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  • 2020-2024  (9)
  • Kultur
  • History and criticism
  • American Studies
Datasource
Material
Language
Year
  • 1
    Language: German
    Parallel Title: Elektronische Reproduktion Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , Maschinenschrift
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  • 2
    Language: German
    Pages: TIFF, 300 dpi, Farbe; Digitalisierungsvorlage: Primärausgabe
    Edition: Online-Ausgabe Greifswald Universitätsbibliothek 2021 Digitalisierte Drucke der Universitätsbibliothek Greifswald
    Parallel Title: Elektronische Reproduktion von Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift
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  • 3
    ISBN: 9781839766121
    Language: English
    Pages: xi, 261 Seiten
    Edition: Paperback edition
    DDC: 305.89604
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    Keywords: Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Note: First published in the United Kingdom by Verso 1993
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  • 4
    ISBN: 9783423290098 , 3423290099
    Language: German
    Pages: 238 Seiten , 21 cm x 13.5 cm
    Uniform Title: Notes of a native son
    DDC: 305.896073
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    Keywords: Autobiografie ; USA ; Schwarze ; Kultur ; Alltag ; Rassismus ; Geschichte 1943-1963
    Abstract: J. Baldwin gilt als einer der bedeutendsten US-amerikanischen Schriftsteller des 20. Jahrhunderts. Seine grossen Themen sind der Rassismus sowie die Fragen nach Identität und Gleichstellung unterschiedlicher ethnischer, sozialer, religiöser oder sexuell orientierter Gruppen. Der Essayband vereint Texte aus den Jahren 1948-1955. Fast immer wählt Baldwin einen persönlichen Zugang zu seinen Themen, egal, ob es um Alltagsphänomene, Kunst, Politik oder Geschichte geht. Dies macht die sprachlich sehr eleganten und geschliffenen Aufsätze sehr authentisch. Besonders eindringlich sind die Essays, die sich mit seiner eigenen Herkunft, Harlem und seinem Stiefvater beschäftigen; ebenso aber die Beschreibungen der Anfeindung und Ausgrenzung, die ihm in einem Dorf in der Schweiz widerfahren sind. Baldwins Texte sind nach über 60 Jahren von bemerkenswerter und erschreckender Aktualität. Die vorliegende Neuübersetzung durch M. Mandelkow ist die erste vollständige deutschsprachige Ausgabe von "Notes of a Native Son" (Original erstmals 1955 erschienen). Die Lektüre ist inspirierend, bereichernd - breit einsetzbar. (2)
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  • 5
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 6
    Book
    Book
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Language: English
    Pages: x, 185 Seiten
    DDC: 305.896/073
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    Keywords: Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Abstract: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 9780190086251
    Language: English
    Pages: xxii, 741 Seiten , Illustrationen, Diagramme, Karten
    DDC: 897/.09
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    Keywords: American literature Indian authors ; History and criticism ; Indians of North America Intellectual life ; Indians in literature ; Amerika ; Indigenes Volk ; Literatur ; Geschichte ; Nordamerika ; Indianer ; Literatur
    Note: Literaturangaben , Hier auch später erschienene, unveränderte Nachdrucke
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  • 8
    Image
    Image
    London : Jonathan Cape
    ISBN: 9781910702581
    Language: English
    Pages: 264 Seiten , 28 cm
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    Keywords: Chipewyan ; Kultur ; Dene ; Mackenzie-River-Tal ; Comic ; Comic ; Comic ; Comic ; Comic ; Comic ; Mackenzie-River-Tal ; Chipewyan ; Dene ; Kultur
    Abstract: "The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to "remove the Indian from the child"; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture-recounted in stunning visual detail by one of the greatest cartoonists alive"--
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  • 9
    ISBN: 9781433180187 , 9781433180194 , 9781433180200
    Language: English
    Pages: 1 Online-Ressource (x, 340 Seiten)
    Edition: 25th anniversary edition
    Parallel Title: Erscheint auch als Lee, A. Robert, 1941 - Designs of blackness
    DDC: 810.9896073
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    Keywords: American prose literature African American authors ; History and criticism ; Slaves Biography ; History and criticism ; African Americans Biography ; History and criticism ; Slaves' writings, American History and criticism ; Slaves Intellectual life ; Autobiography African American authors ; African Americans Intellectual life ; African Americans in literature ; Race in literature ; USA ; Schwarze ; Literatur ; Geschichte
    Abstract: "Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings - each literary-critical and comparative while at the same time offering cul-tural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the liter-ary contours of America's premier black city. Womanism, Alice Walker's presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regu-lation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn; his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young"--
    Note: Includes bibliographical references and index
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