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  • 1
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
    RVK:
    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 2
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
    RVK:
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
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  • 3
    ISBN: 978-3-8325-5249-7
    Language: German , French
    Pages: 156 Seiten : , Illustrationen ; , 21 cm x 14.5 cm.
    Edition: Erstausgabe Paris, 1863
    RVK:
    Keywords: Viardot-García, Pauline ; Geschichte 1800-1900 ; Klassische Musik. ; Gesang. ; Musikalische Aufführungspraxis. ; Frankreich. ; Gesangsschule ; Oper ; Frankreich ; 19. Jahrhundert ; 22 ; 49 ; Klassische Musik ; Gesang ; Musikalische Aufführungspraxis ; Geschichte 1800-1900 ; 1821-1910 Viardot-García, Pauline
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