ISBN:
9780520970700
,
0520970705
,
9780520298651
,
0520970705
,
9780520298651
,
9780520970700
Language:
English
Pages:
1 Online-Ressource (1 online resource)
Parallel Title:
Erscheint auch als
Parallel Title:
Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
Keywords:
Britten, Benjamin
;
Britten, Benjamin
;
Britten, Benjamin
;
Music
;
Opera
;
Modernism (Music)
;
Music Philosophy and esthetics 20th century
;
Opera 20th century
;
Modernism (Music) History 20th century
;
Opera 20th century
;
Modernism (Music) History 20th century
;
Music Philosophy and esthetics 20th century
;
Electronic books
;
MUSIC / History & Criticism
;
Modernism (Music)
;
Opera
;
Operas (Britten, Benjamin)
;
History
;
Electronic books
;
Britten, Benjamin 1913-1976
;
Oper
;
Soziale Situation
;
Massenkultur
;
Neue Musik
Abstract:
"At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
Abstract:
"At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
Note:
Includes bibliographical references and index
URL:
Volltext
(kostenfrei)
URL:
Volltext
(kostenfrei)
Permalink
