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  • HeBIS  (2)
  • KOBV
  • 1880-1889  (2)
  • Cambridge, UK : Cambridge University Press
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : [Verlag nicht ermittelbar] | Cambridge, UK : Cambridge University Press
    ISBN: 9781316274361
    Language: English
    Pages: 1 Online-Ressource (502 pages)
    Series Statement: Cambridge Library Collection - Education
    DDC: 305.4209409034
    Abstract: The American journalist Theodore Stanton (1851–1925), son of the leading feminist and suffragist Elizabeth Cady Stanton, published this remarkable collection of essays in 1884. His intention had been to get from each European country 'the collaboration of one or more women, who … had participated, either actively or in spirit, in some phase of the women's movement'. In seventeen chapters, all but two written by women, the progress of 'the woman question' - the debate on the rights of women to financial independence, higher education and the franchise - across Europe (and in the Ottoman empire) is described, largely for an American and British readership. The work, introduced by the veteran feminist Frances Power Cobbe, has among the contributors (each given a short biography) many famous names in the struggle for women's rights at the end of the nineteenth century, including (from Britain) Millicent Garrett Fawcett, Jessie Boucherett and Maria Grey.
    Note: Title from publisher's bibliographic system (viewed on 20 Jul 2016)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : [Verlag nicht ermittelbar] | Cambridge, UK : Cambridge University Press
    ISBN: 9781139178631
    Language: English
    Pages: 1 Online-Ressource (100 pages)
    Series Statement: Cambridge library collection. Music
    DDC: 780.951
    RVK:
    Keywords: Musik ; China
    Abstract: First published in 1884 by the Statistical Department of the Inspectorate General of Customs in Shanghai, this work is probably best known as a source of musical material for Puccini's opera Turandot. It was reprinted several times and remained the primary source in a Western language of detailed information on Chinese music until the mid-twentieth century. Van Aalst, born in Belgium in 1858, spent his working life with the Imperial Maritime Customs Service where his ability as a musician was noticed by the Inspector General, Robert Hart. It is thought likely that the work was published to coincide with the London Health Exhibition of 1884 in South Kensington to which Van Aalst had been sent to lecture. Different types of music (ritual and popular), the range of instruments, and musical notation are all explained, the intention being to enable a better understanding of Chinese music by those in the West.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Library Location Call Number Volume/Issue/Year Availability
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