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  • MPI Ethno. Forsch.  (14)
  • 2015-2019  (14)
  • Ann Arbor : University of Michigan Press  (14)
  • History  (14)
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  • 1
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 0472123947 , 0472900846 , 9780472900848 , 9780472123940 , 9780472130863
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 223 pages)
    Serie: Digital humanities
    Paralleltitel: Erscheint auch als Brennan, Sheila Ann, author Stamping American memory
    Schlagwort(e): Stamp collecting History ; Postage stamps History ; Electronic books ; ART / Prints ; CRAFTS & HOBBIES / Printmaking ; HISTORY / General ; Postage stamps ; Stamp collecting ; United States ; History ; Electronic books
    Kurzfassung: "In the age of digital communications, it can be difficult to imagine a time when the meaning and imagery of stamps was politically volatile. While millions of Americans collected stamps from the 1880s to the 1940s, Stamping American Memory is the first scholarly examination of stamp collecting culture and how stamps enabled citizens to engage their federal government in conversations about national life in early-twentieth-century America. By examining the civic conversations that emerged around stamp subjects and imagery, this work brings to light the role that these under- examined historical artifacts have played in carrying political messages. Sheila A. Brennan crafts a fresh synthesis that explores how the US postal service shaped Americans' concepts of national belonging, citizenship, and race through its commemorative stamp program. Designed to be saved as souvenirs, commemoratives circulated widely and stood as miniature memorials to carefully selected snapshots from the American past that also served the political needs of small interest groups. Stamping American Memory brings together the histories of the US postal service and the federal government, collecting, and philately through the lenses of material culture and memory to make a significant contribution to our understanding of this period in American history"--
    Kurzfassung: Building philatelic communities -- Learning to read stamps -- Federal participation in philately -- Shaping national identity with commemoratives in the 1920s and 1930s -- Representing unity and equality in New Deal stamps -- Appendix: American commemorative stamps issued, 1892-1940.
    Anmerkung: Includes bibliographical references and index
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  • 2
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 0472123440 , 0472901028 , 0472073729 , 0472053728 , 9780472901029 , 9780472073726 , 9780472053728 , 9780472073726 , 9780472123445
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Motion pictures History ; Motion pictures History ; Motion pictures History ; Motion picture industry History ; Motion picture industry History ; Motion picture industry History ; PERFORMING ARTS ; Reference ; ART ; General ; Motion picture industry ; Motion pictures ; China ; China ; Hong Kong ; Taiwan ; History ; Electronic books
    Kurzfassung: Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary.
    Kurzfassung: This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more
    Anmerkung: Includes bibliographical references and index
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  • 3
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 0472123912 , 0472901087 , 0472073818 , 9780472123919 , 9780472901081 , 9780472073818 , 9780472073818
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Theater: Theory/Text/Performance
    Paralleltitel: Erscheint auch als Bloom, Gina Gaming the stage
    Schlagwort(e): Theater History 16th century ; Theater History 17th century ; Theater and society History 16th century ; Theater and society History 17th century ; Games Social aspects 16th century ; History ; Games Social aspects 17th century ; History ; Electronic books ; Games ; Theater ; Great Britain ; History ; PERFORMING ARTS ; Theater ; General ; Electronic books
    Kurzfassung: "As we have entered a moment in history when games are more pervasive than ever, while theatrical plays tend to be relegated to the status of elite entertainment, it is vital that we ask: What do theatrical plays and games have in common, for their producers and their spectators? And what can we learn about gaming and about theater by uncovering the links between these media forms? Recent developments in digital gaming make these questions particularly timely and urgent. The emergence of performing arts games and the popularity of full-body gaming platforms like the Nintendo Wii and the Microsoft Kinect (best known for its use with Xbox systems) signal a return to traditional theatrical concepts in gaming. These games mandate that players become embodied performers, treat the game space as a kind of stage, and even encourage spectators to cluster around and watch gameplay as if it were a performance for an audience. Although the content of most of these games is dance or music, not theatrical drama, the gaming done via Xbox and Nintendo's Wii systems is fundamentally theatrical in design and effect. To understand this gaming technology and its social uses fully, we need to look more closely at a historical moment when theater and games were decidedly interdependent media technologies: the sixteenth and seventeenth centuries, or the 'early modern' period. My book turns to this moment in history to argue for games as theatrical media and theater as an interactive gaming technology"--
    Kurzfassung: Gaming history -- Cards: imperfect information and male friendship -- Backgammon: space and scopic dominance -- Chess: performative history and dynastic marriage.
    Anmerkung: Includes bibliographical references and index
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  • 4
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    ISBN: 9780472122455 , 0472900773 , 9780472900770
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 293 Seiten) , illustrations, figures, tables
    Paralleltitel: Print version Strange Science, Investigating the Limits of Knowledge in the Victorian Age
    Schlagwort(e): Science Great Britain ; History ; Science Social aspects ; History ; Science Social aspects ; Science ; Parapsychology ; Parapsychology History ; Electronic books ; Aufsatzsammlung ; Geschichte 1830-1900 ; Großbritannien ; Naturwissenschaften ; Forschungsmethode ; Großbritannien ; Parapsychologie ; Pseudowissenschaft ; Grenzwissenschaften
    Kurzfassung: Strange Science: Investigating the Limits of Knowledge in the Victorian Age is an unprecedented collection that examines marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science that we now view as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether incorporated into mainstream scientific thought, or relegated by 21st century historians to the category of the pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society
    Anmerkung: English
    URL: Volltext  (kostenfrei)
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  • 5
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Serie: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
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    Schlagwort(e): Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic book ; Electronic books.
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    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: Volltext  (kostenfrei)
    URL: FULL  ((Currently Only Available on Campus))
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  • 6
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472119806 , 9780472121809 , 0472121804 , 9780472900619 , 0472900617 , 047211980X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 263 pages)
    Ausgabe: The Hague OAPEN Foundation
    Serie: Knowledge Unlatched Round 2
    Serie: University of Michigan Press
    Serie: Knowledge Unlatched
    Schlagwort(e): Celebrities History 18th century ; Fame Social aspects 18th century ; History ; English literature History and criticism 18th century ; Theater History 18th century ; Privacy History 18th century ; Great Britain Civilization 18th century
    Kurzfassung: "How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégé George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography--and for anyone curious about the origins of the eighteenth-century self."
    Kurzfassung: Introduction -- The celebrity emerges as the deformed king: Richard III, the king of the dunces, and the overexpression of Englishness -- The growth of celebrity culture: Colley Cibber, Charlotte Charke, and the overexpression of gender -- The canon of print: Laurence Sterne and the overexpression of character -- The fate of overexpression in the age of sentiment: David Garrick, George Anne Bellamy, and the paradox of the actor -- The memoirs of Perdita and the language of loss: Mary Robinson's alternative to overexpression -- Coda: overexpression and its legacy
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  • 7
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    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472121557 , 0472121553 , 0472072951 , 9780472072958 , 0472052950 , 9780472052950 , 9780472900633 , 0472900633
    Sprache: Englisch
    Paralleltitel: Erscheint auch als Cole, Lucinda.; Imperfect creatures : vermin, literature, and the sciences of life, 1600-1740.
    Paralleltitel: Print version Cole, Lucinda Imperfect creatures : vermin, literature, and the sciences of life, 1600-1740
    Schlagwort(e): Literature and science History, 17th century. ; Literature and science History, 18th century. ; Pests in literature ; Science in literature ; Science in literature. ; Pests In literature. ; Literature and science History 18th century ; Literature and science History 17th century ; Pests in literature ; Science in literature ; Literature and science ; Literature and science ; BIOGRAPHY & AUTOBIOGRAPHY ; Literary ; NATURE ; Animals ; General ; Literature and science ; Pests in literature ; Science in literature ; History ; Electronic books
    Kurzfassung: Lucinda Cole's Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of "vermin" as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole's argument engages a wide historical swath of canonical early modern literary texts--William Shakespeare's Macbeth, Christopher Marlowe's The Jew of Malta, Abraham Cowley's The Plagues of Egypt, Thomas Shadwell's The Virtuoso, the Earl of Rochester's "A Ramble in St. James's Park," and Daniel Defoe's Robinson Crusoe and Journal of the Plague Year--alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems--notably those of feeding populations periodically stricken by hunger, disease, and famine--were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind's claim to dominion over the animal kingdom. In this context, Cole's study indicates, so-called "vermin" occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease--even reason and madness. This verminous discourse formed a foundational category used to carve out humankind's relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic--humans, animals, and even thoughts
    Kurzfassung: Lucinda Cole's Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of "vermin" as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole's argument engages a wide historical swath of canonical early modern literary texts--William Shakespeare's Macbeth, Christopher Marlowe's The Jew of Malta, Abraham Cowley's The Plagues of Egypt, Thomas Shadwell's The Virtuoso, the Earl of Rochester's "A Ramble in St. James's Park," and Daniel Defoe's Robinson Crusoe and Journal of the Plague Year--alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems--notably those of feeding populations periodically stricken by hunger, disease, and famine--were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind's claim to dominion over the animal kingdom. In this context, Cole's study indicates, so-called "vermin" occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease--even reason and madness. This verminous discourse formed a foundational category used to carve out humankind's relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic--humans, animals, and even thoughts
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 8
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    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 0472900595 , 0472119907 , 0472121944 , 9780472900596 , 9780472119905 , 9780472121946
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 256 pages) , illustrations
    Serie: Social history, popular culture, and politics in Germany
    DDC: 709
    RVK:
    Schlagwort(e): Bauhaus Influence ; History ; City and town life History 20th century ; Modernism (Aesthetics) History 20th century ; Arts, German History 20th century ; Germany History 1918-1933 ; Wrocław (Poland) Intellectual life 20th century ; Wrocław (Poland) Civilization 20th century ; Germany Intellectual life 20th century ; Electronic books
    Kurzfassung: "The Breslau arts scene during the Weimar period was one of the most vibrant in all of Germany, yet it has disappeared from memory and historiography. Breslau was a key center for innovative artistic production during the Weimar Republic; recovery of its history will shed new light on German cultural dynamics in the 1920s. Such a study has art historical significance because of the incredible extent of innovation that occurred in almost every intellectual field, advances that formed the basis for aesthetic modernism internationally and continue to affect the course of visual art and architecture today. Architecture education, just one example in many, is still largely based on a combination of the Bauhaus model from the 1920s and the model developed at the Breslau Academy of Fine and Applied Art. The exploratory attitude encouraged in Weimar era arts endeavors, as opposed to the conformism of academic art, is still a core value promoted in contemporary art and architecture circles. Given the long-lasting influence of Weimar culture on modernism one would expect to find a spate of studies examining every aspect of its cultural production, but this is not the case. Recent scholarship is almost exclusively focused on Berlin and the Dessau Bauhaus. Although both interests are understandable, the creative explosion was not confined to these cities but was part of a larger cultural ethos that extended into many of the smaller regional centers. The Expressionist associations the Blaue Reiter in Munich and Brücke in Dresden are two well-known examples. Equally, innovation was not confined to a few monumental projects like the Stuttgart Weissenhofsiedlung but part of a broader national cultural ethos. The dispersion of modernism occurred partly because of the political history of Germany as a loosely joined confederation of small city states and principalities that had strong individual cultural identities before unification in 1871 but also because of the German propensity to value and take intense pride in the Heimat, understood both as the hometown and the region. Heimatliebe translated into generous support for cultural institutions in outlying cities. Host to a roster of internationally acclaimed artists and architects, major collectors, arts organizations, museums, presses, galleries, and one of the premier German arts academies of the day, Breslau boasted a thriving modern arts scene until 1933 when the Nazis began their assault on so-called 'degenerate' art ...
    Kurzfassung: Introduction: Breslau and the culture of the Weimar Republic -- Tradition and modernity : urban planning in Breslau -- Another way to understand modernism : Breslau Wohnung und Werkbund Ausstellung, 1929 -- The Breslau Academy of Fine and Applied Arts -- Dissemination of taste : Breslau collectors, arts associations, and museums -- Between idealism and realism : architecture in Breslau -- A nonideological modernism : Breslau artists in the 1920s -- Epilogue
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  • 9
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    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472121984 , 0472121987 , 9780472900589 , 0472900587 , 0472073141 , 9780472053148 , 9780472073146 , 0472053140
    Sprache: Englisch
    Serie: Theater: Theory / Text/Performance
    Serie: Theater: Theory/Text/Performance
    Paralleltitel: Erscheint auch als Jakovljevic, Branislav Alienation effects
    Paralleltitel: Print version Jakovljević, Branislav Alienation effects
    Schlagwort(e): Socialism and the arts Yugoslavia ; History, 20th century. ; Performance art Political aspects ; Yugoslavia ; History, 20th century. ; Performance art Social aspects ; Yugoslavia ; History, 20th century. ; Performance art Social aspects 20th century ; History ; Performance art Political aspects 20th century ; History ; Socialism and the arts History 20th century ; Performance art ; Performance art ; Socialism and the arts ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Theater ; General ; Performance art ; Political aspects ; Socialism and the arts ; Yugoslavia ; History ; Electronic books
    Kurzfassung: Exciting new scholarship has been emerging as performance studies scholars begin to turn their attention to the performance of politics, nationhood, and jurisprudence. Branislav Jakovljevic's project on the history and eventual demise of the former Yugoslavia demonstrates how fruitful this approach can be. Jakovljevic considers the concept of theatricality as central to understanding the events that took place in Yugoslavia. He examines the country's trials, state ceremonies and festivals, army maneuvers, propaganda, and pop culture as "rehearsals and temporary enactments of an ideologically formulated future." His first chapter reveals the surrealist, avant-garde origins of key members of the Yugoslav bureaucracy after WWII, suggesting that those connections helped the culture of socialist Yugoslavia become a performance-centered culture. Continuing to explore the relationship between the political avant-garde and the artistic avant-garde, he looks at the spectacle of student demonstrations in Belgrade in 1968, and, in their aftermath, the rise of performance art in the country. The third chapter (included here) zeros in on the various political performances of Slobodan Milosevic, including his courtroom testimony at the ICTY, the International Criminal Tribunal for the former Yugoslavia. The fourth chapter discusses the "Peter Handke Affair," when the Austrian playwright had a major prize revoked after he attended Milosevic's funeral and recited a poem he had written in Milosevic's honor
    Kurzfassung: Exciting new scholarship has been emerging as performance studies scholars begin to turn their attention to the performance of politics, nationhood, and jurisprudence. Branislav Jakovljevic's project on the history and eventual demise of the former Yugoslavia demonstrates how fruitful this approach can be. Jakovljevic considers the concept of theatricality as central to understanding the events that took place in Yugoslavia. He examines the country's trials, state ceremonies and festivals, army maneuvers, propaganda, and pop culture as "rehearsals and temporary enactments of an ideologically formulated future." His first chapter reveals the surrealist, avant-garde origins of key members of the Yugoslav bureaucracy after WWII, suggesting that those connections helped the culture of socialist Yugoslavia become a performance-centered culture. Continuing to explore the relationship between the political avant-garde and the artistic avant-garde, he looks at the spectacle of student demonstrations in Belgrade in 1968, and, in their aftermath, the rise of performance art in the country. The third chapter (included here) zeros in on the various political performances of Slobodan Milosevic, including his courtroom testimony at the ICTY, the International Criminal Tribunal for the former Yugoslavia. The fourth chapter discusses the "Peter Handke Affair," when the Austrian playwright had a major prize revoked after he attended Milosevic's funeral and recited a poem he had written in Milosevic's honor
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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  • 10
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    Online-Ressource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 0472900587 , 0472053140 , 0472073141 , 0472121987 , 9780472900589 , 9780472053148 , 9780472073146 , 9780472121984
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 369 Seiten) , Illustrationen
    Serie: Theater: theory/text/performance
    Serie: Knowledge Unlatched Round 2
    Serie: University of Michigan Press
    Schlagwort(e): Geschichte 1954-1988 ; Performance art Political aspects 20th century ; History ; Performance art Social aspects 20th century ; History ; Socialism and the arts History 20th century ; Concept-art ; Performance ; Selbstmanagement ; Jugoslawien ; Jugoslawien ; Performance ; Geschichte 1945-1991
    Kurzfassung: Exciting new scholarship has been emerging as performance studies scholars begin to turn their attention to the performance of politics, nationhood, and jurisprudence. Branislav Jakovljevic's project on the history and eventual demise of the former Yugoslavia demonstrates how fruitful this approach can be. Jakovljevic considers the concept of theatricality as central to understanding the events that took place in Yugoslavia. He examines the country's trials, state ceremonies and festivals, army maneuvers, propaganda, and pop culture as "rehearsals and temporary enactments of an ideologically formulated future." His first chapter reveals the surrealist, avant-garde origins of key members of the Yugoslav bureaucracy after WWII, suggesting that those connections helped the culture of socialist Yugoslavia become a performance-centered culture. Continuing to explore the relationship between the political avant-garde and the artistic avant-garde, he looks at the spectacle of student demonstrations in Belgrade in 1968, and, in their aftermath, the rise of performance art in the country. The third chapter (included here) zeros in on the various political performances of Slobodan Milosevic, including his courtroom testimony at the ICTY, the International Criminal Tribunal for the former Yugoslavia. The fourth chapter discusses the "Peter Handke Affair," when the Austrian playwright had a major prize revoked after he attended Milosevic's funeral and recited a poem he had written in Milosevic's honor
    Kurzfassung: Bodywriting: Performance State -- Syntactical Performances: Beyond the Performance Principle -- Disalienation Defects: A Federation of Interests -- Afterword
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  • 11
    ISBN: 9780472121502
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 309 Seiten) , Illustrationen
    Serie: Class : culture
    Paralleltitel: Erscheint auch als Balthaser, Benjamin Anti-imperialist modernism
    DDC: 303.48/4
    RVK:
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    Schlagwort(e): Radicalism History 20th century ; Anti-imperialist movements History 20th century ; Social movements History 20th century ; Imperialism History 20th century ; United States Race relations 20th century ; History ; United States Social conditions 20th century ; United States Politics and government 20th century ; Electronic books. ; History. ; USA ; Imperialismus ; Rassismus ; Antikolonialismus ; Soziale Bewegung ; Geschichte 1929-1989
    Kurzfassung: Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression. The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the prewar “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anticolonial networks of North/South solidarity.
    Anmerkung: Includes bibliographical references (pages 287-299) and index
    URL: JSTOR
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  • 12
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472121809
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 280 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
    RVK:
    Schlagwort(e): Geschichte 1700-1800 ; Geschichte 1696-1801 ; Geschichte ; Gesellschaft ; Celebrities History 18th century ; Fame Social aspects 18th century ; History ; English literature History and criticism 18th century ; Theater History 18th century ; Privacy History 18th century ; Privatsphäre ; Historische Persönlichkeit ; Selbstdarstellung ; Großbritannien ; Great Britian Civilization 18th century ; Großbritannien ; Großbritannien ; Historische Persönlichkeit ; Selbstdarstellung ; Privatsphäre ; Geschichte 1696-1801
    Anmerkung: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 13
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 0472900102 , 0472121146 , 0472052691 , 0472072692 , 9780472121144 , 9780472052691 , 9780472121144 , 9780472072699 , 9780472900107
    Sprache: Englisch
    Seiten: 1 Online-Ressource (154 pages)
    Serie: Landmark video games
    Paralleltitel: Erscheint auch als Ruggill, Judd Ethan Tempest
    Schlagwort(e): Video games Design ; History ; Video games Social aspects ; Tempest (Video game) ; Tempest (Video game) ; Video games ; Design ; Video games ; Social aspects ; Videospiel ; Ästhetik ; Design ; United States ; History ; History ; COMPUTERS ; General
    Kurzfassung: "Atari's 1981 arcade hit Tempest was a "tube shooter" built around glowing, vector-based geometric shapes. Among its many important contributions to both game and cultural history, Tempest was one of the first commercial titles to allow players to choose the game's initial play difficulty (a system Atari dubbed "SkillStep"), a feature that has since became standard for games of all types. Tempest was also one of the most aesthetically impactful games of the twentieth century, lending its crisp, vector aesthetic to many subsequent movies, television shows, and video games. In this book, Ruggill and McAllister enumerate and analyze Tempest's landmark qualities, exploring the game's aesthetics, development context, and connections to and impact on video game history and culture. By describing the game in technical, historical, and ludic detail, they unpack the game's latent and manifest audio-visual iconography and the ideological meanings this iconography evokes."--Publisher's description
    Kurzfassung: Reading Tempest -- A genealogy of Tempest -- Contexts -- Life after Tempest.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 14
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 047212126X , 0472900099 , 0472072757 , 0472052756 , 9780472072750 , 9780472900091 , 9780472052752 , 9780472121267
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations
    Serie: Editorial theory and literary criticism
    Originaltitel: Digital culture books
    Paralleltitel: Erscheint auch als Gailey, Amanda A Proofs of genius
    Schlagwort(e): Whitman, Walt Appreciation ; Dickinson, Emily Appreciation ; American literature Appreciation 20th century ; History ; Literature publishing History 19th century ; Literature publishing History 20th century ; Editions History ; Editing History ; Canon (Literature) ; Authorship History ; American literature Appreciation 19th century ; History ; LITERARY CRITICISM ; Semiotics & Theory ; LITERARY CRITICISM ; General ; American literature ; Appreciation ; Art appreciation ; Authorship ; Canon (Literature) ; Editing ; Editions ; Literature publishing ; Whitman, Walt ; United States ; History ; Dickinson, Emily
    Kurzfassung: "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--
    Kurzfassung: America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated.
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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