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  • 1920-1924
  • Dordrecht : Springer
  • 1
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401509336
    Language: English
    Pages: Online-Ressource (19p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Humanities ; Arts.
    Abstract: Introduction: Western and Eastern Early Christian Art -- 1: The Byzantine and the antique traditions during the VI, VII and VIII centuries -- II: Traces of Lombard and Carolingian influences and the Decadence of the antique tradition during the IX and X centuries -- III: The Benedictine school during the XI century and the origin of Romanesque painting -- IV: The Romanesque school in the XII and early XIII centuries -- V: Byzantine mosaics on the North coast of the Adriatic, in Rome, Sicily and elsewhere. Byzantine Painting in Southern Italy -- VI: Byzantine and Franciscan influences during the XIII century in Pisa, Lucca, Florence, Arezzo and Pistoia. The spread of the Franciscan crucifix -- VII: The XIII century painters of Siena and Umbria including Fabriano -- VIII: The evolution of the Byzantine and Romanesque traditions in Rome during the XIII century. Important monuments of this period at Parma and in South Italy -- IX: Cimabue and his school -- X: The Byzantine style and the classic tradition in Rome at the end of the XIII century. Jacopo Torriti, Filippo Rusuti and the Cosmati; Cavallini and his School -- Additional Notes -- Errata -- Indices.
    URL: Volltext  (lizenzpflichtig)
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  • 2
    ISBN: 9789401526784
    Language: English
    Pages: Online-Ressource (VI, 50 p) , digital
    Edition: Second, unaltered edition
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Humanities ; Arts.
    Abstract: of Part IV -- 151. A group of three figures round a table (chess-players?), the lady sitting on the left, with leaning her elbow on the table, and pressing her hand upon her brow -- 152. St. Jerome -- 153. Tobias healed of his blindness -- 154a. Sketch of an old man Walking to the right: two heads in the background -- 154b. The return of the Prodigal Son -- 155. The angels appearing to Jacob in his dream -- 156. Christ on the cross. A scene with many figures -- 157. View of a canal with houses on both sides -- 158. Study for a St. Jerome -- 159. A Persian prince pn his throne surrounded by nobles -- 160. Lot and his family led by the angel out of Sodom -- 161a. A woman sitting in an armchair -- 161b. A man in a broad hat, seated, reading a book -- 162a. Bust of an old man with a long beard -- 162b. A lion standing by the body of a dead man, stretched on the ground -- 163. View of the gate of a town, two round towers on the right -- 164. Two foreign birds with long tails -- 165. The resurrection of Lazarus -- 166. A woman seen from behind, dressed in a für jacket and leaning on a table. (Titus van Rijn and his nurse?) -- 167. The return of the Prodigal Son -- 168. A Philosopher in an armchair, looking to the right. Füll figure. Signed: R 11 1631 -- 169. The entombment of Christ. A composition of seven figures -- 170. Christ, with Mary and Martha, in the house of Lazarus -- 171. View of a wide piain -- 172a. Sketch for a composition with many figures. (St. Paul preaching in Athens?) In an architectural frame -- 172b. Manoah praying (Judges 13. 8.) -- 173. A leaf with sketches on both sides of the paper: -- 174. A judge on his seat, a group of figures before him. (Joseph reeeiving his brethern? Genesis 42, 3–8) -- 175. The reconciliation between Jacob und Ezau (?) (Genesis 33) -- 176. The Vision of Daniel (Dan. VIII) -- 177. Study for a landscape, with a group of trees, and a cottage by a canal -- 178. Hagar by the fountain in the.way to Sur. (Gen. 16. 7) -- 179. Portrait-bust of a lady in a cap plumed with an ostrich feather -- 180a. Study of a man asleep -- 180b. A Study of two pigs -- 181. The holy Family resting on the flight to Egypt. A night-piece -- 182. Christ in the Temple among the doctors -- 183. Tobit and the angel -- 184. The Circumcision -- 185. A Woman looking out of a window -- 186. A landscape, with a cottage, a group of trees on the left. Signed: Rembrandt L(eidensis) 1644 -- 187a. Bust of an old woman, turned to the left -- 187b. An old man seated, turned to the right. Signed: R. 1639. Red chalk -- 188a. The holy Family seated in a room, the Virgin asleep with the sleeping Child in her arms -- 188b. A child lying in a cradle -- 189a. A high road, with houses on both sides, leading out of a village -- 189b. Study of a cottage surrounded by trees on the margin of a piece of water -- 190. The good Samaritan bringing the wounded traveller to the inn -- 191. Three sketches of an old woman with a veil draped over her head; and a sketch of two women with a child -- 192a. A group of two figures in oriental costume leading an older man; and slight sketches of three other figures. Pen and ink -- 192b. Lot and his daughters -- 193. The Entombment of Christ. A composition of ten figures -- 194. Nathan admonishing David, (see no 144.) -- 195. Study of a group of eight figures, apparently, from their attitudes, listening to a sermon -- 196. Three gentlemen in high hats (Part of a study for the „Staalmeesters“) -- 197. Study of a young woman seated, the upper part of her figure naked -- 198. A group of figures for a composition of Christ before the people -- 199. Christ taken down from the cross -- 200. Christ amongst the disciples.
    URL: Volltext  (lizenzpflichtig)
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