlung ; Rheinland ; Popkultur ; Geschichte ; Pop-Art ; Rheinland ; Kunst ; Musik ; Geschichte 1967-1990 ; Rheinland ; Kunst ; Literatur ; Geschichte 1967-1990
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  • 75
    ISBN: 3865601456 , 3886095355 , 9783865601452
    Language: German , English
    Pages: 133 S , zahlr. Ill , 29 cm
    Edition: 1. Aufl.
    Series Statement: [WerkRaum] [21]
    Series Statement: WerkRaum
    DDC: 770
    RVK:
    RVK:
    Keywords: Raad, Walid Exhibitions ; Documentary photography Exhibitions ; War photography Exhibitions ; Ausstellung ; Ausstellungskatalog ; Raad, Walid 1967- ; Video-Installation ; Ruine ; Beirut ; Geschichte 1989-2004
    Note: Text dt. und engl.
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  • 76
    ISBN: 9780195173031 , 019517304X , 9780195173048 , 0195173031
    Language: English
    Pages: XVIII, 350 S , Ill., Notenbeisp. , 25 cm
    Parallel Title: Online-Ausg. Music in American religious experience
    DDC: 201.6780973
    RVK:
    Keywords: Music Congresses Religious aspects ; United States Congresses Religious life and customs ; Konferenzschrift ; Konferenzschrift 1994 ; USA ; Musik ; Religiöses Leben ; Geschichte ; Kirchenmusik ; Geistliche Musik
    Description / Table of Contents: Experience and identity -- Liturgy, humnody, and song -- Individuals and the agency of faith -- Congregation and community
    Note: Includes bibliographical references and index , Papers from a conference held at the U. of Chicago, Apr. 22-24, 1994 (p. ix) - Includes bibliographical references and index
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  • 77
    ISBN: 9780511518317
    Language: English
    Pages: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
    RVK:
    Keywords: Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 78
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    ISBN: 9780511518317
    Language: English
    Pages: 1 online resource (xxviii, 668 pages)
    Uniform Title: Polyphonies et polyrythmies instrumentales d'Afrique centrale
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/84/0967
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Music / Africa, Central / History and criticism ; Counterpoint ; Musical meter and rhythm ; Polyfonie ; Musik ; Polyrhythmus ; Afrika ; Afrika ; Polyfonie ; Musik ; Polyrhythmus ; Afrika
    Abstract: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system
    Description / Table of Contents: Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511470233
    Language: English
    Pages: 1 online resource (xii, 201 pages)
    Series Statement: Cambridge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.955
    RVK:
    RVK:
    Keywords: Dastgāh ; Music theory / Iran ; Dastgāh ; Musik ; Kunstmusik ; Iran ; Hochschulschrift ; Hochschulschrift ; Iran ; Musik ; Iran ; Kunstmusik ; Dastgāh
    Abstract: The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times
    Description / Table of Contents: A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    ISBN: 9780511627255
    Language: English
    Pages: 1 online resource (xvii, 307 pages)
    Series Statement: Cambridge studies in oral and literate culture 20
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 899/.4
    RVK:
    Keywords: Alltag, Brauchtum ; Folk poetry, Tikopia / History and criticism ; Tikopia (Solomon Islands people) / Social life and customs ; Tikopia (Solomon Islands people) / Rites and ceremonies ; Folk poetry, Tikopia ; Musik ; Volksmusik ; Literatur ; Polynesien ; Tikopia ; Tikopia ; Literatur ; Tikopia ; Musik ; Polynesien ; Volksmusik
    Abstract: Sir Raymond Firth is one of the most distinguished British anthropologists, and one internationally acclaimed. His work here forms part of one of the fullest and most professional ethnographic accounts by any anthropologist of a non-industrial people, an account which extends over many years. This book is about the songs of a Western Pacific people, the Tikopia, who not so long ago lived entirely on a small remote island of the Solomons. Their songs vary from lively dance chants to mournful funeral laments. All are novel to western ears. The book provides about 100 examples, in text and translation. It also discusses the relation of the songs to the social life of the people, and it includes an analysis of the structure of their music, by Mervyn McLean, a noted musicologist
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511586156
    Language: English
    Pages: 1 online resource (xii, 228 pages)
    Uniform Title: Rockmusik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
    Keywords: Gesellschaft ; Musik ; Rock music / History and criticism ; Music / Philosophy and aesthetics ; Music / Social aspects ; Popular culture
    Abstract: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies
    Description / Table of Contents: Preface -- 'Roll over Beethoven': new experiences in art -- 'Rock Around the Clock': emergence -- 'Love Me Do': the aesthetics of sensuousness -- 'My Generation': rock music and subcultures -- 'Revolution': the ideology of rock -- 'We're Only in It for the Money': the rock business -- 'Anarchy in the UK': the punk rebellion -- 'Wild Boys': the aesthetic of the synthetic -- Postscript: 'The Times They are A-Changing' -- Notes -- Bibliography -- Discography -- Index of people and groups -- General index
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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