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  • Cambridge : Cambridge University Press  (7)
  • Durham [u.a.] : Duke Univ. Press  (4)
  • München : Fink
  • Kultur  (6)
  • Music / Social aspects  (5)
  • Indien
  • Kollektive Gewalt
  • Musicology  (12)
Material
Language
Keywords
  • 1
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108296939
    Language: English
    Pages: 1 Online-Ressource (xx, 351 Seiten) , Illustrationen
    Series Statement: Composers in context
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; Beatles / Influence ; The Beatles ; Popular music / 1961-1970 / History and criticism ; Rezeption ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles ; Rezeption ; Kultur
    Abstract: Since their first performances in 1960, The Beatles' cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from dance halls to Abbey Road Studios and the digital age, the band's impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band's complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore The Beatles' lives and work and understand their cultural legacy, focusing on the people and places central to The Beatles' careers, the visual media that contributed to their enduring success, and the culture and politics of their time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 3
    ISBN: 9781107100862 , 9781107498297
    Language: English
    Pages: xii, 287 Seiten , Illustrationen, Diagramme
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Note: Literaturverz. S. 264 - 281 , Paperback edition 2017
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  • 4
    ISBN: 9780822340904 , 0822340909 , 9780822341086 , 0822341085
    Language: English
    Pages: XI, 313 S. , Ill.
    DDC: 302.2309669
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    Keywords: Geschichte 1900-2000 ; Geschichte 1930-2000 ; Mass media and technology / Nigeria / History ; Mass media and culture / Nigeria / History ; Geschichte ; Mass media and culture History ; Mass media and technology History ; Massenmedien ; Film ; Kultur ; Stadt ; Nigeria / Civilization / 20th century ; Nigeria Civilization 20th century ; Nigeria ; Nigeria Nord ; Film ; Stadt ; Kultur ; Geschichte 1930-2000 ; Nigeria Nord ; Massenmedien ; Stadt ; Kultur ; Geschichte 1930-2000
    Note: Includes bibliographical references (p. [277]-299) and index
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  • 5
    ISBN: 0822336316 , 0822336200
    Language: English
    Pages: XIII, 349 S. , Ill.
    DDC: 781.6/90954
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Music History and criticism ; Music Social aspects ; Politics and culture ; Notenschrift ; Musik ; Rezeption ; Klassische Musik ; Volksmusik ; Indien ; Indien Süd ; Klassische Musik ; Rezeption ; Geschichte ; Indien Süd ; Volksmusik ; Notenschrift ; Geschichte ; Indien Süd ; Musik ; Geschichte
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9780822325147
    Language: English
    Pages: XXVIII, 298 S. , Ill.
    Edition: 3. print.
    DDC: 306.4/84
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    Keywords: Popular culture ; Popular music History and criticism ; Tanzlokal ; Unterhaltung ; Kultur ; Jamaika ; Jamaika ; Tanzlokal ; Unterhaltung ; Kultur
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  • 7
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
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    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Language: English
    Pages: 1 online resource (vii, 294 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Keywords: Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Abstract: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 3770533666
    Language: German
    Pages: 279 S. , Ill. , 24 cm
    Parallel Title: Online-Ausg. Baxmann, Inge Mythos: Gemeinschaft
    Dissertation note: Zugl.: Berlin, Humboldt-Univ., Habil.-Schr.
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    Keywords: Körperpolitik ; Körper ; Unbewusste, das ; Kultur ; Moderne ; Kultursoziologie ; Gemeinschaft ; Kulturgeschichte ; Tanz ; a ; Dance ; Philosophy ; a ; Modern dance ; Germany ; Sociological aspects ; a ; Body image ; Hochschulschrift ; Gemeinschaft ; Körper ; Kultur ; Geschichte 1900-1939 ; Tanz ; Geschichte 1900-1939
    Note: Literaturverz. S. [267] - 279
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  • 10
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 0822318555 , (pbk. : alk. paper) , 0822318474
    Language: English
    Pages: VI, 310 S.
    DDC: 780/.947/0904
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    Keywords: Geschichte 1900-2000 ; Geschichte 1970-1990 ; Musique - Aspect social - Europe centrale - Histoire - 20e siècle ; Musique - Aspect social - Europe centrale ; Musique - Aspect social - Europe de l'Est - Histoire - 20e siècle ; Musique - Aspect social - Europe de l'Est ; Musique - Europe centrale - 20e siècle - Histoire et critique ; Musique - Europe centrale - 20e siècle - Histoire et critique ; Musique - Europe de l'Est - 20e siècle - Histoire et critique ; Musique - Europe de l'Est - 20e siècle - Histoire et critique ; Musique - Politique gouvernementale - Europe centrale ; Musique - Politique gouvernementale - Europe de l'Est ; Gesellschaft ; Musik ; Music and state ; Music and state ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism 20th century ; Kultur ; Musikleben ; Osteuropa ; Konferenzschrift 1993 ; Konferenzschrift 1993 ; Konferenzschrift 1993 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osteuropa ; Musikleben ; Kultur ; Geschichte 1970-1990
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  • 11
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
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    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511586156
    Language: English
    Pages: 1 online resource (xii, 228 pages)
    Uniform Title: Rockmusik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
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    Keywords: Gesellschaft ; Musik ; Rock music / History and criticism ; Music / Philosophy and aesthetics ; Music / Social aspects ; Popular culture
    Abstract: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies
    Description / Table of Contents: Preface -- 'Roll over Beethoven': new experiences in art -- 'Rock Around the Clock': emergence -- 'Love Me Do': the aesthetics of sensuousness -- 'My Generation': rock music and subcultures -- 'Revolution': the ideology of rock -- 'We're Only in It for the Money': the rock business -- 'Anarchy in the UK': the punk rebellion -- 'Wild Boys': the aesthetic of the synthetic -- Postscript: 'The Times They are A-Changing' -- Notes -- Bibliography -- Discography -- Index of people and groups -- General index
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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